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Catharsis
Published by Universitas Negeri Semarang
ISSN : 25024531     EISSN : 25024531     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
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Articles 30 Documents
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Search results for , issue "Vol 7 No 1 (2018)" : 30 Documents clear
Senggayung Music in Gerai Village, Ketapang Regency: The Study of The Form and Cultural Identity Harriska, Harriska; Florentinus, Totok Sumaryanto
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.22167

Abstract

Senggayung music classified as an idiophone musical instrument that is made of bamboo. Senggayung music only exist in Ketapang District, unique music that is not owned by other regions. This study aims to analyze the form of Senggayung music and identify the cultural identity of the Gerai Village community through Senggayung music. The approach used is an interdisciplinary approach involving ethnomusicology and anthropology disciplines. Technique of collecting data with observation, interview, and study of documentation. Data validity techniques use credibility with data triangulation techniques. Data analysis by means of data collection, data reduction, data presentation, and verification or withdrawal of conclusions. The results of this study show, When viewed from the organology, Senggayung belong to idiophone musical instruments made of bamboo. Senggayung is a music that reflects the cultural identity of the village community of Ketapang regency. Senggayung used in the process of community ceremony, before starting the elders read the Spells to raoh ancestors participate in the ceremony process. Senggayung taught to the young generation by the elders for Senggayung remain sustainable and not extinct. Some of the factors that make up the cultural identity are (1) belief, (2) language, (3) behavior pattern which is reflected in Senggayung is a cultural identity.
The Musical Creativity of Senggol Tromol Semarang in The Context of Social Change Apriadi, Sugeng; Wadiyo, Wadiyo
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.22997

Abstract

Senggol Tromol is a parody music group from Semarang, most of their songs are representation of phenomenon which is trending in society for a certain period of time. The phenomenon would only last for a certain period of time because of social change happens in the society. The purpose of this study is to analyze the creative process and the social change which happen to Senggol Tromol. This study used qualitative method with observation, interview, and documentation as the method of collecting data. The methods of data analysis were data collection, data presentation, data reduction, and data verification. The results of the study show that in the creative process, Senggol Tromol did not always create new works, but they also modified existing ones. The steps were searching for inspiration, gathering ideas, determining the target listener, determining the themes, creating song structure and arrangement. The social change happens in Senggol Tromol went along with the presence of digital music platform which replaced physical release era, used by them as the promotion media to sell their works digitally.
The Role of Kaloka Art Studio in Traditioning Slendang Pemalang Dance as The Region Identity in Pemalang District Wahyuni, Eko; Hartono, Hartono
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.23078

Abstract

Kaloka Art Studio is a place to learn art, especially dance. Kaloka Art Studio is a studio that traditioning Slendang Pemalang Dance which become the pride of Pemalang Regency society. The problem in this study are (1) how is the embodiment of Slendang Dance is a depiction of regional identity and (2) how is the role of Kaloka Art Studio in traditioning Slendang Dance as the regional identity. The objective of this study is to asses the embodiment of Slendang dance and analyze the role of Kaloka Art Studio in traditioning the Slendang Pemalang Dance. This study uses qualitative approachment. The data collection techniques including observation, interview and documentation. Data analysis are using data reduction, data serving and conclusion. The result of this research is the manifestation of Slendang Pemalang Dance as regional identity. The role of Kaloka Art Studio in traditioning Slendang dance has been done through training and dance performances. Training Studio as a model of non-formal learning. The conclusion of this research are (1)the embodiment of Slendang Pemalang Dance according tonthe dance element which is wiraga, wirama , wirasa and costume according to the characteristic of the Pemalang society; (2) the role of Kaloka Art Studio in traditioning the dance through socialization, training and performance of the dance.
The Art of Dabus Indragiri in Rantau Mapesai as a Medium to Build Character Wijaya, Dhimayu Ichtiara; Triyanto, Triyanto
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.23082

