cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Heru Prasetyo, S.Hum., M.Pd.
Contact Email
heru.prasetyo59@fkip.unila.ac.id
Phone
+628117285959
Journal Mail Official
wiyatabudaya.fkipunila@gmail.com
Editorial Address
Alamat: Jl. Prof. Dr. Ir. Sumantri Brojonegoro, Gedong Meneng, Kec. Rajabasa, Kota Bandar Lampung, Lampung Kode Pos 35145.
Location
Kota bandar lampung,
Lampung
INDONESIA
Wiyata Budaya
Published by Universitas Lampung
ISSN : -     EISSN : 31242537     DOI : https://doi.org/10.23960/wiyatabudaya
Core Subject :
Jurnal Wiyatabudaya merupakan jurnal open acces sebagai sarana media dikusi, deskripsi, dan pengembangan ilmu pendidikan yang memuat naskah-naskah ilmiah dan penelitian empiris. Jurnal Wiyatabudaya menerima artikel pada bidang pendidikan dalam konteks humaniora dengan menggunakan berbagai metode yang memenuhi standar publikasi dalam jurnal ini. Fokus dan Ruang Lingkup Jurnal Wiyatabudaya adalah ilmu pendidikan, bahasa dan sastra Indonesia, pendidikan seni, bahasa dan sastra daerah, budaya dan tradisi lisan yang terbit dua kali dalam satu tahun, yaitu pada bulan Mei dan November.
Arjuna Subject : -
Articles 17 Documents
 1   2 
ANALISIS GAYA BAHASA DALAM PUISI EPIGRAM 60 KARYA JOKO PINURBO (KAJIAN STILISTIKA) Shinta Oktafiani; Heru Prasetyo; Munaris Munaris; Latifatul Azizah
Wiyata Budaya: Jurnal Pendidikan Dalam Konteks Humaniora Vol. 2 No. 2 (2025): Wiyata Budaya
Publisher : FKIP Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/wiyatabudaya.v2i2.1199

Abstract

Poetry is an intellectual expression that uses rhyme and a methodical framework to arouse emotions and stimulate the senses. Stylistics is the area of literary science that focuses on object- based style. Language style serves as the research object. One of the things that makes poetry better is linguistic style, which includes the author's viewpoint that enhances the writer's words or language. There are four categories of language styles: repetitious, connective, contrastive, and comparative. Examining the language types in Joko Pinurbo's collection of poetry "Epigram 60" is the goal of this study. The poems "Tembang Tidur," "Kesusu," and "Anak Wesel" are among the sources of data used in this investigation. Qualitative research methodology is used. Stylistic analysis techniques are used in the study of Joko Pinurbo's collection of poems "Epigram 60": (1) reviewing earlier studies on the poems in the book, (2) taking notes or writing down passages from the poems, and (3) examining the language styles and meanings in the quoted passages. Based on the results presented, the stylistic devices used in the book Epigram 60 by Joko Pinurbo, specifically in the poems titled 'Tembang Tidur,' 'Kesusu,' 'Anak Wesel,' and 'Parkiran Elit,' include comparative language, irony, metonymic connections, and repetition. Puisi adalah ekspresi intelektual yang menggunakan rima dan kerangka kerja sistematis untuk membangkitkan emosi dan merangsang indra. Stilistika adalah bidang ilmu sastra yang berfokus pada gaya berdasarkan objek. Gaya bahasa berfungsi sebagai objek penelitian. Salah satu hal yang membuat puisi lebih baik adalah gaya bahasa, yang mencakup sudut pandang penulis yang memperkaya kata-kata atau bahasa penulis. Ada empat kategori gaya bahasa: repetitif, konektif, kontrastif, dan komparatif. Tujuan penelitian ini adalah menganalisis jenis-jenis bahasa dalam kumpulan puisi Joko Pinurbo “Epigram 60”. Puisi-puisi “Tembang Tidur”, ‘Kesusu’, dan “Anak Wesel” merupakan sumber data yang digunakan dalam penelitian ini. Metodologi penelitian kualitatif digunakan. Teknik analisis gaya bahasa diterapkan dalam studi kumpulan puisi Joko Pinurbo “Epigram 60”: (1) meninjau studi sebelumnya tentang puisi-puisi dalam buku tersebut, (2) mencatat atau menuliskan kutipan dari puisi-puisi, dan (3) menganalisis gaya bahasa dan makna dalam kutipan yang dipilih. Berdasarkan hasil yang disajikan, perangkat stilistik yang digunakan dalam buku Epigram 60 karya Joko Pinurbo, khususnya dalam puisi berjudul ‘Tembang Tidur,’ 'Kesusu,‘ 'Anak Wesel,’ dan ‘Parkiran Elit,’ meliputi bahasa perbandingan, ironi, hubungan metonimik, dan pengulangan.
ANALISIS KAJIAN SEMIOTIKA FERDINAND DE SAUSSURE PADA PUISI “TEDUH HUTAN JATI” DAN “BERJALAN DI PEMATANG SAWAH” KARYA BAMBANG SUPRANOTO Vinna Cahya Safitri; Heru Prasetyo; Munaris Munaris
Wiyata Budaya: Jurnal Pendidikan Dalam Konteks Humaniora Vol. 2 No. 2 (2025): Wiyata Budaya
Publisher : FKIP Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/wiyatabudaya.v2i2.1200

