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Runtas: Jurnal Fesyen dan Wastra Nusantara
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : 29886546     DOI : -
Core Subject : Art,
Arts
Runtas: Jurnal Fesyen dan Wastra Nusantara its contributions from academics and practitionerresearchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domainspecific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. Scope of the journal includes: • Cultural, historical, and anthropological studies of Nusantara textiles • Contemporary fashion design inspired by traditional textiles • Techniques, innovation, and technology in fabric and clothing manufacturing • Creative economy, entrepreneurship, and locally-based fashion industry • Analysis of local and global fashion trends related to Nusantara culture • Preservation, revitalization, and documentation of traditional fabric • Sustainable fashion and ethics in the textile industry • Identity, gender, and representation in traditional fashion and fabrics • Cross-disciplinary collaboration in the development of Nusantara fashion and textiles
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 72 Documents
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THE ARASY TOWER AS AN INSPIRATION IN CONTEMPORARY FASHION Wella Endangsari; Nofi Rahmanita
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 2 (2025): Exploration of Batik Motifs and Technique
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

My work entitled "Menara Gentala Arasy as a Source of Inspiration in Contemporary Fashion", is inspired by the architecture of the Gentala Arasy Tower and the Gentala Arasy Bridge by taking several forms and ornamens found on the tower and bridge such as the shape of a clock, ornamens on the tower and the architecture of the bridge in the form of motifs on clothing using sequin techniques that form the Gentala Arasy Bridge motif. Contemporary clothing that combines traditional nuances with futuristic elements through a combination of classic Jambi batik materials and modern american drill. The silhouette of this dress is dominated by wide, layered cuts on the sleeves, asymmetrical cuts, with tower and clock motif embroidery, giving a strong impression of local identity. In the middle there is a clock and tower motif made with a threadembroidered technique, reflecting the combination of time and architecture. The dark blue and orange colors provide a dynamic contrast, enhanced by the thread-embroidered motif on the sleeves. The choice of colors is directly inspired by the Gentala Arasy Tower, namely golden yellow, red, emerald blue, and black. The materials used are Satin Bridall, American Drill, and Batik Jambi. The creation method begins with preparation, namely conducting a field survey to find sources of ideas or themes, and formulating creative ideas to provide a better understanding of the form of work created and looking for literature or references related to the creative idea. The embodiment of the work uses the technique of connecting and boutique.   
EXPLORATION OF STAINED GLASS IN LAWANG SEWU AS INSPIRATION FOR EMBROIDERY MOTIFS REVERSE APPLIQUE ON VEST I anatul Maulaya; Yuhri Inang
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 2 (2025): Exploration of Batik Motifs and Technique
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

Stained Glass in Lawang Sewu is one of the stained glass ornaments found in one of Indonesia's cultural heritage buildings, Lawang Sewu. The shape of stained glass in Lawang Sewu has a beautiful and distinctive motif that is the inspiration for embroidery motifs. This study aims to determine 1) the process of exploring stained glass in Lawang Sewu as an inspiration for reverse applique embroidery motifs on vests, and 2) the results of exploration of stained glass in Lawang Sewu as inspiration for reverse applique embroidery motifs on vests. The type of research is design development research. The research method uses the Double Diamond Model including four stages: Discover, searching for and collecting information about Kaca Patri Lawang Sewu, Define, taking important priorities into one on the moodboard to create a Reverse Applique embroidery motif design on a vest, Develop, realizing the stained glass in Lawang Sewu motif in the form of reverse applique embroidery and sewing it in the form of a vest, Deliver, the final stage, namely the prototype is selected and approved, and the product is completed by testing the feasibility of the work or product is completed. The data collection instrument in the process uses an observation sheet to the Expert and is approved by the supervising lecturer. The data analysis technique uses a qualitative descriptive analysis technique using the mean or average. The results are reviewed from 5 aspects, namely the creativity and originality aspects, the embroidery motif pattern structure aspect, the color aspect, the application of techniques, and the functionality aspect. The aspect with the highest mean is the embroidery motif pattern structure aspect, with a mean of 5 (very good). While the aspect with the lowest results is the functionality aspect, which is 4.4 (very good). By getting a very good response, this product is expected to be an inspiration for exploration and innovation in the fashion world.

Page 8 of 8 | Total Record : 72

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