cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Suharto
Contact Email
suharto@mail.unnes.ac.id
Phone
+628122853530
Journal Mail Official
suharto@mail.unnes.ac.id
Editorial Address
Gedung B2 Lt.1 Kampus Sekarang Gunungpati Semarang 50229
Location
Kota semarang,
Jawa tengah
INDONESIA
Harmonia: Journal of Research and Education
Published by Universitas Negeri Semarang
ISSN : 25412426     EISSN : -     DOI : 10.15294
Core Subject : Education, Art,
Arts Education
Harmonia: Journal of Arts Research and Education is published by Departement of Drama, Dance, and Music, Faculty of Language and Arts, Universitas Negeri Semarang in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators, two times a years. The journal has focus: Research, comprises scholarly reports that enhance knowledge regarding art in general, performing art, and art education. This may include articles that report results of quantitative or qualitative research studies.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 1,219 Documents
 80   81   82   83   84 
MAKNA GAYA BAHASA SYAIR LAGU PERJUANGAN INDONESIA PENDEKATAN TEKS DALAM KONTEKS SEJARAH
Harmonia: Journal of Arts Research and Education Vol 12, No 1 (2012)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v12i1.2219

Abstract

This research was done by comparing the texts of the three types of poems, then interpreting the meanings of nationalism according to them. Especially, the message of the language styles of the national song lyrics: Indonesia Raya, Bagimu Negeri, Bhineka Tunggal Ika, Pada Pahlawan, and Bangun Pemudi Pemuda, is analyzed symbolically or poetically in the context of nationalism. From this research, some conclusions or results can be drawn. First, colonialism produces nationalism. Second, the poem Tanah Air expresses romantic nationalism which only admires the natural beauty of Sumatra. Third, the poem Aku reveals realistic nationalism which is based on the real resistance of the Indonesian people to expel the colonialist from Indonesia and reach the Independence of the Indonesian people. Fourth, the song lyrics: Indonesia Raya, Bagimu Negeri, Bhineka Tunggal Ika, Pada Pahlawan, and Bangun Pemudi Pemuda communicates human nationalism which asks the whole Indonesian people to do the best for the welfare of the whole Indonesian people and country. All language styles of the song lyrics are stuck on and signify the meaning of the human nationalism. This research was done by comparing the texts of the three types of poems, then interpreting the meanings of nationalism according to them. Especially, the message of the language styles of the national song lyrics: Indonesia Raya, Bagimu Negeri, Bhineka Tunggal Ika, Pada Pahlawan, and Bangun Pemudi Pemuda, is analyzed symbolically or poetically in the context of nationalism. From this research, some conclusions or results can be drawn. First, colonialism produces nationalism. Second, the poem Tanah Air expresses romantic nationalism which only admires the natural beauty of Sumatra. Third, the poem Aku reveals realistic nationalism which is based on the real resistance of the Indonesian people to expel the colonialist from Indonesia and reach the Independence of the Indonesian people. Fourth, the song lyrics: Indonesia Raya, Bagimu Negeri, Bhineka Tunggal Ika, Pada Pahlawan, and Bangun Pemudi Pemuda communicate human nationalism which asks the whole Indonesian peopleto do the best for the welfare of the whole Indonesian people and country. All language styles of the song lyrics are stuck on and signify the meaning of the human nationalism.
PEMBELAJARAN TARI BERKONTEKS TEMATIK BERDASARKAN KURIKULUM BERBASIS KOMPETENSI DI TK PEMBINA SINGOROJO KABUPATEN KENDAL
Harmonia: Journal of Arts Research and Education Vol 9, No 1 (2009)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v9i1.675

Abstract

The problems in this research are teachers’ preparation before dancing lesson concerned with(aims, materials, methods) dancing, patterns of using natural potentials in surrounding, andresult of dancing learning with thematic context building on curriculum competition based.This research uses qualitative approach with preparation processes in dance learning, whichconsisted of aim determination, materials and methods, patterns of using natural potentials insurrounding, and result of dancing studies with thematic context building on curriculumcompetition based in TK Negeri Pembina Singorojo Regency of Kendal. Data collectiontechniques are observation, interview, and documentation. Analyzing data done by usinginteractive analysis. The result shows that art education in TK Negeri Pembina SingorojoRegency was in the good track. Stages to get those results were done by choosing the bestmethod such as speech, drill, imam, ngedhe and garingan. They are also determinedmaterials, appropriate with the theme that would be taught, and determined learning aim as anindicator of succeed students’ learning building on curriculum competition based. Usingnatural potentials in surrounding could add students’ knowledge of worldwide, so that it couldmotivate students and growed their confidence as a provision to get dance learning thematiccontext.Kata kunci: pendidikan seni tari, berkonteks tematik, kompetensi.
RESEPSI BUDAYA DALAM BIDANG MUSIK DI INDONESIA BARAT DAYA: SUATU PENDEKATAN MENURUT HEISENBERGIAN
Harmonia: Journal of Arts Research and Education Vol 1, No 1 (2000)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v1i1.833