Abstract

This research analyzes two poems by Bambang Supranoto, namely "Shady Teak Forest" and "Walking On The Rice Fields", using Ferdinand de Saussure's semiotic theory with a descriptive qualitative approach. This semiotic theory focuses on the relationship between signifier and signified in poetry. The aim of this research is to reveal the meaning contained in the language elements used by poets to convey messages and emotions. The results of the analysis show that in the poem "Shady Teak Forest", markers such as "wind" and "lush teak leaves" describe the soothing calm of nature, with signs of peace and blessings given by God through nature. Meanwhile, in the poem "Walking On The Rice Fields", markers such as "joyful singing" and "lush rice" describe an atmosphere of joy and gratitude for God's grace which is manifested from fertile nature. This second poem shows the harmony between humans and nature, as well as the importance of protecting and being grateful for the existence of nature as a gift from God. It is hoped that this research can add more insight into the dynamics of signs in poetry and enrich readers' understanding of the hidden meanings contained in literary works. Penelitian ini menganalisis dua puisi karya Bambang Supranoto, yaitu “Teduh Hutan Jati” dan “Berjalan di Pematang Sawah”, menggunakan teori semiotika Ferdinand de Saussure dengan pendekatan kualitatif deskriptif. Teori semiotika ini menitikberatkan pada hubungan antara penanda (signifier) dan petanda (signified) yang ada dalam puisi. Tujuan penelitian ini untuk mengungkap makna yang terdapat dalam elemen-elemen bahasa yang digunakan oleh penyair untuk menyampaikan pesan dan emosi. Hasil analisis menunjukkan bahwa dalam puisi “Teduh Hutan Jati”, penanda seperti “angin” dan “rimbun daun-daun jati” menggambarkan ketenangan alam yang menyejukkan, dengan petanda berupa kedamaian dan keberkahan yang diberikan Tuhan melalui alam. Sedangkan dalam puisi “Berjalan di Pematang Sawah”, penanda seperti “lagu gembira” dan “rimbun padi” menggambarkan suasana gembira dan rasa syukur terhadap karunia Tuhan yang tercermin dalam alam yang subur. Kedua puisi ini menunjukkan keharmonisan antara manusia dengan alam, serta pentingnya menjaga dan mensyukuri keberadaan alam sebagai berkah Tuhan. Penelitian ini diharapkan dapat menambah pengetahuan lebih dalam tentang dinamika tanda dalam puisi dan memperkaya pemahaman pembaca terhadap makna tersembunyi yang terkandung dalam karya sastra.
MYTHS OF SECURITY AND LIFE COMFORT IN THE POEM KEPADA UANG BY JOKO PINURBO: A ROLAND BARTHES SEMIOTIC STUDY Alena Ardinda; Ayu Setiyo Putri; Septia Uswatun Hasanah; Heru Prasetyo
Wiyata Budaya: Jurnal Pendidikan Dalam Konteks Humaniora Vol. 3 No. 1 (2026): Wiyata Budaya
Publisher : FKIP Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/wiyatabudaya.v3i1.2124

