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INDONESIA
Poetika: Jurnal Ilmu Sastra
Published by Universitas Gadjah Mada
ISSN : 23385383     EISSN : 25034642     DOI : https://doi.org/10.22146/poetika.v2i2.10445
Core Subject : Humanities, Art,
Arts Humanities
POETIKA: Jurnal Ilmu Sastra publishes academic articles within the scope of literary criticism (limited to poem, prose, drama, oral tradition, and philology). The articles cover the form of a result on specific analysis; academic reports; closed reading; and the application of certain theories to enrich literary study.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 186 Documents
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WOMB CONTROL IN TONI MORRISON’S BELOVED Yuniar Fatmasari
POETIKA Vol 4, No 1 (2016): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i1.13312

Abstract

This study reveals the ideological strategies the dominant takes to exploit Black enslaved women’s womb experienced by the characters in Toni Morrison’s Beloved as well as their resistance. Written in 1987, the novel is set eight years after the end of the Civil War in time painful experiences during slavery era are still there in the mind of ex-enslaved Black women and men. The novel narrates the past through personal life experiences presented by Sethe and Baby Suggs. During slavery era, their bodies are not merely used to work in the plantation area but since they are women, their wombs are valuable commodity providing advantages and profit to the masters. To make it possible, the dominant function ideological strategies to control the Black enslaved women’s wombs. Therefore, this study tries to explore how the ideological strategies are practiced in the novel. According to Collins, creating negative images such as mammy, breeder woman, and jezebel addresses to the bodies of Black enslaved women belongs to ideological strategy which is more powerful compared to the economic and politic strategy. Each image covers dominant interest to control Black women’s womb under new-progressive capitalism in United States. The result of the study shows that those three images works effectively to control the Black enslaved women, even nowadays, those images are still there in the body of young generation of Black women and provide another form of womb’scontrol. However, the study as well finds out that the resistance toward the oppression is also varied. Self-definition is presumed to be a fundamental element to the journey of internalized oppression to the ‘free mind’ which eventually leads to the action of resistance. With this self-definition, Blackwomen begin to deny the existed negative images controlling their wombs.
DISKRIMINASI TERHADAP BEBERAPA PEREMPUAN DALAM PERSPEKTIF FEMINISME MULTIKUTURAL: KAJIAN TERHADAP NOVEL SCAPPA PER AMORE KARYA DINI FITRIA Mustika Mustika
POETIKA Vol 4, No 1 (2016): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i1.13313

Abstract

Diva is the main character in novel Scappa per Amore which is written by Dini Fitria. In the story, Diva travels to European countries and meets other female characters who experience patriarchal and social discrimination. This research tries to describe the discrimination which is experienced by female characters by using multicultural feminism approach. The novel indicates that the female characters in the novel are not only marginalized due to their gender, but also their age, religion, race, and the legal status of the children. Multicultural feminism approach focuses on multicultural aspects that respect diversities. This research believes that discrimination toward women could be avoided,because women need to be treated equally.Diva, tokoh utama dalam novel Scappa per Amore karya Dini Fitria melakukan perjalanan ke berbagai Negara di Eropa. Dari petualangannya, ia bertemu dengan beberapa perempuan yang mendapatkan diskriminasi dari laki-laki maupun lingkungannya. Penelitian ini bertujuan untuk melihat diskriminasi terhadap beberapa perempuan dalam novel tersebut dengan tinjauan feminismemultikultural. Melalui penelitian ini dapat diketahui bahwa beberapa perempuan dalam novel SPA didiskriminasi bukan hanya karena persoalan mereka adalah perempuan, tetapi juga dipengaruhi oleh faktor usia, agama, suku, dan status anak. Paham feminisme multikultural yang menekankan aspek multikultur, sangat menjunjung tinggi keberagaman. Semestinya tidak ada diskriminasi terhadap perempuan yang berusia berapapun, beragama apapun, bersuku apapun, dan berstatus apapun. Semuanya harus diperlakukan secara setara dan harus mendapatkan penghargaan yang sama.
MENEROPONG GENDER MELALUI KACAMATA GENDERLES: SEBUAH PEMBACAAN BUTLERIAN TERHADAP ANCILLARY JUSTICE KARYA ANN LECKIE Hana Farida
POETIKA Vol 4, No 1 (2016): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i1.13314

