IZUMI
IZUMI: Jurnal Bahasa, Sastra, dan Budaya Jepang (e-ISSN: 2502-3535, p-ISSN: 2338-249X) merupakan media yang diciptakan oleh Program Studi Bahasa dan Kebudayaan Jepang Universitas Diponegoro untuk menampung tulisan-tulisan ilmiah mengenai hasil-hasil penelitian, juga ide dan pemikiran tentang bahasa, sastra, dan budaya Jepang.
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IZUMI memuat artikel yang terkait dengan bidang ilmu Bahasa, Sastra, Sejarah, dan Budaya Jepang. Artikel yang diterima redaksi akan di review oleh peer reviewer dengan tujuan untuk menjaga kualitas artikel.
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<![CDATA[Contrastive Analysis of Vocal Phoneme Changes in the Affixation Process in Japanese and Indonesian: morphophonemic studies ]]>
<![CDATA[Sundasewu, Rama Ulun]]>
<![CDATA[ IZUMI Vol 12, No 2 (2023) ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
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DOI: 10.14710/izumi.12.2.123-135
<![CDATA[<p>This research conducted by analyzing similarities and differences of phoneme changes on Japanese and Indonesian affixation process. The purpose of this research is to find out the similarities and differences of vowel phoneme changes on Japanese and Indonesian affixation process. This research is qualitative research, using the contrastive analysis with descriptive metods. Object of research is vowel phoneme that change on Japanese and Indonesian affixation process. Result of this study indicates that the similarities of the vowel changes on affixation are the Japanese /me/ prefix and Indonesian /me-/ prefix that do not have changes, but having the addition of phoneme when vowel phoneme follows. And the differences of vowel on affixation are Japanese /me/ and /o/ prefixes have the addition of phoneme, but Indonesian /me-/ and /ber-/ prefixes do not have.</p><p> </p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Analisis Semiologi Roland Barthes pada Teks Lirik Lagu Nanatsu no Ko Karya Noguchi Ujo ]]>
<![CDATA[Saifudin, Akhmad]]>;
<![CDATA[Noviana, Fajria]]>
<![CDATA[ IZUMI Vol 12, No 2 (2023) ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
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DOI: 10.14710/izumi.12.2.109-122
<![CDATA[<p>Examining literary texts, especially poetry or song lyrics, is generally always related to the problem of meaning. This is a natural thing because poetry is always conveyed in indirect language. Nevertheless, poetry research should understand more than just the meaning of poetry; more critical is how to manage understanding, imagination, and the role of the plurality of texts in uncovering its significance. This research is in line with that. Namely, it aims to examine the significance and appreciation of the lyrical text of a children's song entitled Nanatsu no Ko by Noguchi Ujo. This study uses the text semiology approach or textual narrative analysis proposed by Roland Barthes. The data analysed is the Lexia, the units of reading that comprise the entire text. The lexias have been determined and then analysed using five narrative codes: hermeneutic, proaretic, semic, symbolic, and references codes. This study also uses significance analysis (denotation and connotation) to understand the semic code and connotation of the text. The results of this study found that the significance of the text is a message of criticism about the author's disappointment with Japan's modernisation policy which abandoned the original identity of the Japanese nation. This significance is obtained through the analysis of narrative codes which show the role of plural texts, even though they are conveyed in the form of children's song lyrics, with simple and easy-to-understand diction and arrangement.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Fenomena LGBT di Indonesia dan Jepang dalam Perspektif Wacana Seksualitas dan Kekuasaan Michel Foucault ]]>
<![CDATA[Nurdiniyah, Hayun]]>;
<![CDATA[Dehars, Rizky Aurelia Putri]]>
<![CDATA[ IZUMI Vol 12, No 2 (2023) ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
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DOI: 10.14710/izumi.12.2.193-203