Abstract

SAMPAI saat ini, sejarah musik In­donesia belum ada yang ditulis    oleh orang Indonesia asli. Adapun alasan-alasannya, adalah sebagai berikut. 1) Tidak adanya tradisi ilmiah, sampai paling tidak satu se-tengah abad sejak abad ke-20, 2) Dalam realitasnya kolonialisme Be-landa membuat para elite Indonesia untuk terbiasa dengan tradisi Barat dalam belajar musik, dan 3) Per-hatian terpusat pada musik daerah yang menghasilkan pengkotak-kotakkan tradisi musik Indonesia.
The Application of Asa Berger Humour Technique by Sabri Yunus from The Dramaturgy Perception in “Karoot Komedi”
Harmonia: Journal of Arts Research and Education Vol 18, No 2 (2018): December 2018
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v18i2.12725

Abstract

This paper aims to introduce Sabri Yunus as a Dramaturgy in Comedy especially in the popularised television program called “Karoot Komedi”. The method used in conducting this research is qualitative descriptive through a survey. The data was obtained through observation, interview and also documentation studies. The object of the observation is the drama performance “Karoot Komedi” by Sabri Yunus. The researcher is the instrument for this research, who is also in charge in collecting the data, conducting the observation and interpret the research questions based on the object. The analysis was able to be conducted successful using the model Gotthold Ephraim Lessing, Miles and Huberman. The validity of the data obtained is examined by using the triangular method and also by the co-worker’s evaluation and insight. The finding of this paper shows that the Humour elements are correlated to the spontaneous response and behaviour of the audience such as laughing and smiling. Every individual has different spontaneous response and behaviour as it depends on the audience’s interest, inclination and also understanding towards a humour issue displayed to them. Based on two episodes of the Karoot Komedi, the Dramaturgy in Comedy Sabri Yunus applied the Humour techniques during the performance. To sum up each episode as a whole, each episode are assessed based on 4 categories which are Language, Logic, Identity and action.
Ngesti Utomo Rodhat Dance as a Means of Bersih Sendang Dadapan Ritual in Boyolali Regency Suharji, S.
Harmonia: Journal of Arts Research and Education Vol 14, No 2 (2014): December 2014
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v14i2.3295

Abstract

Rodhat dance is one of the dances used for Bersih Sendang ritual in the slope of Mount Merbabu. This study investigated the role of Rodhat dance in Bersih Sendang ceremony. This study was conducted using qualitative method, and the data collection techniques were observation, interview, and documentation. The approach used in this study was anthropological approach. Data analysis techniques in this study were reduced, reformation, and conclusion. The result of this study shows that Rodhat dance is a folk dance used as a means of ritual in the society. The accompaniments of the ritual are sesaji (offerings) and ujuban (prayer). Acculturation occurred due to the mix of the ancestor’s worship tradition and Islamic tradition. The dance is conducted every year to free the spring from bad attitudes of human beings, so that the water in the spring is always available for the welfare of the local society. With the plentiful water, the people is happy because their farm is irrigated. Bersih sendang ritual is an expression of gratitude to The Creator who has given His gift to the people living in Gunungan Lor, Jeruk village, Sela sub-district, Boyolali regency.
KRITIK SENI PERTUNJUKAN (Critic of The Performing Art)
Harmonia: Journal of Arts Research and Education Vol 2, No 2 (2001)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v2i2.855

Abstract

Tiadanya kritik berarti salah satu informasi budaya tak sampai. Tiada kritik,maka nilai-nilai dan kualitas karya seni tak dapat dikenali dan dipahami.Kritik bukan hanya bermanfaat bagi pertumbuhan dan perkembangankhasanah seni, melainkan juga dapat memacu kreatifitas seni man danmeningkatkan daya apresiasi khalayak luas. Namun mengkritik karya senitidaklah mudah, karena membutuhkan kedewasaan dan kearifan daripengkritiknya. Selain itu, sebuah kritik seni harus mempertahankanaktifitas-aktifitasnya yang memancarkan kejelasan dan kekuatanproporsional dan mampu menyertakan posisinys (stage of the art) diantara jenis karya seni yang menjadi objek kritik .Kata Kunci : kritik, kritikus
MUSIK DANGDUT: SUATU KAJIAN BENTUK MUSIK
Harmonia: Journal of Arts Research and Education Vol 10, No 1 (2010)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v10i1.50

