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INDONESIA
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts)
Published by Institut Seni Indonesia Yogyakarta
ISSN : -     EISSN : 23386770     DOI : https://doi.org/10.24821/resital
Core Subject : Humanities, Art,
Arts Humanities
Resital : Jurnal Seni Pertunjukan merupakan jurnal ilmiah berkala yang ditujukan untuk mempublikasikan karya ilmiah hasil penelitian, pengembangan, dan studi pustaka di bidang seni pertunjukan. Jurnal Resital pertama kali terbit bulan Juni 2005 sebagai perubahan nama dari Jurnal IDEA yang terbit pertama kali tahun 1999.
Arjuna Subject : -
Articles 8 Documents
 1 
Search results for , issue "Vol 10, No 1 (2009): Juni 2009" : 8 Documents clear
Seni Musik Hadrah Putri di Pondok Pesantren Al Munawwir Krapyak ANDRE INDRAWAN; SUSANTI ANDARI; SURYATI -
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 10, No 1 (2009): Juni 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v10i1.466

Abstract

Hadrah Music in Pondok Pesantren Al Munawwir Krapyak. This study investigates an Islamic musical genreknown as the Hadrah, practiced by female students of the Pondok Pesantren (Islamic boarding school) Al Munawwir.It is based on an ethnomusicological fi eld research conducted between May 2007 and September 2008.Thisstudy fi nds that basic song form is exist in the Hadrah’s songs while their lyrics are mostly taken from classical as wellas popular Islamic poem collections. Although the Hadrah song was performed by melodic ornamental improvisationtechniques that normally applied in reciting the Qur’an, the singer always try to follow the Arabic reading rulescarefully. This fi nding has given us an indication that in order to achieve a good result of musical production, aswell, the Hadrah singers have to master not only the art of Holy Qur’an recitation but also Arabic language fl uency.The female Hadrah is normally performed as a religious entertainment in the school’s traditions, such as anniversaryand graduation celebrations.
Iringan Kuda Lumping Ngesti Budaya SUBUH -; YUNI PRASETYO
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 10, No 1 (2009): Juni 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v10i1.467

Abstract

Musical accompaniment of Ngesti Budaya horse dance. This article describes and analyzes a unique formperformance, presentation structure and growth of accompaniment of Ngesti Budaya horse dance through a descriptiveanalysis method. This dance represents a performing art owning characteristic, colour and also typical motion.One of the typical characteristic or element of this genre is a role of its musical accompaniment. Musical accompanimentalways accommodates dance movement pattern, assuring dance character, nguripke joget and develop;building dance plot atmosphere. At its growth, musical accompaniment does not only accompany dance, but withvarious its till can become important shares of dance and have to position is same in its presentation.
Klambi Lurik Compang-Camping: Sebuah Komposisi Karawitan SUHARDJONO -
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 10, No 1 (2009): Juni 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v10i1.469

Abstract

Klambi Lurik Compang-Camping Karawitan Composition. This article discusses the creation process ofKlambi Lurik Compang Camping karawitan composition. This composition is inspired by Jineman Klambi Lurik,penned by Wasiran –a traditional artist and teaching staff in Karawitan study programme in ISI Yogyakarta. Thisjineman is favoured by both laypeople and karawitan traditional artists. This composition consists of eight parts,united as one full composition. The creation methods are exploration, improvisation, and shaping.
Peranan Radio Republik Indonesia Yogyakarta Dalam Pelestarian Karawitan KRISWANTO -
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 10, No 1 (2009): Juni 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v10i1.470

