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Imaji: Jurnal Seni dan Pendidikan Seni
Published by Universitas Negeri Yogyakarta
ISSN : 16930479     EISSN : 25800175     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science Social Sciences
IMAJI is a journal containing the results of research/non-research studies related to arts and arts education, including fine arts and performing arts (dance, music, puppetry, and karawitan). IMAJI is published twice a year in April and October by the Faculty of Languages and Arts of Universitas Negeri Yogyakarta in cooperation with AP2SENI (Asosiasi Program Studi Pendidikan Seni Drama, Tari, dan Musik se-Indonesia/Association of Drama, Dance, and Music Education Study Programs in Indonesia).
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Articles 8 Documents
 1 
Search results for , issue "Vol 5, No 1 (2007): IMAJI FEBRUARI" : 8 Documents clear
MEMBANGUN IMAJINASI DAN FANTASI MELALUI BUKU- BUKU CERITA BERGAMBAR UNTUK ANAK-ANAK Widyastuti Purbani
Imaji Vol 5, No 1 (2007): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (122.095 KB) | DOI: 10.21831/imaji.v13i2.6690

Abstract

In what so-called the era of image and imagination, the words imagination and fantasy commonly receive negative connotation, and are usually misunderstood as destructive rather than productive, even among intellectuals and educators. This paper aims at giving clarification on the importance and contribution of imagination and fantasy in education and transformation of knowledge. Illustrations on how to stimulate young people's imagination and fantasy using picture books, and what kind of picture books have the ability to stimulate imagination and fantasy will be revealed at the later part of this writing.
PERKEMBANGAN TARI KLASIK GAYA YOGYAKARTA DI ERA GLOBAL Titik Putraningsih
Imaji Vol 5, No 1 (2007): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (154.942 KB) | DOI: 10.21831/imaji.v13i2.6691

Abstract

The development of Yogyakarta classical dances in this global era is influenced by the advance of technology, the spread of tourism industries and the change of aesthetic taste of urban society. This article discusses how art lovers and artists face the global challenges and survive in the era. Dance experts create innovative forms of dances that are easy to learn; Dance organizations establish educational programs for dance learning; Dance education produces individuals who grow into dancers, or teachers in both formal and informal education. Moreover, dance organizations also produce new generation who will maintain, preserve and develop the classical dances in the future. Key Words: Yogyakarta classical dances, dance organizations, the global era
IMPLEMENTASI NILAI-NILAI FILOSOFIS JOGED MATARAM KE DALAM SISTEM PEMBELAJARAN TARI SLTP KOTA YOGYAKARTA Kuswarsantyo -
Imaji Vol 5, No 1 (2007): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (224.549 KB) | DOI: 10.21831/imaji.v13i2.6692

Abstract

Various studies on the philosophical values of Joged Mataram have been conducted. However, in the context of dance learning, a study that relates the values and the dance learning system has never been carried out. Therefore, the writer is interested to analyze the problem through a descriptive qualitative research. The result and the effectiveness of the application of Joged Mataram philosophy to the dance learning system can be used as an achievement measurement, with dance teachers as the main informants. Four aspects of Joged Mataram philosophy are Sawiji, the realization of always concentrating on facing all activities; Greged, the expression of human life dynamic; Sengguh, human self-evidence in all situations without being arrogant; and Ora Mingkuh, an attitude of always struggling to realize a dream. Understanding the aspects, students are hopefully able to follow the dance learning process with all their heart to reach their ideals. Key Words: values, Joged Mataram, dance learning
MAKNA PERTUNJUKAN DABUIH PADA MASYARAKAT LUMPO PESISIR SELATAN SUMATERA BARAT Yuniarti Munaf
Imaji Vol 5, No 1 (2007): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (244.958 KB) | DOI: 10.21831/imaji.v13i2.6696