Abstract

The art of Dabus Indragiri is an art which shows the body’s resistance to sharp objects by performing dance and Berzanji music accompaniment. Rarely is the art of Dabus Indragiri performed in Rantau Mapesai nowadays. However, there is an awareness from artists to preserve this art because it has values to build character. Based on the above information, this research was to study the values of character which were contained in the art of Dabus Indragiri. The Method used was qualitative. The research was located in Rantau Mapesai, Indragiri Hulu Regency. The data were gathered by doing observation, interview, document study. The technique of data validity used sources trangulation. The technique of data analysis used descriptive analysis. The results stated that the character values in Dabus Indragiri are; (1) religious, (2) like to read, (3) responsible, (4) social care (5) creative, (6) having spirit of nationality, (7) love the homeland, (8) hard work, (9) independent (10) care of environment, (11) friendly or communicative. According to the results, we can conclude that the art of Dabus Indragiri can build character.
The Art of Nandung in Indragiri Hulu Regency, Riau: the Study of Performance Form and Value Suardi, Rofiandri; Utomo, Udi
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.23088

Abstract

Nandung is an spoken literature used as a lullaby, delivered with poems and chanted by humming. Nandung contains poems about religion, advice, character, and education.At present, Nandung grows as a kind of performing art. This research aims at analyzing the form of Nandung as a performing art and its values. The method used was qualitative. The location of the research was Rengat, Indragiri Hulu Regency, Riau Province. The technique of data retrieval were observation, interview, and document study. The technique of data validity used triangulation source. The technique of data analysis used descriptive analysis. The results of the research are that the form of Nandung performance begins from the preparation, then goes to the main performance. There are 7 (seven) elements in the form of Nandung spoken literature performance, they are, speaker, music accompaniment, stage, costume, audience, poem, and the language used. The values in the poems are, religious value, character value, and education value. This research can broaden the perspective of the readers about Nandung spoken literature and give information about description and knowledge about Nandung spoken literature which is seen from the aspects of the performance and the values in it.
Cultural Communication of Didong Jalu in Takengon, Central Aceh Regency Afriadi, Putra; Florentinus, Totok Sumaryanto; Wadiyo, Wadiyo
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.23282

Abstract

Didong Jalu is a traditional art from Aceh Tengah (central aceh) that performs 2 (two) Didong group in one performance. Didong Jalu is an art that combines vocal and motion art with a small pillow as the property. Didong Jalu is also used as a medium of communication among societies from different ethnics. The problems of the research are (1) How is the Didong Jalu performance of Kampung Toweren societies, Takengon Central aceh Regency if it is reviewed from Entomusicology?, (2) How is Didong Jalu performance used as a medium of cultural communication by Kampung Toweren societies, Takengon, Central aceh Regency?. The research method is qualitative with interdicipline approach. The research design is case study, this research is only applicable for where the research was held. The research location is Kampung Toweren Takengon, Central aceh Regency. The research focused on Didong Jalu performance with performance concept and communication concept. The source of data was primary data involving artists, literature documents, and public figure, while the secondary data involves books, and references from previous research.the data collection techniques are observation, interview, and study document. The technique of data validity used data triangulation. Data analysis techniques consist of reduction, data presentation, data verification. The results of the research was that Didong Jalu performance observed used 2 (two) concepts, they are concept presented by Sal Murgiyanto, involving (a) beginning parts, (b) core parts, (c) final parts; (d) rhythm, (e) melody. Didong Jalu performance as a cultural communication can be seen clearly from the elements which influence communication system presented by Alo Liliweri, such as, Didong Jalu as a communicator, communicant, message, media, effect, athmosphere, and disturbance.
The Characteristics of Traditional Music Form in Palembang in Melati Karangan Song Kautzar, Awang; Utomo, Udi
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.23432