<![CDATA[<p>Penelitian ini bertujuan untuk mengidentifikasi keberadaan kaum LGBT antara Indonesia dan Jepang melalui wacana seksualitas dan kekuasaan Michel Focault. Penelitian ini merupakan penelitian bersifat kualitatif dengan metode yang digunakan adalah studi kepustakaan. Sumber data utama yang digunakan dalam penelitian ini adalah buku, jurnal penelitian ilmiah dan artikel yang berkaitan dengan LGBT di Indonesia dan Jepang. Hasil penelitian ini menunjukkan bahwa di Indonesia gerakan LGBT tetap eksi bahkan para sastrawan mulai aktif menghasilkan karya bertemakan LGBT di tengah berbagai macam aturan normatif keagamaan, khususnya setelah masa Orde Baru runtuh. Sedangkan di Jepang, gerakan LGBT lebih mengedepankan pada program-program kesehatan seperti pencegahan HIW/AIDS, Selain itu, perkembangan karya sastra yang bertemakan homoseksual sudah ada sejak era Tokugawa dan semakin berkembang hingga saat ini dengan munculnya genre karya sastra <em>Boys Love</em> dan <em>Girls Love, </em>dan terlebih lagi sistim keagamaan di Jepang tidak sekuat di Indonesia dalam mengatur orientasi seksual seseorang. Namun, dewasa ini baik di Indonesia maupun Jepang, masyarakat mulai mengedepankan sikap kritis dalam menghadapi fenomena LGBT ini.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Stereotip Peran Gender di Jaman Edo dalam Drama Asa ga Kita ]]>
<![CDATA[Safitri, Aulia Maulida]]>
<![CDATA[ IZUMI Vol 12, No 2 (2023) ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
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DOI: 10.14710/izumi.12.2.136-146
<![CDATA[The Edo Period (1868-1912) was the era when Japan was under the rule of a class government or military group. The class system is also a feature of the Edo Period, known as the Shi-Nou-Kou-Sho system. The highest class is samurai or the military, while the lowest class is merchant. Those from the merchant class usually marry the merchant class in an arranged marriage system. Merchant class women had arranged marriages since they were children. The research in this study is how society views women who work in the Edo period, through the drama analysis unit Asa ga Kita. The theory used is Linda Brannon's theory of gender stereotypes. <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Makna Lirik Lagu Daimei No Nai Kyou (題名のない今日) Karya Hiraidai Kajian Semiotika Sastra ]]>
<![CDATA[Hastuti, Nur]]>;
<![CDATA[Faizza, Mayla]]>
<![CDATA[ IZUMI Vol 12, No 2 (2023) ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
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DOI: 10.14710/izumi.12.2.204-214
<![CDATA[<p><em>Lyrics which are the main composition in a song have a form of communication in the form of words created by the author to express his feelings.</em><em> </em><em>This study aims to describe the meaning of the lyrics of the song Daimei no Nai Kyou (</em><em>題名のない今日</em><em>) by Hiraida with heuristic reading, hermeneutic reading, and searching for matrices, models, variants, and hypograms.</em><em> </em><em>The method used in this study uses the study of literary semiotics as an analytical tool.</em><em> </em><em>The data used in this study are the lyrics of the song Daimei no Nai Kyou (</em><em>題名のない今日</em><em>) by Hiraida.</em><em> </em><em>The theory used is Rifattere's theory of heuristic and hermeneutic reading.</em><em> </em><em>Based on the process of reading through heuristics, hermeunistics, models, matrices, and variants, it can be concluded that the description of the meaning of the lyrics of the song Daimei no Nai Kyou is about the meaning of the process of human life.</em><em> </em><em>Someone who feels that his life is ordinary and has nothing special to do.</em><em> </em><em>However, life is not limited only by the 'alias' or famous nickname that one has.</em><em> </em><em>The process of living life is how a person judges himself that all individuals are not the same.</em><em> </em><em>Precisely doing small actions that are beneficial to the lives of fellow human beings is a shining kindness.</em><em> </em><em>Live your life without having to listen to other people's words and fear what will happen next, just do what you think is good and right.</em><em> </em><em>Not only humans feel helped by the kindness given, other living things such as animals and plants also feel the same gratitude.</em><em></em></p><p><em> </em></p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Representasi Konsep Uchi-Soto pada Penerjemahan Teineigo dalam Subtitle Drama Jepang ]]>
