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INDONESIA
Canthing
Published by Akademi Seni dan Desain Indonesia Surakarta
ISSN : 23020644     EISSN : 23020644     DOI : Canthing
Core Subject : Art,
Arts
Jurnal Canthing adalah jurnal mitra bestari yang menjadi wadah bagi artikulasi ilmiah dan refleksi kritis terhadap praktik kesenian secara luas. Mengambil filosofi canthing sebagai instrumen ketelitian, jurnal ini menampung hasil penelitian, pengkajian, dan penciptaan dalam berbagai bidang: seni rupa, seni kriya, desain komunikasi visual, hingga seni pertunjukan tradisi dan kontemporer. Fokus kami adalah mengeksplorasi keterkaitan antara nilai-nilai lokal Nusantara dengan dinamika seni global di era digital.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 85 Documents
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PERANCANGAN BUSANA EVENING DENGAN APLIKASI MOTIF BATIK CERITA RAKYAT PANTAI WIDURI Naila Siva Amalia; Dheasari Rachdantia
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Evening clothing is clothing made from good materials with attractive decorations so that it looks beautiful to be worn by someone at an evening party. The author is interested in developing an evening dress that will be combined with the motifs of the folklore folklore of Thistle Beach. The method used is in the form of designing evening dresses with the application of the motif of the folklore of Widuri Beach. The aesthetic element that appears in this design is the batik cloth with the motif of the folklore of Thistle Beach with decorative depictions. This evening's fashion design uses cotton and satin cotton with a written batik technique. The coloring process uses a reactive dye (procion) and naphtol. This design with the theme of folklore produces an evening dress with the application of the folklore batik motif of Widuri Beach. Design is a way that is felt to be quite effective in raising the existence of batik by utilizing a variety of Indonesian cultures to be used as fashion creations that are aesthetic, have distinctive characteristics, and are unique, especially among young people aged 18-21 years Keyword: Batik, Evening clothing, Folkore, Widuri Beach
EKSPLORASI WARNA ALAM KUNYIT UNTUK PRODUK MUKENA BATIK Mursidah; Dheasari Rachdantia; Amin Sulistyowati
Canthing Vol. 8 No. 1 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Natural dyes are non-toxic alternative dyes refurbished and environmentally friendly. Materials for natural dyes are selected based on its availability in nature and easy to obtain like turmeric (Curcuma domestica Val) which is a native spice and medicinal plant from Asian region. Turmeric is a plant that is commonly used as traditional medicine and herbal medicine. Apart from that, turmeric can also be used as a natural dye for batik cloth. This research aims to make turmeric an environmentally friendly natural dye for batik cloth, and produce a new product design with the idea of ​​providing additional use value to batik mukena products. The method used is qualitative research with a practice-based approach to the creative arts creation process (practice-led research). The results of this research are batik mukena products using the natural dye turmeric. Coloring using a dipping technique of 10 dips using natural turmeric dye with a fixation locking process using a tunjung. Keywords: Batik, Natural Turmeric Color, Mukena batik.
SEMIOTIKA BATIK PERANAKAN DI PEKALONGAN Andri Nur Cahyo; Yustiana Dwirainaningsih; Amin Sulistyowati
Canthing Vol. 8 No. 1 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Peranakan batik is the term for batiks produced by Indonesians of Chinese descent. The presence of Peranakan batik has contributed to the diversity and enriching of the Indonesian Batik repertoire. One of the centers producing Peranakan batik is Pekalongan. Peranakan batik in Pekalongan has its own uniqueness compared to other coastal batik. This uniqueness can be seen in the visualization of the motifs and the socio-cultural conditions of Pekalongan. This article examines the phenomenon of Peranakan batik in Pekalongan in terms of its visualization and aesthetic meaning. The approach used is Roland Barthes' semiotic theory. The focus of the reading is on three batik craftsmen of Chinese descent in Pekalongan, namely Oey Soe Tjoen, Ozzy, and Bulan. It is hoped that this article can provide information about the aesthetic elements of Peranakan batik in Pekalongan, as well as invite the public to better appreciate cultural diversity and the role of acculturation in the development of batik in Pekalongan. Keyword: Acculturation, Peranakan Batik, Pekalongan, Semiotic.
VARIOUS KINDS of TRADITIONAL CLOTHING INDIAN SOCIETY Khansa Luthfi Musyaffa; Fajar Prihati; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