Abstract

The purpose of this article is to discuss specifically about how the form of Malay traditional music is. It is to give insight and information about the characteristic of Malay traditional music form in Palembang. This research used qualitaive method with musicological approach. The technique of data collection are observation, interview, and documentation. The technique of data validity used triangulation. The results of the research is that there were some repetition in the main melody or vocal melody, question and response phrases, and characteristic of lyrics and the meaning of Malay traditional song in Palembang. One of traditional song in Palembang is Melati Karangan, this song is a symbol or an identity of Palembang that always respects a woman or older people. The musical performance in Melati Karangan song is usually presented in wedding traditional ceremony. The tribute to women, parents and guests in Palembang representing courtesy in the marriage process, is part of Malay cultural identity in Palembang.
The Change of Function of Rejung Arts in Pagaralam City Sari, Reza Nepilia; Utomo, Udi
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.23433

Abstract

The arts of Rejung is a poem delivered through singing or song, accompanied by a single guitar (one guitar), has a rhythm and ornamental tones delivered in accordance with the theme and vocal character of the performer or Rejung artist. Rejung arts is a form of expression of a cultural society in Pagaralam which has a variety of functions according to the interests and circumstances of society. The purpose of the study was to analyze the socio-cultural changes and its effect on the function of Rejung arts in Pagaralam. The science used here is sociology, it is to describe social changes in a society that affects the function of Rejung arts in Pagaralam. The research method is descriptive qualitative. The technique of data collection in this research are observation, interview, and documentation. The technique of data validity to examine credibility of data is through triangulation. Triangulation of source was done for the process of examination by checking data from several sources. The technique of data analysis used analysis procedur of Miles’ and Huberman’s interactive, i.e., data reduction from the object of Rejung arts. The data is in the form of written document, visual and audio which have been identified, verified, arranged, grouped, and classified in accordance with the research focus. The change of function of Rejung arts because of the less interest from societies, especially the young generation to display and to appreciate Rejung arts as a form of traditional arts. It causes the losing of a tradition and values of inherited arts from generation to generation.
Dangdut Koplo Las Vegas Pati : The Analysis of Song form Structure and Creativity of Process Tandho, Bandhu; Rohidi, Tjetjep Rohendi
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23550

Abstract

Dangdut Koplo is part of dangdut music genre that grows due to the influence of culture and music industry. The purpose of the study is to gain the understanding about the song form structure and process creativity of Dangdut Koplo “Las Vegas” performance in Pati. This research used interdisciplinary approach in the fields of music and psychology with qualitative descriptive analytic method. The technique of data collection was through observation, interview, and documentation. The data validity technique used triangulation of source and theory triangulation, while data analysis technique was done by textual analysis,i.e., musical analysis and contextual with interactive data analysis model using the process of data reduction, data presentation, and draw conclusion/verification. Research results show that the song form structure of Dangdut Koplo “Las Vegas” has different in its musical composition form. The process creativity of Dangdut Koplo “Las Vegas” is through 4 (four) dimensions of definition based on its emphasis,they are person, process, product and press. The steps to express the process creativity are: (1) idea of process, (2) process, (3process goal and, (4) process results. Research results show that Dangdut Koplo group “Las Vegas” is a dangdut music group that occurs due to the enthusiastic from Pati society’swith Dangdut Koplo musical entertainment. The above reason makes this music group grows fast in Pati. The research results are hoped to become a reference for the next research by using another different method in order to explore more the creativity values from other groups of Dangdut Koplo.
Adaptation Strategies of Pemuda Kreatif Art Studio in Preserving Senandung Bertelur Kau Sinangin as the Malay Traditional Art in Tanjungbalai City in Modern Context Anshor, Arrini Shabrina; Triyanto, Triyanto
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.23626

Abstract

Senandung Bertelur Kau Sinangin is a traditional music which is used by sailors before sailing. They sing and hit the drum as a ritual to get a lot of fish. They believe that the lyrics and the music which they sing can call the wind which lead them to the fish. This research projects the adaptation strategies of Pemuda Kreatif art studio in preserving the tradition. It employed qualitative method with interdisciplinary approach. The data were collected from observation, interview, and literature review. Then, they were validated by source’s triangulation. The analysis of the data use Miles and Huberman’s technique. The findings unveiled that the strategies planned by Pemuda Kreatif in preserving Senandung Bertelur Kau Sinangin in Tanjungbalai city was through (1) learning process and (2) cultural modification.

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