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Kota denpasar,
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INDONESIA
PANGKAJA
Published by Institut Hindu Dharma Negeri Denpasar
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Core Subject : Education,
Education
Memuat Jurnal Ilmiah di lingkungan PPs. IHDN Denpasar
Arjuna Subject : -
Articles 8 Documents
 1 
KONSEP RUDRA DALAM VEDA Surada, I Made
PANGKAJA Vol 14, No 2 (2012): PANGKAJA
Publisher : PANGKAJA

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Abstract

AbstractHinduism is one of big Religion in world. Holy book of Hinduism is Veda. From Veda Hinduism teaching emit a stream of. In God Veda is called Agni or Indra or Waruna, in Upanisad God is called  Brahman, and there is also Rudra. Rudra represent atmosferis deity which minor relative in Rgveda, even that way he/she draw physically, with only there are three rhyme (gita) concerning it and totalize about twenty seven reference modestly.But along this minor deity time journey have rounded into glorious and strong Rudra-Siva deity, that is third Deity from Trilogy Hindu, as result of merger with a few the nature of god like all non-Arya nation deity. Conception Siwa woke up do not only from confidence of Veda and tradisisemata, but because us have owned elementary form from Siwa pasupatiurdhvalinga yogisvara trimukha in civilization of Harappa before Veda. However, we here growth seharusnyamemeriksa conception Rudra step by step as found in Kesusastraan Veda. By shares early kesusastraan of our Veda interpret Samhitas, Brahmanas, Aranyakas And Upanisads, is successively degraded by under Supertitous formula, Vidhi, Arthavada and Vedanta. Last Phase from kesusasatraan of Veda shown by Sutras which shortly and systematic relate to Veda ritual in one side, and with customary law on the other side him.
FUNGSI DAN MAKNA DRAMA TARI PACALONARANGAN DALAM UPACARA SUDHAMALA BHUMI PRATISTHA DI DESA PAKRAMAN SESETAN Indra Wirawan, I Komang
PANGKAJA Vol 14, No 2 (2012): PANGKAJA
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Abstract

Pacalonarangan Ballet is a theatrical art which is a unification of dance, drama and literature supported by fine arts such as sculpture, decorative art, painting, etc. The term of calonarang, besides as a literary work, means a figure or a name of person in the story named  Ni Calonarang. Calonarang is also found in the forms of work of art such as wayang (shadow play) pacalonarangan  and in the theatrical art of ballet called Pacalonarangan Ballet. The calonarang story in Pacalonarangan is not releted yet to the common calonarang story. It is a piece of babad: Basur, or Ki Balian Batur, which contains mystical elements. In the calonarang performance, the story shows fighting between the power of black and white magic which are simbolyzed by: pangundangan (inviting), pangerehan (trance), watangan hidup (living corpse), traktakan linggih ratu ayu, pepatih, Rangda (the throne of queen, ministers, and Rangda (the goddess).Pacalonarangan Ballet in Sudhamala Bhumi Pratistha in Sesetan village aims at guiding Sesetan villagers’ understanding in order to strengthen their faith (sradha) to God. People consider pandemic the act of devil spirit or power which is hard to overcome by human. One of people’s efforts is to pray for safety and being avoided from dificulty. As the form of their gratitude, the people of Sesetan village hold Sudhamala Bhumi Pratistha ceremony. The ballet is the reflection of the ceremony. Last, the meaning of Pacalonarangan ballet; they are theologic meanings including Panca Durga as the symbol of darkness, power and nature. They are also to discusses about the meaning of aesthetic, education, and harmony implied in the cheremony. Through its symbols, it is expected that the ceremony could be the reflection of the life itself creating balance of macro and micro cosmos resulting in true happiness.Key words : Drama tari Pacalonarangan, Sudhamala Bhumi Pratistha
Candi Ratu Boko: Peninggalan Historis Awal Bersatunya Hindu-Budha Masa Jawa Kuno Titah Pratyaksa, I Gede
PANGKAJA Vol 14, No 2 (2012): PANGKAJA
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Abstract

Ratu Boko temple situated in Orchard Dawung Bokoharjo village, Prambanan district, Sleman regency. Originally a magnificent building that was built during the reign of King Rakai Panangkaran, which is one of the descendants Wangsa dynasty in 745-784 AD This temple has Hindu elements. It can be seen from the Linga and Yoni, Ganesha statues, and gold plate that reads "Om Rudra ya namah swaha" as a form of worship of the god Rudra is another name of Lord Shiva. The existence of Hindu elements proved religious tolerance and religious spirituality integrated two forces that once thrived in Yogyakarta in ancient times. To preserve the Hindu heritage in the form of Ratu Boko, can not be separated from efforts to involve and empower local communities in tourism. Utilization of cultural remains or "Cultural Heritage" as a tourist attraction means indirectly the public, in this case Hindus, are invited to keep the Ratu Boko temple as a place of worship of Shiva-Buddha oldest in Indonesia. Keywords: Ratu Boko temple, Shiva-Buddhist, Hindu, Tourism
MISTISISME YOGA : POLARISASI GERAKAN SPIRITUALITAS DALAM MASYARAKAT LINTAS AGAMA Sugata, I Made
PANGKAJA Vol 14, No 2 (2012): PANGKAJA
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Abstract

