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Dr. Wening Udasmoro, M.Hum, DEA
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Post-graduate program of literature of the Faculty of Cultural Sciences, Universitas Gadjah Mada
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INDONESIA
Poetika: Jurnal Ilmu Sastra
Published by Universitas Gadjah Mada
ISSN : 23385383     EISSN : 25034642     DOI : https://doi.org/10.22146/poetika.v2i2.10445
Core Subject : Humanities, Art,
Arts Humanities
POETIKA: Jurnal Ilmu Sastra publishes academic articles within the scope of literary criticism (limited to poem, prose, drama, oral tradition, and philology). The articles cover the form of a result on specific analysis; academic reports; closed reading; and the application of certain theories to enrich literary study.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 186 Documents
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KRITIK SASTRA DI PRANCIS Muhammad Al-Fayyadl
POETIKA Vol 3, No 2 (2015): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10439

Abstract

The emergence of literary criticism, as sort of “literary institution” in a modern sense, is relatively a new phenomenon in France as it happened in 19th century and would be more institutionalized in 20th century. It due to the progressive distinction between the author criticism and the critic cricitism as well as to the decline of poetic representation, which has been built on hierarchy of genres and critic’s superiority over authors in 17th century. This article traces the institutionalization of literary criticism and the duality of its practices through the lens of Roland Barthes’ “two criticism”, applied to read the practices of literary criticism in France from 16th century onwards.        Keywords: literary criticism, “two criticism”, crisis. 
ARENA (KRITIK) SASTRA INDONESIA: STUDI KASUS PADA JURNAL POETIKA FIB UNIVERSITAS GADJAH MADA Dharma Satrya HD.
POETIKA Vol 3, No 2 (2015): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10440

Abstract

Abstrack This paper discusses the journal as an arena for literary criticism. In the journal the practice of legitimacy is occurred, as a writer, critics or academics. Taking and making positions are conducted by the agents of the journal. This study found that in Jurnal Poetika, academics legitimize the writer and conversely the writer who became the academics legitimize the other writer and even criticize the other academics in their different arena, and it is also possible in the same arena. In the arena of criticism, the exchange of positions continues as long as the existence of the arena, depends on the authorities of the arena, with Faruk as the agent of symbolic power, and even the power is identical to himself. In the arena (criticism) of Indonesian literature especially in the University of Gadjah Mada, Faruk brings the arena (criticism) of Indonesian literature to a new direction with a new angle to bring the literary text towards newer perspective that is identical to the newer view which is a part of the habitus in Indonesian literature.Keywords: Arena, Practice, Positions.   
PERGULATAN IMAN BUDHI SANTOSA UNTUK MENCAPAI POSISI TERKONSEKRASI DALAM ARENA SASTRA YOGYAKARTA Anggun Nirmala Safitri
POETIKA Vol 3, No 2 (2015): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10441

Abstract

This article tries to uncover the strug gle of  Iman Budhi Santosa to reach the dominant position in the field of  Yogyakarta literature. Bourdieu’s theor y, the field of  cultural production, is used to uncover the relation between objects that support Iman to become a consecrated poet in the field of  Yogyakarta literature. The relation of  the objects are explained by the concepts of  habitus, capital, strategy, practice, trajectory.Literary practices which are manifestated in the form of  literary writing and publishing activities, the participation in literary activities, institution forming in Yogyakarta are accumulated as symbolic capital which directs his possition to become a consecrated poet in Yogyakarta.Keywords: Iman Budhi Santosa, Bourdieu, the field of  cultural production, habitus, capital, strategy, practice, trajector y
NASIONALISME DALAM CERPEN “MARDIJKER” KARYA DAMHURI MUHAMMAD: KAJIAN POSKOLONIALISME Emma Rahmawati Fatimah
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10442

Abstract

Abstract This writing tries to see nationalism reflected from a short story entitled “Mardijker” by Damhuri Muhammad using postcolonial perspective. This short story also contain historical background about Belanda Depok, a group of slaves who work for Dutch landlord in Depok, Cornelis Chastelein, which later he released all the slaves. Postcolonial perspective is used to identify nationalism reflected from the character of the story, whether it is a centrifugal or a centripetal nationalism. The analysis is done in contextual level of nationalism, which is considered as a will to establish a world which in that world, East can actualize their self in a free way, without any pressure from West. The nationalism that present in the short story is a centripetal nationalism which pulled back the memories to the past and considered that the world had been exist before and can be found again.Keywords: nationalism, postcolonialism, centripetal nationalism.
PERFORMATIVITAS DALAM MANGA SHONEN-AI: SEKAIICHI HATSUKOI, HENSHIN DEKINAI DAN HIMANANODE HAJIMETE MIMASHITA Ni Made Savitri Paramita
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10443

