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E-Journal Of Cultural Studies
Published by Universitas Udayana
ISSN : 23382449     EISSN : -     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Cultural studies constitutes an interdisciplinary area critically discussing socio-political contexts of various cultural practices in society. Its focus is on the relation among such cultural practices and the power controlling them. Cultural studies was pioneered by the Centre for Contemporary Cultural Studies (CCCS) of the University of Birmingham, England, in 1960s. Unlike what has been a tradition in the modern epistemology, cultural studies is concerned with what human emancipation aims at. Therefore, cultural studies does not only refer to a theoretical-conceptual matter but also to the location and critical action in which it manifests itself.
Arjuna Subject : -
Articles 271 Documents
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THE MANIFESTATION OF KIM KARDASHIAN’S AESTHETIC AND GLAMOUR LABORS IN KIM KARDASHIAN: HOLLYWOOD MOBILE GAME Tresya Pricillia Soehendar; Ellita Permata Widjayanti
E-Journal of Cultural Studies Volume 13, Number 4, November 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i04.p02

Abstract

Disproving the ‘famous-for-being-famous’ epithet, Kim Kardashian shares the intricacy of the tricky and binding work of celebrity into the nascent screen-based culture, the mobile game Kim Kardashian: Hollywood (KK: H). With swipes and taps to follow the in-game stories, the KK: H player discovers the set of rules and features of KK: H that welcome them to the digitalized version of aesthetic and glamour labors where the states of being fashionable, ageless and charming are matter. Through an analysis of in-game dominant discourse as well as the player’s game experience shown in Facebook public groups, this study explores the underlying values manifesting the practice of aesthetic and glamour labors as an engaging strategy of digital gameplay. The exploration falls into four stages of docility (Power, System, Surveillance, and Normalization) that built upon Michel Foucault’s theory of Docile Body to examine the gameplay as simulating the “real” constitutive social practice of celebrity that lead the examination to the case of Hyper-reality. The result of this examination places KK: H as the particular cultural representation as well as a seemingly playful parody of celebrity work wherein the pursuit of mass beauty standard is associated with the pursuit of fame in the interest of financial benefits and personal satisfaction. Keywords: Kim Kardashian, Aesthetic and Glamour Labors, Kim Kardashian: Hollywood (KK: H), Docile Body, Hyper-reality.
REVEALING THE IDEOLOGY BEHIND THE MINIMALIST OF RESIDENTIAL DEVELOPMENT PRACTICES IN SOUTH KUTA I Made Pande Artadi; A.A. Ngurah Anom Kumbara; Putu Rumawan Salain; Ida Bagus Gde Pujaastawa
E-Journal of Cultural Studies Volume 13, Number 2, May 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i02.p03

Abstract

The practice of developing minimalist residential design in South Kuta is increasingly being accepted massively in Balinese society. The residential design carries the values ??of modernity and is independent of the environmental context and values ??of Balinese culture. Its physical appearance is geometric, simple, clean and without ornamentation. The minimalist residential development and acceptance is contrary to the Bali Provincial Regulation No. 05 of 2005 concerning Architectural Buildings which require all buildings including residential buildings to display Balinese style. Massive acceptance of this residence has implications in the dimensions of Balinese environmental, social and cultural identity. The research objective is to uncover the ideology behind developing and accepting minimalist housing in South Kuta; and reveal its implications for Balinese culture. For this purpose, the research approach used is the Cultural Studies and Design Studies approach. The type of data collected is qualitative data which is then analyzed by interpretive qualitative analysis methods. To understand and interpret data, deconstruction theory, semiotics and identity theory are used. The results of the study revealed that there are three ideologies behind developing and accepting minimalist occupancy in the middle of South Kuta society are capitalist, materialistic and functional-rationalist ideologies. The implication of the receipt of this residence in the community is the chaos of traditional residential values ??and deprivation of Balinese identity. Keywords: Ideology, minimalist architecture, functionalism-rationalism.
EXPERIMENTIAL APPROACHES TO THE STEPS OF THEOFHILOS AND HOMER Maria Manola; I Vekri
E-Journal of Cultural Studies Volume 14, Number 1, February 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i01.p05

