Indonesian Journal of Music Research, Development, and Technology
Focus: Interlude: Indonesian Journal of Music Research, Development, and Technology seeks to provide a forum for scholarly exploration, exchange, and progress in the fields of music research, development, and technology. The journal focuses on a multidisciplinary approach to comprehending and enhancing various aspects of music, including both traditional and modern practices. It aims to cultivate collaboration and innovation among music and technology researchers, practitioners, and technologists. Scope: Music Research: Interlude embraces original research articles that delve into diverse areas of music scholarship, such as musicology, ethnomusicology, music theory, music history, and inter-disciplinary studies. It is encouraged that researchers investigate the historical contexts, cultural influences, and theoretical frameworks that shape the world of music.Music Development: The journal encourages submissions that investigate the creative process, composition, arrangement, and performance aspects of music development. This includes studies into musical forms, styles, genres, and techniques, as well as the function of music in social and cultural contexts.Music Technology: The purpose of Interlude is to highlight advancements in music technology, including but not limited to digital music production, sound synthesis, virtual instruments, audio processing, music software, interactive installations, and multimedia applications. It encourages research on the design, implementation, and impact of technological instruments and solutions in the domain of music.Music for Media: This area focuses on the creation, application, and impact of music in various forms of media, including but not limited to film, television, video games, advertising, virtual reality, and other multimedia platforms. Music and Society: The journal provides a forum for discussions regarding the societal and cultural implications of music. This may include analyses of the role of music in identity formation, activism, education, healing, and well-being, as well as examinations of how technology has transformed the consumption and distribution of music.Interdisciplinary Approaches: Interlude encourages research that bridges the divide between music, technology, and other disciplines such as psychology, neuroscience, anthropology, sociology, computer science, and engineering. It endeavors to investigate how the intersection of diverse disciplines can enhance our understanding of music and its relationship to technology.Innovation and Collaboration: The journal promotes articles that spotlight innovative music and technology projects, collaborations, and initiatives. It endeavors to foster a dialogue between academia, industry, and the broader artistic community in order to propel the development and application of innovative concepts and technologies.
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The intersection of local wisdom and digital innovation in performing arts
Hafizhah Insani Midyanti;
Yudi Sukmayadi
Interlude: Indonesian Journal of Music Research, Development, and Technology Vol 1, No 1 (2021): Interlude: November 2021
Publisher : Universitas Pendidikan Indonesia
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DOI: 10.17509/interlude.v1i1.68640
Utilizing technology in cultural and locally-influenced performing arts alters the conventional understanding of aesthetic experiences in live performances. It includes redefining the dynamics between performers and audiences, the impact of sound and ambience, dance and visual elements, collaboration among artists, cultural aspects, environmental factors, and temporal considerations. Furthermore, digital technology has emerged as a novel means in the performing arts realm, streamlining the artistic creation process. Currently, the field of performing arts is significantly influencing the swift advancement of digital technology. This research methodology employs a qualitative approach by utilizing internet literature and conducting literature studies. The outcome of this study indicates that digital technology facilitates the comprehension of artistic performances rooted in local culture and knowledge by both the general audience and the current youth population. The intersection between technology, local wisdom, and performing arts is evident due to the transferability of local wisdom throughout generations and the continuous development of technology over time. Digital technology has broadened the scope of creativity, pushed the limits of artistic expression, and safeguarded traditional local knowledge.
Pemanfaatan barang-barang bekas sebagai alat musik sederhana untuk mengasah kecerdasan musikal anak usia dini di masa pandemi Covid 19
Shelly Pratiwi
Interlude: Indonesian Journal of Music Research, Development, and Technology Vol 1, No 1 (2021): Interlude: November 2021
Publisher : Universitas Pendidikan Indonesia
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DOI: 10.17509/interlude.v1i1.68636
Penelitian ini bertujuan mendeskripsikan pemanfaatan barang-barang bekas sebagai alat musik sederhana Untuk mengasah kecerdasan musikal anak usia dini di masa pandemi Covid 19. Metode deskriptif dengan pendekatan penelitian kualitatif digunakan dalam penelitian ini. Teknik penelitian yang digunakan yaitu teknik penelitian studi literatur. Dalam keadaan pandemi Covid 19 dengan sistem pembelajaran yang berbeda, orang tua berperan aktif dalam mendampingi anak usia dini belajar di rumah. Barang-barang bekas yang mudah didapat di sekitar rumah dapat dimanfaatkan sebagai sarana kegiatan bermusik anak, salah satunya yaitu bermain alat musik. Membuat dan memainkan alat musik dari barang bekas sampai menghasilkan suara, memberikan kesempatan kepada anak usia dini untuk bereksplorasi dan bereksperimen dengan lingkungan sekitarnya. Sehingga, kegiatan belajar di rumah pada masa pandemi Covid 19 pun dapat memfasilitasi anak dalam mengasah kecerdasan musikalnya.
Is Rumenteng Siang the future of public space performing arts in West Java?
Ganang Dwi Asmoro
Interlude: Indonesian Journal of Music Research, Development, and Technology Vol 1, No 1 (2021): Interlude: November 2021
Publisher : Universitas Pendidikan Indonesia
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DOI: 10.17509/interlude.v1i1.68638
Performing arts venues are one of the public spaces essential to developing the human spirit. Almost all performing arts buildings in Indonesia are old Dutch heritage. One of the public spaces for performing arts in the city of Bandung is the Rumenteng Siang building. This place was previously the old building of the former Rivoli Cinema, which was later used as an arts performance space. This research uses a descriptive qualitative method, which discusses the facilities and existence of this public space. The result of this research is the discovery that Rumenteng Siang has experienced a decline in the number of viewers. One of the leading causes is the lack of quality art performances presented in the building. Apart from that, the lack of adequate facilities for art presenters is also an obstacle. Inadequate facilities can reduce the performance quality and the audience's interest in attending the event. Not only that, the lack of comfortable facilities for visitors also reduces the existence of this public space. Therefore, efforts are needed to improve facilities and the quality of performing arts presented at Rumenteng Siang. It can be done through collaboration between management, government, and the arts community to improve facilities and present quality arts performances. In this way, it is hoped that Rumenteng Siang can maintain its existence as an essential public space in developing the human spirit through art
Music transformation in architectural morphology: A case study in Villa Isola Bandung
Deviana Vakhira;
Siti Mutiah;
Hafizhah Insani Midyanti
Interlude: Indonesian Journal of Music Research, Development, and Technology Vol 1, No 1 (2021): Interlude: November 2021
Publisher : Universitas Pendidikan Indonesia
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DOI: 10.17509/interlude.v1i1.68639
Music and architecture are part of the arts, which are artistic and natural human expressions. A work of art cannot be separated from several internal or external influences. Influences that come from outside or external factors include humans, space and time. Music and architecture influence both, and the connections and aspects between the two are things that certainly have a relationship. Music and architecture have similarities in that both have rules that work in harmony—sensitivity to aesthetic principles: harmony, rhythm, balance, and emphasis. The psychological impression of colour, materials and construction also complements the realization of a complete and integral design. Music can be visualized in other forms of art, namely architecture, a field of art with a wide range of scientific fields. This article will examine the relationship between the art of music and other arts, namely architecture, including its interrelated elements and a description and analysis of the transformation of music into architectural form in Villa Isola Bandung. The discussion of this problem will use a descriptive method with a deductive approach, namely taking a case study and analyzing it in general, specifically related to theories related to music and architecture.