Abstract

This research underlies the analysis on the performance and performativity of characters in shonen-ai: Sekaiichi Hatsukoi, Henshin Dekinai, and Himananode Hajimete Mimashita manga. Characterization in shonen-ai manga is based on the characters’ role within the same-sex relationship, which are the male role (seme) and the female role (uke). The character of Seme tends to be aggressive, protective, smart, good looking, and unemotional. On the other hand, Uke is feminine, smaller, physically weak, insecure, and emotional. The writer would like to analyze whether performance align with performativity based on the characterization of seme and uke. Judith Butler’s Performativity is used as theoretical framework within the research. The theory covers gender, performance, and performativity. Gender as social construction is fluid and unbound to the body. This phenomenon is seen in these three shonen-ai manga. Character that looks masculine does not always have the male role (seme) and the feminine one does not always have the female role (uke). Physical performance is not merely associated with gender (performativity).Keywords: shonen-ai manga, same-sex relationship, performativity, gender.
REALISME MAGIS DALAM CERPEN: KASUS CERPEN GABRIEL GARCIA MARQUEZ, TRIYANTO TRIWIKROMO, DAN A.S. LAKSANA Imam Muhtarom
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10444

Abstract

Magic Realism Prose brings the magic and the reality at once in a narration. Reality and magic have mutual support to build a narration. The support between the reality and the magic is not only manifested in the unity of the narration but also gives the possibility to give the meaning that goes beyond the narration itself. In other words, the meaning also gives the magic realism experience for the readers. This paper will analyze the form of magic realism in Gabriel Garcia Marquez’s short story entitled “Light is Like Water”, Triyanto Triwikromo’s short story entitled “Sayap Kabut Sultan Ngamid”, and A.S. Laksana’s short story entitled “Dongeng Cinta yang Dungu”.Keywords: real, magic, prose, magic realism.
PROSA, RUANG, DAN KOTA PASCAKOLONIAL Moh. Atikurrahman
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10445

Abstract

Today, the studies on post-colonial urban space in relation with Indonesian modern prose can be said to be minimal. On the other hand, in the history of Indonesian literature, we are endowed with writers like Armijn Pane, Idrus, Pramoedya Ananta Toer, Iwan Simatupang, Budi Darma etc., who consistently write prose with the background of the ex-colonial towns. Unfortunately, there is no enough studies of the encounter between those writers with the city as a representation of a post-colonial experience. This paper tried to track the integral relationship between Indonesian modern prose writers to the city by using the spatial space theory in relation to the study of post-colonial literature in Indonesia. This analysis used the spatial theory by Sara Upstone as the approach, especially regarding to space (spatial) city.Keywords: spatial, city, postcolonial. 
RUANG PASCAKOLONIAL DALAM DOCTOR WOOREDDY’S PRESCRIPTION FOR ENDURING THE ENDING OF THE WORLD KARYA COLIN JOHNSON Eni Purwanti
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10500

Abstract

This writing discusses one of Colin Johnson or Mudroroo’s novel entitled Doctor Wooreddy’s Prescription for  Enduring the Ending of the World to reveal colonial construction of space in Van Diemen’s Land and to analyze postcolonial spatial responses emerged as a form of negotiation toward the contested space. Postcolonial theory of space is applied to discuss the issues. The result of the discussion shows that the White colonial in Van Diemen’s Land constructed their colonial space by arousing chaos and establishing order and borders to create a fixed boundary. The constructed space is proven fail to achieve its goal by arousing some self contradictions which make it lays as merely a utopia. Chaos appears within the order or structure of the space followed by violations trespass the colonial borders to create a new order or structure of a post-space. Post-space within its process will be a new space with new possibilities of chaos, thus, space will be continuously constructed and deconstructed as a form of spatial response of postcolonial space. Keywords: Colonialism, Postcolonial Space, Spatial Response, Aborigines.
Representasi Penindasan Ganda dalam Novel Mirah Dari Banda; Perspektif Feminisme Poskolonial Awla Akbar Ilma
POETIKA Vol 4, No 1 (2016): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i1.13310

