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Runtas: Journal of Arts and Culture
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : 29886546     DOI : -
Core Subject : Art,
Arts
Runtas: Journal of Fine and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics includes Ethnomusicology, Karawitanology, Music Education, Dance Theatre, Movie and Television, Interior Design, Industrial Design, Media Arts, Fine Arts, Photography These topics are addressed in full-length academic articles, critical statements on current issues, developmental practice, and reviews of books and live/media-based visual and performing arts. The journal presents an innovative platform for researchers, students, practitioners and educators to both learn from and contribute to the field. All articles are subject to initial Editor screening and then a rigorous double-blind peer-review process before publication.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 64 Documents
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ARWANA FISH BATIK MOTIF IN CASUAL CLOTHES Desinta, Vania Vicky
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5357

Abstract

Arowana fish, a protected species due to its dwindling population, became the inspiration for this work. The aims of this work are: (1) to develop a batik motif design inspired by the arowana fish; (2) designing casual clothes with arowana fish batik motifs; and (3) the use of arowana fish-inspired batik motifs on casual clothing. SP Gustami's theory is used in the work production process, which consists of three stages of six steps: investigation, design, and embodiment. The investigation stage includes finding as much information as possible about the arowana. The design stage comes next, when many factors are taken into account, including functional characteristics, materials, processes, aesthetics and ergonomics. The embodiment step, which involves turning a design into a work, is the final phase. The dab method using Remasol dye is used for colorin fish g. The final product consists of four casual wear items with the names Antarrazka, Sraddha, Upeksha and Antarsukha. The design is inspired by arowana fish.
PITHECANTHROPUS ERECTUS BATIK FOR HAUTE COUTURE CLOTHES: A BLEND OF PRIMITIVE AND MODERN STYLES Hermawati, Dwi Puji
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5387

Abstract

ABSTRACTThe source of the idea for the creation of this final project is the discovery of the Pithecanthropus Erectus fossil which is enshrined in the Song Terus Pacitan museum, this discovery is one of the earliest evidences of human evolution in prehistoric times. Phitechanthropus Erectus is an ancient human species that lived 1.9 million years ago. The characteristics of ancient humans, Phitechanthropus Erectus, had a more robust body than their predecessors. The purpose of making this work is to 1. Create a written batik motif design with the source idea of Pithecanthropus Erectus with a blend of primitive and modern styles 2. Create a haute couture fashion design with a source of batik ideas from pithecanthropus erectus combining primitive and modern styles 3. Apply the Pithecanthropus written batik motif Erectus into Haute Couture fashion design. The method in creating this work uses the principle of 3 stages, namely Exploration, Design and Realization. The final work produced is in the form of 5 Haute couture clothing with abstract coloring techniques on batik motifs. The finished batik cloth is combined with brocade and toyyobo fabrics which are applied to haute couture clothing. The motif title for this work is "Primi Hominis" which comes from the Greek language which means the First Man. The resulting work consists of 5 batik consisting of 5 batik motif designs, namely (1) Pusering jagat Batik Motif Design (2) Pawonan Batik Motif Design (3) Hanguripi Batik Motif Design (4) Riba mburu Batik Motif Design (5) Batik Motif Design ancient stone, which has the main motif of pithechanthropus erectus and 5 Haute couture clothing, namely (1) Spelaiotai (2) Synergasia (3) Agrotikos (4) Dimiourgikos (5) Kainotomos. This batik will be mixed and matched with haute couture clothing. In every haute couture fashion has a different form.
NIGHT PARTY PUCUAK RABUANG MOTIF INSPIRATION Anggara, Egi; Yanuarmi, Dini; Irja
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The work entitled “The Creation of Evening Party Dresses Inspired by the Pucuak Rabuang Motif” was inspired by evening party dresses and the pucuak raburan motif. Clothing is generally an expression or personal expression that is not always the same for everyone, the clothing created is an A-line silhouette evening party dress. Motif is a pattern that is formed in such a way as to produce a variety of shapes. The motif which is the source of the idea in this work is the pucuak raburan motif seen from the perspective of a mirror above the water. Everything that is visible above the water will be seen in two and upside down. Likewise, the pucuak raburan motif which is applied to this work resembles an inverted triangle motif as seen from above the water. The materials used are Silungkang songket, bridal sateen, brocade and velvet, consisting of ready to wear, ready to wear deluxe and houte couture clothing levels. In the embodiment using semi boutique techniques and boutique techniques. The method of creation that is carried out starts from preparation, namely looking for books or references related to the idea of ​​creation that is made, conducting a field survey to find the source of the idea or theme and the formulation of the idea of ​​creation to get to know more about the form of the work produced
SIBA AS A CONTEMPORARY FASHION INSPIRATION Suksa Hanifa, Nidya; Imelda, Desra; Rahmat, Fadri
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The work entitled "Siba As Inspiration for Contemporary Clothing" was inspired by siba which is found in Minangkabau women's traditional clothing, namely the basiba kuruang shirt. Siba is a piece that is located on the left and right sides of the basiba kurung shirt which functions to increase the looseness of the clothes. The creators design clothes with innovative models into contemporary clothing. Creating this work with the aim of increasing the existence of the basiba kurung shirt and making it attractive to all Minangkabau women, and remaining in line with the Minangkabau adage, namely adat basandi syarak, syarak basandi Kitabullah. The process of embodiment of this work begins with exploration to produce sketches and designs, then the craftsmen carry out embodiments by sewing works using semi-boutique and boutique techniques. Using materials in accordance with the three concepts created. The works created by Siba as inspiration for contemporary fashion are three ready-to-wear works, two ready-to-wear delux works, and one houte couture work with each concept using the same color nuance.

Page 7 of 7 | Total Record : 64

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