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Runtas: Jurnal Fesyen dan Wastra Nusantara
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : 29886546     DOI : -
Core Subject : Art,
Arts
Runtas: Jurnal Fesyen dan Wastra Nusantara its contributions from academics and practitionerresearchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domainspecific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. Scope of the journal includes: • Cultural, historical, and anthropological studies of Nusantara textiles • Contemporary fashion design inspired by traditional textiles • Techniques, innovation, and technology in fabric and clothing manufacturing • Creative economy, entrepreneurship, and locally-based fashion industry • Analysis of local and global fashion trends related to Nusantara culture • Preservation, revitalization, and documentation of traditional fabric • Sustainable fashion and ethics in the textile industry • Identity, gender, and representation in traditional fashion and fabrics • Cross-disciplinary collaboration in the development of Nusantara fashion and textiles
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 71 Documents
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ARWANA FISH BATIK MOTIF IN CASUAL CLOTHES Desinta, Vania Vicky
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5357

Abstract

Arowana fish, a protected species due to its dwindling population, became the inspiration for this work. The aims of this work are: (1) to develop a batik motif design inspired by the arowana fish; (2) designing casual clothes with arowana fish batik motifs; and (3) the use of arowana fish-inspired batik motifs on casual clothing. SP Gustami's theory is used in the work production process, which consists of three stages of six steps: investigation, design, and embodiment. The investigation stage includes finding as much information as possible about the arowana. The design stage comes next, when many factors are taken into account, including functional characteristics, materials, processes, aesthetics and ergonomics. The embodiment step, which involves turning a design into a work, is the final phase. The dab method using Remasol dye is used for colorin fish g. The final product consists of four casual wear items with the names Antarrazka, Sraddha, Upeksha and Antarsukha. The design is inspired by arowana fish.
PITHECANTHROPUS ERECTUS BATIK FOR HAUTE COUTURE CLOTHES: A BLEND OF PRIMITIVE AND MODERN STYLES Hermawati, Dwi Puji
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5387

Abstract

ABSTRACTThe source of the idea for the creation of this final project is the discovery of the Pithecanthropus Erectus fossil which is enshrined in the Song Terus Pacitan museum, this discovery is one of the earliest evidences of human evolution in prehistoric times. Phitechanthropus Erectus is an ancient human species that lived 1.9 million years ago. The characteristics of ancient humans, Phitechanthropus Erectus, had a more robust body than their predecessors. The purpose of making this work is to 1. Create a written batik motif design with the source idea of Pithecanthropus Erectus with a blend of primitive and modern styles 2. Create a haute couture fashion design with a source of batik ideas from pithecanthropus erectus combining primitive and modern styles 3. Apply the Pithecanthropus written batik motif Erectus into Haute Couture fashion design. The method in creating this work uses the principle of 3 stages, namely Exploration, Design and Realization. The final work produced is in the form of 5 Haute couture clothing with abstract coloring techniques on batik motifs. The finished batik cloth is combined with brocade and toyyobo fabrics which are applied to haute couture clothing. The motif title for this work is "Primi Hominis" which comes from the Greek language which means the First Man. The resulting work consists of 5 batik consisting of 5 batik motif designs, namely (1) Pusering jagat Batik Motif Design (2) Pawonan Batik Motif Design (3) Hanguripi Batik Motif Design (4) Riba mburu Batik Motif Design (5) Batik Motif Design ancient stone, which has the main motif of pithechanthropus erectus and 5 Haute couture clothing, namely (1) Spelaiotai (2) Synergasia (3) Agrotikos (4) Dimiourgikos (5) Kainotomos. This batik will be mixed and matched with haute couture clothing. In every haute couture fashion has a different form.
NIGHT PARTY PUCUAK RABUANG MOTIF INSPIRATION Anggara, Egi; Yanuarmi, Dini; Irja
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

The work entitled “The Creation of Evening Party Dresses Inspired by the Pucuak Rabuang Motif” was inspired by evening party dresses and the pucuak raburan motif. Clothing is generally an expression or personal expression that is not always the same for everyone, the clothing created is an A-line silhouette evening party dress. Motif is a pattern that is formed in such a way as to produce a variety of shapes. The motif which is the source of the idea in this work is the pucuak raburan motif seen from the perspective of a mirror above the water. Everything that is visible above the water will be seen in two and upside down. Likewise, the pucuak raburan motif which is applied to this work resembles an inverted triangle motif as seen from above the water. The materials used are Silungkang songket, bridal sateen, brocade and velvet, consisting of ready to wear, ready to wear deluxe and houte couture clothing levels. In the embodiment using semi boutique techniques and boutique techniques. The method of creation that is carried out starts from preparation, namely looking for books or references related to the idea of ​​creation that is made, conducting a field survey to find the source of the idea or theme and the formulation of the idea of ​​creation to get to know more about the form of the work produced
SIBA AS A CONTEMPORARY FASHION INSPIRATION Suksa Hanifa, Nidya; Imelda, Desra; Rahmat, Fadri
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

