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Jurnal Pengetahuan Sosial dan Sejarah
Published by Lembaga Studi Agama dan Masyarakat Aceh
ISSN : -     EISSN : 31104681     DOI : -
Core Subject : Economy, Humanities, Education, Social,
Humanities Economics, Econometrics & Finance Education Environmental Science Social Sciences
Jurnal Pengetahuan Sosial dan Sejarah (JPSS) is a journal of sociology and history, published by Lembaga Studi Agama dan Masyarakat Aceh (LSAMA). This journal uses the Open Journal Systems (OJS) 3.5.0-1 system released on July 9, 2025 by PKP. Jurnal Pengetahuan Sosial dan Sejarah (JPSS) is open access and papers submitted will go through a double-blind, peer review process. Jurnal Pengetahuan Sosial dan Sejarah (JPSS) aims to communicate original research, current issues, literature studies, and history related to the subject. The journal warmly welcomes contributions from academics and researchers from the disciplines of sociology and history. Jurnal Pengetahuan Sosial dan Sejarah (JPSS) was published in April, August, and December.
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 29 Documents
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Nilai Simbolis Tradisi Batu Qulhu Dan Fungsinya Dalam Pewarisan Sejarah Budaya Bagi Masyarakat Keturunan Melayu Di Desa Air Tenang, Aceh Tamiang Desti Amanda Pratiwi
Jurnal Pengetahuan Sosial dan Sejarah Vol. 2 No. 1 (2026): Pengetahuan Sosial dan Sejarah
Publisher : Lembaga Studi Agama dan Masyarakat Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47574/jpss.v2i1.32

Abstract

This study discusses the symbolic values of the Batu Qulhu tradition and its function in the inheritance of cultural history among Malay descendants in Air Tenang Village, Aceh Tamiang. The Batu Qulhu tradition is a death ritual carried out on the 40th day after a person’s death by repeatedly reciting Surah Al-Ikhlas using white stones as a counting medium for dhikr. This study aims to identify the symbolic values contained in the Batu Qulhu tradition and its function in preserving and transmitting Malay cultural history. This research employed a qualitative method with an ethnographic approach. Data were collected through observation, interviews, and documentation. The results show that the Batu Qulhu tradition contains religious, social, cultural, and moral values that are still maintained by the Malay community in Air Tenang Village. The white stones used in the ritual symbolize purity, firmness of faith, and solemnity in worship. Furthermore, the Batu Qulhu tradition functions as a medium for transmitting cultural history because through this tradition, younger generations are able to recognize local customs, cultural values, and the identity of the Malay community inherited from previous generations. The tradition also strengthens social solidarity through collective prayers and communal cooperation.
Resolusi Konflik Dalam Kearifan Lokal: Analisis Tradisi Perumah Begu Di Desa Juma Tombak, Deli Serdang Clara Filipi Purba
Jurnal Pengetahuan Sosial dan Sejarah Vol. 2 No. 1 (2026): Pengetahuan Sosial dan Sejarah
Publisher : Lembaga Studi Agama dan Masyarakat Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47574/jpss.v2i1.45

Abstract

This study aims to examine the local wisdom values contained in the Perumah Begu tradition in Juma Tombak Village, Deli Serdang Regency, as a form of spirit-based conflict resolution. The Perumah Begu tradition is one of the cultural heritages of the Karo community that is still preserved today and is believed to play an important role in maintaining social harmony within society. This study uses a descriptive qualitative method with data collection techniques through observation, interviews, and documentation. The results show that the Perumah Begu tradition contains various local wisdom values, such as deliberation, social solidarity, respect for ancestors, and peace, which serve as guidelines in community life. This tradition also functions as a customary conflict resolution medium that is more easily accepted by the community because it is closely related to local beliefs and cultural values passed down from generation to generation. The existence of the Perumah Begu tradition proves that local wisdom still has an important role in maintaining social relationships and strengthening community cohesion amid modernization. This study is expected to contribute to the development of cultural history studies and the preservation of local traditions in Karo society.
Representasi Sejarah dan Memori Kolektif Masyarakat Sipil Jepang dalam Grave of the Fireflies (1988) Aqila Khoirunnisa Lubis; Pratiwi Syabila; Sitihawa Sitihawa; Hilda Fachriza
Jurnal Pengetahuan Sosial dan Sejarah Vol. 2 No. 2 (2026): Pengetahuan Sosial dan Sejarah
Publisher : Lembaga Studi Agama dan Masyarakat Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47574/jpss.v2i2.34

