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Prodi Desain Mode Batik, Jurusan Kriya, Fakultas Seni Rupa dan Desain ISI Surakarta. Kampus II: Jl. Ring Road, Mojosongo, Kec. Jebres, Kota Surakarta, Jawa Tengah 57127
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Runtas: Journal of Arts and Culture
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : 29886546     DOI : -
Core Subject : Art,
Arts
Runtas: Journal of Fine and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics includes Ethnomusicology, Karawitanology, Music Education, Dance Theatre, Movie and Television, Interior Design, Industrial Design, Media Arts, Fine Arts, Photography These topics are addressed in full-length academic articles, critical statements on current issues, developmental practice, and reviews of books and live/media-based visual and performing arts. The journal presents an innovative platform for researchers, students, practitioners and educators to both learn from and contribute to the field. All articles are subject to initial Editor screening and then a rigorous double-blind peer-review process before publication.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 64 Documents
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DEVELOPING BATIK-BASED BRIDE CLOTHES DESIGN WITH JAVANESE SCRIPT MOTIFS Wulansari, Intan; Subagya, Timbul
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 2 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4832

Abstract

The selection of Javanese alphabet as a theme of artwork motive creation is intended to introduce and preserve Indonesian cultures through artwork. There are three objectives of this artwork creation. First, creating handmade batik motive design in the form of Javanese alphabet style. Second, creating new design of Javanese blouse. Third, applying handmade batik motive derived from Javanese alphabet to the Javanese blouse. Data for analysis was collected through literature review and field exploration. The art creation method of SP. Gustami was used for creating the artwork which consists of three steps, namely exploration, design and embodiment. As a result, we managed to create four handmade batik motives in the form of Javanese alphabet style. Each motive was given a title according to its characteristics, namely Puspa Nala, Puspa Kara, Puspa Hayu, and Puspa Jawi. Finally, it can be concluded that this art creation produces innovation in the form of handmade batik motives derived from Javanese alphabet and applied for the Javanese blouse
AN EFFORT TO PRESERVE NATIONAL CULTURE BY CREATING BATIK MOTIFS ON WOMEN'S CASUAL CLOTHING WITH THE THEME OF LARUNG SESAJI Anggita, Elisa Bella; Guntur
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 2 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4844

Abstract

The work entitled An Effort to Preserve National Culture by Creating Batik Motifs on Women’s Casual Clothing with the Theme of Larung Sesaji was created to satisfy the interest of revealing the meaning behind the celebration of Larung Sesaji. The work is aiming at creating a new batik motif with theme of Larung Sesaji as well as an identification of Indonesian culture applied in women’s casual wear. The creator hopes that this effort can inspire the other creators to contribute to promote Indonesian culture through their works. This creation uses three stages and six steps, namely data collection stages, design stages, and embodiment stages. Data collection stage was conducted through an observation at the ceremony of larung sesaji. The collected data are then be used as a substance for the design stages, namely to design or visualize the source obtained into an alternative, selected, and perfected designs. The embodiment stage or making real works of batik was conducted with the cover dye technique employing natural colors and then sewing it to create casual clothing for women. The work managed to create four fashion creations, entitled Bahtera Sagara by the name of Lakara Meraki motif, Rahsa Linuhung in the name of Abyudaya Dakara motif, Grahita Sampena by the name of Hirap Mara motif, and Dahayu Kalis by the name of Asa Arshaka motif. Each creation is complemented by accessories such as earrings, hair ornaments and shoes. By this work, the creators try to introduce the public, especially young people, the idea of the important of preserving Indonesian culture.
SEKATEN NIGHT MARKET TOYS AND GAMES BATIK MOTIFS: AN APPLICATION FOR CHILDREN'S CASUAL CLOTHES Nur Kholifah, Ainun; Nur Hajja, Syarifah
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 2 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4859

Abstract

The aims of this creation are to re-introduce the rides and games in Sekaten Night Market to children through batik motif which is be applied to children's casual clothing. The method used in this creation are exploration, design, and embodiment. The process of creating works starts from the exploration stage, namely by observing the rides and traditional sekaten games. Designing process was conducted by determining alternative designs to be selected as batik motifs that are applied to children's casual clothing through the process embodiments. The embodiment technique applied to the entire work uses the dab coloring written batik technique using remasol dye. The output in the creation of this work is in the form of four children’s casual wear that consists of two girl wears and two boy wears. In this work there are four titles of batik motif works with names “Ceplok Bianglala”, “Tambal Kora-Kora”, “Parang Otok-Otok” and “Kawung Gangsing”. Besides, there are four fashion title, namely “Kenes”, “Hasya”, “Abinaya”, and “Meraki”. The end result of the creation of this work is suitable for children's casual clothing.
DANDELIONS AS MOTIF CREATION CONSTRUCT FOR READY TO WEAR Sandra, Alek; Komariah, Arfiati Nurul
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 2 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4883

