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Kuasa Kolase dalam Ekologi Estetika Postmodern Wahyudi, Nandang Gumelar
PANTUN: Jurnal Ilmiah Seni Budaya Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Nowadays, in the field of art, talking about (art) collage is more than just a technical ma" er to attach various other elements - beyond the conventions of painting - on a piece of canvas. It is more than the project that Picasso and Braque have been started in the exploration of experimental cubism to havethe new visual images. Collage today is not merely an expression of rebellion as Kurt Schwi"ers, Raul Hausmann or Hannah Hoch did in the spirit of anti-art that developed in Dada. Nowadays, Collage even transcends the iconic composition prowess ad world of Richard Hamilton or Eduardo Paollozi in pop-art. Thus, Collage in the art map inside postmodern era could be some sort of perspective, a way of thinking and looking, spirit, or footing (blue-print)/concept, even the idea of itself. Collage is probably a vast stretch of landscape civilization that celebrates itself among history, knowledge, technology, gaming, market, hospital, war, television and popular culture fanfare. Collage today are the images that were lined-piled around us as a reality that is layered, that seemed real and visible in everyday life - and were in it as an inevitable part of the composition of the layers inside collage umpteenth great life.Keywords: art, collage, popular culture, postmodern

Citra Tradisi Sunda Dalam Persimpangan Budaya Kontemporer Sebagai Ide Penciptaan Seni Lukis Solihah, Anggi; Setiadi, Gabriel Aries; Wahyudi, Nandang Gumelar
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3787

Sundanese traditions, which are rich in cultural and aesthetic values, are now at a cultural crossroads due to the influence of modernization and globalization. This creates challenges and opportunities for writers to maintain cultural identity while responding to changing times. The author observes and analyzes the current situation, this becomes the basic idea for the author to then express it into a painting. The author exploits cultural intersections to create work that not only maintains traditional values but is also relevant to contemporary issues. The process of creating paintings that combine traditional Sundanese imagery with contemporary cultural elements produces a meaningful form of artistic expression. In this way, it is hoped that this work can contribute to understanding cultural dynamics in painting and encourage more artists to explore and integrate traditional cultural heritage in their work.

Assemblage Art Pada Komunitas Invalid Urban Sebagai Metode Penciptaan Karya Berbasis Benda Temuan Wahyudi, Nandang Gumelar; Safrina, Adinda; Wiguna, Rizki Lutfi
ATRAT: Jurnal Seni Rupa Vol 13 No 1 (2025): INOVASI DAN KREATIVITAS DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4502

Assemblage art adalah istilah yang digunakan dalam karya seni rupa yang berasal dari teknik penggabungan berbagai objek temuan atau benda-benda bekas sehari-hari yang disusun dan dirakit hingga membentuk kesatuan karya seni. Istilah ini pertama kali muncul awal abad ke-20 dan sering dikaitkan dengan gerakan avant-garde seperti dalam seni Dada dan seni Konstruktivisme. Hal ini dianggap telah mempengaruhi perkembangan seni kontemporer dengan membawa pendekatan yang inovatif terhadap metode penciptaan, materialitas, dan makna objek. Salah satu komunitas seni yang menggunakan teknik assemblage sebagai metode utama penciptaan karyanya adalah komunitas Invalid Urban. Komunitas ini berdiri di Bandung sejak tahun 2000, hingga saat ini aktif mengedepankan projek-projek seni eksperimental berbasis benda-benda temuan yang dirakit secara artistik hingga menjadi kesatuan karya yang utuh dan menarik. Metode yang digunakan dalam penelitian ini adalah dengan metode kualitatif dengan pendekatan Etnografi. Metode ini digunakan untuk memahami perilaku, kepercayaan, dan norma suatu kelompok sosial atau budaya. Metode ini melibatkan pengamatan partisipan, di mana peneliti secara langsung terlibat dalam kehidupan sehari-hari kelompok tersebut. Peneliti berupaya dapat menggali makna dan konsep-konsep yang mendasari assemblage art pada karya Invalid Urban yang dapat memberikan kontribusi keilmuan dalam dunia akademik dan hubungannya dengan perkembangan seni rupa kontemporer saat iniyang memuat isu-isu sosial, budaya, dan lingkungan yang relevan.

“Masagi” Simbolisme Pertahanan Ego Sebagai Ide Penciptaan Karya Seni Lukis Still Life Anindya, Edgina Zelda; Wahyudi, Nandang Gumelar; Rukmana, Nia Kaniasari
ATRAT: Jurnal Seni Rupa Vol 13 No 1 (2025): INOVASI DAN KREATIVITAS DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4504

In Sundanese culture, there is a philosphy called masagi which focuses on perfection and integration of life experience, however with shock, anxiety, and trauma, this perfectionis is difficult to achieve. To protect ego from feelings of anxiety and traumatic experience faced by humans, ego defense mechanisms emerged. Thie seven of ego defense mechanisms is a tool for humans to manage their emotions and inner shocks that are felt when triggered by one thing or another. In this thesis, the author aims to represent Sigmund Freud’s five ego defense mechanisms through symbolism of things or objects that close to human daily life as a place to reflect on one’s identity and personality. The creation methods used in this work include data collection, incubation, elimination and verification stages. Each work created contains a mask as an individual’s personal symbol. This painting is presented with a still life painting approach in a realist style using oil paint on canvas.

