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Poetika: Jurnal Ilmu Sastra
Published by Universitas Gadjah Mada
ISSN : 23385383     EISSN : 25034642     DOI : https://doi.org/10.22146/poetika.v2i2.10445
Core Subject : Humanities, Art,
Arts Humanities
POETIKA: Jurnal Ilmu Sastra publishes academic articles within the scope of literary criticism (limited to poem, prose, drama, oral tradition, and philology). The articles cover the form of a result on specific analysis; academic reports; closed reading; and the application of certain theories to enrich literary study.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 8 Documents
 1 
Search results for , issue "Vol 2, No 1 (2014): Issue 1" : 8 Documents clear
RUANG PASCAKOLONIAL DALAM THE GOD OF SMALL THINGS KARYA ARUNDHATI ROY Endang Suciati
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10401

Abstract

This paper discussed about the construction of space in The God of Small Things novel by Arundhati Royusing post-colonial space theory by Sara Upstone to find out the representation of the West and the East inside andand outside the domestic space including the post-colonial strategy used. It was because The God of Small Things seemedto talk about the condition of the dualistic post-colonial Indian society. Then, India itself is one of the dualistic postcolonial societies which means that it still holds its own traditions and runs the culture left by the colonial. Both colonialand Indian culture had their own rules with their borders that controlled people’s life but they were repressive to the society.The result of this analysis proved that in the context of domestic space and its surroundings, The God of Small Thingsshowed the representation of the West and the East that caused transgression and chaos. The chaos led to post-spaceoutside the home. Once, the novel showed that the post-space could also be done inside the home. Thus, the novel wasdeconstructing the construction, including the construction of post-colonial itself. It happened since the problem began indualistic conditions of post-colonial Indian.Keywords: colonial, post-colonial, chaos, post-space.
MASALAH CINA, MASALAH CINTA: POSISI ORANG TIONGHOA DALAM DI KAKI BUKIT CIBALAK KARYA AHMAD TOHARI Christopher Woodrich
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10402

Abstract

e-width: 0px; "> For the duration of the New Order era (1966–98), the position of Chinese Indonesians was considereda problematic question: they were not “Pribumi” (native), but also not entirely Chinese. This “Chinese Problem”was discussed by a variety of speakers and writers, including several authors of literary works. In Di Kaki BukitCibalak (1977), Ahmad Tohari presents two ethnic Chinese characters, Nyonya Wibawa and Mulyani, the first asthe employer and the second as the lover of the main character, Pambudi. By applying Goldmann’s theory of geneticstructuralism, we show that through his depiction of the physical and behavioural aspects of the characters, Toharipromotes an assimilationist approach as the only possible solution to the Chinese problem (if it can be solved): thedichotomies between ethnic Chinese and Native Indonesians must be erased. However, Tohari continues to differentiatethe ethnic Chinese by positioning them as persons who must only act to support the welfare of the Pribumi.Keywords: “The Chinese Problem”, Ahmad Tohari, position of Chinese Indonesians, Di Kaki Bukit Cibalak
CERPEN-CERPEN KOMPAS 1970—1980 DALAM HEGEMONI NEGARA ORDE BARU (ANALISIS WACANA KRITIS) Apri Damai Sagita Krissandi
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10405

Abstract

0px; "> The objectives of this research are to understand the country’s hegemony in the Kompas short stories compilation,Dua Kelamin bagi Midin, and the impacts of country’s hegemony in it. This research uses a dialectic method. Thismethod has been used to analyse six short stories in the short stories compilation through social contextual aspects.This research uses Gramsci’s hegemony theory which emphasizes the importance of idea in social politics control andcritical discourse analysis to analyze text intensively through historical context. Short stories have a unique positionin its corelation to the country’s intervention in literatures. Short stories become a part of mass media or newspaperhegemonied by a country. On that position, short stories have some benefits and they are not hegemonied directly by acountry. Short stories hegemony helps mass media to balance news dealing with some mass media which get pressurefrom country. The six analyzed short stories prove that there is ideological plurality and complexity built in thecharacters relationships in the stories. It shows that there are social criticisms to the country.Keywords: hegemony, short story, Kompas, ideology
PARADOKS RUANG TUBUH DALAM PUISI “SAKRAMEN” KARYA JOKO PINURBO: KAJIAN ‘PASCAKOLONIAL TUBUH’ SARA UPSTONE Dwi Rahariyoso
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10413

