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ProTVF
Published by Universitas Padjadjaran
ISSN : 2548687X     EISSN : 25490087     DOI : -
Core Subject : Education, Art, Social,
Arts Languange, Linguistic, Communication & Media Social Sciences
ProTVF is published twice a year (March and September) published by the Faculty of Communication Science, Universitas Padjadjaran. ProTVF provides open access to the public to read abstract and complete papers. ProTVF focuses on Television and Film studies.
Arjuna Subject : -
Articles 7 Documents
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Search results for , issue "Vol 8, No 2 (2024): September 2024" : 7 Documents clear
Semiotic analysis of Korean Wave: Journalistic practices and global impact Sonni, Alem Febri; Jauza, Assa; Arya, Nosakros; Putri, Vinanda Cinta Cedekia
ProTVF Vol 8, No 2 (2024): September 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i2.45479

Abstract

Background: Reportage deviations are trying to be built in drama Find Me in Your Memory. Understand the codes that show reportage deviations and the purpose of their distribution through the scenes in the drama. Purpose: This article will become a provision for the community to implement and pay more attention to the journalistic code of ethics when contributing to news reporting. Methods: The method used in this research is a content analysis by observing the scenes displaying reportage deviations in the drama Find Me in Your Memory scenes. Results: The collected data was then analyzed based on John Fiske’s semiotic theory, namely the Three Levels of Television Codes and the South Korean Journalistic Code of Ethics as indicators to identify reporting deviations. Secondary data in this study was obtained through a literature study to obtain relevant theories and data that can be used to answer the formulation of the problem. Conclusion: Various violations of the Journalistic Code of Ethics were found in several scenes showing news reporting practices. Implications: So this research suggests deviations in the news reporting shown in several scenes in this serial drama. This also deviates from one of the South Korean journalistic code of ethics points, which requires journalists always to report news objectively.
The effect of advertising television broadcast migration on the attitude of television users Nurhadi, Zikri Fachrul; Mujianto, Haryadi; Tajkiatunnufus, Taza
ProTVF Vol 8, No 2 (2024): September 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i2.52949

Abstract

Background: This research was motivated by ratifying the Job Creation Law, which was related to implementing television broadcasts in Indonesia, which were initially analogue to digital. This transition has implications for the progress of the digital television broadcast industry in overcoming inefficiencies in the analogue TV broadcasts that have been used so far. Purpose: This study aims to assess how advertising affects viewers’ cognitive, emotional, and conative attitudes as it transitions from analogue to digital TV broadcasts in the media. Method: The research method uses descriptive methods with a quantitative approach. Data collection techniques include distributing questionnaires and conducting literature studies. This research involved 100 respondents who were obtained using the probability sampling technique in the random sampling category. Results: The study’s findings indicate that the use of advertisements to promote the switch from analogue to digital TV broadcasts has a significant impact on the attitudes of television viewers in the Garut Regency with regard to cognition, affect, and conative thinking. These attitudes are demonstrated by the audience’s acceptance of new information or knowledge (cognitive), their feelings of trust following exposure to these advertisements (affective), and their desire to switch to digital TV broadcasts right away (conative). Conclusion: Indicators of advertising exposure through frequency, duration, and attention have a strong influence in influencing audiences, especially cognitive, affective, and conative aspects, where the information provided can provide new perceptions and knowledge for people who constantly see advertising broadcasts transitioning to digital TV broadcasts on television. Implications: The results of this research can provide understanding and insight regarding the transition to digital TV broadcasting and how important information is so that one day, television users who read the results of this research can pay attention to the advertisements shown on television to understand and implement the information they receive.
Women resistance to early-age marriage in Wadon Ora Didol: Critical discourse analysis Sintya, Dea Erma; Pratiwi, Rhesa Zuhriya Briyan
ProTVF Vol 8, No 2 (2024): September 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i2.50655

Abstract

Background: Wadon Ora Didol is a documentary film highlighting women’s resistance to the problem of early marriage. The rise of early marriage in Indramayu is a serious problem regarding the exploitation and objectification of women. This is actually related to the traditions and culture of Indramayu, thus, it is giving rise to a feminist-based resistance movement against these traditions. Purpose: This article aims to analyze and describe the resistance carried out by women against early-age marriage in the film Wadon Ora Didol through critical discourse analysis of Sara Mills. Methods: It uses a descriptive research approach, with primary data collection through documentation on selected scenes and relevant literature studies. Data findings were analyzed using theories of resistance and feminism. Results: There is women’s resistance in the film Wadon Ora Didol, which is identified through two positions: first, as the subject of resistance displayed by demonstrators and their efforts to revise laws of marriage; second, a slight object position through scenes showing the exploitation and objectification of women. Dominantly, Wadon Ora Didol proves that women are the main actors who are constructed to be able to fight, be independent, and be free to express and convey criticism of the problem of early-age marriage. This film also presents women who are responsive to caring about the fate of other women, both domestically and publicly, so that all individuals are equal and have their rights to freedom. Implications: These findings provide social criticism of the importance of women’s rights in society, as well as their struggle for existence in feminism. It is hoped that the results can provide other aspects to increase public awareness to be more responsive to social problems and exploitation of women, especially regarding early marriage.
Regional film in the dynamics of the national film industry Puspitasari, Lilis; Bajari, Atwar; Hidayat, Dadang Rahmat; Cho, Sung Kyum
ProTVF Vol 8, No 2 (2024): September 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i2.54275

