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Dr. Wening Udasmoro, M.Hum, DEA
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Poetika: Jurnal Ilmu Sastra
Published by Universitas Gadjah Mada
ISSN : 23385383     EISSN : 25034642     DOI : https://doi.org/10.22146/poetika.v2i2.10445
Core Subject : Humanities, Art,
Arts Humanities
POETIKA: Jurnal Ilmu Sastra publishes academic articles within the scope of literary criticism (limited to poem, prose, drama, oral tradition, and philology). The articles cover the form of a result on specific analysis; academic reports; closed reading; and the application of certain theories to enrich literary study.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 8 Documents
 1 
Search results for , issue "Vol 2, No 2 (2014): Issue 2" : 8 Documents clear
KETERASINGAN DALAM UTOPIA CERPEN “ANTARA DEN HAAG DAN DELFT” KARYA RILDA A.OE TANEKO Galuh Febri Putra
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10404

Abstract

This paper is focused on the alienation which caused by nation in Rilda A.Oe Taneko’s short story entitled “Antara Den Haag dan Delft”. Independent nation which is simply a rewriting of what has been taken away by the colonizer created fixation of space which can not accommodate all interests. This circumstance forced ‘kakek’ (an old man) in the short story to imagine the ideal space outside the nation. However, in the utopia kakek feels alienated. This paper used the Postcolonial theory by Sara Upstone  which conceptualize that the independent nation and colonizer do the same act, they just covered the instability in the space of nation. In the attempt to achieve independence, nation used the slogan unity in diversity. The instability  led a journey to the utopia city where there is no limitations in place. Kakek in the short story feels alienated in the utopia city because of the cover of instability in the form of his love to the nation that given to him. Anything that is not a part of his nation turned into something strange.  Keywords: alienation, utopia, love to the nation. 
AMBIVALENSI NASIONALISME DALAM CERPEN “CLARA ATAWA WANITA YANG DIPERKOSA” KARYA SENO GUMIRA AJIDARMA: KAJIAN POSKOLONIAL Arif Kurniar Rakhman
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10409

Abstract

Nationalism produces a complex identity because it is constructed from colonial tradition which is reproduced continuously by history. In this context, the writer of this paper analyzes the phenomenon from literary approach. A short story written by Indonesian author, Seno Gumira Ajidarma, entitled “Clara atawa Wanita yang Diperkosa” is chosen because it reveals a different narration in viewing the existence of Chinese Society in Indonesia. This paper will use post-colonial study to reveal how is the rhetoric of tradition and development, the idea of universality and postnation, also the ambivalence in nationalism discourse.Keywords: nationalism, Chinese, post-colonial, ambivalence.
PERGESERAN KEKUASAAN NEGARA DAN RELASI ANTARSUBJEK DALAM CERPEN ORDE BARU DAN REFORMASI Akhmad Rizqi Turama
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10414

Abstract

The focus in this paper is how the state power’s perspective and inter subject relation in Danarto’s “Godlob” and Seno Gumira Ajidarma’s “Clara”. The first short story is the representation of Orde Baru while the second is the representation of reformation era. This paper uses two theories, Gramsci’s idea about Hegemony and the Foucault’s notion about power. The result of this research shows that there are changes in state hegemonic instrument, military discourse, state institute discourse, and inter subject relation from the Orde Baru to the reformation era.Keywords: short story, Orde Baru, Reformation, Gramsci, Foucault.
PAHLAWAN DAN PECUNDANG: MILITER DALAM NOVEL-NOVEL INDONESIA Christopher Woodrich
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10419

Abstract

Judul: Pahlawan dan Pecundang: Militer dalam Novel-Novel IndonesiaPengarang: Aprinus salam dan Ramadya AkmalPenerbit: Gadjah Mada University PressTahun Terbit: 2014Jumlah halaman: 136 halaman
NASIONALISME DALAM CERPEN “MARDIJKER” KARYA DAMHURI MUHAMMAD: KAJIAN POSKOLONIALISME Emma Rahmawati Fatimah
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10442

Abstract

Abstract This writing tries to see nationalism reflected from a short story entitled “Mardijker” by Damhuri Muhammad using postcolonial perspective. This short story also contain historical background about Belanda Depok, a group of slaves who work for Dutch landlord in Depok, Cornelis Chastelein, which later he released all the slaves. Postcolonial perspective is used to identify nationalism reflected from the character of the story, whether it is a centrifugal or a centripetal nationalism. The analysis is done in contextual level of nationalism, which is considered as a will to establish a world which in that world, East can actualize their self in a free way, without any pressure from West. The nationalism that present in the short story is a centripetal nationalism which pulled back the memories to the past and considered that the world had been exist before and can be found again.Keywords: nationalism, postcolonialism, centripetal nationalism.
PERFORMATIVITAS DALAM MANGA SHONEN-AI: SEKAIICHI HATSUKOI, HENSHIN DEKINAI DAN HIMANANODE HAJIMETE MIMASHITA Ni Made Savitri Paramita
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10443

Abstract

This research underlies the analysis on the performance and performativity of characters in shonen-ai: Sekaiichi Hatsukoi, Henshin Dekinai, and Himananode Hajimete Mimashita manga. Characterization in shonen-ai manga is based on the characters’ role within the same-sex relationship, which are the male role (seme) and the female role (uke). The character of Seme tends to be aggressive, protective, smart, good looking, and unemotional. On the other hand, Uke is feminine, smaller, physically weak, insecure, and emotional. The writer would like to analyze whether performance align with performativity based on the characterization of seme and uke. Judith Butler’s Performativity is used as theoretical framework within the research. The theory covers gender, performance, and performativity. Gender as social construction is fluid and unbound to the body. This phenomenon is seen in these three shonen-ai manga. Character that looks masculine does not always have the male role (seme) and the feminine one does not always have the female role (uke). Physical performance is not merely associated with gender (performativity).Keywords: shonen-ai manga, same-sex relationship, performativity, gender.
REALISME MAGIS DALAM CERPEN: KASUS CERPEN GABRIEL GARCIA MARQUEZ, TRIYANTO TRIWIKROMO, DAN A.S. LAKSANA Imam Muhtarom
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10444

Abstract

Magic Realism Prose brings the magic and the reality at once in a narration. Reality and magic have mutual support to build a narration. The support between the reality and the magic is not only manifested in the unity of the narration but also gives the possibility to give the meaning that goes beyond the narration itself. In other words, the meaning also gives the magic realism experience for the readers. This paper will analyze the form of magic realism in Gabriel Garcia Marquez’s short story entitled “Light is Like Water”, Triyanto Triwikromo’s short story entitled “Sayap Kabut Sultan Ngamid”, and A.S. Laksana’s short story entitled “Dongeng Cinta yang Dungu”.Keywords: real, magic, prose, magic realism.
PROSA, RUANG, DAN KOTA PASCAKOLONIAL Moh. Atikurrahman
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10445

Abstract

Today, the studies on post-colonial urban space in relation with Indonesian modern prose can be said to be minimal. On the other hand, in the history of Indonesian literature, we are endowed with writers like Armijn Pane, Idrus, Pramoedya Ananta Toer, Iwan Simatupang, Budi Darma etc., who consistently write prose with the background of the ex-colonial towns. Unfortunately, there is no enough studies of the encounter between those writers with the city as a representation of a post-colonial experience. This paper tried to track the integral relationship between Indonesian modern prose writers to the city by using the spatial space theory in relation to the study of post-colonial literature in Indonesia. This analysis used the spatial theory by Sara Upstone as the approach, especially regarding to space (spatial) city.Keywords: spatial, city, postcolonial. 

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