Abstract

This study traces the works of the great folk painter Theophilos Hadjimichael of Lesvos, guided by the lights of history, literature, tradition, art and culture, especially in those paintings which place their source of inspiration in the epic poetry of Homer. A story teller grandfather, a “magician”, who "knew how to use words to narrate and plain boards of wood to produce icons of saints", becomes the origin where literature’s experimental approach takes flesh and blood in order to create masterpieces. These works of art had themes taken from grandfather’s stories which allowed the child's mind to imagine heroes, fights and controversies. All these were later imprinted on the canvas of the popular painter. The association of Theophilos with the great epic poet Homer, outlines a tour in places, spaces, verses and paintings starting with the child's experiences, hearings and readings. The main purpose of the suggested tour being to prove the power of the pragmatic experience and to show an imaginary and scientific connection and correlation in the work of the two creators. The themes in several Theophilos' paintings and the verses and intertextual events of the ancient poet seem to be relevant. The testimonies of the personal behavior and social appearance of the unconventional painter reinforce this hypothesis. Keywords: Experimential Approaches, Poet Homer, Painter Theophilos.
THE EFFECT OF EDUCATION, HEALTH, AND ECONOMICS ON ACCESSIBILITY OF POOR HOUSEHOLD NEEDS IN GIANYAR DISTRICT I Nyoman Tingkes
E-Journal of Cultural Studies Volume 13, Number 3, August 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i03.p03

Abstract

The purpose of this study is to analyze the effect of education, health, and socioeconomic status on the capacity of poor households in an effort to increase the accessibility of basic needs. The study was designed using the general structural component analysis method which was validated by a qualitative method. The study used 400 samples for quantitative research and 25 key informants for qualitative research. Quantitative data were analyzed using descriptive statistics and parametric general structural component analysis. Qualitative data were analyzed using reduce, display, and conclusion (drawing / verifying) techniques. The results of the study found that the reason for the low accessibility of basic needs is that the implementation of the scholarship program for poor households is not optimal, understanding of health regulations is still low, ownership of production factors in the form of narrow agricultural land, while the main livelihood is agriculture and agricultural labor, coupled with environmental influences. socio-culture is negative. Thus, the capacity of poor households to increase accessibility of basic needs is insignificant or low. Keywords: education, health, socioeconomic status, capacity, accessibility
CONSUMERISM PRACTICES OF KOREAN POP FANS COMMUNITY ANNISA WIDOWATI SUNDARI DANCERS IN JAKARTA Diana Rosca Apria; A.A. Anom Kumbara; I Nyoman Darma Putra
E-Journal of Cultural Studies Volume 13, Number 4, November 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i04.p03

Abstract

Globalization facilitates the spread of culture from one country to another. From globalization, K-Pop has finally begun to be enjoyed by Indonesian society. One of the effects of the Korean culture fever in Indonesia is the consumptive behavior or lifestyle among teenagers who are K-Pop fans. Annisa Widowati Sundari Dancers Community or what is commonly called as AWS Dancers community is one of them. The reason why this community has been chosen as the object of this research is because AWS Dancers community is popular among K-Pop fans in Jakarta. This study used a cultural study approach that is analyzed qualitatively. Data collection is carried out by the method of observation, interviews, and document studies related to K-pop culture in Indonesia. Data were analyzed with hegemony theory and culture industry theory. The results of this study show that the emergence of the K-Pop culture industry ultimately inspired K-Pop fans to form a community, namely AWS Dancers who performed dance cover activities. In addition, K-Pop culture industries such as music, drama, food, cosmetics and electronic goods made teenagers who are members of the AWS Dancers community was hegemonied to buy and consume these things. As a result, various implications arise, such as dissipation among the members of AWS Dancers, hyperreality towards South Korea, the increasingly eroded Indonesian culture and celebritization among members of the AWS Dancers community. Keywords : consumerism practices, korean pop, AWS community, hegemony, culture industry
CHANGES IN THE FUNCTION AND ARCHITECTURE OF LUMBUNG IN BALI HOUSEHOLDS IN SADING CUSTOMARY VILLAGE, BADUNG, BALI Ni Made Emmi Nutrisia Dewi; Putu Rumawan Salain; I Made Suastika; I Nyoman Sukiada
E-Journal of Cultural Studies Volume 13, Number 2, May 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i02.p04