Abstract

This study aims to describe the form of dangdut music. The results are expected to be useful to provide information about the form of dangdut music and can be used as a theoretical contribution to the next research. This research using descriptive analysis method with musicological approach. Data was collected through observation and documentation techniques. The results showed that the dangdut music/song is form of musical composition. As a rule of a composition, judging from its shape, the dangdut music as a composition that is composed of essential and auxiliary components. The essential components of dangdut music shaped by the pattern of three sections A-A’-B-A’, while the auxiliary components consists of an introduction, interlude, and coda. In the presentation, dangdut music composition is presented with the pattern: introduction-A-A’-interlude-B-A’-Coda. Kata kunci: musik dangdut, bentuk musik
Efektivitas Pergelaran Tari bagi Mahasiswa Sendratasik Unnes (Performance Effectiveness of Dance for Sendratasik Students of Unnes) Usrek Tani Utina dan Wahyu Lestari Staf Pengajar Jurusan Pendidikan Sendratasik FBS, Universitas Negeri Semarang
Harmonia: Journal of Arts Research and Education Vol 7, No 1 (2006)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v7i1.745

Abstract

Banyak problem yang dihadapi mahasiswa Sendratasik Unnes dalam matakuliah Pergelaran Tari, misalnya waktu yang sangat sempit, pengalaman mahasiswayang masih terbatas, dan materi yang harus di-garap. Dalam penelitian ini masalah yangdiangkat adalah “Efektifkah Pergelaran Tari bagi Mahasiswa Jurusan Seni Tari, danFaktor-faktor apakah yang menjadi pendukung atau penghambat Pergelaran Taritersebut”?Metode penelitian yang digunakan adalah metode kuantitatif meskipun jugamengambil jasa kualitatif guna lebih menjelaskan fenomena-fenomena yang ditemukandi lapangan. Data dijaring secara observasi partisipasi, wawacara, dokumentasi, angket,dan tes. Data dianalisis secara deskriptif persentase dan rumus korelasi product’s moment.Hasil penelitian menunjukkan bahwa mahasiswa masih banyak mengalamikesulitan dalam menghasilkan karya tari yang disebabkan oleh beberapa faktorpenghambat antara lain kemampuan mahasiswa, kurangnya apresiasi, terbatasnyasarana dan prasarana, serta terbatasnya penari pendudukung karya. Analisis datamenunjukkan hasil r xy = -0,005, r tabel untuk N = 18 diketahui 0,468. Ternyata rhitung dari r tabel, maka dapat disimpulkan bahwa tidak ada hubungan yangsignifikan antara profil dosen pemberi matakuliah pergelaran terhadap hasil nilaipergelaran.Saran yang dapat direkomendasikan adalah agar para mahasiswa SendratasikUnnes banyak diberikan apresiasi berupa melihat pertunjukan tari, atau karya-karya tarisebagai bahan inspirasi. Kemudahan-kemudahan lain seperti pemilihan penari.Kata kunci: Efektivitas, Pergelaran Tari
8Th Century Musical Instrument on Kalasan Temple’s Relief Pradoko, Susilo; Widyastuti, Maria Goretti; Fu'adi, Fu'adi; Walidaini, Birul
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.28530

Abstract

This research aims to unveil the types, size, figures, and functions of musical instruments carved as reliefs of Kalasan Temple as a way to revitalize the music from the 8th century. This research implements heuristic methods with Panofsky's iconology analysis in three steps, which are pre-iconography, iconography, and iconology to analyse the reliefs of the Temple. The researchers validated the findings through forum group discussion with the Cultural Heritage Preservation Board of Yogyakarta. The findings show that (1) the relief of musical instruments in Kalasan temple is located on the head of Kala; (2) the musical instruments on the head are two wind instruments made of shells and a stringed instrument named vina; (3) there are two figures of musicians carved, which are two wind instruments players and a player of stringed instruments. The figures are depicted as heavenly creatures named Gandharva; (4) the measurement shows that the wind instruments have 35.98 cm length and 12.85 cm width, another one has 23.13 cm length and 12.85 cm width. Meanwhile, the stringed instrument has a length of 92.52 cm and 12.85 cm width; and (5) the musical instruments were performed to worship the Goddess of Tara.
Visual aesthetic of Petta Puang theater group performance in South Sulawesi
Harmonia: Journal of Arts Research and Education Vol 17, No 1 (2017): June 2017
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v17i1.9009

