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Social Representation of Japanese Characters in Zainichi Film Santi Andayani; Emma Rahmawati Fatimah; Gathisa Silvia Gunawan; Aisyah Bellatrix Kancanadewi
IZUMI Vol 10, No 2 (2021)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.10.2.398-410

Abstract

Discriminative treatment and zainichi identity crisis have often focused on zainichi-themed literary and media works. In terminology, zainichi is a term for ethnic Koreans living in Japan. Koreans are victims because of their minority, and Japanese are portrayed as perpetrators who discriminate against them. This study focuses on the representation of Japanese people through the main characters in the film Zainichi, Hotaru (2001) and For Those We Love (2007), which are the objects of this research. This study uses the representation theory by Stuart Hall to propose how Japanese people are represented in the zainichi film media. This research uses documentation and literature study techniques for data collection and descriptive qualitative methods for data analysis The results showed that the representation of the Japanese through the main characters in the two films emphasized more the positive or humanist Japanese characters: 1) people who respect other nations; 2) people who are compassionate and appreciate human values; 3) people who are considerate; 4) trustworthy people; 5) people who are loyal and committed to their friends and lovers.
NASIONALISME DALAM CERPEN “MARDIJKER” KARYA DAMHURI MUHAMMAD: KAJIAN POSKOLONIALISME Emma Rahmawati Fatimah
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10442

Abstract

Abstract This writing tries to see nationalism reflected from a short story entitled “Mardijker” by Damhuri Muhammad using postcolonial perspective. This short story also contain historical background about Belanda Depok, a group of slaves who work for Dutch landlord in Depok, Cornelis Chastelein, which later he released all the slaves. Postcolonial perspective is used to identify nationalism reflected from the character of the story, whether it is a centrifugal or a centripetal nationalism. The analysis is done in contextual level of nationalism, which is considered as a will to establish a world which in that world, East can actualize their self in a free way, without any pressure from West. The nationalism that present in the short story is a centripetal nationalism which pulled back the memories to the past and considered that the world had been exist before and can be found again.Keywords: nationalism, postcolonialism, centripetal nationalism.
PEMBERDAYAAN EKONOMI DI PANTI ASUHAN PUTRI AISYIYAH MALANG MELALUI PELATIHAN MASAKAN JEPANG Santi Andayani; Ni Made Savitri Paramita; Emma Rahmawati Fatimah; Retno Dewi Ambarastuti; Melisa Kurnia P.R; Yayang Itrok D.S.
BERNAS: Jurnal Pengabdian Kepada Masyarakat Vol 2 No 1 (2021)
Publisher : Universitas Majalengka

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (855.464 KB) | DOI: 10.31949/jb.v2i1.575

Abstract

Banyaknya usaha kuliner khas Jepang, dari yang berskala restoran hingga kedai kaki lima, membuat masyarakat dapat memilih variasi makanan. Variasi kuliner Jepang ini berpotensi bagi pengembangan usaha kuliner pada masyarakat yang dapat membantu meningkatkan perekonomian masyarakat. Salah satu usaha pemberdayaan ekonomi dilakukan pada kegiatan pengenalan dan pelatihan masakan Jepang kepada Panti Asuhan Putri Aisyiyah Malang. Panti Asuhan Aisyiyah ini mempunyai bidang usaha kuliner, berupa katering kue dan masakan khas nusantara. Pengenalan dan pelatihan masakan Jepang ditujukan untuk memberikan wawasan dan keterampilan baru, dan dapat memperkaya menu catering yang diharapkan dapat meningkatkan kemampuan ekonomi, sehingga dapat menambah dukungan finansial bagi operasional panti asuhan. Masakan yang disampaikan dalam kegiatan ini adalah oyakodon dan katsudon. Kegiatan pengabdian ini dilaksanakan selama 1 hari, dengan peserta sebanyak 6 (enam) orang, yang terdiri dari 3 (tiga) orang karyawan catering, dan 3 (tiga) orang anak panti asuhan. Kegiatan ini dilakukan secara daring (dengan melihat video yang dibuat oleh tim, dengan native Jepang sebagai kokinya), dan luring (praktik memasak oyakodon dan katsudon). Hasil dari kegiatan ini adalah antusiasme peserta dalam mengikuti pelatihan, dan peserta dapat mengikuti dan memasak sesuai dengan arahan native Jepang. Setelah pelatihan dilaksanakan, masukan bagi tim adalah permintaan peserta agar tim dapat mengenalkan masakan Jepang yang lainnya seperti sushi, dan juga mengajarkan table manner prasmanan.
Diskriminasi di Ruang Sekolah pada Film-Film Zainichi Fatimah, Emma Rahmawati; Andayani, Santi; Muhfidah, Dewi; Almaghfiroh, Safina
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 5 No 2 (2023): November 2023
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2023.5.2.9489

