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Seshiski: Southeast Journal of Language and Literary Studies
Published by Himpunan Sarjana Kesusastraan Indonesia Komisariat Sulawesi Tenggara
ISSN : -     EISSN : 27978117     DOI : DOI: https://doi.org/10.53922/seshiski.v3i2
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
SESHISKI: Southeast Journal of Language and Literary Studies publishes research and scholarly papers that represent diverse research paradigms and theoretical orientations to consider language and literature across various populations, local and global locations, and perspectives.We welcome contributions from established scholars and early career researchers that investigate language and literature in relation to education, linguistics, translation, and cultural studies and such cognate subjects and disciplines as Politics, Anthropology, Psychology, Economy, Ecology, Sociology, and History.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 7 Documents
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Search results for , issue "Vol 2 No 2 (2022): Volume 2, Issue 2, December 2022" : 7 Documents clear
TRADISI BHANTI-BHANTI: MEMORI KOLEKTIF ORANG WAKATOBI TENTANG MALUKU Udu, Sumiman
Seshiski: Southeast Journal of Language and Literary Studies Vol 2 No 2 (2022): Volume 2, Issue 2, December 2022
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v2i2.9

Abstract

bhanti-bhanti Tradition, Collective Memory, Wakatobi-Maluku Wakatobi people have a collective memory of Maluku as the brother country of their ancestors. But on the other hand, they also have a collective memory about the country of Sanggila (the nickname for Ternate and Tobelo) which always comes to arrest the people of Wakatobi Buton to be used as slaves who are traded in the country of Maluku. Therefore, their collective memory is in the tension between traumatize and romanticism. Research on collective memory will be carried out through an ethnographic perspective, so that it is hoped that it will be able to capture the various perspectives of the Wakatobi people about Maluku. Ethnographic data will be traced through bhanti-bhanti texts that have grown and developed within the Wakatobi community as their collective memory. Furthermore, field data will be obtained from the Wakatobi community, which so far has been integrated with the Maluku people. The results of this study indicate that the Wakatobi people have some collective memories about traumatic matters in the history of their relationship with Maluku, but on the other hand they also have a long romantic history with their relatives from Maluku.
RECONCEPTUALIZING WOMAN BEAUTY IN DRAMA SERIES MY ID IS GANGNAM BEAUTY Rane, Zakridatul Agusmaniar
Seshiski: Southeast Journal of Language and Literary Studies Vol 2 No 2 (2022): Volume 2, Issue 2, December 2022
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v2i2.24

Abstract

Women and beauty are a unity. Beauty as the characteristic of femininity has taken root in a wider social system. It is culturally programmed. The modern beauty myth which is centered on women's bodies is reproduced continuously. The most dominant way of reproduction is through the media. The beauty myth is represented through advertisements, idol appearances, films, and TV series. Beauty myths are felt torturing women, so lately the movement to free women from the shackles of beauty myths is increasingly being voiced. This effort is carried out in various ways for example through writing, criticism, and popular culture. One of them is a drama series My ID is Gangnam Beauty. It is a Korean drama but watched by people around the world, dubbed in many language versions, including English. It carries out a universal issue: the beauty myth. It deconstructs the definition of woman beauty. This paper analyzes what and how beauty is defined in this series. The descriptive qualitative method is used in the analysis process. The result shows that in this series, beauty is still put as women's identity and allure, but beauty is defined as kindness and good behavior. The female main character has an ugly face so she does plastic surgery. People then call her a plastic monster, but she is loved by the most popular boy on her campus. Through this story, the audience is told that true beauty is not good-looking, but it is about attitude and behavior.
TOKOH UTAMA WANITA DALAM NOVEL GENRE ROMAN INDONESIA (PERIODE 1970-an & 1980-an) Malik, Elmy Selfiana
Seshiski: Southeast Journal of Language and Literary Studies Vol 2 No 2 (2022): Volume 2, Issue 2, December 2022
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v2i2.26

Abstract

The year of 1970s and 1980s was an important period in the history of the growth and development of the romance genre novel in Indonesia. During this period, many romance novels were published, especially by female authors. The romance genre is a genre that describes the love story between the main characters, male and female. The main female character in the novel is one of the important aspects in the formulation of a romance story. Therefore, this study aims to determine the characteristic of the main female characters in Indonesian romance novels in the 1970s and 1980s. The method used in this research is the descriptive qualitative method. The result of this study is that the characteristics of the main female characters featured in romance novels in the 1980s are more varied compared to the characteristics of the main female characters in the 1970s. Even though the changes are not too significant, the results of the analysis show that there are slight changes. It can be seen in the physical depiction, profession, and also the role of the main female characters.
NALURI PENGARANG DALAM NOVEL SOGI KARYA FAIKA BURHAN Qadriani, Nur Lailatulul; Nurhadi, Sitti Aisyah
Seshiski: Southeast Journal of Language and Literary Studies Vol 2 No 2 (2022): Volume 2, Issue 2, December 2022
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v2i2.27

