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Journal : Interaksi Online

Hubungan antara Terpaan Berita Covid-19, Intensitas Interaksi Peer Group, Tingkat Pendidikan dengan Sikap Masyarakat Kepada Penderita Covid-19 Setyabudi, Gunawan; Pradekso, Tandiyo; Yusriana, Amida
Interaksi Online Vol 9, No 3: Juli 2021
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

The mass media has the power to disseminate information related to Covid-19 quickly and widely. In addition, peer group interaction and education level also contribute to determining the direction of the attitude of its members. This study aims to determine the relationship between exposure to Covid-19 news, the intensity of peer group interactions, education level and public attitudes towards Covid-19 sufferers. This study uses social learning theory and social category theory to determine the hypothesis. This study uses non-random sampling by means of grab sampling. The number of samples studied was 50 people, domiciled in the city of Semarang, following the news of Covid-19 and aged between 20-50 years. The results of the hypothesis test with multiple correlations show the number 0.165, which means that there is no simultaneous relationship between the variables of exposure to Covid-19 news, the intensity of peer group interactions and public attitudes towards Covid-19 sufferers. Through these findings, in order to create an attitude towards Covid-19 sufferers, it is suggested that the public does not need to worry about news related to Covid-19 sufferers, and the government, in this case as a communicator, needs to create a campaign strategy with a peer-led approach as an effort to encourage the public to not rejecting Covid-19 patient.
Representasi Ibu Tunggal dalam Drama When the Camellia Blooms Setya Putri, Larasati; Dwiningtyas Sulistyani, Hapsari; Yusriana, Amida
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Representasi ibu tunggal dalam media massa masih sering ditampilkan dengan figur yang kurang baik. Hal ini terjadi karena beredarnya banyak stigmatisasi mengenai ibu tunggal. Pada tahun 2019, salah satu media populer dari negara Korea Selatan merilis sebuah drama korea yang berjudul When the Camellia Blooms sebagai upaya untuk memberikan penggambaran yang lain dari sosok ibu tunggal. Penelitian ini ingin melihat bagaimana penggambaraan ibu tunggal dalam drama ini. Tujuan penelitian ini untuk mengetahui bagaimana representasi ibu tunggal di dalam drama korea When the Camellia Blooms. Metode penelitian menggunakan analisis semiotika John Fiske. Dalam analisisnya, John Fiske menggunakan konsep the codes of television yang terbagi dalam tiga tahapan yakni level realitas, level representasi, dan level ideologi untuk melihat bagaimana kode-kode tersebut bekerja dalam sebuah tayangan. Hasil dari penelitian ini menunjukkan bahwa ada empat tema besar yang ditemukan untuk membentuk representasi ibu tunggal yaitu peran ibu tunggal dalam rumah tangga, pandangan kepada ibu tunggal secara sosial, kompleksitas hubungan romantisme ibu tunggal, dan keputusan resistensi yang dipilih ibu tunggal.Dari keempat tema hasil analisis tersebut, dapat disimpulkan bahwa representasi ibu tunggal dalam drama When the Camellia Blooms yaitu sebagai sosok supermom karena dapat melaksanakan peran ganda, memiliki kemampuan untuk melakukan perlawanan, dan memiliki kontrol atas dirinya sendiri tanpa pengaruh orang lain.
REPRESENTASI LAKI – LAKI KORBAN KEKERASAN SEKSUAL DALAM FILM PENYALIN CAHAYA Desvira Siahaan, Ulita Desvira Siahaan; Noor Rakhmad, Wiwid; Yusriana, Amida
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Penelitian ini dilatarbelakangi kasus kekerasan seksual yang menimpa laki – laki masih mendapatrespon ketidakacuhan dari publik. Namun, fenomena ini dihadirkan dalam film yang diteliti, yaitu“Penyalin Cahaya”. Penelitian ini bertujuan mendeskripsikan bagaimana korban laki – laki direpresentasikan serta mengetahui ideologi yang terkandung. Penelitian ini merupakan penelitian deskriptif kualitatif dengan menggunakan paradigma kritis. Dielaborasi dengan teori standpoint dan metode analisis 5 kode pembacaan leksia RolandBarthes. Berdasarkan analisis tersebut, dihasilkan temuan berikut. Kode hermeneutikmenunjukkan Tariq sebagai korban laki - laki telah menjadi produk konstruksi maskulinitas. Kode proairetik menunjukkan tindakan Tariq tidak merasa nyaman dan tertutup saat membahaskasusnya. Kode simbolik menunjukkan ciri maskulinitas pada sikap Tariq yakni berusaha tidakmeluapkan emosinya secara verbal. Kode kultural menunjukkan laki - laki harus menuruti nilaimaskulinitas setiap waktu agar dipandang sebagai laki - laki ideal. Kode semik menunjukkan laki – laki maskulin menurut budaya patriarki hanyalah mitos belaka, terlihat pada Rama yangmemiliki penyimpangan seksual dan Tariq yang melakukan self harm, menunjukkan emosi, dantidak berani melaporkan kasusnya. Melalui 5 kode pembacaan tersebut ditemukan adanya pengaruh tekanan konstruksimaskulinitas yang dirasakan korban laki – laki, sehingga korban lebih memilih diam danmemendam kasusnya. Korban laki – laki memandang pengalaman ini sebagai tanda bahwa dirinyasudah bukan laki - laki ideal.