Abstract

Japan's defeat in World War II did not necessarily become a complete liberation for the Korean zainichi. Japanese zainichi still feels discriminatory acts after Japan's colonization. The depiction of poverty and the living conditions of the zainichi who experience discrimination often colour the storylines of zainichi-themed films, including the Yakiniku Dragon, Go, and Pacchigi, objects of this research. Among the descriptions of the discrimination experienced by Zanichi, there is one similarity in the three films that is interesting to study further, the school setting, which is part of the storyline. The school became one of the spaces where discrimination against Korean zainichi took place. This study used the descriptive qualitative method. By using definition of discrimination in social perspective, this study discusses what forms of discrimination toward zainichi are reflected in three zainichi films, Pacchigi, Yakiniku Dragon and GO. The result shows some forms of discrimination toward zainichi. The forms of discrimination are physical violence, verbal violence and also social discrimination in the form of rejection and neglect from the majority group, namely Japanese society.
Structural Assimilation of the Bugis Community with the Native on Kangean Island Emma Rahmawati Fatimah; Ni Made Savitri Paramita; Santi Andayani
Jurnal Antropologi: Isu-Isu Sosial Budaya Vol 26, No 1 (2024): June
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jantro.v26.n1.p51-58.2024

Abstract

The Kangean Islands, Madura, serve as a transit hub for traders and fishermen from various regions, including the Bugis ethnic that migrated to the Kangean Islands in the past few decades. Interaction and adaptation carried out by the Bugis ethnic and native in the Kangean islands is able  to bridge the differences between these ethnicities.This article analyses the structural assimilation of the Bugis  community with the natives on the Kangean island, especially at the grassroots level. This research  used the fenomenology approach. Data collection is conducted through in-depth interviews. The findings proved that the process of cultural assimilation of Sulawesi culture in Kangean island, particularly in the Arjasa sub-district can be considered successful, especially when observing the limited conflicts that occur. Structural assimilation has reached a broader scale, encompassing the participation of Bugis community in various aspect. In education, interactions with Bugis culture primarily occur informally in activities organized by the Sulawesi Student Association. In economic, structural assimilation is evident in the mutual acceptance of job opportunities and interdependence in economic resources. Within governmental institutions and organizations, assimilation is achieved by building awareness and understanding of ethnic diversity, maintaining a balance of governance rights between Kangean and Bugis people.  The Kangean Islands, Madura, serve as a transit hub for traders and fishermen from various regions, including the Bugis ethnic that migrated to the Kangean Islands in the past few decades. Interaction and adaptation carried out by the Bugis ethnic and native in the Kangean islands is able  to bridge the differences between these ethnicities.This article analyses the structural assimilation of the Bugis  community with the natives on the Kangean island, especially at the grassroots level. This research  used the fenomenology approach. Data collection is conducted through in-depth interviews. The findings proved that the process of cultural assimilation of Sulawesi culture in Kangean island, particularly in the Arjasa sub-district can be considered successful, especially when observing the limited conflicts that occur. Structural assimilation has reached a broader scale, encompassing the participation of Bugis community in various aspect. In education, interactions with Bugis culture primarily occur informally in activities organized by the Sulawesi Student Association. In economic, structural assimilation is evident in the mutual acceptance of job opportunities and interdependence in economic resources.Within governmental institutions and organizations, assimilation is achieved by building awareness and understanding of ethnic diversity, maintaining a balance of governance rights between Kangean and Bugis people.     
Digitalisasi Budaya Wayang Pothehi Melalui Film Dokumenter pada Komunitas FU HE AN Ambarastuti, Retno Dewi; Fatimah, Emma Rahmawati; Paramita, Ni Made Savitri; Andayani, Santi; Wijaya, Clarinta Gaby; Prakoso, Nando Petra Setyo; Ramadhani, Muhammad Aus; Ardhiansyah, Muhammad Farel; Widyanto, Muhammad Rizal
Jurnal Gramaswara: Jurnal Pengabdian kepada Masyarakat Vol. 5 No. 1 (2025): Jurnal Gramaswara: Jurnal Pengabdian kepada Masyarakat
Publisher : Faculty of Cultural Studies, Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.gramaswara.2024.005.01.12