Abstract

The aims of this study are to know the functions of Dabuih performance in Lumpo of Pesisir Selatan Regency and its meanings. The analysis of meaning is focused on the supporting aspects, including stage and spectators. It is a qualitative research adopting an interaction symbolism. The informants, selected through the snowball sampling technique, were the village chief, Dabuih players, influential villagers, and spectators. The data were analyzed by using Spradley analysis model (1997). The validity was based on their credibility, transferability, dependability and conformability. The findings show that 1) Dabuih traditional art performance still exists and is preserved by Lumpo people. In its earlier development, Dabuih was a medium to introduce the Islamic teachings, but in the later development it was used as entertainment; 2) the meanings of Dabuih are related to religious and traditional aspects of the local people. To Dabuih viewers, the performance is religiously educative, integrative and entertaining media. Key Words: the meanings of Dabuih, a performance in Lumpo
UPAYA MENINGKATKAN PRESTASI BELAJAR DIREKSI MELALUI PENGGUNAAN MULTI MEDIA TERPADU DI JURUSAN PENDIDIKAN SENI MUSIK FBS Kun Setyaning Astuti; A. M. Susilo Pradoko; F. X. Diah K.
Imaji Vol 5, No 1 (2007): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (728.295 KB) | DOI: 10.21831/imaji.v5i1.18605

Abstract

AbstractThe aims of this study are to find out an effective strategy in using integrated multimedia in the learning of directing in the Music Study Program FBS UNY as well as to reveal the influence of integrated multimedia on students' learning chievement in the Directing class in 2005. The study is based on a class action research, the sample of which is the students of the Non-regular program taking Basic Directing class. The research was carried out in three cycles. The data were collected through tests, observation, and interviews. The function of the test is to know the students' achievement while that of the observation and interviews is to identify the effective strategy in using the integrated multimedia. The analysis techniques applied are t-test, continued with Dunnet test. The result shows that the use of integrated multimedia in the learning  of directing made the learning process enjoyable, attractive, and made the lessons easy to understand. Besides, the integrated multimedia could increase the students' achievement effectively. Keywords: students' achievement, directing class, integrated multimedia
PERAN ORGAN TUNGGAL DALAM ACARA BARALEK DI PADANG Yensharti Yensharti
Imaji Vol 5, No 1 (2007): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (323.939 KB) | DOI: 10.21831/imaji.v13i2.6694

Abstract

The research aims at studying the performance of solo organ nowadays popular among Minangkabau people, especially in the wedding ceremony (Baralek) in Padang. The performance is of a new music genre, which in the last two decades has become more and more well-known in the urban area as well as in the rural one. At the beginning, the performance was particularly organized in hotels. A year later in 1984, it was performed in private houses and culminating in 2000 many new solo organ groups emerged in Padang. Malam Bainai and Alek Nak Mudo serve as the main songs played in the traditional procession of welcoming and escorting the bridal couple, while Anak Daro and Marapulai are played when they go to the nuptial seat and when they leave it during the Baralek. The existence of solo organ performance in the ceremony plays important roles as emotional expressions, personal entertainment, symbols, communication, social integrity, physical reaction or productivity stimulation and serves the ritual function. Key words: solo organ, Baralek music
KARYA SENI INDONESIA SEBAGAI OBJEK PERLINDUNGAN HAK CIPTA: JANGKAUAN DAN PERMASALAHAN Djoko Saryono
Imaji Vol 5, No 1 (2007): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (212.282 KB) | DOI: 10.21831/imaji.v13i2.6689

Abstract

As an intellectual creation, arts have long become the objects of copyright protection. International copyright regulations have been legislated and many have been ratified. Indonesia has also established such regulations as well as ratified the international patent laws to protect art works. The regulations are relatively adequate, however, the implementation and the control are still very bad. Key words: arts works, protection, and copyright
HAPPENING ART DALAM AKSI DEMONSTRASI MASSA DI YOGYAKARTA Trie Wahyuni
Imaji Vol 5, No 1 (2007): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (180.947 KB) | DOI: 10.21831/imaji.v13i2.6693

Abstract

This study is aimed at identifying the forms and the purpose of happening art performance in mass demonstration frequently taking place nowadays. The subject of the study is the primary resources, namely the mass demonstration agents consisting of the activators, the performers and the supporters, as well as the viewers or the society in Yogyakarta watching the performance in the demonstration. The data were collected through observation, documentation, literature and interviews. The study shows that the form of the happening art performance consists of some elements like: 1) duration, 2) performers, 3) make-up, 4) costume, 5) stage, 6) property, 7) dance movements, and 9) verbal expressions. Meanwhile the purpose of performing a happening art is to make the demonstration easy to be understood by the society. Key Words: happening art, mass demonstration

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