The work entitled "Siba As Inspiration for Contemporary Clothing" was inspired by siba which is found in Minangkabau women's traditional clothing, namely the basiba kuruang shirt. Siba is a piece that is located on the left and right sides of the basiba kurung shirt which functions to increase the looseness of the clothes. The creators design clothes with innovative models into contemporary clothing. Creating this work with the aim of increasing the existence of the basiba kurung shirt and making it attractive to all Minangkabau women, and remaining in line with the Minangkabau adage, namely adat basandi syarak, syarak basandi Kitabullah. The process of embodiment of this work begins with exploration to produce sketches and designs, then the craftsmen carry out embodiments by sewing works using semi-boutique and boutique techniques. Using materials in accordance with the three concepts created. The works created by Siba as inspiration for contemporary fashion are three ready-to-wear works, two ready-to-wear delux works, and one houte couture work with each concept using the same color nuance.
THE FIVE HUMAN SENSES AS BATIK MOTIFS FOR CASUAL CLOTHING : INGGRIS Arif Riyan Fauzi; Guntur
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 2 (2025): Exploration of Batik Motifs and Technique
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

The five human senses are a physiological system in the human body which has the function of recognizing, feeling and receiving various physical stimuli. The Five Senses are unique and contain many values in them. The aim of this final assignment is to be able to describe and be able to create.which can later be developed into the creation of written batik motifs. The exploration stage is the first stage by directly observing the human senses which will then lead to the design stage of alternative designs which will later be selected and used as motifs and designs for clothing.casual.Embodiment, is the final stage, where this stage begins with making patterns, scratching, batiking, coloring, locking colors, sagging, and sewing until finishing. The process of creating this work uses dabbing techniques and uses tools and materials such as wax, canting, stove, remasol dye, primisima cloth, and brocade cloth. The results of the creation of this work are 5 casual clothes with different titles and meanings for each dress, namely the work 1 with the title Grana, work 2 with the title Sesanti, work 3 with the title Tutur, work 4 with the title Gegaran, and work 5 with the title Senguhan. This design produces an innovation to inform the human senses and also batik art in the fieldfashion. Keywords: Human Five Senses, Batik, Clothing, Casual
SANG HYANG SEMARA RATIH AS A SOURCE OF IDE THE CREATION OF BATIK MOTIFS IN CASUAL FASHION Sinta Dewi; Muhammad Arif Jati Purnomo
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 2 (2025): Exploration of Batik Motifs and Technique
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

Sang Hyang Semara Ratih is a symbol for Balinese Hindus.Another parable Sang Hyang Semara ratih is the meeting of spermatozoa with ovum and also the moon and the sun. The purpose of this project entitled “Sang Hyang Semara Ratih Sebagai Sumber Ide Penciptaan Motif Batik Pada Busana Casual” is to describe the idea, create a written batik with the source of the idea to add a variety of Balinese motifs and design casual clothing by applying the Sang Hyang Semara Ratih motif’s through an aesthetic approach. Data information is obtained from literature study and visual review. The method of art creation uses 3 stages of 6 steps, in the form of exploration, design and realization. The output results are: 2 pairs of casual clothes, a draft of scientific article, catalog of works and HaKi for “Batik Sang Hyang Semara Ratih”. The casual clothing created each has a title based on its character and appearance, namely the first pair of works has the title “Angsung Smara” and “Tadhah Sih” with a batik motif entitled “Sasmitamerta”, and the second pair of works has the title “Baskara” and “Basanta” with a batik motif entitled “Candradisti”. Adult women and men from 18 years old to 40 years old is a target for this casual fashion.  
PEGON ARABIC LETTER STYLING IN CREATION OF BATIK MOTIFS ON CASUAL CLOTHING Mutika Windi, Della Putri; Sudarwanto, Aan
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 2 (2025): Exploration of Batik Motifs and Technique
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