Abstract

This study aims to provide a description of the visual aesthetics contained in the show Puppet Theater Petta Puang in South Sulawesi in connection with the network of symbolic meaning inherent in it. The method used is descriptive-interpretivime method symbolic, with data collection techniques through direct observation, interviews, and documentation. The result of the research shows that in the performance of Petta Puang Puppet Theater there is a visual aesthetic that characterizes the main character «Petta Puang» in every appearance that is jas tutup, songkok guru (songkok to Bone), and lipa ‘sabbe’. Some visual aesthetics have symbolic meaning directly related to the socio-cultural values of the people of South Sulawesi. Lipa ‘sabbe (silk sarong) is a Bugis sarong which has a fine texture as a representation of the tenderness and social politeness of Bugis tribe, while vertical and horizontal lines are markers of human relationship with God and human relationships in the social system. Jas Tutup originally consists of two colors, namely black and white. Two elements of color is a neutral color that confirms the impression of depth and sanctity that became the patron of Bugis tribe values.

Page 82 of 122 | Total Record : 1219

 80   81   82   83   84 

Filter by Year

2000 2024


Reset
Filter By Issues
All Issue Vol 24, No 1 (2024): June 2024 Vol 23, No 2 (2023): December 2023 Vol 23, No 1 (2023): June 2023 Vol 22, No 2 (2022): December 2022 Vol 22, No 1 (2022): June 2022 Vol 21, No 2 (2021): December 2021 Vol 21, No 1 (2021): June 2021 Vol 20, No 2 (2020): December 2020 Vol 20, No 1 (2020): June 2020 Vol 19, No 2 (2019): December 2019 Vol 19, No 1 (2019): June 2019 Vol 18, No 2 (2018): December 2018 Vol 18, No 1 (2018): June 2018 Vol 17, No 2 (2017): December 2017 Vol 17, No 1 (2017): June 2017 Vol 16, No 2 (2016): December 2016 Vol 16, No 2 (2016): (Nationally Accredited, December 2016) Vol 16, No 1 (2016): June 2016 Vol 16, No 1 (2016): (Nationally Accredited, June 2016) Vol 15, No 2 (2015): December 2015 Vol 15, No 2 (2015): (EBSCO, DOAJ & DOI Indexed, December 2015) Vol 15, No 1 (2015): (EBSCO, DOAJ & DOI Indexed, June 2015) Vol 15, No 1 (2015): June 2015 Vol 14, No 2 (2014): (EBSCO, DOAJ & DOI Indexed, December 2014) Vol 14, No 2 (2014): December 2014 Vol 14, No 1 (2014): June 2014 Vol 14, No 1 (2014): (DOI & DOAJ Indexed, June 2014) Vol 13, No 2 (2013): (DOI & DOAJ Indexed, December 2013) Vol 13, No 2 (2013): December 2013 Vol 13, No 1 (2013): June 2013 Vol 13, No 1 (2013): (DOI & DOAJ Indexed, June 2013) Vol 12, No 2 (2012) Vol 12, No 2 (2012) Vol 12, No 1 (2012) Vol 12, No 1 (2012) Vol 11, No 2 (2011) Vol 11, No 2 (2011) Vol 11, No 1 (2011) Vol 11, No 1 (2011) Vol 10, No 2 (2010) Vol 10, No 2 (2010) Vol 10, No 1 (2010) Vol 10, No 1 (2010) Vol 9, No 2 (2009) Vol 9, No 2 (2009) Vol 9, No 1 (2009) Vol 9, No 1 (2009) Vol 8, No 3 (2007) Vol 8, No 3 (2007) Vol 8, No 2 (2007) Vol 8, No 2 (2007) Vol 8, No 1 (2007) Vol 8, No 1 (2007) Vol 7, No 3 (2006) Vol 7, No 3 (2006) Vol 7, No 2 (2006) Vol 7, No 2 (2006) Vol 7, No 1 (2006) Vol 7, No 1 (2006) Vol 6, No 3 (2005) Vol 6, No 3 (2005) Vol 6, No 2 (2005) Vol 6, No 2 (2005) Vol 5, No 3 (2004) Vol 5, No 3 (2004) Vol 5, No 1 (2004) Vol 5, No 1 (2004) Vol 4, No 3 (2003) Vol 4, No 3 (2003) Vol 4, No 2 (2003) Vol 4, No 2 (2003) Vol 4, No 1 (2003) Vol 4, No 1 (2003) Vol 3, No 2 (2002) Vol 3, No 2 (2002) Vol 2, No 3 (2001) Vol 2, No 3 (2001) Vol 2, No 2 (2001) Vol 2, No 2 (2001) Vol 1, No 2 (2000) Vol 1, No 2 (2000) Vol 1, No 1 (2000) Vol 1, No 1 (2000) More Issue