Abstract

This study aims to describe the representation of money in the poem Kepada Uang by Joko Pinurbo through Roland Barthes’ semiotic approach. The research focuses on the levels of denotation, connotation, and myth to reveal the social and ideological meanings contained in the poem. This study employed a qualitative descriptive method with data collection techniques through library research and textual analysis of diction, symbols, and imagery in the poem. The results show that money in the poem is not merely interpreted as an economic transaction tool, but also represented as a symbol of life security, emotional comfort, bodily well-being, and the continuity of modern human existence. At the denotative level, the poem presents images of houses, bodies, beds, twilight, and childhood as representations of the lyrical subject’s simple life. At the connotative level, these symbols develop meanings related to protection, life struggles, nostalgia, and human vulnerability. Meanwhile, at the myth level, the poem reflects the social construction of modern society that positions money as a determinant of security, comfort, and human dignity. This study concludes that the poem Kepada Uang contains a subtle social criticism of modern life, where humans depend on economic sufficiency to achieve peace and stability. Through the symbols of home, body, and childhood nostalgia, Joko Pinurbo portrays how the relationship between humans and money has entered emotional and existential dimensions. This study is expected to contribute to the development of contemporary Indonesian literary semiotics and serve as a reference for understanding social and ideological meanings in literary works.
THE MEANING OF REGRET AND LIFE VALUES IN MENYESAL BY ALI HASJMY: AN ANALYSIS OF ROLAND BARTHES' FIVE SEMIOTIC CODES Anisa Suciani; Iis Halisa; Bambang Riadi
Wiyata Budaya: Jurnal Pendidikan Dalam Konteks Humaniora Vol. 3 No. 1 (2026): Wiyata Budaya
Publisher : FKIP Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/wiyatabudaya.v3i1.2125

Abstract

Previous studies on the poem Menyesal by Ali Hasjmy have primarily focused on its intrinsic elements and moral messages. However, comprehensive studies employing Roland Barthes' five semiotic codes to reveal the multilayered meanings embedded in the poem remain limited. Therefore, this study aims to analyze the meanings of Menyesal through Barthes' five semiotic codes, namely the actional code, hermeneutic code, cultural code, connotative code, and symbolic code. This research employed a qualitative descriptive method using Roland Barthes' semiotic approach. The data consisted of the verses of the poem Menyesal, which were collected through close reading and note-taking techniques and analyzed using the stages of data reduction, data presentation, and conclusion drawing. The findings reveal that the poem embodies Barthes' five semiotic codes, which collectively construct its overall meaning. The actional code portrays the lyrical subject's negligence in making productive use of youth, ultimately leading to regret. The hermeneutic code presents interpretative questions concerning the causes and consequences of life choices. The cultural code reflects social values emphasizing the importance of education, hard work, responsibility, and dedication to society. Furthermore, the connotative code assigns deeper meanings to symbols such as morning, evening, knowledge, and wealth, while the symbolic code establishes binary oppositions between youth and old age, hope and regret, as well as productivity and passivity. These findings demonstrate that the poem conveys not only the poet's personal experience but also universal moral reflections on the importance of valuing time and making meaningful life choices. This study concludes that Roland Barthes' semiotic framework effectively reveals the multiple layers of meaning embedded in the poem through the interrelationship of the five semiotic codes. The analysis demonstrates that Menyesal presents philosophical reflections on life, regret, responsibility, and self-devotion that remain relevant to contemporary society. Therefore, this study contributes to the development of Indonesian literary semiotics and provides a valuable reference for future research on semiotic analyses of literary works.
THE STYLISTIC STRATEGIES OF FIGURATIVE LANGUAGE AND IMAGERY IN CONSTRUCTING THE MEANING OF LONGING IN HALINU NA MERIDU NARI DI TUNDUNMU BY GUSTI PRIDA GUMALA Siti Nuraini Indriasih; Heru Prasetyo; Yinda Dwi Gustira
Wiyata Budaya: Jurnal Pendidikan Dalam Konteks Humaniora Vol. 3 No. 1 (2026): Wiyata Budaya
Publisher : FKIP Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/wiyatabudaya.v3i1.2129