Abstract

Penelitian ini bertujuan untuk menyajikan bagaimana kategorisasi gender yang terkesan kaku dipresentasikan sebagai performativitas sosial yang cair dan tidak stabil, juga bagaimana norma genderless yang diajukan pengarang dapat menunjukkan pandangannya akan norma gender. Penelitian ini dilakukan dengan menggunakan teori gender milik Judith Butler. Melalui pemikirannya akan gender sebagai konstruksi sosial, Norma gender, terutama gender biner, dalam novel ini dideskripsikan bersama norma genderless untuk mendapatkan suatu perbandingan diantara mereka. Dengan kacamata genderless, norma gender dalam novel ini disajikan pengarang sebagai suatu konstruksi sosial yang menuntut subjeknya untuk terlibat dalam performativitas gender guna diakui keberadaannya. Namun, begitu pula dengan norma genderless. Norma genderless dalam novel ini ternyata juga merupakan bentuk lain dari praktek gender. dengan kata lain, norma genderless tidak bisa terlepas dari gender dan juga merupakan norma gender.
MITOS KECANTIKAN DALAM CERPEN-CERPEN DWI RATIH RAMADHANY Royyan Julian
POETIKA Vol 4, No 1 (2016): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i1.13315

Abstract

This study highlights the myth of beauty in short stories written by Dwi Ratih Ramadhany, which are “Janda Sungai Gayam” and “Perempuan Bisu dan Cermin Ratu”. The perspective utilized in this study is the myth of beauty by Naomi Wolf. The results are: (1) both the short stories illustrate standards of beauty identified by long black hair, long neck, sensual lips, body fragrant, white-toned-smooth-skin, and slim body; (2) in both short stories, the quality of beauty refers to behaviors that could arouse an excitement rather than merely consider physical appearance;(3) regarding beauty not as an intrinsic quality, it is affected by external factors, for instance cosmetic and supernatural powers. Myth of beauty in both short stories stands on the runway of men’s interest and taste, and women’s motive toachieve resources provided by men, which are called loyalty, recognition, praise and charm.Kajian ini mengangkat isu mitos kecantikan dalam cerpen-cerpen Dwi Ratih Ramadhany, yakni "Janda Sungai Gayam” dan “Perempuan Bisu dan Cermin Ratu”. Perspektif yang digunakan adalah mitos kecantikan Naomi Wolf. Hasilnya antara lain: (1) kedua cerpen tersebut menggambarkan bahwa cantik memiliki standar baku rambut hitam panjang, leher jenjang, bibir merekah, tubuh wangi, kulit kencang-putih-mulus, dan langsing; (2) dalam cerpen-cerpen tersebut, sesungguhnya kualitas cantik lebih merujuk pada perilaku yang dapat membangkitkan gairah daripada penampakan fisik; (3) karena cantik bukan merupakan kualitas instrinsik, ia dipengaruhi oleh faktor-faktor eksternal, yaitu kosmetik dan kekuatan supranatural. Mitos kecantikan dalam kedua cerpen tersebut berdiri di atas landasan kepentingan dan selera laki-laki, serta motif perempuan untuk mendapatkan sumber daya yang disediakan oleh laki-laki, yaitu kesetiaan, pengakuan, pujian, dan keterpesonaan.
MEMBACA GENDER DALAM KONTEKS POSTMEMORY Isti Kumalasari
POETIKA Vol 4, No 1 (2016): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i1.13316

Abstract

Judul Buku The GeneraTion of PosTmemory: WriTinG and Visual CulTure afTer The holoCausT | Pengarang: Marianne HirscH | Penerbit: coluMbiauniversity Press | Tahun: 2012. Halaman: 305
HASRAT NANO RIANTIARNO DALAM CERMIN CINTA: KAJIAN PSIKOANALISIS LACANIAN Ricky Aptifive Manik
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.15492