Abstract

Background: In the last ten years, the Indonesian film industry has experienced significant growth. The national film industry and the regional film industry, one of which is indie films produced in the city of Makassar. The development of films in Makassar began to receive national public attention with the explosion of the film Uang Panai in 2016. Also, in 2017, the success of the movie Silariang received an audience of 183.340 people. Purpose: Examining the impact of Makassar-produced films on the dynamics of Indonesia's domestic film industry is the main objective of this study, including examining its impact on cultural identity, economic variables, and its role in enhancing the uniqueness of national film. Methods: This study employs a qualitative methodology and gathers data through content analysis, observation, and interviews. Results: According to the study's findings, regional films—like those made in Makassar—are essential to the growth and advancement of the country's film industry. This demonstrates how crucial it is to acknowledge and encourage filmmaking outside of the major industrial hubs. Conclusion: Research shows that regional films have the potential to positively impact economic growth, especially in the regions where they are produced. It encourages the creative economy, creates local employment opportunities, and offers direct and indirect financial benefits. Implications: There is a need to recognize and promote regional films to encourage the diversity of Indonesian films; this study is also expected to provide a comprehensive understanding of the relationship between regional films and the dynamics of Indonesian films.
The intersection of film, teaching, and inclusive education Restianty, Ajani; Khang, Nguyen Tan; Mahameruaji, Jimi Narotama
ProTVF Vol 8, No 2 (2024): September 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i2.55183

Abstract

Background: The convergence of film, teaching, and inclusive education research on education has received much attention recently because it can potentially improve educational experiences and create social change. Purpose: This intersection of disciplines provides educators an immense tool for engaging children, cultivating empathy, and addressing social and cultural inequities. Using film's emotional connection and narrative force, educators may build more diverse and efficient learning environments that meet the different needs of their students. Methods: This study used existing data from Scopus to analyze the intersection of film, teaching, and inclusive education using bibliometric quantitative publications studies to assess academic influence. It entails analyzing citations, publication trends, and other bibliographic information. Results: The findings underline the importance of utilizing films to encourage inclusive school practices. Films can reduce socioeconomic inequities, raise cultural knowledge, and improve inclusive teaching techniques. This study underlines the relevance of using film in instructional approaches to promote inclusive education practices and increase learning results. Films are exhibited to promote critical thinking about teaching methods, interpersonal relationships, and classroom ethics. Conclusion: Introducing film into teaching techniques can boost student engagement, improve critical thinking abilities, and raise cultural understanding. Subsequently, this bibliometric study provides a helpful overview of the present research environment in films, teaching, and inclusive education, serving as a foundation for academics to investigate and introduce new modern topics from various regional and cultural perspectives. Implications: Future research should examine the confluence of films, teaching, and inclusive education, as well as the ramifications of these encounters for educational settings, and compare them across study areas and locations or other relevant scopes.
Deconstructing the standpoint of female ex-convicts represented in the TV series Dapur Napi Sriharyani, Yuni
ProTVF Vol 8, No 2 (2024): September 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i2.51948

Abstract

Background: The representation of female ex-convicts, particularly in Indonesia, remains biased despite the increasing number of ex-convict narratives. This study focuses on addressing this gap by examining the TV series “Dapur Napi” on Vidio, exploring how the series illustrates power disparities in the reintegration of female ex-convicts into society and how the series uses hyperbolic dramatization of female ex-convicts for entertainment purposes. Purpose: This research aims to critically analyze how societal power discrepancies are represented in the media and how media constructs the identity and reality of female ex-convicts in “Dapur Napi” through the lens of standpoint theory. Methods: Employing Critical Discourse Analysis by Norman Fairclough, this research dissects the textual, discursive practice, and sociocultural practice dimensions of the TV series using a qualitative approach. Results: The study’s results reveal the portrayal of female ex-convicts, emphasizing complexities in identity construction, societal rejection, and the dual role of media in both entertainment and norm reinforcement. Implications: This research can further develop the discussion on Standpoint Theory, particularly providing insights into inequalities in the representation of marginalized female ex-convicts in popular media. Practically, this research can advocate for more accurate and diverse portrayals, and promote media literacy to challenge stereotypes and promote social inclusion.
Locality as a space for negotiation and resistance in local television Rianto, Puji; Setiawati, Titin; Wahyudi, Risky; Sari, Genny Gustina; Susilo, Daniel
ProTVF Vol 8, No 2 (2024): September 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i2.53979

Abstract

Background: Local television has an important role in displaying local culture and identity. This role is becoming crucial amidst the dominance of Jakarta’s national television, which not only broadcasts certain cultures and groups but also tends to be biased. Purpose: This study was conducted to explain how locality is used as a means of negotiation and resistance of local television against the domination of national television. Method: This research was conducted using qualitative methods by taking local television, RBTV, part of the national television network Kompas TV, as a case. Data was collected with in-depth interviews, observations, and documents. Result: This research shows that although local television has limited broadcast time (5 hours), it creatively uses locality to negotiate and resist the domination of national television. RBTV uses three tactics to bargain its position with Kompas TV. First, they negotiate the presenter’s standard. For instance, RBTV welcomes presenters who speak at standard speed but does not accept people with oriental faces and Jakarta accents. Second, they broadcast local communities to increase engagement with the audience. Third, they broadcast local culture, such as tradition, customs, food, and fashion. Conclusion: RBTV makes the most of its time to serve and show the local community. Something that Jakarta national television cannot do well. Implications: Local television has become an “arena” for cultural battles and acts as an actor. The thesis of imperialism and cultural domination in the context of RBTV fails. This research suggests the importance of studies with a local perspective so that the dialogue between local, national and global cultures can be investigated.

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