Abstract

This essay explains about postcolonial space body in the poem Sakramen by Joko Pinurbo. In the Upstonepostcolonial context, body is the subject which being ordered the same with home, journey, nation, and city. Body becomesthe last space in colonialism, as a form of power and ownership implementation in supporting the existed systems. Bodybecomes part of colonial absolute definition target, but there is posibility of redefinition continuance. This researchfinds that body construction is found in Sakramen poem paradoxically presents dialiectic between body and soul whichrevolve in the matter of God as body. This construction in the end becomes self-deconstruction for the author whichontologically refers that body (material) is destroyed in impermanence, while spirit (idea) of Christ as God is idealizedin unity. In the end, this condition directs that the ideal contruction is in the spirit world, while in here, (the empirical,physical) is just irony.Keyword: space, post-colonialism, chaos, altenative body, whole budy, paradox, self-deconstruction, irony.
KONSTRUKSI RUANG KOTA POSKOLONIAL DAN RESPONS SPASIAL DALAM NOVEL THE KITE RUNNER KARYA KHALED HOSSEINI Shabrina An Adzhani
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10418

Abstract

; "> In the time of war, people usually migrate from troubled places to the safe and sound cities, promising a better life.However, the position of cities as a promising space is questionable. It is due to the close relation between city utopia andcolonial city. In fact, there are indications of colonial continuation through industrialization which ends up to domination inmany aspects; economy, social, and cultural. One of postcolonial novels written by a diaspora writer, Khaled Hosseini, takesup a theme of migration from a city (Kabul) in a troubled country, Afghanistan, to a city (Fremont) in a more stable country,America. Sara Upstone’s method of reading on spatial politics in postcolonial novels is used here to read how Fremont isconstructed in the novel and the spatial respond occurred. The analysis showed that Khaled Hosseini’s construction uponFremont is that utopia is denied from the beginning of the novel. Fremont becomes oppressive space and yet, it offers possibilitiesfor spatial responds such as displacement and carnivalisation to occur. These are strategies used by those who are subjected tooppression in the city space.Keywords: City space, postcolonial, spatial respond.
RUANG PASCAKOLONIAL DALAM KITCHIN KARYA YOSHIMOTO BANANA Wury Dwiwardani
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10421

Abstract

Yoshimoto Banana’ choice on a space as the title of his novel, Kitchin or Kitchen, that describes the importanceof space for the novel becomes the background of this research. Besides, this study is also grounded by a previousstudy conducted by Kazuo Nakajima and The aim of this study is to reveal the response toward cultural colonizationemerging in postcolonial space of novel Kitchin. The study is conducted by analyzing the relationship of significanttextual units in the text, as well as linking it with the data outside by using postcolonial theory about space. The resultsof this study can be summarized as follows. In Kitchin, there are representation of colonial concept and traditionalconcept. Besides the representation of the two groups, there are also depictions of chaos. It is a form of new ideas thatrefuse combination that build opposition between colonial structures and traditions. The chaos emerges a new structurewhich consists of more than two opposition; colonial and traditions. These new ideas are connected to efforts to survivein a society that has been colonized culturally.Keywords: cultural colonization, postcolonial space, Kitchin.
SEBUAH RUPA “JAWA” DALAM KALANGWANG Arif Kurniar Rakhman
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10426

Abstract

Judul Buku: Kalangwan: SaStra Jawa Kuno Selayang Pandang |Pengarang: P.J. Zoetmulder | Penerbit: Penerbit dJambatan |Jumlah Halaman: 648 Halaman
RUANG PASCAKOLONIAL DALAM DOCTOR WOOREDDY’S PRESCRIPTION FOR ENDURING THE ENDING OF THE WORLD KARYA COLIN JOHNSON Eni Purwanti
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10500

Abstract

This writing discusses one of Colin Johnson or Mudroroo’s novel entitled Doctor Wooreddy’s Prescription for  Enduring the Ending of the World to reveal colonial construction of space in Van Diemen’s Land and to analyze postcolonial spatial responses emerged as a form of negotiation toward the contested space. Postcolonial theory of space is applied to discuss the issues. The result of the discussion shows that the White colonial in Van Diemen’s Land constructed their colonial space by arousing chaos and establishing order and borders to create a fixed boundary. The constructed space is proven fail to achieve its goal by arousing some self contradictions which make it lays as merely a utopia. Chaos appears within the order or structure of the space followed by violations trespass the colonial borders to create a new order or structure of a post-space. Post-space within its process will be a new space with new possibilities of chaos, thus, space will be continuously constructed and deconstructed as a form of spatial response of postcolonial space. Keywords: Colonialism, Postcolonial Space, Spatial Response, Aborigines.

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