This journal uses qualitative research methods through document or text studies. It is a study that focuses on the analysis or interpretation of written material based on the context. Materials can be in the form of published notes, books, texts, newspapers, magazines, articles and the like. The data used as a reference for this journal is taken from online journals and digital books, which have previously been reviewed by the author and then summarized and set forth in written form with the title Types of Indigenous Clothing of the Indian Society. India is one of the countries that is very influential in ancient Asian civilizations. Saree from India is one of the oldest clothing in the world. Many fashion clothes are inspired by Indian clothes and applied in a more modern style. Even though there are Western clothing styles that colonized India, India is still able to maintain the Saree as part of the characteristics of the Indian State.
KLASIFIKASI KARAKTERISTIK BUSANA TRADISIONAL CHINA Kisni Hangganingtyas; Dhea Putri Aguatina S,A; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The Online Journal of Akademi Seni dan Desain Indonesia Surakarta comprises of 13 online journals which contribute to the advance of knowledge in 13 scientific fields. To comply to the formatting used by the Journal, authors who wish to submit paper to one of the Journal are strongly recommended to use this file as the template for their papers. In this file, authors will find all styles and formatting acceptable for paper submission. Each paper should be between 8 to 12 pages in all, including illustrations, tables, list of references, and abstracts in Bahasa Indonesia and English. Authors are encouraged to submit paper in MS Word format (.doc or .docx) via http://jurnalonline.itenas.ac.id as registered author. Hardcopy is acceptable for first submission, but softcopy is required for further editing once the paper is considered for publication by the Journal. Keywords: author’s guideline, document’s template, format, style
KLASIFIKASI KIMONO SEBAGAI BUSANA ADAT JEPANG Mila Fiska Indriana; Iffana Nafisa Saraswati; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

This journal uses qualitative research methods through document or text studies. It is a study that focuses on the analysis or interpretation of written material based on the context. Materials can be in the form of published notes, books, texts, newspapers, magazines, articles and the like. The data used as a reference for this journal is taken from online journals and digital books, which have previously been reviewed by the author and then summarized and set forth in written form with the title Classification of Kimono as Japanese Traditional Clothing. Japan is included in one of the developed countries, Japan as a country that still adheres to customs and culture is the main attraction, one of which is clothing. Almost everyone knows the traditional Japanese dress, namely the kimono. Clothing with various motifs and colors is well known throughout the world because it has become the identity of the country. Traditional Japanese kimono clothing is no longer monotonous because it has received several technological touches so that it looks more modern and can compete in the market.
BENTUK DAN MAKNA RAGAM HIAS PADA TIANG INTERIOR RUANG NDALEM ROEMAHKOE HERITAGE HOTEL LAWEYAN SOLO Henny Tri Hastuti Hasana; Dea Syahnas Paradita; Dina Kristiana Seftianingsih; Muhammad Dian Rifai
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The form and meaning of decorative variations in space-forming and space-filling elements are one way to shape the interior character of a space and is one way to find out the style used in an interior space. The use of decoration often adapts to economic capabilities and social position in society. Decoration is something designed to add beauty to a building. One way is to implement these decorations on the interior elements of a building. The results of this research aim to find out what forms of decoration are used, as well as the meaning they contain. Qualitative research with a form and meaning study approach, the study approach was carried out on the decoration on the interior pillars of the ndalem room of the Roemahkoe Heritage Hotel Laweyan Solo. This research uses a qualitative descriptive method with a form and meaning approach as a basis for analysis. The decorative form of the lung lungan is very clearly visible on the pillars in the interior of the ndalem room of the Roemahkoe Heritage Hotel, which has the meaning of the dignified behavior of Javanese society in their daily lives. The comparative method is also used to compare with other similar objects. Data collection techniques using; literature study, observation and interviews, using interpretive analysis Key words : Decorative styles_Interior_Roemahkoe Heritage_ Laweyan Solo
SOSOK MUDA KI PANDU NUR PRASTIYO Salim
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Shadow puppets are one of the identities of Javanese people in the life of Javanese society itself. Until now, shadow puppets remain an important characteristic of Javanese culture. In this case, shadow puppets are often also called wayang purwa. In the shadow puppet (purwa) performance, the puppeteer plays a very important role in the performance. The puppeteer is required to have expertise and skills in suluk, sabet, and understanding or knowledge of the Javanese Kawi language (ancient). Pandu Nur Prastiyo, at his young age, is classified as a teenager, has the expertise of a puppeteer in the traditional Javanese art of shadow puppetry, which is something rare in today's era. Usually young people his age are very familiar with rock music, pop music or other music that is more popular with modern art. Pandu Nur Prastiyo, a 4th semester student at ISI Surakarta, prefers to study the traditional Javanese art of Shadow Puppetry, an art that has been around for hundreds of years and is a favorite of the Javanese people. Keywords: biography, Pandu Nur Prasetyo,
CORAK ESTETIKA PERTUNJUKAN WAYANG GAGRAG BANYUMAS SAJIAN PANDU NUR PRASTIYO LAKON SEMAR BANGUN KAYANGAN salim
Canthing Vol. 11 No. 1 (2025): CANTHING VOL. 11 NO. 1 Tahun 2025
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