Abstract

Potehi puppetry is an art performance that uses puppets from South China, which came to Indonesia in the 16th and 17th centuries. The development of these puppet shows experienced ups and downs, especially the prohibition of everything with Chinese nuances, in 1967 and improved in 2000. The preservation and continuity of potehi puppets are also carried out by the Fu He An community, Gudo, Jombang, led by Toni Harsono. Toni Harsono's motivation to develop this community stems from his concern about the condition of many damaged potehi puppets, the scarcity of authentic potehi puppets, and his desire to re-modify them so they can be preserved for the future. Toni Harsono's efforts have been welcomed by academics from within and outside the country, who have conducted various studies on potehi puppets. The public has also carried out the preservation and sustainability of potehi puppets through social media. However, the Fu He An community still needs to work on accessing information and understanding cultural digitization, especially in the context of making documentary films. Therefore, this community service activity aims to create a series of documentary films with the initial theme of the history of the making and character formation of the Jombang; Gudo potehi puppets, and make a Instagram account and website Wayang Potehi, Gudo. Keywords: cultural digitalization, sustainability, preservation, wayang potehi
Structural Assimilation of the Bugis Community with the Native in Kangean Island Fatimah, Emma Rahmawati; Paramita, Ni Made Savitri; Andayani, Santi
Jurnal Antropologi: Isu-Isu Sosial Budaya Vol 26 No 1 (2024): June
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jantro.v26.n1.p51-58.2024

Abstract

The Kangean Islands, Madura, serve as a transit hub for traders and fishermen from various regions, including the Bugis ethnic that migrated to the Kangean Islands in the past few decades. Interaction and adaptation carried out by the Bugis ethnic and native in the Kangean islands is able  to bridge the differences between these ethnicities.This article analyses the structural assimilation of the Bugis  community with the natives on the Kangean island, especially at the grassroots level. This research  used the fenomenology approach. Data collection is conducted through in-depth interviews. The findings proved that the process of cultural assimilation of Sulawesi culture in Kangean island, particularly in the Arjasa sub-district can be considered successful, especially when observing the limited conflicts that occur. Structural assimilation has reached a broader scale, encompassing the participation of Bugis community in various aspect. In education, interactions with Bugis culture primarily occur informally in activities organized by the Sulawesi Student Association. In economic, structural assimilation is evident in the mutual acceptance of job opportunities and interdependence in economic resources. Within governmental institutions and organizations, assimilation is achieved by building awareness and understanding of ethnic diversity, maintaining a balance of governance rights between Kangean and Bugis people.  The Kangean Islands, Madura, serve as a transit hub for traders and fishermen from various regions, including the Bugis ethnic that migrated to the Kangean Islands in the past few decades. Interaction and adaptation carried out by the Bugis ethnic and native in the Kangean islands is able  to bridge the differences between these ethnicities.This article analyses the structural assimilation of the Bugis  community with the natives on the Kangean island, especially at the grassroots level. This research  used the fenomenology approach. Data collection is conducted through in-depth interviews. The findings proved that the process of cultural assimilation of Sulawesi culture in Kangean island, particularly in the Arjasa sub-district can be considered successful, especially when observing the limited conflicts that occur. Structural assimilation has reached a broader scale, encompassing the participation of Bugis community in various aspect. In education, interactions with Bugis culture primarily occur informally in activities organized by the Sulawesi Student Association. In economic, structural assimilation is evident in the mutual acceptance of job opportunities and interdependence in economic resources.Within governmental institutions and organizations, assimilation is achieved by building awareness and understanding of ethnic diversity, maintaining a balance of governance rights between Kangean and Bugis people.    Â