Abstract

This study specifically examines the multiple forms of oppression that is found in the novel Mirah dari Banda by postcolonial feminist perspective. The analysis showed that the novel talk about inferior position of women as a result of the dominance of Dutch and Japanese colonial system and patriarchal domination both colonial and indigenous men. With the two forms of oppression Thus, indigenous women suffer and the lowest level in a colonial situation. Associated with the time of publication, the 1980 novel Mirah dari Banda include nostalgia novel of oppression and the strug gle against colonialism. Thus at the same nostalgic attitude can be regarded as a reflection on the possibility of the presence of the double oppression of women today which synonymous with the era of capitalism (imperialism) and still rooted patriarchal ideology.Penelitian ini secara khusus mengkaji bentuk-bentuk penindasan ganda yang terdapat dalam novel Mirah dari Banda berdasarkan perspektif feminisme poskolonial. Hasil analisis menunjukkan bahwa novel mewacanakan kedudukan inferior perempuan akibat dominasi sistem kolonialisme Belanda dan Jepang serta dominasi patriarki baik lelaki kolonial maupun pribumi. Melalui dua bentuk penindasan demikian, perempuan pribumi menderita dan berada di level terendah dalam situasi kolonial. Terkait dengan waktu penerbitannya, yakni tahun 1980 novel Mirah dari Banda termasuk novel nostalgia atas penindasan dan perjuangan melawan kolonialisme. Sikap nostalgia demikian sekaligus dapat dianggap sebagai refleksi atas kemungkinan hadirnya penindasan penindasan ganda terhadap perempuan saat ini yang identik dengan era kapitalisme (imperialisme) dan masih mengakarnya ideologi patriarki.
STRATEGI CAMP DALAM NOVEL HIDING MY CANDY KARYA LADY CHABLIS Sri Saraswati
POETIKA Vol 4, No 1 (2016): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i1.13311

Abstract

This study aims at discussing about the forms of Camp strategies as well as elaborating the purpose of its application in Lady Chablis’ Hiding My Candy. Hiding My Candy tells a story of a transgender name The Doll who fights for her survival among patriarchal community. To answer the objectives of the research, Moe Meyer’s Camp theor y will be applied. In the book of the Politics and Poetics of Camp, Meyer defines Camp as the total body of performative practices and strategies used to enact a queer identity, with enactment defined as the production of social visibility. The emergence of Camp as a survival strategy appears due to the challenge of transgender discrimination resulted by heteronormativity restraint. The study result shows that transgender survival can be divided into three aspects i.e. social visibility, alternative normative and transgender empowerment. Those transgender survival’s aspects can be achieved by applying the Camp strategies. Those strategies include parody Camp strategy, humor Camp strategy, strategy of posing (costume, gesture and speech act) and strategy of life in performance.Penelitian ini dilakukan untuk mengulik bentuk-bentuk strategi Camp dan tujuan penerapannya melalui novel Hiding My Candy karya Lady Chablis. Hiding My Candy merupakan sebuah novel yang merepresentasikan upaya kebertahanan transgender yang dilakukan oleh tokoh The Doll. Adapun pendekatan yang akan digunakan dalam penelitian ini adalah teori Camp oleh Moe Meyer. Dalambuku the Politics and Poetics of Camp, Moe Meyer mendefinisikan istilah Camp sebagai total keseluruhan praktik dan strategi untuk menunjukkan identitas queer kaum marjinal, dalam hal ini transgender, kepada masyarakat (visibilitas sosial). Lazimnya, masyarakat heteronormatif menganggap transgender sebagai liyan sehingga keberadaan mereka seringkali terpinggirkan. Maka, tujuan dari penerapan strategi Camp adalah untuk menjamin kebertahanan kaum transgender dalam masyarakat. Muatan kritik terhadap heteronormativitas juga tampak nyata dalam penerapan strategi Camp . Sasaran kritik tersebut adalah pemapanan konstruksi gender normatif serta eksklusifitas kaum heteroseksual yang menjadikan kaum marginal seperti transgender tersisihkan. Berdasarkan hasil penelitian ditemukan bahwa bentuk-bentuk strategi Camp dapat dirinci sebagai berikut; strategi parodi Camp, strategi humor Camp, strategy of posing (kostum, gestur dan gaya bicara) serta strategi hidup dalam pertunjukkan.Penerapan strategi Camp tersebut ditujukan sebagai upaya untuk meraih kebertahanan transgender. Selanjutnya, kebertahanan transgender dapat dicerminkan melalui visibilitas sosial, terbentuknya wacana normalitas alternatif dan pemberdayaan transgender

Page 5 of 19 | Total Record : 186

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