Abstract

Literary works known as authors’ desire manifestation.  In its history, a desire comes from the feeling of the lack of subject.  Writing a literary work becomes an effort to hide it.  The effort can be seen through an author’s point of view on ego ideal in his works.  Novel of Cermin Cinta is chosen as a sample in order to search what and how Nano Riantiarno’s desires are.  The aim is to find out the reflecting of Nano’s ego ideal.  This study uses Lacanian Psychoanalysis (PL).  Metaphor and metonymy will be used through PL in looking deeply the signs of Nano’s desire in Cermin Cinta.  This study finds out that a desire of becoming a writer and an artist has guided Nano unconsciously to other symbolic signs, such as being a ‘tough’,  ‘consistent’, ‘determined’, ‘diligent’ writer, etc. His effort in setting up a theatre community where he becomes the characters writer and director which was reached from the images of Rendra, Putu Wijaya, Arifin C. Noor, and Teguh Karya becomes his desire about the ontological intactness for his identity.  Besides, ‘Freedom’ becomes  ‘object a’ of Nano to get jouissance for himself.
THE LURE OF THE IMAGE KEBOHONGAN PADA NARASI PEREMPUAN DALAM SYNGUE SABOUR PIERRE DE PATIENCE KARYA ATIQ RAHIMI Yuli Mahmudah Sentana
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.15493

Abstract

This study aims to determine the position of the author in women narration. With Rahimi’s background as a feminist, he said that with his novel he voiced the voices of Afghan women. Rahimi offered a strong female figure in the middle of the patriarchal shackles who is able to fight the system. The problem of this study is Rahimi’s ambiguity in narrating women. To determine the position of the author, the research uses the concept of the lure of the image belongs to Lidia Curti. The lure of the image is an offer provided by the author to give positions to women that are in fact not provided by them. Based on the research conducted, the results show that Rahimi keeps women as objects in a patriarchal world. In this case he is not able to pull the women out of the patriarchal zone. The space given to women by Rahimi reinforces male power. What Rahimi written in this novel is the lure of the image according to Curti’s concept which explains it as an image of women given by author or known as female gaze.
READING SIMULATION IN YANN MARTEL’S LIFE OF PI Sri Nurhidayah
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.15562

Abstract

Yann Martel’s Life of Pi tells a story of a survivor boy floating on a lifeboat with a Bengal tiger passing Pacific Ocean with the brutal show between animals. He is insisted to tell about more realistic story, thus he tells it contains of similar conflicts with different characters; the animals are changed into humans. Here, it shows two stories in one story which blurs the true story behind it. This is what Baudrillard the process of simulation over simulacra; the reproduced false representation of the true reality. The two stories can be both true and thus, the questions can be problematized are; (1) How is simulation understood in Yann Martel’s Life of Pi? (2) What is the hyper-reality resulted as the impact of simulation represented in Yann Martel’s Life of Pi? The used method is objective approach (textually) and based on the analysis, the two stories are connected to each other, animal story represents human story while human story represents the animal story. The animal story can be seen as the false copy of the true story because it copies the human story, so can human story. This is simulation and this simulation results on the two true stories which are hyper-reality.
KERINDUAN PADA YANG REAL DALAM NOVEL AKAR KARYA DEE Fina Hiasa
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.15650

Abstract

This research was aimed to describe how the author’s desire manifested through Akar’s novel. There was a relationship between the story of Akar’s novel, which has a Buddhism background, with Dee’s interest as the author’s toward buddha’s teachings that became an indication about the relation between author’s desire and Akar’s novel. To answer this indication, the writer used Lacan’s Psychoanalysis method through the mechanism of metaphor and metonymy by analyzing a series of signifiers on Akar’s novel, so it will discover what exactly the desire of “being” and “having” of the author.
POSMODERN DAN SASTRA INDIGENOUS AUSTRALIA Arif Furqan
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.15717

Abstract

Karya sastra Indigenous Australia adalah karya masyarakat native yang tinggal di negara bentukan penjajah (settler state). Setelah opresi yang dialami selama beberapa dekade, perkembangan sastra mereka baru saja menapaki puncak di awal abad ke-21 bersama dengan adanya perubahan kebijakan politis serta didukung oleh perkembangan teknologi, serta bersamaan dengan kondisi posmodern atau logika kapitalisme lanjut. Tulisan ini hendak mengelaborasi perjalanan singkat dan resistensi yang muncul dalam sastra Indigenous Australia hingga kini menghadapi kapitalisme yang canggih. Di era global sekaramg ini, banyak sekali permasalahan yang muncul bahkan ketika karya sastra tersebut mulai merekah, mulai dari persoalan tentang identitas, sejarah, otentisitas, persaingan global, dan logika masyarakat posmodern.

Page 6 of 19 | Total Record : 186

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