<![CDATA[Salsabila, Dhia Ardhina]]>;
<![CDATA[Hariri, Tatang]]>
<![CDATA[ IZUMI Vol 12, No 2 (2023) ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
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DOI: 10.14710/izumi.12.2.147-158
<![CDATA[<p><em>This study uses a qualitative descriptive method to analyze the representation of the uchi-soto concept as a form of teineigo in Japanese and its translation into Indonesian. The uchi soto concept as an in-group and out-group concept has a very strong influence on language in Japanese society. This study aims to find out how the concept of uchi soto is represented as a form of honorific, to analyze the form of teienigo translation and changes in meaning that occur in the translation. The results of the study shown that the concept of soto is more often used in the -masu form while the concept of uchi is more often used in the -desu form. Translation results contained in the drama subtitles of The Journalist (2022) and Pretty Proofreader (2015) shown that there are several changes in meaning made by the translator. This is caused by the different translators in each drama and translator's lack of understanding of these two concepts. The analysis of the form of honorific translation illustrates the complexity of the translation process which affects the equivalence of the translation.</em></p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[The Monomyth in Momoiro Clover Z's Narrative ]]>
<![CDATA[Khirana, Astera]]>
<![CDATA[ IZUMI Vol 12, No 2 (2023) ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
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DOI: 10.14710/izumi.12.2.215-224
<![CDATA[<p>This study explores the distinctive narrative of Momoiro Clover Z, a Japanese female idol group that defied traditional idol conventions. Central to Momoiro Clover Z's identity was their deliberate departure from the typical <em>kawaii</em> idol image, portraying themselves as strong women. Their narrative closely adhered to the monomyth or Hero's Journey framework, chronicling their transformation from ordinary individuals to celebrated idols. This storytelling strategy resonated deeply with fans and was pivotal to their meteoric rise. Despite having only few members and abolishing interactive events like handshakes, Momoiro Clover Z used the concept of <em>kyara</em> to distinguish members and engage fans. They cultivated a family-friendly image, appealing to diverse demographics while avoiding objectification and the sexualization often associated with idols. In summary, Momoiro Clover Z's success can be attributed to their unique narrative approach, differentiating them from traditional idols, and their emphasis on their journey to stardom. By incorporating elements of the monomyth framework, they solidified their identity as strong women and earned their status as one of Japan's most influential female idol groups.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[ANALISIS ALIH KODE SERTA CAMPUR KODE YANG DITEMUKAN PADA LIRIK LAGU DARI BOY GRUP NCT 127 ]]>
<![CDATA[Amilandasari, Amilandasari]]>
<![CDATA[ IZUMI Vol 12, No 2 (2023) ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
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DOI: 10.14710/izumi.12.2.159-173
<![CDATA[<p>The purpose of this research is to identify code switching and code mixing used in the song lyrics of the boy group NCT 127, as well as the form of the code, as well as to conduct further analysis of the song. Chain and Long Slow Distance are the songs used in this research. In this study, the authors used a descriptive method of code switching and code mixing discussed through sociolinguistics. In his study, the authors started the research by first gathering information by listening to the involvement advanced free of convensation (SBLC) namely searching for song lyrics, listening to song, listening, and writing down song lyrics. Afther that, the information will be described using the intralingual equivalent method to ensure that the data are selected according to their respective classifications. Next, the writer will investigate the reasons for code switching and code mixing in song lyrics, as well as looking for words in Japanese.