Abstract

World War II in the Pacific caused not only military destruction but also profound suffering among Japanese civilians. This study examines the representation of the war’s impact on Japanese civilian society in Isao Takahata’s animated film Grave of the Fireflies (1988). The study employs a qualitative approach using library research and film analysis from historical and film-studies perspectives. Primary data consist of Grave of the Fireflies and Akiyuki Nosaka’s semi-autobiographical story, while supporting materials include historical literature on the bombing of Japan, particularly Kobe in 1945, as well as studies of war trauma, collective memory, and civilian life. The data were analyzed through content analysis and semiotic-narrative analysis and subsequently compared with historical information to assess the film’s representational accuracy. The findings indicate that the film portrays the consequences of war through four major dimensions: physical and material destruction, psychological trauma, the breakdown of social and family relations, and economic and food crises. Through the perspectives of Seita and Setsuko, civilian experiences are presented in personal and humanistic terms, particularly through scenes of displacement, loss of home and family members, hunger, and declining social solidarity. The film demonstrates strong correspondence with the historical context of Japanese civilian life during the final phase of the war. Nevertheless, its representation is selective because it foregrounds the experience of victims while giving limited attention to Japan’s position as an aggressor in the Asia-Pacific War. Grave of the Fireflies therefore functions not only as a work of art but also as a medium for historical representation and the preservation of collective memory concerning civilian suffering in wartime.
Pewarisan Sejarah Budaya Melalui Tradisi Adat Manulangi Tulang  Batak Toba Desa Sirisirisi Yohana Laras Oktavia Purba; Ruth Rianti Tampubolon; Sulaiman Sulaiman; David Reynaldo Simarmata
Jurnal Pengetahuan Sosial dan Sejarah Vol. 2 No. 2 (2026): Pengetahuan Sosial dan Sejarah
Publisher : Lembaga Studi Agama dan Masyarakat Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47574/jpss.v2i2.37

Abstract

In a cultural historical inheritance that exists in the life of the Batak Toba community, there must be a history of how the custom came about. Such as the history of the Manulangi Tulang custom that exists in the Batak Toba community, specifically in the Humbang Hasundutan Regency, Doloksanggul District, which is still carried out and preserved to this day. The implementation of this Manulangi Tulang custom is due to several driving factors that can be seen in the life of the Batak community itself. So that with the emergence of a history of the Batak Toba culture, it gives rise to the implementation or procedures in this custom, where the implementation forms a historical inheritance containing values that are very important to be known by the Batak Toba community itself, especially the youth, where the youth must be able to know how the history of this Manulangi Tulang custom is because the youth are the next generation of customs that exist in a society, especially the Batak community.
Tradisi Mangongkal Holi Sebagai Bentuk Pewarisan Sejarah Di Desa Pandumaan Dan Sipituhuta Ayu Widya Wanti Lumban Gaol; Irene Lumban Gaol; Dorcinta Lumban Gaol; Masni Simamora
Jurnal Pengetahuan Sosial dan Sejarah Vol. 2 No. 2 (2026): Pengetahuan Sosial dan Sejarah
Publisher : Lembaga Studi Agama dan Masyarakat Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47574/jpss.v2i2.40

Abstract

Every cultural tradition existing in the life of the Batak Toba community carries a historical background and profound meaning that underlies its existence. Such is the case with the Mangongkal Holi tradition, which remains alive and practiced to this day by the Batak Toba people, particularly those residing in Pandumaan-Sipituhuta District, Humbang Hasundutan Regency. This tradition is not merely a series of customary activities, but also preserves historical, philosophical, and cultural values that have evolved alongside the development of community life. Behind every procedure and implementation method, there lie noble messages that make this tradition a key medium for passing down history and culture from one generation to the next. Therefore, understanding its origin, meaning, and inherent values is essential knowledge, especially for the younger generation as the successors of cultural heritage. This understanding ensures that the cultural wealth and identity of the Batak Toba community are always preserved and sustained amidst the rapid changes of modern times.
Humanisme Dalam Tradisi Cap Go Meh:  Analisis Historis dan Kultural Etnis Tionghoa Pangkalan Brandan, Sumatera Utara Umi Nadia Zahra; Teuku Junaidi; Reni Nuryanti
Jurnal Pengetahuan Sosial dan Sejarah Vol. 2 No. 2 (2026): Pengetahuan Sosial dan Sejarah
Publisher : Lembaga Studi Agama dan Masyarakat Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47574/jpss.v2i2.49

Abstract

The history of the emergence of the Cap Go Meh tradition. Chinese are one of the ethnic groups in Indonesia whose ancestors originated from China. The ancestors of Chinese people immigrated in waves since thousands of years ago through activities. The Cap Go Meh tradition is the culmination of the Chinese holiday celebration or better known as Imlek. 2) The process of implementing the Cap Go Meh tradition includes the stages of preparation and implementation. The procession of the Cap Go Meh tradition begins at 19.00 until finished. About an hour before the procession begins, the temple administrator re-checks the preparations for the ritual procession, in addition to that, the temple guard opens the gate and invites the congregation to prepare to pray. This celebration is often held openly and attended by people from various ethnicities and religions. 3) Cultural values ​​reflect an attitude of mutual respect and acceptance of differences. The value of preserving culture and identity is reflected in the various performances and symbols displayed in the Cap Go Meh celebration, such as the lion dance, and the use of lanterns.
Budaya Damai Dalam Tradisi Memiring Serbeb: Studi Kasus Di Desa Mandumpang, Aceh Singkil Natasya Brt; Sara Saskia; Nurkumala Dewi
Jurnal Pengetahuan Sosial dan Sejarah Vol. 2 No. 2 (2026): Pengetahuan Sosial dan Sejarah
Publisher : Lembaga Studi Agama dan Masyarakat Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47574/jpss.v2i2.50