This research focuses on the study of popular aesthetics in the Banyumasan style shadow puppet performance presented by Pandu Nur Prastiyo through the play Semar Bangun Khayangan. The formulation of the problems raised in this research include: (1) What is the structure of the Banyumasan style shadow puppet performance presented by Pandu Nur Prastiyo in the play Semar Bangun Kayangan? (2) What is the form or aesthetic pattern displayed in the 1 Vol. 11 | No. 1 | Tahun 2025 performance?" The analysis of the two problems was carried out using an aesthetic approach in the world of puppetry, especially through an understanding of the concepts of Nuksma and Mungguh. In addition, the analysis of the performance structure refers to the Banyumasan Gagrag Puppetry Path as a reference. The research findings show that the achievement of the Nuksma value can be observed through the puppeteer's ability to present a musical atmosphere such as gending beregu, trenyuh, greget, sereng, gandrung, to prenes. This nuance is built through a harmonious combination of catur (speech), sabet (movement), and karawitan (accompanying music) elements in each scene. Based on the analysis of these pakeliran elements, it can be concluded that the aesthetic pattern in the Banyumasan gagrag shadow puppet performance is known as nyopak. Keywords: Aesthetics, Shadow Puppet, Pandu Nur Prastiyo, Semar Bangun Khayangan, Banyumasan Styl
GELARAN FASHION SHOW “KAWULA MUDA FESTIVAL (TEMA GELORA WASTRA)” SEBAGAI WUJUD APRESIASI BERKARYA Aninda Dyah Hayu Pinasti Putri
Canthing Vol. 11 No. 1 (2025): CANTHING VOL. 11 NO. 1 Tahun 2025
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

This community service initiative aimed to provide a platform for appreciation and creative expression for young designers, fashion vocational high school students, and fine arts academy students through a fashion show titled "Kawula Muda Festival (Gelora Wastra Theme)." The event was held at Pendhapi Balaikota Surakarta on February 10, 2024, coinciding with the Chinese New Year celebration, which attracted many visitors. The activities included a beauty class, an art workshop, and a fashion show featuring the works of young designers with traditional fabric themes. This event benefited not only the designers but also other stakeholders such as photographers, makeup artists, and models who needed portfolios and experience. The results showed increased confidence among participants, public enthusiasm, and requests for similar activities to be held continuously. This fashion show serves as a concrete form of support for the regeneration and development of the creative industry, particularly in local wisdom-based fashion design. Keywords: fashion show, young designers, community service, traditional fabric, appreciation of work

Page 8 of 9 | Total Record : 85

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