</p><p>The results of the research showed that there was external code switching in the form of intrasentential and also intersentential, but there was no internal code switching found in the 2 songs. In code mixing, only code mixing was found but it has various forms, namely in the form of words, clauses, phrases, and also repetition of words. The cause of code switching and code mixing is to emphasize the spoken sentence and as a form of casualness (informal situations) and also the intentional element of the speaker. The total data found is 22 data.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Understanding the Cultural Reality of Shinobi through the Anime Series of Naruto & Naruto Shippūden ]]>
<![CDATA[Budiarto, Gema]]>
<![CDATA[ IZUMI Vol 12, No 2 (2023) ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
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DOI: 10.14710/izumi.12.2.225-236
<![CDATA[<p>Naruto and Naruto Shippūden are the anime series adapted from Masashi Kishimoto’s manga. The Naruto series aired in Japan from 2002-2007, while Naruto Shippūden was from 2007-2017. These animes are interconnected, Naruto is part one and Naruto Shippūden is part two. These animes took some of the original traditions of the Shinobi though not the same. Indeed, Shinobi is real and not a myth. If studied historically, Shinobi were considered ancient warriors of Japan other than the Samurai-侍. Nevertheless, the theory about the birth of the Shinobi is complicated to trace, but Shinobi existed in feudal Japan, especially during the Sengoku Jidai-戦国時代. This research tries to examine the cultural reality and facts of the Shinobi in the Naruto and Naruto Shippūden series. The method used in this research is descriptive qualitative. The result of this study shows that Naruto and Naruto Shippūden adopted the reality of the Japanese Shinobi. Some of the original Shinobi elements were adopted in this anime such as the use of weapons, hand seals, the use of nature elements, and so on. Through these animes, viewers are invited to recognize the traditions of the Japanese Ninja world.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Faktor Penyebab Terjadinya Alih Kode Dalam Lirik Lagu BTS Album Map of The Soul ]]>
<![CDATA[Reswari, Dewi Ardana]]>
<![CDATA[ IZUMI Vol 12, No 2 (2023) ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
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DOI: 10.14710/izumi.12.2.174-182
<![CDATA[<p>Bahasa merupakan alat yang digunakan manusia sebagai alat komunikasi sehingga berperan penting dalam kehidupan sehari-hari. Dikarenakan di era globalisasi seperti sekarang ini semakin banyak budaya asing yang masuk dan berpengaruh terhadap budaya kita, termasuk juga dalam berbahasa akan terjadi alih kode, maka mau tidak mau kita harus bisa menguasai dua bahasa. Orang yang bisa menguasai dua bahasa disebut bilingualisme. Penelitian ini bertujuan untuk mendeskripsikan, menganalisis, mencari tahu jenis-jenis wujud alih kode dan penggunaan alih kode yang terdapat dalam lirik lagu BTS album map of the soul. Data dari penelitian ini di ambil dari lirik lagu BTS album map of the soul diantaranya ada 8 judul lagu versi jepang. Penelitian ini merupakan kajian sosiolinguistik, metode yang digunakan pada penelitian ini adalah metode deskriptif kualitatif. Pengumpulan data pada penelitian ini menggunakan metode Simak. Metode Simak digunakan dengan cara meneliti bahasa dengan menyimak dan mendengarkan lagu sacara berulang-ulang, lalu menggunakan teknik lanjutan yaitu mencatat lirik lagu pada objek yang akan diteliti, menerjemahkan lirik lagu dan dikategorikan sesuai jenis wujud alih kode. Dalam lirik lagu BTS album map of the soul menunjukkan bahwa terdapat alih kode 2 jenis wujud yaitu intersentential switching (terjadi antar kalimat), intrasentential switching (terjadi di dalam kalimat). Adapun juga penggunaan dari alih kode pada lirik lagu BTS album map of the soul yaitu sebagai perubahan situasi, perubahan topik pembicaraan., mengutip (peryataan) orang lain, penegasan, mengisi atau penghubung antar kalimat kalimat yang rumpang, mengklarifikasi isi tuturan, menguatkan atau memperhalus permintaan atau perintah, tidak ditemukannnya padanan kata yang tepat.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