Abstract

The main source of ideas that form the basis for the creation of fashion works is the dandelion flower which has 2 kinds of flower petals. The form and use of dandelion flowers makes the writer interested in creating batik motifs with elements of dandelion images. The purpose of this research, among other things, is to create a batik motif design with the source of the dandelion flower idea. Apart from that, it is also to create ready-to-wear fashion designs. The next goal is to apply dandelion batik motifs to the Ready To Wear clothing that will be created in this work. The method used for this research uses the method of art creation from Gustami SP, namely data collection, design and embodiment. The technique used in the creation process is written batik technique. Furthermore, in making motifs, it is carried out using the deformation method as a form to obtain motif development. The batik coloring technique used in this batik is the dyeing process of the dip cap and the dab technique. The selection of colors to be used in the manufacture of women's ready-to-wear batik uses bright and dark colors from Remasol batik dyes. The works consist of 4 Ready To Wear clothes taken from Sanskrit entitled "Bhanuresmi", "Canduri", "Cakra" and "Samiya", and are equipped with accessories such as earrings, necklaces, rings, hats, headbands, sunglasses and hair bands. 
BATIK MOTIFS FOR CHILDREN CASUAL FASHION INSPIRED BY BEDOUIN TRIBE HOUSE Agustin, Lisa Tri; Purnomo, Arif Jati
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 2 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4893

Abstract

The fashion-artwork entitled Batik Motifs for Children Casual Fashion Inspired by Bedouin Tribe House is as a form of effort to introduce culture and traditions to children. The purpose of creation is to apply the traditional Bedouin house batik motifs for casual clothing for girls aged 10 years old. The methods of creating the fashion pieces are exploration stage, design stage, and creation stage. The process of creating works starts from the exploration stage, which was searching data about traditional Bedouin houses. Making batik motif designs that are embodied in children's casual clothing is applied to create the piece of art using batik tulis technique which were dab-cover-dip coloring using remasol, naptol and indigosol dyes using Japanese cotton and primissima. The color selection brings out cheerful colors. Starting from the design process, scratching, cutting, coloring, melorod, sewing, to making accessories. Casual clothing is clothing that is simple, practical, and comfortable to wear for children's daily playing activities. This work created 4 pieces of batik motifs, they are: Imah Sawarna, Imah Ngahiji, Imah Salonjor, Imah Kahuripan. With that created 4 fashion pieces: Inleum, Makaul, Galis, Bageur. All of the fashion pieces mentioned above were equipped with accessories to support the whole look.
TECHNICAL KNOWLEDGE OF CREATING STEADY INLAY SHAPES IN SHADOW PUPPETS FOR BEGINNER INLAYS Rahmawati, Junende
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 2 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.5945

Abstract

This research aims to provide technical knowledge for parchment inlay to beginner inlays to produce steady inlay, which means constant or consistent. Through qualitative research with artistic research methods that discuss practice-based research that produces technical knowledge and understanding of inlays to produce inlays that are considered good. It is hoped that the technical knowledge of creating steady inlays that novice inlays pay attention to will provide clues that there are several things that need to be considered apart from continuous practice. It should be noted that the inlay results in the form of shadow puppets greatly influence the quality of beauty and aura of the puppet characters created. Apart from that, a good inlay will make the stitching process menyungging.
WHITE WOOD PLANTS AS A SOURCE OF IDEAS FOR CREATING BATIK MOTIFS IN CASUAL CLOTHING Lisnasari, Dyta; Sudarwanto, Aan
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 1 (2025): Batik and Culture
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

 This fashion work has the theme of Eucalyptus Plants as a Source of Ideas for Creating Batik Motifs in Casual Clothing. The source of inspiration for the eucalyptus plant comes from the surrounding environment because it has many properties needed by the local community. So with this work the author wants to bring and introduce to the general public through fashion trends. The aim of this work is to create a eucalyptus plant batik motif and apply it to casual clothing. The method used in the process of creating this work uses three stages, namely exploration, design, realization. The exploration stage is a step of observing the surrounding environment, social media, literature study and conducting data mining through interviews. The second stage is designing the motif by using all the data as a reference for making alternative sketches into the selected design. The third stage is the embodiment technique which realizes the selected design into a real work. The creation of the work begins with pattern making, scratching, batik, coloring, sewing, sewing and finishing. The results of the creation of this work are 4 casual outfits, each of which has a title and philosophical meaning implied in each motif, namely work 1 with the title Bahuwirya, work 2 with the title Casugraha, work 3 with the title Laksana, work 4 with the title Dianti. By creating clothing that features eucalyptus plant motifs, people can grow a sense of love and pride in having a plant that has many benefits.
DAHANAPURA AS A SOURCE OF REGENCY WORK CLOTHING IDEAS. KEDIRI Sumargo, Oktya Anggarani; Muhammad Arif Jati Purnomo
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 1 (2025): Batik and Culture
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

