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Poetika: Jurnal Ilmu Sastra
Published by Universitas Gadjah Mada
ISSN : 23385383     EISSN : 25034642     DOI : https://doi.org/10.22146/poetika.v2i2.10445
Core Subject : Humanities, Art,
Arts Humanities
POETIKA: Jurnal Ilmu Sastra publishes academic articles within the scope of literary criticism (limited to poem, prose, drama, oral tradition, and philology). The articles cover the form of a result on specific analysis; academic reports; closed reading; and the application of certain theories to enrich literary study.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 186 Documents
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PRODUKSI, DISTRIBUSI, DAN KONTESTASI WACANA TRADISI DAN MODERNITAS DALAM CERPEN Leteh KARYA OKA RUSMINI Akmal Jaya
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.17531

Abstract

Penelitian ini bertujuan untuk mengungkapkan bagaimana wacana mengenai tradisi kebudayaan masyarakat Bali diproduksi, dipertentangkan dan kemudian menjadi wacana tandingan terhadap wacana modernitas dalam cerita pendek Leteh karya Oka Rusmini. Penelitian ini mengaplikasikan teori dan metode analisis wacana Foucault, dengan menampilkan formasi diskursif melalui ekslusi eksternal maupun internal. Penelitian ini menemukan bahwa ada upaya-upaya memproduksi, mendistribusikan, kemudian memodifikasi wacana tradisi sebagai wacana tandingan terhadap modernitas.
POSMODERNISME LINDA HUTCHEON: POETICS OF POSTMODERNISM (1989) DAN POLITIC OF POSTMODERNISM (2002) Supriyadi Supriyadi
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.17532

Abstract

IMPOSSIBLE MODERNISM: T.S. ELIOT, WALTER BENJAMIN, AND THE CRITIQUE OF HISTORICAL REASON (2016) Jeffrey Willever Jacobson
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.17533

Abstract

Robert S. Lehman, dalam bukunya Impossible Modernism: T.S. Eliot, Walter Benjamin, and the Critique of Historical Reason (2016), memosisikan dirinya sebagai sarjana 'modernis tradisional'. Lehman menyatakan bahwa bukunya mengemukakan "suatu interpretasi atas modernisme Eropa". Namun, Lehman menemukan potensi dalam pemikiran Eliot dan Benjan untuk suatu kritik atas apa yang dia anggap sebagai "titik buta" kajian modernis baru, yakni, historisismenya.
Tubuh dan Relasi Gender: Wacana Pascakolonial Dalam Novel “The Scarlet Letter” Karya Nathaniel Hawthorne M. Yuseano Kardiansyah
POETIKA Vol 5, No 1 (2017): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v5i1.25065

Abstract

This research analyzes postcolonial discourse about body and gender relation in Nathaniel Hawthorne’s The Scarlet Letter that tells about obsession toward morality, gender oppression, punishment for sinner, guilty feeling dan individual sin confession. The objective of this research is to reveal the resistance sides toward colonial construction that still exist in society’s social order and norm reflected in that novel. By applying postcolonialism approach and deconstruction method, it is proven that The Scarlet Letter depicts colonized (women) resistance behind its attitude and practice that seems submissive to the power of colonizer (society dan men’s domination).Key Words: Postcolonial Discourse, Body, Gender Relation, Deconstruction, Colonial Construction
REPRESENTASI FEMME FATALE DALAM NOVEL CANTIK ITU LUKA KARYA EKA KURNIAWAN ferli - hasanah
POETIKA Vol 5, No 1 (2017): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v5i1.25446

Abstract

ABSTRAKPenelitian ini bertujuan untuk memaparkan karakteristik-karakteristik femme Fatale yang terdapat dalam novel Cantik Itu Luka. Melalui tokoh-tokoh perempuan yang berbeda, ciri-ciri tersebut dapat ditemukan. Dengan menggunakan konsep femme fatale dari Yvonne Tasker dan Edwards, lima tokoh perempuan, yaitu Dewi Ayu, Alamanda, Adinda, Maya Dewi, dan Si Cantik dapat dikategorikan sebagai femme fatale. Citra ini diperkuat juga dengan membandingkan ciri-ciri tersebut pada citra tokoh perempuan yang berbudi luhur. Simpulan akhir mengungkapkan bahwa pada diri tokoh-tokoh perempuan tersebut terdapat ambiguitas antara protagonis dan antagonis,  femme fatale dan perempuan berbudi luhur. Dengan demikian dapat dikatakan bahwa ada citra baru perempuan yang dibangun oleh dekonstruksi seksualitas pada novel ini.Kata kunci : femme fatale, perempuan, seksualitasABSTRACTThis study aims to describe the characteristics of femme Fatale contained in the novel Cantik Itu Luka. Through different female characters, these characteristics can be found. Using the femme fatale concept of Yvonne Tasker and Edwards, five female characters, Dewi Ayu, Alamanda, Adinda, Maya Dewi, and Si Cantik, can be categorized as femme fatale. This image is also strengthened by comparing such characteristics in the image of a virtuous woman. The final conclusion reveals that in the female characters there is and ambiguity between the protagonist and the antagonist, the femme fatale and the virtuous woman. Thus it can be said that there is a new image of women built by the deconstruction of sexuality in this novelKeywods: femme fatale, woman, seksuality
MENGUNGKAP KEBUNGKAMAN DALAM PRODUKTIVITAS FIKSI POP ISLAMI PENERBIT MIZAN Cucum Cantini
POETIKA Vol 5, No 1 (2017): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v5i1.25697