Abstract

Lumbung or granary is a building that serves as a place to store rice. In some houses in the Sading Traditional Village, the granary is one of the buildings which is generally located near the kitchen. However, at present, this granary in Sading Traditional Village has changed its function and architecture as part of the dynamics of modern life. Seeing this condition, it is necessary to conduct research on the architecture of the barn in Sading Traditional Village. The purpose of this study was to determine the form of change, the causes and meanings contained in the phenomenon of changing the function and architecture of the granary in Balinese houses in Sading Traditional Village. The method used in this research is a qualitative approach with the perspective of cultural studies. The results showed that there was a change in the function of the barn which was previously only a place to store rice, but now the function of storing rice is only as a symbol, while other functions are mostly used as a multipurpose room such as a place to entertain guests during religious ceremonies, a place to relax and other activities. While the architectural changes lie in the materials, decorations and others that follow current developments. The main cause is the livelihoods of the people of the Adat Sading Village who no longer work as farmers. Besides that, it is due to ideological factors and beliefs, economics and the development of science and technology. The meanings contained in these changes include religious, aesthetic, image and cultural preservation. Keywords: Change, Function, Architecture, Granary, meaning
GAMELAN SELONDING SACRED FUNCTION IN TENGANAN PEGRINGSINGAN VILLAGE I Wayan Suharta; I Nyoman Suarka; I Wayan Cika; I Ketut Setiawan
E-Journal of Cultural Studies Volume 14, Number 1, February 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i01.p03

Abstract

Gamelan Selonding in Tenganan Village has its own history, its existence is associated with stories that have been passed down from generation to generation.It begins with the discovery of three blades iron plates which is stated as gamelan selonding blade.It is believed to be a piturun not made by human beings, but because of the nature, by the people of Tenganan village called ‘Bhatara Bagus Selonding'.Gamelan Selonding for Tenganan people is very sacred.To maintain its sacredness, it should be adapted to the concept desa, kala, and patra, should not be touched by anyone else, except by a designated group of seven people as Juru Gambel (Balinese musician). Juru Gambel has their responsibility for the sanctity of Selonding gamelan, it cannot be placed at random space and could only be played at specified time. For Tenganan people the Selonding gamelan sacredness is not just an outward statement, but the totality of the integration of thoughts, feelings, words and attitudes, so that the treatment for the Selonding is a form of prostration. Selonding not only honored and sacred, and sanctified, but it fulfills all the vibrations of the Tenganan Village community in meeting space, time, and circumstances. This paper uses a qualitative approach and the writing mechanism analyzes the text which is described to know and understand the sacredness of Selonding gamelan in Tenganan. Keywords: Gamelan Selonding, function, sacred.
UTILIZATION PROFANIZATION HERITAGE OF PETITENGET PURA CULTURE IN THE TRADITIONAL VILLAGE OF KEROBOKAN, KECAMATAN KUTA UTARA, BADUNG Ni Gusti Ayu Nyoman Budiasih
E-Journal of Cultural Studies Volume 13, Number 3, August 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i03.p04

