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Prasetyo Adhitama
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jvad@lppm.itb.ac.id
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LPPM ITB, Gedung CRCS, Institut Teknologi Bandung, Lt. 6 & 7, Jl. Ganesha No. 1, Bandung, 40132
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INDONESIA
Journal of Visual Art and Design
Published by Institut Teknologi Bandung
ISSN : 23375795     EISSN : 23385480     DOI : https://doi.org/10.5614/jvad
Core Subject : Humanities, Art,
Arts Humanities
Journal of Visual Art and Design focuses on theoretical and empirical research articles in the Visual Art and Design disciplines in the region of Asia and Pacific. The scope includes the following subject areas: Design and Art History, Visual Culture, Art and Design Methodology, Art and Design Discourse, Design and Culture, Art and Design Sociology, Design and Art Management, Art Criticism, Anthropology of Art and Design, Industrial Design, Visual Communication Design, Photography, Interior Design, Craft, Architectural Design, Film, Multimedia, Design Policy, Psychology of Art and Design as well as Art and Design Education. Journal of Visual Art and Design welcomes original research, Art and Design work, and critical discourse on traditional and contemporary issues in the field of Art and Design. Researchers, Artists, and Designers are welcomed to contribute in the form of conceptual or theoretical approaches, designer/artists writings, case studies or critical essays in the fields of Art and Design.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 267 Documents
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Back Matter Vol. 5 No. 2, 2013 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 5 No. 2 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Cover Vol. 6 No. 1, 2014 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 6 No. 1 (2014): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Front Matter Vol. 6 No. 1, 2014 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 6 No. 1 (2014): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Back Matter Vol. 6 No. 1, 2014 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 6 No. 1 (2014): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

Setetes Merah Seribu Makna Kurniawati Gautama; Andryanto Rikrik Kusmara
Journal of Visual Art and Design Vol. 10 No. 1 (2018): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2018.10.1.5

Abstract

Abstrak. Perempuan adalah makhluk kompleks yang memiliki karakter yang berbeda dengan laki-laki. Kelembutan perempuan sering dikaitkan dengan kelemahan namun kelembutan tersebut adalah kekuatannya. Karya ini mengangkat tema perempuan saat mereka menjadi objek dan subjek. Permasalahan dibatasi pada psikologi perempuan dalam memandang dirinya sendiri sehingga perempuan rela menderita demi mendapat penghargaan orang lain terutama dari lawan jenisnya, serta sejauh mana proses berkarya dan karya mampu menjadi terapi bagi senimannya dan pengamatnya. Hasil analisa penulis menyimpulkan bahwa sifat altruisme perempuan seringkali menjadi bumerang  bagi dirinya sendiri sehingga rentan menjadi objek yang menderita.  Luapan emosi kekecewaan terhadap sesuatu seringkali diungkapkan melalui berkarya seni. Banyak karya luar biasa dihasilkan dari para seniman sebagai katarsis penyembuhan batin. Karya ini merupakan gabungan seni instalasi dan seni performans. Instalasi disajikan dengan kain-kain merah menjuntai ke bawah membentuk rangkaian segitiga sebagai simbol bentuk vagina. Aksi performans berdurasi panjang, dilakukan oleh penulis sendiri dengan merajut benang sebagai metafora penantian buah hati. Metode berkarya yang digunakan  yaitu dengan melakukan riset pustaka dan riset lapangan dalam memperoleh keterangan objek yang diteliti, dan hasil dari riset tersebut menjadi pedoman bagi penulis dalam proses penciptaan karya. Karya ini berjudul Jeritan Kudus dan merupakan penutup dari trilogi serial karya Setetes Merah Seribu Makna tentang kesakitan dan kekecewaan serta berhubungan dengan darah.Kata kunci: Altruis; estetika feminis; katarsis; seni instalasi; seni performans.A Drip of Red Means a LotAbstract. Females are complex human beings with a character that is different from men. The gentleness of women is often presented as their weakness, but paradoxically it can also be seen as their strength. This raises the issue of women as object and subject. This theme was narrowed down to female psychology: the way women see themselves may affect their willingness to sacrifice themselves in the hope of getting appreciation from others, especially the opposite sex, and the extent to which creating art and the resulting artwork may be therapy for the artist and the audience. The result from the author's analysis suggested that the altruistic nature of women leads them to being susceptible to being viewed as an object. Making art can then be a cathartic healing process. Many great works of art have been created by artists as an expression of their emotions. The Sacred Scream is a combination of installation art and performance art. The installation consists of red fabric draped in the shape of a triangle to symbolize the vagina. The performance consisted of the artist knitting uninterruptedly for a long period of time as a metaphor for being pregnant. The methods used in this study were literary research and field research for the purpose of getting information on the study subject. The result was then used as a compass for the author in the artistic creation process. The Sacred Scream closes the trilogy A Drip of Red Means A Lot, which talks about pain, disappointment and blood relations.Keywords: Altruism; chatarsis; feminist aesthetic; installation art; performance art.
Rethinking Brand’s Presence: Universidade Federal Fluminense’s Website Project Focusing on the Users Caio Vinicius de Macedo Goes; Lilian Soares Pinto de Souza Ribeiro
Journal of Visual Art and Design Vol. 8 No. 2 (2016): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2016.8.2.5