Abstract

This research focus on the discourse of Syiah that alleged to Mizan over the first publication of Dialog Sunni-Syiah which published at 1983. Despite of that negative justification, Mizan publisher still exist and productive, especially for producing pop-islamic fiction. By using Pierre Macherey’s literary production theory, spoken and unspoken, then found a ideological islamization project and also an anti-western effort in the other pop-islamic fiction by realizing it through figuration and symbol inside the text; hidayah, islam figure, moslem gathering, ideal by wearing hijab, Arabian’s figure domination, history of islamic resistance, and preferring middle east background. Therefore, unconsciously, pop-islamic fiction reducing the negative image of Mizan as pop-islamic publisher as well as showing the existence of islamic power. Mizan’s presence appears because of the enthusiasm of intellectuals to the islamic ideas books, especially about Islam Iran Revolution at 1979. By the sensitivity of the discourse in Orde Baru era, then Mizan publisher be a  part of negative image in islam. By the Mizan’s productivity producing pop books then the more the image faded, simultaneously awaken islamic power in Indonesia’s popular culture.Keywords: Pop-islamic fiction, Mizan Publisher, spoken and unspoken , silences
ISU-ISU KRISIS DALAM NOVEL-NOVEL DYSTOPIAN SCIENCE FICTION AMERIKA Muajiz Muallim
POETIKA Vol 5, No 1 (2017): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v5i1.25810

Abstract

This paper focuses on issues and discourses about the crisis that existed in the dystopian science fiction (dystopian sf) novels. In this case, Hunger Games Trilogy (2008-2010), Maze Runner Trilogy (2009-2011), Divergent Trilogy (2011-2013) are the main object to see how far the text of dystopian sf novels address issues and discourses about the crisis within. Dystopian sf novels that are the counter-discourse of utopian sf novels has no longer present the utopian elements of the future, but, contrastly present the worst possibilities of the future. It appears that the dystopian sf writers present narratives about crisis, poverty, darkness, and pessimism in their novels. It even reads as a form of criticism and warning that the writers are trying to convey to the reader through fictional texts. In the end, the conditions of crisis seen in the text of these dystopian sf novels open its relationship with the world's history outside the text.Keywords: crisis, dystopian science fiction, America, history.
Proyeksi Astral: Analisis Wacana Fiksi Posmodern dalam Naskah Film Insidious Ramis Rauf
POETIKA Vol 5, No 1 (2017): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v5i1.25994

Abstract

This study aims to analyze astral projection as a concept of Death and Dying by using a postmodern fiction discourse analysis perspective in Insidious movie script. This study found that astral projection is a capability possessed by a person to leave physical body and explore an astral world or the spirit world. Astral projection is a death and dying concept that is presented as one of the postmodern fictional strategies known as superimposition. This strategy illustrates that there are two worlds that accumulate and co-exist with each other. Its presence is a way of deconstructing thoughts about something that is considered uncanny and unusual as well as a counterpart of totality that puts the ontological side of the existence of something. It is said by McHale (1987) that it is a sister-genre of postmodern fiction. Science fiction explores ontological issues in order to build a good story while postmodern fiction simply presents the problem without having to build a story. Furthermore, both genres can adopt each other's strategies. Meanwhile, postmodern fictional relations and fantasy fiction are the same, borrowing strategies for exploring ontological issues.
Transformasi Perempuan dari “Liyan” ke “Diri” dalam Tiga Cerita Rakyat Kulisusu: Analisis Wacana Feminisme La Ode Gusman Nasiru
POETIKA Vol 5, No 1 (2017): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v5i1.25996

Abstract

The study examined three female characters in Kulisusu folklore, each titled: Perselingkuhan Istri Lakino Lipu; Putri yang Hilang; Lagumba dan Wa Ure-Ure Ngkamagi. Three of them narrated women in prototype uniformity, in a concept that is more fluid than some kindergarten like Bawang Putih Bawang Merah or Cinderella. Fluidity mean that the liberation of women from all forms of subordination: a class polarization that took shape into archetypes dichotomous construction. The characters are identified as women who are not only clever, but also able to make decisions in determining their fate. This study will address two issues: 1) how women were originally seated as "liyan"; 2) how the plot revolves and places women as "self". Both are implicated by using the feminism discourse perspective. The review will help parents sort out stories that address the values of plurality and gender equality principles, and stories that must be abandoned for internalizing the bias in the eyes of the quality.
Being a Sensible Woman: Hypertextuality in Grimm’s Fairy Tale and Juliet Marillier’s Wildwood Dancing Alberta Natasia Adji
POETIKA Vol 5, No 2 (2017): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v5i2.26433

Abstract

The re-writing of a fairy tale caters for characters, settings and values that have undergone changes, be it explicit or implicit. In Juliet Marillier’s Wildwood Dancing, the main female character Jena is transformed from the passive and obedient Twelfth/Youngest Princess of Grimm’s The Worn-Out Dancing Shoes into a brave and sensible figure. She challenges the oppression of patriarchal rules by taking control of her household in her father’s absence, securing her four sisters’ welfare, and keeping secret of their nocturnal dancing trips in the Other Kingdom despite being threatened by her domineering male cousin. In this way, Gerard Genette’s Hypertextuality strives to investigate the underlying patterns manifested in both literary works by applying the Re-vision element. Through it, Jena’s and the Twelfth/Youngest Princess’ sensibility trait and the socio-cultural settings surrounding them are highlighted in order to determine the importance of the overall hypertextuality process that takes place between the two. Later, Jena emerges as the more influential heroine than her predecessor character because she does not stop struggling to be regarded as an independent young woman who can always give advice and make decisions for her family affairs sensibly. Also, it is eventually proven that sensibility is indeed a strong weapon to be possessed by women in order to empower themselves against the conventions of a patriarchal world.      

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