Abstract

Poetry is a literary genre that employs linguistic elements to construct aesthetic value while expressing the poet's inner experiences. Although stylistic studies on poetry have been widely conducted, research examining the relationship between figurative language and imagery as fundamental elements in constructing meaning and aesthetic effects in Lampung poetry remains limited. Therefore, this study aims to describe the use of figurative language and imagery in Halinu Na Meridu Nari di Tundunmu by Gusti Prida Gumala through a stylistic approach. This study employed a qualitative descriptive method using a stylistic approach. The data consisted of the verses of Halinu Na Meridu Nari di Tundunmu by Gusti Prida Gumala. Data were collected through close reading and note-taking techniques and analyzed by identifying, classifying, interpreting, and describing stylistic elements, particularly figurative language and imagery. The findings reveal that the poem employs three types of figurative language—metaphor, personification, and hyperbole—and five types of imagery, namely visual, auditory, olfactory, kinesthetic, and tactile imagery. Metaphors are used to express longing and memories imaginatively, personification animates abstract entities to evoke emotional nuances, while hyperbole intensifies the lyrical speaker's emotions. Furthermore, the various forms of imagery create vivid sensory experiences, enabling readers to visualize, hear, smell, feel, and emotionally experience the events portrayed in the poem. The study demonstrates that the integration of figurative language and imagery not only enhances the poem's aesthetic quality but also functions as a stylistic strategy for constructing meaning, reinforcing the expression of longing, and creating profound aesthetic experiences for readers.
FROM DENOTATION TO MYTH: CONSTRUCTING DEATH AND HUMAN MORALITY IN FRIDOLIN UKUR'S THE ONE WHO LEAVES AND THE ONE WHO STAYS Yulia Sintia Sari; Ayu Setiyo Putri
Wiyata Budaya: Jurnal Pendidikan Dalam Konteks Humaniora Vol. 3 No. 1 (2026): Wiyata Budaya
Publisher : FKIP Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/wiyatabudaya.v3i1.2131

Abstract

This study aims to examine the construction of the meanings of death and human morality in Fridolin Ukur's poem The One Who Leaves and The One Who Stays using Roland Barthes' semiotic framework. Employing a qualitative descriptive approach, the study analyzes poetic expressions through three levels of signification: denotation, connotation, and myth. The findings reveal that, at the denotative level, the poem depicts the existential realities of life and death as inseparable dimensions of human existence. At the connotative level, the signs construct meanings associated with life's journey, worldly temptations, spiritual awareness, and moral struggles experienced by human beings. At the mythic level, the poem reproduces cultural and ideological beliefs that portray life as a moral test shaped by material desires, while death is represented as both liberation from worldly suffering and the inevitable consequence of human choices. These findings demonstrate that the poem constructs layered meanings through the interaction of linguistic signs, cultural experiences, and ideological values, thereby presenting a critical reflection on the tension between worldly pursuits and spiritual consciousness. This study contributes to literary semiotics by demonstrating how Barthes' concepts of denotation, connotation, and myth can uncover the ideological dimensions embedded in poetic discourse, particularly in representing death and human morality.
CONSTRUCTING THE MEANING OF LIFE IN LAMPUNG BUBANDUNG THROUGH THE SIGNIFIER–SIGNIFIED RELATIONSHIP: A FERDINAND DE SAUSSURE SEMIOTIC STUDY Astria Astria; Mei Fatmila Sari; Muhammad Ramdhan Fathin Al Farabi3; Detia Aulia Oktarina
Wiyata Budaya: Jurnal Pendidikan Dalam Konteks Humaniora Vol. 3 No. 1 (2026): Wiyata Budaya
Publisher : FKIP Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/wiyatabudaya.v3i1.2137

Abstract

Bubandung is a form of Lampung oral literature that embodies religious, moral, and cultural values passed down across generations. As an oral literary tradition, Bubandung employs a system of signs to convey philosophical messages about human life, making it a valuable subject for semiotic analysis. This study aims to describe the relationship between the signifier and the signified in Bubandung using Ferdinand de Saussure's semiotic theory and to reveal the meanings constructed through this relationship. This research employed a qualitative approach with a descriptive method. The data source was the text of Bubandung, collected through a literature study. Data were gathered using documentation techniques by conducting intensive readings, identifying linguistic units containing signs, and analyzing them based on the relationship between signifier and signified according to Ferdinand de Saussure's semiotic framework. The findings indicate that each stanza of Bubandung forms an interconnected system of signs representing the journey of human life, the inevitability of death, the importance of maintaining a relationship with God, and the awareness that wealth, social status, and worldly pleasures are temporary. The relationship between signifier and signified constructs a coherent meaning, demonstrating that Bubandung functions not only as entertainment but also as a medium for transmitting the religious, moral, and cultural values of the Lampung community. These findings confirm that Ferdinand de Saussure's semiotic approach effectively reveals the structure of meaning embedded in oral literature as a representation of a community's worldview.

Page 2 of 2 | Total Record : 17

 1   2 

Filter by Year

2024 2026


Reset
Filter By Issues
All Issue Vol. 3 No. 1 (2026): Wiyata Budaya Vol. 2 No. 2 (2025): Wiyata Budaya Vol. 2 No. 1 (2025): Wiyata Budaya Vol. 1 No. 2 (2024): Wiyata Budaya Vol. 1 No. 1 (2024): Wiyata Budaya