Abstract

The study discusses the profanation of the utilization of cultural heritage of Petitenget Temple in the traditional village of Kerobokan, Sub-district of Kuta Utara, Regency of Badung, amid the rapid development of the tourism sector. The problems under study in this research pertaining to (1) the form of profanation of utilization of cultural heritage of Petitenget Temple in Kerobokan, (2) the factors that led to the profanation of the utilization of cultural heritage of Petitenget Temple in Kerobokan, (3) the impact and meaning of profanation of the utilization of cultural heritage of Petitenget Temple in Kerobokan. The research uses descriptive qualitative method of analysis, using several theories namely (1) theory of practice, (2) theory of deconstruction, (3) theory of commodification. Data collection in this study was conducted by using observation, interviews, and document research. The research results show that Petitenget Temple as the cultural heritage has undergone profanation over its use as a cultural attraction in the traditional village of Kerobokan. The problems are due to several factors including (1) the appeal factor of Petitenget Temple as the heritage attractions, (2) the development of the tourism industry factors, with increasingly famous beaches around Petitenget Temple, (3) the factors of economic necessity in the management of Petitenget Temple. While the impact included (1) economic impact, (2) environmental impact, (3) social impact, (4) the impact of culture. While the meaning of profanation including (1) the meaning of sanctity of the temple, (2) the meaning of the ritual, (3) the meaning of moral, (4) the meaning of welfare. Keywords: profanation, cultural heritage, Petitenget Temple, and cultural tourism.
THE WONDER FOOD MUSEUM STORY: CELEBRATING MALAYSIA’S FOOD CULTURE AND CULINARY HERITAGE ShawHong SER
E-Journal of Cultural Studies Volume 13, Number 4, November 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i04.p04

Abstract

Although thematic museums centered around food culture and culinary heritage have beenaround for decades, the concept of food museum is still fairly new in Southeast Asia. Only in2015, the first food-oriented museum – “Wonder Food Museum” was established in Penang,Malaysia. Since its establishment, the museum has received positive feedback from bothlocal and international visitors. From 2017 to 2019, the museum has been selected as therecipient of the Certificate of Excellence by international well renowned Travel organization -TripAdvisor Inc. Meanwhile, the museum’s contribution to the state’s cultural and tourismdevelopment has also been recognized by the state authority. In 2017 and 2019, the museumwas awarded the ‘Top Museum Award (Unique Concept)’, and ‘Best Tourism(Museum)Award’ by the INPenang International Awards respectively. By and large, WonderFood Museum is currently one of the most outstanding museums in Malaysia and a wellknownattraction in Penang. In this paper, to response on the research scholarly interest inmuseum tourism in Southeast Asia, the researcher has made an attempt to document thedevelopment of Wonder Food Museum from 2015 to 2019. The museum’s curatorial concept,exhibits production, exhibition planning and its overall management will be discussed andanalyzed. As the aforementioned this paper will provide insights into an understanding of foodmuseum’s development in Malaysia. Keywords: Food museum, food culture, culinary heritage, Malaysia’s museum, museumtourism, interactive museum
FACTORS AND IMPLICATIONS OF REMOVING OF COLONIAL BUILDINGS IN SINGARAJA CITY I Wayan Sumerata; A.A. Ngurah Anom Kumbara; I Ketut Setiawan
E-Journal of Cultural Studies Volume 13, Number 2, May 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i02.p05

Abstract

The swift flow of development and the demands of globalization seemed to be the destroyer of colonial buildings in Singaraja City, so that its existence was increasingly marginalized. This phenomenon is a serious problem because it can have implications for the existence of colonial buildings which are a reflection of historical events. The purpose of this study was to determine the forms and backgrounds of marginalization, as well as the implications of the alienation of colonial buildings in Singaraja City. The method of data collection is done by observation, interviews, and literature study. The theories used in this research are the theory of power relations, hegemony theory, and deconstruction theory. The results showed that the form of marginalization of colonial buildings, namely unfair treatment by the government and the community in the form of monasticism of the condition of buildings that were damaged, both minor, moderate or severe damage, even many of which were demolished were replaced by new buildings with other uses. Although, there are things that are tried to be repaired, but they are patchy so that it looks shabby and removes its authenticity. Factors leading to marginalization include the development of urban communities, the indifference of local governments, and the insistence of global capitalist interests. This condition is related to the practice of power and hegemony which is very strong in the people's mindset, that it seems as if there are no victims. This then has implications, namely the loss of historical evidence, urban identity, and the diminishing love of the younger generation for the importance of cultural heritage. Keywords: colonial buildings, marginalized, power, hegemony, capitalists, city identity

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