Mysticism is understood as one of the practice of esoteric (secret) that aims to awaken the divine nature within oneself through yoga exercises. Yoga practices include moral training, physical training, mental training and spiritual training. When the yoga mysticism is a requirement by the public, there will be a polarization of spirituality movement regardless of his religion. Religion is a quest of mankind to God. Throughout the ages, mankind has always struggled in his quest for the secret and essence behind this life, and religion is a means or a connecting road and provides solutions to solve these problems.Spiritual journey undertaken by many people in order to search for meaning in a very individualistic modern life in a capitalist industrial society, as well as the rapid global developments affecting human life to fill in the blanks themselves. Thus, the approach described spirituality yoga mysticism in religious experience, mysticism polarization form of yoga in the movement of spirituality and mysticism influence of yoga in the interfaith community. Keywords: Mysticism, polarization, religion and spiritual
UNSUR-UNSUR MITOS, ANIMISME, RITUS, DAN MAGI DALAM RITUAL PEMUJAAN DEWI SRI Ananda, I Nyoman
PANGKAJA Vol 14, No 2 (2012): PANGKAJA
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Abstract

ABSTRACTThe worship of Dewi Sri is performed by Balinese people whose mostly occupation as farmers. This agricultural ritual aims at having their land fertilized. This article examining the practice of The worship of Dewi Sri ritual, including mythological motivation and trace of the local religion. The worhip of Dewi Sri verily worshipping Ida Sang Hyang Widhi, The Almighty God in His manifestation as the Goddes of fertilizer and prosperity. This ritual is close related to the local religion with magical and animism traces and stay still from modern change. Key Words: Dewi Sri, local religion, agriculture.
IDEOLOGI POLA HIAS GAYA KANGKANG DI BALI Rema, I Nyoman
PANGKAJA Vol 14, No 2 (2012): PANGKAJA
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Abstract

Decorative patterns straddle style is a culture of the past, which was once owned by the ancestors of Bali, in prehistoric times, engraved on the megalithic buildings, such as the sarcophagus, and others. The creation of decorative pattern is based on the belief in ancestral spirits, and then evolved into a more complex form and ideology, when the arrival of Hindu influence. This study only presents the single issue, in relation to human ideology decorative patterns straddle style in prehistoric times until the arrival of Hindu influence in Bali. This study used two theories are theories and religious symbols, given the data in the form of archaeological artifacts left behind decorative patterns straddle style, contains an idea, concept, belief in ancestral spirits, supernatural powers and developing worship ancestors who worshiped together with the gods. This research is a qualitative study, using the method of observation and study literature, arkeologireligi approach. Data analysis conducted descriptive-qualitative process; reduction, data presentation, draw conclusions. In the final stage after the data analysis, data presentation made in accordance with the proposed issue. So it can be seen that in prehistoric times the creation of human-style decorative patterns straddle motivated by belief in ancestral spirits, magical powers, and determine the efficacy, safety, and peace. At the time of the entry of Hindu culture to this day, worship of ancestors, acculturated to the worship of the gods together, known as Acintya. Keywords: ideological, confidence, style crotch, ancestors, Acintya
DANA PUNIA DALAM TRADISI MASURYAK Tary Puspa, Ida Ayu
PANGKAJA Vol 14, No 2 (2012): PANGKAJA
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Abstract

Tradition is integrated in the implementation of other forms of religious ceremonies in Baliimplemented as a legacy for generations. Likewise masuryak traditions are still carried out by the Hindu community in the villageof Tabanan Bongan. The tradition is still carried out to date to coincide with the feast of Brass. Feast day which falls after ten days of Galungan and just in the local community Tumpek interpreted as a return of their ancestors to heaven. To deliver these ancestors made a ritual and equipped with money being thrown into the air accompanied by the cheering (masuryak). The money will be taken by his family, relatives, community, and even from outside the village were there to enjoy the windfall. This form berdanapunia way the focus of religion in this time era. Keywords: punia funds, tradition masuryak
HINDU ECO-PHILOSOPHY Suwantana, I Gede
PANGKAJA Vol 14, No 2 (2012): PANGKAJA
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Abstract

Traditional Hindu environmental values and concerns have continued to influence the discourse and aligned practices of environmentalism in much of South Asia. Hinduism developed a strong moral ethos which to a large extent superseded the earlier (Vedic) view from the heavens (or of the gods) by a view as if, "from nowhere", that is, from no one particular subjective position (whether divine or human). Here the moral concept of dharma emerges as a much more abstract, authoritative and autonomous notion, but with the same normative strength that the ontological and cosmological conceptions had earlier served. The universe is seen as a most meaningful and principled moral order: human beings have a responsibility, indeed a duty, to help sustain this world thus rendered morally significant. Key words: Mother Earth, Nature, Sacred

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