The Kediri or Panjalu kingdom was a kingdom located in East Java between 1042 and 1222. This kingdom was centered in Daha City. Daha is an abbreviation of Danapura, which means City of Fire. Dahanapura as a source of ideas for work attire for the Kediri Regency Tourism Office is a work inspired by the flame reliefs found in several places that are similar to each other. The aim of this work assignment is to create a flame batik motif and apply it to the work clothes of the Kediri Regency Tourism Office. The process of creating the work starts from the exploration stage, namely by observing several types of flames found on several inscriptions spread across Kediri, designing designs, alternative designs to be chosen as batik motifs to be applied to the work clothes of the Kediri district tourism office and also embodiment. The embodiment technique applied to the entire work uses the dyed dab batik technique using the synthetic dye Remasol. Starting from the pattern process, nyorek, batik, coloring, melorod, sewing to finishing. The results of creating this work are 6 works of work clothing with the titles Manuela, Desmond, Atalaya, Astama, Atlee, Amergyo. This design produces clothing works with Dahanapura motifs. By creating clothing works that use the Dahanapura motif, we can learn more about the inscriptions found in Kediri through batik media.
a arca totok kerot: CREATION OF THE ARCA TOTOK KEROT BATIK MOTIFS APPLIED TO EVENING GOWN Etika, Sulistiana; Muhammad Arif Jati Purnomo
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 1 (2025): Batik and Culture
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

Abstract The final assignment for this work is entitled "Creation of the Arca Totok Kerot Batik Motif Applied to Evening Gowns", which is a work inspired by the story of the Arca as a princess of Lodoyo Blitar, who had a brave nature and was determined to meet the king of Kediri to express her feelings that he had feelings for the king but on his way he was killed because he was involved in a war. The king, who just found out that the princess had come to meet him, made a memento in the form of a statue as a form of respect. The aim of this final project is to create a Totok Kerot statue motif and apply it to an evening gown. The method used consists of three stages, six steps, namely from the exploration, design and realization stages starting with observing the Arca website, social media, literature studies and conducting data mining through interviews. The second stage is designing the motif by using all the data as a reference for creating alternative sketches which will later be selected as the selected design. The third stage is the embodiment technique, namely realizing the selected design into a real work. The creation of the work begins with the process of making patterns, scratching, batiking, coloring, sewing, sewing and finishing. The works created in this final project are 4 evening gowns, each of which has a title and implied meaning. The creation of the work resulted in four motifs with the titles: 1. Smaradahana, 2. Ceplok Branta, 3. Liris Diraya, 4. Danumaya. And produced four evening gowns with the titles: 1. Anindya, 2. Bathari, 3. Gayatri, 4. Laksmi. This design produces fashion works targeted at adult women from the ages of 18 to 40 years. Key word : Arca Totok Kerot, Batik, Gaun malam
CREATION OF PACITAN RONTEK BATIK MOTIFS IN STREETWEAR CLOTHING Sukarni, Shalma; Danang Priyanto,
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 1 (2025): Batik and Culture
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

The Pacitan Rontek Gugah Sahur Festival is one of the traditional arts owned by the city of Pacitan. The Rontek Gugah Sahur Festival, which is an art performance, raises the potential in a region of Pacitan Regency or outside the region as a performance concept. The first Rontek Festival was held in 2011. The theme raised in the creation of the work is the performance of the Rontek Gugah Sahur Festival which aims to increase insight, cultural appreciation of the community, and increase the unity of fellow children of the nation in the spirit of preserving Pacitan's local cultural arts. The formulations taken include: 1). how to create batik motif with the idea of Rontek Gugah Sahur Festival, 2). How to create street wear clothing in written batik works, 3). How to apply the motif design to street wear clothing. The objectives of making the work include: 1) Creating batik motifs that originate from the idea of the Pacitan Rontek Gugah Sahur Festival, 2). Creating street wear clothing in written batik from the idea of Rontek Gugah Sahur Festival, 3). Applying written batik motifs into street wear clothing from the idea of Pacitan Rontek Festival. Creating Rontek/thek Festival motifs and elements of the Festival by applying them to street wear. The method of creation used was the idea of Thunder from the exploration stage, incubation stage, conceptualization stage, and materialization stage. The Final Project that was realized had 4 fashion works. The first entitled JUMEDUL which means the beginning of the creation of the Pacitan Rontek Festival which was raised from Gugah Sahur using thethek. Second MAYANGKARA which means clothing with light drawn on the motif means that in the Gugah Sahur Rontek Festival, light is needed so that it can complete the Festival to the finish. Third MAHDI which means coolness for the conditioning of the elements in the Pacitan Rontek Festival. The fourth, BERSAJI, means togetherness in the Pacitan Rontek Festival, togetherness, cohesiveness in playing every role to the maximum.

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