Tremendum Et Fascinans Transformasi Wujud Rangda Sebagai Ide Penciptaan Karya Drawing Nugraha, Putri Rakanita; Cahyana, Agus; Wahyudi, Nandang Gumelar
ATRAT: Jurnal Seni Rupa Vol 13 No 1 (2025): INOVASI DAN KREATIVITAS DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4505

Rangda is a Balinese folklore with strong symbolic meaning and a source of inspiration in artistic expression. The creation of this work raises the transformation of the Rangda form as an idea for the creation of drawing works with the approach of interpretation and reinterpretation. Charcoal is used expressively to create a different form of Rangda, by further translating the author’s inner experience into the form of the work. This work will take the form of visual progression panels, with each panel connected to the other to display a complete flow. An expressionist approach is used to express the deep emotion, horrific atmosphere, and transformation of the Rangda figure in the drawing. The charcoal medium was chosen for its ability to present sharp contrasts, expressive, dark, and dramatic strokes. The creation of this work is a process to understand and translate the author’s inner experience, with the hope of realizing it into a ‘horrifying’ and mesmerizing visual work.

REINTERPRETASI DRUPADI DENGAN PENDEKATAN ESTETIK SKIZOFRENIA SEBAGAI PENCIPTAAN KARYA SENI LUKIS Hermawan, Fanhani Aina; Wahyudi, Nandang Gumelar; Ramli, Zaenudin
ATRAT: Jurnal Seni Rupa Vol 11 No 3 (2023): KARYA RUPA DALAM BINGKAI TRADISI DAN BUDAYA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v11i3.3195

Draupadi, a character who occupies an important role in the plot of the epic Mahabharata, appears in splendor as a dazzling queen with transcendent beauty and intelligence. He has an alluring intelligence, he is able to conquer anyone so that everyone submits and feels shy towards him. Behind her perfection, Draupadi keeps a complex story related to women’s rights and justice. In this work, Draupadi’s Reinterpretation will be presented, which is described as a woman who defends her human rights. A compilation of Draupadi’s wounds and sorrows is presented in the form of a painting with 100 pieces of kanvas. Draupadi’s point of strength in facing each of her trials is taken to raise awareness for women that there are many twists and turns in life that will happen to us, even though living in wounds, Draupadi is able to accept it and live life as usual because it does not extinguish or diminish the spirit of life. also as a warning to anyone to spread goodness and justice wherever and against anyone and not to hurt each other in greed. Keywords : Draupadi, Ornament Gothic art, Kesutan Dadu, Mahabharata, Painting ------------------------------------------------------------------------------------ Drupadi, seorang tokoh yang mendiami peran penting dalam alur epos Mahabharata, tampil dengan kemegahan sebagai seorang ratu yang mempesona dengan kecantikan yang melampaui batas dan kecerdasan. Ia menyandang kecerdasan yang memikat, ia mampu menaklukan siapapun sehingga setiap orang tunduk dan merasa segan terhadapnya. Dibalik kesempurnannya, Drupadi menyimpan kisah yang pelik yang berkaitan dengan hak-hak perempuan serta keadilan. Pada karya ini, akan disuguhkan Reinterpretasi Drupadi yang digambarkan sebagai sosok perempuan yang membela hak asasinya. Kompilasi luka dan duka Drupadi disajikan dalam bentuk Seni Lukis dengan pecahan 100 kanvas. Point kekuatan Drupadi dalam menghadapi setiap cobaannya diambil untuk menimbulkan awareness terhadap perempuan bahwa banyak sekali lika-liku kehidupan yang akan terjadi kepada kita, meskipun hidup dalam luka, tetapi Drupadi mampu menerimanya dan menjalani hidup seperti biasanya karena hal itu tidak memadamkan atau memudarkan semangat hidup, pun juga sebagai peringatan kepada siapapun untuk menyebarkan kebaikan dan keadilan dimanapun dan terhadap siapapun serta tidak menyakiti satu sama lain dalam keserakahan. Kata kunci : Drupadi, Ornament Gothic art, Kesutan Dadu, Mahabharata, Seni Lukis.

Kuasa Kolase dalam Ekologi Estetika Postmodern Wahyudi, Nandang Gumelar
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 1 No. 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v1i1.744

Nowadays, in the field of art, talking about (art) collage is more than just a technical ma" er to attach various other elements - beyond the conventions of painting - on a piece of canvas. It is more than the project that Picasso and Braque have been started in the exploration of experimental cubism to havethe new visual images. Collage today is not merely an expression of rebellion as Kurt Schwi"ers, Raul Hausmann or Hannah Hoch did in the spirit of anti-art that developed in Dada. Nowadays, Collage even transcends the iconic composition prowess ad world of Richard Hamilton or Eduardo Paollozi in pop-art. Thus, Collage in the art map inside postmodern era could be some sort of perspective, a way of thinking and looking, spirit, or footing (“blue-print”)/concept, even the idea of itself. Collage is probably a vast stretch of landscape civilization that celebrates itself among history, knowledge, technology, gaming, market, hospital, war, television and popular culture fanfare. Collage today are the images that were lined-piled around us as a reality that is layered, that seemed real and visible in everyday life - and we’re in it as an inevitable part of the composition of the layers inside collage umpteenth great life.Keywords: art, collage, popular culture, postmodern

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