Abstract

This article presents a redesign concept project for the main websites of Universidade Federal Fluminense, associated with Usability practices like information architecture and the application of researches to assess the usability grade of a website. The process also includes qualitative exploration with users and elaboration of guidelines that will set the future steps for the online presence of a brand.Keywords: accessibility; Universidade Federal Fluminense; website.
Individual Fired Brick Domestication in Nigeria Toyin Emmanuel Akinde
Journal of Visual Art and Design Vol. 9 No. 1 (2017): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2017.9.1.5

Abstract

Individual fired brick domestication is not widely practiced; yet the fired brick has played and will continue to play an immense role in the global built environment. Its pivotal task of creating and sustaining architectural structures is ancient and has permeated through to contemporary times courtesy of clay's colossal vitality. Clay exploration and exploitation are perhaps most apparent in fired brick production, particularly in first-world countries with a diverse range of clayware such as bricks and tiles. This development has not been fully maximized in Nigeria as a result of the small number of refractory plants whose total production capacity is beneath the nation's building requirements. This scenario makes fired brick procurement costly and limits its accessibility; consequently, it promotes socio-built inequality among viable fired brick prospectors. In view of the aforementioned, this paper advocates individual fired brick domestication in Nigeria's rural and suburban settlements, providing concise practical details, from materials identification and mould fabrication to brick production. When fully harnessed, this is hoped to create jobs, alleviate the country's fired brick deficit, boost individual economic standing, communal economies and ultimately the national economy. Possibly it could serve as a template in similar settings around the world.
Knowledge of Art in Malaysian Contemporary Visual Art Mohamad Faizuan Mat
Journal of Visual Art and Design Vol. 9 No. 1 (2017): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2017.9.1.4

Abstract

Malaysia has a scarcity in the presentation of art knowledge through visual art. Therefore, this study aims to investigate the importance of art knowledge in the field of visual art. In fact, Malaysian contemporary visual artists appear to have insufficient values of intellectualism and lack shared vision. The intention of this study was to reveal the factors in Malaysian visual arts that led to the crisis in art knowledge development. This project uses a qualitative triangulation method in order to reveal similarities from face-to-face interviews and document studies. The analysis was supported by evidence obtained from observation of several art discourses. The findings of this study revealed the importance of world knowledge and perception of art based on critical thinking. In addition, the results of this study also present the awareness of the valuable contributions of art knowledge in visual art. This paper revealed the factors that lead to the unconvincing development of art knowledge, specifically in Malaysia. The importance of art knowledge can be investigated further in order to validate visual art as an intellectual product that communicates knowledge.
Indonesian Perceptions Toward Materials in Context of Culture Intan Prameswari; Haruo Hibino; Shinichi Koyama
Journal of Visual Art and Design Vol. 9 No. 2 (2017): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2017.9.2.5

Abstract

Human attitudes, behavior and perceptions are shaped by their culture. Culture is deeply embedded in all aspects of human life, including design development. This study was conducted to discover perceptions regarding five chair materials (wood, rattan, bamboo, metal, and plastic) in a cultural context in an Indonesian student sample group. A previous study suggested that Indonesian participants have a positive attitude toward natural chair materials such as wood and rattan. The experimental results of the present follow-up study suggest that rattan is the chair material most representative of Indonesian culture. As a heterogeneous country, Indonesia has multiple ethnicities, which influences the perception of which material best represents Indonesian culture.
Cover Vol. 8 No. 2, 2016 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 8 No. 2 (2016): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Page 14 of 27 | Total Record : 267

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