Abstract

The purpose of this research is to describe the form of the author's instinct revealed in the novel Sogi written by Faika Burhan. This study uses Sigmund Freud's psychoanalytic theory. This type of research is library research with descriptive qualitative method. The result of analysis showed that the author's instinct in the novel appeared through the form of the author's unconsciousness in his work. This unconsciousness is manifested through the depiction of events that occur regarding the behavioral decisions taken by the characters in Sogi novel. These behaviors are divided into two main topics, namely the life instinct and the death instinct. The life instincts found in Sogi novel are life instincts as basic needs and instincts as sexual needs. Meanwhile, the death instinct in Sogi novel is the death instinct towards oneself, the death instinct towards others (parents towards their children and children against their parents).
CAMPUR KODE DALAM PERISTIWA JUAL BELI DI PASAR CINA MOROSI KABUPATEN KONAWE, SULAWESI TENGGARA Sudu, La; Lestariwati, Lestariwati; Magara, Irma; Suryati, Nurmin
Seshiski: Southeast Journal of Language and Literary Studies Vol 2 No 2 (2022): Volume 2, Issue 2, December 2022
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v2i2.28

Abstract

Morosi Chinese Market adjacent to PT. Virtu Dragon Nickel and PT. OSS. The employees make this market a buying and selling transaction. The Morosi Chinese Market has a very heterogeneous audience. It is also in this place that people from various places carry out buying and selling transactions, both on a large, medium and small scale. They come from various tribes and different languages so that the communication that occurs between sellers and buyers will be different, they use Chinese, Indonesian and regional languages. Buying and selling transactions in this market cannot be separated from the mixing of language codes. This study aims to explain the process of code-mixing and the forms of code-mixing that occur in the Morosi China Market. This type of research is field research using descriptive qualitative methods. Data collection is done by observing, interviewing, taking notes and recording. The results of the study show that code mixing that occurs in the Morosi China Market is in the form of code mixing in the form of root words, repeated words, and free clauses and descriptions. While the factors that cause code-mixing at the Morosi Chinese Market are due to the habits and background of the speakers, both buyers and sellers.
KEPOLISEMIAN BAHASA DAERAH TOLAKI DI KABUPATEN KONAWE SELATAN Halfian, Wa Ode; Hardiawan, Wawan; Masri, Fina Amalia
Seshiski: Southeast Journal of Language and Literary Studies Vol 2 No 2 (2022): Volume 2, Issue 2, December 2022
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v2i2.29

Abstract

This research inspired by the emergence of language variations in the Tolaki community as speakers of Tolaki language. Tolaki people themselves distinguish between three types of Tolaki language, namely tulura anakia (language of the aristocratic class), tulura lolo (language of the middle class), and tulura ata (language of the slave class). The emergence of these language variations can cause ambiguity in meaning. This research was conducted because the researcher saw that there are several forms of words which if pronounced the same but have different meanings if they are arranged as a sentence, but basically the same word still has a relationship. This study aims to determine the form of polysemy in the Tolaki language. The method used in this research is descriptive qualitative. The data collection techniques used in this research are the listening and speaking techniques, note-taking techniques, recording techniques and introspection techniques. The results of this study indicate that in the Tolaki regional language there are two forms of polysemy, namely polysemy in the form of root words and polysemy in the form of complex words or derivatives.
POTRET PENDIDIKAN SEKS DALAM NOVEL NYAI GOWOK KARYA BUDI SARDJONO Pradani, Tia; Rasiah, Rasiah; Supriatna, Agus
Seshiski: Southeast Journal of Language and Literary Studies Vol 2 No 2 (2022): Volume 2, Issue 2, December 2022
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v2i2.31

Abstract

The article tries to reveal the Javanese sex education portrayed in the novel Nyai Gowok written by Budi Sardjono. Nyai Gowok tells of a teenage boy named Bagus Ssasongko, the son of a highly respected Wedana in Randu Pitu, Central Java, in the 1950s. The newly circumcised boy is said to be entrusted to a guy to learn about sex and to realize himself as a auctioneer of the universe (a real man). Sociology of literature was used to describe the portraiture of sex education in the novel qualitatively. It is revealed that Nyai Gowok is depicting sex education through several point, the first, the sex educator through two figures of women; Nyai Lindri and Martinah, while the character to being educated is Bagus Sasongko. Gowok has duty to teach the boy boy starting from acquainting woman's body, from head to toe, from sensitive parts to the level of sex as well as another supporting items to extend the quality of sex; consuming Jamu, using mantra and tembang Jawa. An intimate relationship in Javanese philosophy is something that is sacred, noble, and at the same time has a function in maintaining life harmony.

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