Abstract

This study aims to examine the historical-cultural role of the local tradition Memiring Serbeb in maintaining interreligious harmony and peace in Mandumpang Village, Aceh Singkil Regency. The study employed a qualitative method with historical-cultural and phenomenological approaches to understand the meaning of the tradition within the social life of the community. Data were collected through interviews, observations, and documentation involving traditional leaders, religious leaders, village officials, and local community members. Data analysis used the Miles and Huberman model, including data reduction, data display, and conclusion drawing. The findings reveal that the Memiring Serbeb tradition contains cultural values such as mutual cooperation, tolerance, solidarity, togetherness, and respect for diversity. The tradition is carried out collectively without discrimination based on religion or social background, thereby strengthening social relationships within the community. In addition, the tradition functions as a medium of social communication and peaceful conflict resolution through deliberation and collective participation. The involvement of traditional leaders, religious leaders, and younger generations plays an important role in preserving the tradition. Therefore, the Memiring Serbeb tradition can be viewed as a form of local wisdom that contributes to strengthening religious moderation and social harmony in a multicultural society.
Sosial Budaya Masyarakat Nias: Analisis Makna Tradisi Lompat Batu Di Desa Bawamataluo Dirman Halawa; Usman bin Abdullah
Jurnal Pengetahuan Sosial dan Sejarah Vol. 2 No. 2 (2026): Pengetahuan Sosial dan Sejarah
Publisher : Lembaga Studi Agama dan Masyarakat Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47574/jpss.v2i2.52

Abstract

This study examines the socio-cultural history of the Nias people through an analysis of the meaning of the stone jumping tradition (Hombo Batu) in Bawamataluo Village, South Nias Regency. The Hombo Batu tradition is one of the cultural heritages of the Nias people that has historical, social, religious, and philosophical values. In the past, this tradition functioned as a means of physical and mental training for young people in facing inter-village wars and as a symbol of transition to adulthood. Over time, the function of Hombo Batu has transformed into a cultural identity and tourist attraction that introduces the Nias people to the outside world. This study uses a qualitative method with a descriptive approach to understand the meaning of the Hombo Batu tradition in the lives of the people of Bawamataluo Village. Data were obtained through a literature review of various relevant scientific sources. The results of the study indicate that the Hombo Batu tradition contains values of courage, discipline, responsibility, solidarity, respect for ancestors, and a fighting spirit in facing life's challenges. In addition, this tradition functions as a medium for inheriting the history of the formation of cultural identity, a social glue, and a means of building historical awareness of the younger generation Amidst the currents of modernization and globalization, preserving Hombo Batu has become crucial for maintaining the socio-cultural existence of the Nias people while strengthening the local identity passed down through generations.
Pewarisan Sejarah Dalam Tradisi Bapapai: Studi Kasus Adat Pernikahan Suku Banjar Desa Sungai Ular Hidayah Wahyuni; Rachmatsyah
Jurnal Pengetahuan Sosial dan Sejarah Vol. 2 No. 2 (2026): Pengetahuan Sosial dan Sejarah
Publisher : Lembaga Studi Agama dan Masyarakat Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47574/jpss.v2i2.55

Abstract

The purpose of this study is to examine 1) How the Banjar people arrived in Sungai Ular Village, Secanggang Sub-district, Langkat Regency, 2) How the Bapapai tradition is carried out in the marriage customs of the Banjar people in Sungai Ular Village, Secanggang Sub-district, Langkat Regency, 3) What philosophical values are contained in the Bapapai tradition in the marriage customs of the Banjar people. This research uses a qualitative method with a historical-anthropological (ethnographic) approach. Data collection techniques were carried out through direct observation, in-depth interviews, and documentation of customary leaders, the community, and parties who understand the implementation of the Bapapai tradition. The results of the study show that the Banjar community in Sungai Ular Village arrived through a migration process from their place of origin and then settled and brought various cultural traditions, one of which is the Bapapai tradition. The implementation of this tradition is carried out before or approaching the wedding with various series of activities such as fetching bath water, praying together, and the flower bath procession. The Bapapai tradition is not only a part of wedding customs, but also contains life values, such as togetherness, patience, responsibility, respect for parents, as well as harmony in household life and society. This tradition also serves as a medium for passing down history and the cultural identity of the Banjar people, especially in Sungai Ular Village. This research is expected to increase public understanding of the meaning of the Bapapai tradition and help preserve and pass on the culture to the younger generation so that it is not eroded by the currents of modernization

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