REPRESENTASI MUSLIM DALAM SERIAL MS. MARVEL (2022) Adiyatma, Irfandhika; Rahardjo, Turnomo; Yusriana, Amida
Interaksi Online Vol 12, No 2: April 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The world of Hollywood films often presents Muslim identity as a secondary group related to acts of terrorism. This is due to several events in the past such as the events of September 9 2001. Since then Muslims have received a lot of discrimination from American society and are seen as a cruel and violent identity. After 21 years have passed, a superhero series by Marvel has emerged, namely Ms. Marvel. This series is a bold breakthrough from the MCU (Marvel Cinematic Universe) because it promotes Muslim identity as the main character. The aim of this research is to find out how Muslims are represented in the Ms. Marvel. This research uses qualitative research methods with a constructivism paradigm. The theory used in this series is Identity Negotiation Theory proposed by Stella Ting-Tomey using John Fiske's semiotic analysis method. The results of this research show that Muslim identity is displayed positively but still only partially. Positive Muslims can be seen through the depiction of Muslims as an identity that is equal to other cultural identities. This equality can be seen through various aspects such as camera angles that use eye level angles, the appointment of Muslims as main characters, and the friendship between Kamala and Bruno. Apart from that, positive Muslims are also depicted through aspects of the characterization of Muslim characters that seem humorous, dialogue that is not related to terrorism, as well as other aspects such as worship gestures that reflect a religious nature. However, unfortunately this depiction is still partial because Kamala's character is depicted as not wearing a hijab. The hijab is a mandatory attribute for a Muslim woman, but in this series, Kamala is shown wearing the hijab in only a few scenes. Suggestions for further research are to examine how Muslim identity is linked to other American minority identities such as Jews, blacks, Asians and others, using other semiotic analysis methods such as Umberto Eco or Roland Barthes.
Pemaknaan Khalayak terhadap Sikap Keterbukaan Diri Penyintas Kekerasan Seksual dalam Film Penyalin Cahaya (2021) Nuraini Purnomo, Amelia; Bayu Widagdo, Muhammad; Yusriana, Amida
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Photocopier (2021) is a thriller genre film that addresses the issue of sexual violence and critiques the legal and social systems of Indonesian society. This research aims to uncover the audience's interpretation of the openness of sexual violence survivors as depicted in the film Photocopier (2021). This study employs Standpoint Theory, Muted Group Theory, and John Fiske's semiotics analysis method to identify preferred reading’s and Stuart Hall's reception analysis to fulfill the research objectives. Findings from interviews with five respondents, both male and female, with varying experiences related to sexual violence, reveal diverse interpretations of the openness of sexual violence survivors. Two non-survivors have differing dominant and negotiated interpretations, though they agree that the portrayal of sexual violence survivors in Photocopier (2021) mirrors reality. On the other hand, two sexual violence survivors and one close associate of a survivor hold opposing interpretations. They believe that the portrayal of open survivors in the film does not align with reality. Finally, all five respondents agree with the depiction of other elements, such as characterizations and the attitudes of perpetrators, the survivors' close associates, and authorities, and believe that these elements reflect reality.
Young Woman’s Learning of Taste in Fashion Style Through Their Engagements With TikTok Influencer Eririan Kloer, Latissya; Surayya Ulfa, Nurist; Yusriana, Amida
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Over the last ten years, fashion shopping in Indonesia has become more popular and important for the country's economy. Especially among young women, social media like TikTok is a big part of how they learn about and choose their clothes. People follow influencers on TikTok who shows them what's cool and helps them decide what to wear. This study wants to understand how these influencers on TikTok affect what young women like and buy when it comes to fashion. By employing the Taste Regime Theory by Zeynep Arsel and Jonathan Bean and integrating the concept of consumer identity projects. This research utilizes the a qualitative research method that uses the Interpretative Phenomenological Analysis (IPA) method. In this study, the researcher conducted in-depth interviews with three young woman aged 17-25 who are active users of the TikTok application. This study seeks to uncover how people develop their fashion taste through TikTok influencers and the resulting impact on their personal style preferences. The findings also show that fashion choices are not solely based on trends but also reflect personal beliefs and societal perceptions. The study contributes to Zeynep Arsel and Jonathan Bean concept by emphasizing the impact of digital platforms and influencers on personal expression and societal norms. The research reveals fashion taste among young women and how fashion serves as a medium for personal expression and meaningful decision-making. Overall, the study suggests that developing fashion taste is a complex process influenced by personal expression, societal influence, social media impact and guidance form influential figures.