Arabic Pegon is an Arabic script used to write regional languages. The Arabic Pegonscript originates from the Javanese Arabic " pego " or Arabic Jawi, which means todeviate. The final project delivers the theme "Arabic Pegon." in designing batik motifson casual clothing. The final assignment of this work the author wants to introduceand create very attractive casual clothing with Arabic Pegon designs that can fostergreater public appreciation and understanding of this script as part of Islamic historyand the richness of Indonesian culture. This uniqueness embodies creativity fordesigning works. The design of the work applies written batik techniques by applyingart design methods in the form of exploration, incubation, conceptualization, and materialization. The conclusion obtained is four batik motifs with Arabic Pegon ideas that are applied to casual clothing . The four clothing works are entitled Work 1 "Nurul Bainal Huruf", clothing 2 "Nourayya", clothing 3 "Mutri", clothing 4 "Mutika". With the existence of these four works, making Arabic Pegon letters as a source of ideas is expected to be better known by the wider community, and encourage Indonesian people to maintain Arabic Pegon letters as one of the cultural and historical heritages as well as a source of knowledge and classical literature.
TECHNICAL KNOWLEDGE OF CREATING DIGITAL VISUAL CONTENT FOR MODEST FASHION BRANDING: A CASE STUDY OF STUDENT INTERNSHIP AT PT BILQIS BANGUN CITRA Safany, Wasi; Maharani, Amanda Chandra; Nur Hajja, Syarifah
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 2 (2025): Exploration of Batik Motifs and Technique
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

This study discusses branding strategies in the modest fashion industry through digital visual content based on the internship experience of a Batik Fashion Design student from ISI Surakarta at PT Bilqis Bangun Citra. Using a descriptive qualitative approach with a practice-based artistic method, the study shows that the production of visual content such as product catalogs, promotional videos, and live social media broadcasts significantly strengthens brand identity. The student’s involvement enhanced both technical skills and cultural communication within the local fashion industry. Keywords: digital branding, visual content, modest fashion, internship, MBKM
DASAMUKA GANDRUNG : THE IDEA CREATION OF BATIK MOTIFS FOR READY TO WEAR anna, amriadiyatrohmanna123; Muhammad Arif Jati Purnomo
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 2 (2025): Exploration of Batik Motifs and Technique
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

Prabu Dasamuka or Rahwana was the king of Alengka who had ten faces or personalities. The Dasamuka Gandrung story was used to create batik motifs that were then applied to ready to wear clothing. The tragic love story of Dasamuka for Dewi Shinta serves as the main backdrop for the motif creation, with a focus on the deformation of Dasamuka's appearance, applied to primisima cotton fabric through batik writing techniques, dyeing, and the process of creating ready-to-wear clothing. Gustami's creation method uses a three-stage, six-step approach, including story exploration, motif sketch and clothing design, and the realization stage, such as pattern making, batik, dyeing, finishing, sewing, and finishing. This collection is designed for adult women aged 20–40 who need semi-formal casual. It consists of four pieces of clothing, namely Danastri with the Lara Branta motif, Lalita with the Harana motif, Apsari with the Adarma motif, and Cintya with the Susetya motif. This work is expected to introduce the Dasamuka Gandrung puppet character in the form of batik motifs to the wider community as an effort to preserve culture through ready-to-wear.
UTILIZATION OF SODIUM ALGINATE AS A FIBER BINDING MEDIUM IN TEXTILE WASTE RECYCLING PROCESS Zefanya Maria Soraya; Sulistyati , Apika Nurani
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 2 (2025): Exploration of Batik Motifs and Technique
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

The textile industry plays a vital role in human life but also ranks among the highest contributors to global environmental pollution. Textile waste is often non-biodegradable, leading to severe environmental issues such as water contamination and increased greenhouse gas emissions. One promising solution lies in eco-friendly recycling methods using biomaterials. This study explores the use of sodium alginate, a brown algae-derived biopolymer, as a fiber-binding medium in the recycling of textile waste through a crosslinking method with calcium chloride (CaCl₂). Sodium alginate, which dissolves easily in water, reacts with calcium ions to form a strong and elastic gel. In this process, textile waste in the form of fabric and yarn is broken down into staple fibers and then recombined using sodium alginate and calcium chloride. The crosslinking mechanism strengthens fiber bonds and produces a new alginate-based yarn material suitable for sustainable textile development. Results indicate that this combination forms a water-resistant, flexible, and environmentally friendly binder. Therefore, this method offers an innovative alternative for managing textile waste while promoting circular economy principles in the fashion industry.

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