Abstract

The Role of Indonesian Republic Radio of Yogyakarta in Preserving Karawitan. This article discussesthe role of Indonesian Republic Radio (RRI) Yogyakarta in the preservation of karawitan. RRI Yogyakarta –bornthrough MAVRO (1934) and Japan Radio Hosokyoku (1942), offi cially established on September 11, 1945- is aplace for the existence of Uyon uyon Manasuka. Uyon-uyon Manasuka –originally known as Doyo Mardowo– becomesone of the prime shows in RRI Yogyakarta on the struggle of Ki Tjokrowasito who later became the boss. Thecharacteristics of uyon-uyon Manasuka which were different from uyon uyon Hadiluhung Sultan Palace and Uyonuyon Muryoraras Pura Paku Alaman, enrich the cultural treasures of Yogyakarta. Since its birth until now, its existencestill gets its own place for people of Yogyakarta. Even present society is still getting involved directly throughinteractive contacts. Besides uyon-uyon Manasuka, RRI Yogyakarta also facilitates the activities of community-uyonuyon packed in lunch-uyon uyon events
Analisis Simbolik Kyrie Eleison Karya Anna Wahyu Prasetyowati RINA MARTIARA; ANISA FEBRIANA
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 10, No 1 (2009): Juni 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v10i1.471

Abstract

Symbolic Analysis of Kyrie Eleison of Anna Wahyu Prasetyowati’s Work. This paper describes and interpretsthe Kyrie Eleison as a performing arts. Kyrie Eleison text is read through choreography elements that shape thethemes, motion, musical accompaniment, fashion makeup, fl oor pattern, form and stage layout. This paper useshermeneutic approach. Based on the research it can be concluded that this work has a deep meaning. The story ofJesus Christ journey in teaching the word with great passion until his death on the Cross is fi xated religious valuesthat serve as an example for mankind. This work also contains the values of humanity that every human being mustbe having a miserable, suffering, and death. Humans must be steadfast and strong in the face of every temptationthat comes when he/she want to achieve the highest inner awareness and understanding of divine truth.
Kritik Sosial Politik dalam Lakon Semar Gugat karya Nano Riantiarno SUMPENO -
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 10, No 1 (2009): Juni 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v10i1.472

Abstract

Socio-Political Critique in Nano Riantiarno’s Semar Gugat. This article discusses social critique of SemarGugat play script, various symbolism within the play, and socio-historical factors behind the writing of Riantiarno’splays. Semar Gugat is interpreted as a manifestation of Riantiarno’s critiques to social, political, economy, and lawdisparities in Indonesia. Through this play, Riantiarno criticizes the authoritarian, corrupt, and colluded politicalsystem of New Order. Semar is a manifestation of grassroots people’s struggle against an authoritarian government.
Penciptaan Naskah Drama Pemberontakan Sisifus RANO SUMARNO
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 10, No 1 (2009): Juni 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v10i1.473

Abstract

The Rebellion of Syssiphus. The Rebellion of Syssiphus play script is an effort to response suicide phenomenonin Indonesia. Joining two different social lives among human life in Indonesia and Greek mythology constructsthis creation as a surrealism play script. The purpose of this creation is: 1) to create a joint script of two differentrealms between Sissyphus’ life and recent reality of Indonesian people’s life in surrealist plot, (2) to produce a scriptconstantly contextual with man’s problem in life, (3) to enrich Indonesia Drama documentation through a scriptwith high motivational contents as an alternative of destiny. As a anti-suicide campaign for Indonesians, the authorinvokes a brilliant thinking of existentialist philosopher, Albert Camus, within the script to be performed andwatched. The implementation is not wholesome, but adapting Pancasila values. Therefore, this script is importantas a reference for students who teach and perform absurd scripts. Most drama observers say that the emergence ofabsurd script proposed by group of dramatist in 1950’s could not be released from Camus’ thought
Fotografi Pertunjukan: Fenomenena Tubuh dari Panggung menjadi Rupa RY. ADAM PANJI PURNAMA
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 10, No 1 (2009): Juni 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v10i1.475

Abstract

Performace Photography: The Body Phenomenon from Stage to Physical. Performance photographyhas tried its best to capture the phenomena on stage. These two art mainstreams are completely different both fromthe subject and the objects. Performing art utilizes eyes and noses as the guidance to the feeling and meaningfulbody movements. Meanwhile, photography only utilizes eyes due to the still images it uses. Body in the performanceis the amalgamation of physical body and spiritual body. The detachment from a daily life to act as others accordingto the performance demand makes a performance meaningful and atmospheric for the audience.

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