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All Journal Dharma Bakti Texture : Art and Culture Journal Abdi Seni Capture : Jurnal Seni Media Rekam PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT International Journal of Engagement and Empowerment (IJE2) International Journal of Multidisciplinary Research and Literature (IJOMRAL) Sanggitarupa Framing: Journal of Art, Film, Television, Animation, Games and Technology

Setiawati, Sri Wastiwi

Institut Seni Indonesia Surakarta

Author-ID : 1242752

Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Physics Social Sciences Other

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REVITALISASI MUTU PRODUK EKSPOR MELALUI PENDAMPINGAN INOVASI DESAIN PRODUK DAN HKI PATUNG TERRAZZO DI BANTUL YOGYAKARTA Moh. Rusnoto Susanto; Sri Wastiwi Setiawati; Anggit Dwi Hartanto
DHARMA BAKTI Dharma Bakti Vol 1 No 1 April 2018
Publisher : LPPM IST AKPRIND Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34151/dharma.v1i1.289

The potential of creative industry business in Yogyakarta is very fast and very wide open for business actors, especially business actors of handicraft industry through business activities that focus on creation and innovation. Especially the terrazzo sculpture industry in Guwosari and Kasihan, Bantul in production and export activities as a strategic social and cultural capital development effort. This is necessary given the tight competitiveness of global markets and as a strategic effort to prepare the competitiveness of both Partners in the role of the ASEAN Economic Community (MEA) which requires specific qualifications. Methodology undertaken through mentoring and development of Partners (HR, Governance, and Innovation of Product Design and HKI Potential) through technology transfer. Assistance conducted regularly and regularly that has been done in year II includes; advanced facilitation of studio management system (workshop), innovation of product design, updating of e-Commerce content, International Jogja International Furniture & Craft Fair Indonesia (JIFFINA) 2017 exhibition at JEC, Jogjakarta Street Sculpture Project (JSSP) exhibition, and HKI Regulations on products flagship UKM Terrazzo Sculpture and Stone at PT. Amartha Indotama di Guwosari Pajangan, Bantul and Komharo Studio, Kasihan Bantul. The results of this mentoring activities are in line with the objectives of the PPE Program of Kemenristek Dikti to provide assistance in solving Partners problems to improve the quality of export products, production volume, and HKI protection for the acquisition of Copyright Certification. Then pioneered a representative e-commerce network both design and content to enhance global marketing network with more effective, efficient, and independent export management.

PELATIHAN PENGEMBANGAN MEDIA PUBLIKASI UNTUK PROMOSI DESA PADA KELOMPOK TANI KOPI GONDOARUM DI BANJARNEGARA Widhi Nugroho; Sri Wastiwi Setiawati; I Putu Syuhada Agung
Abdi Seni Vol 8, No 1 (2017)
Publisher : Institut Seni Indonesia Surakarta

AbstrakÂ Kabupaten Banjarnegara, sebagai daerah dengan luas 24,40% berada di ketinggian 1.000 m di atas permukaan laut, sehingga wilayah ini cocok digunakan sebagai daerah perkebunan, salah satunya adalah perkebunankopi. Luas wilayahyang digunakanuntuk perkebunankopi mencapai9.105 hektar. Masyarakat di Dusun Gintung, Desa Binangun, Kecamatan Karangkobar, atas inisiatif ImamSajidin, membentuk sebuah Kelompok Tani dan Koperasi Kopi Gondoarum sebagai salah satu langkah melawan praktik tengkulak. Koperasi Gondoarum juga melakukan pengolahan kopi dan hasil olahan kopi dengan brand Gondoarum. Prestasi yang pernah di raih adalah menjadi juara ketiga cupping competition dalam The 5thÂ Indonesian Speciality Coffee Contest di Bali tahun 2012. Belumadanya promosi yang efektif dan informatif menjadi permasalahan utama bagi Kelompok Tani dan Koperasi Kopi Gondoarum. Untuk itu perlu adanya suatu pelatihan danpendampingan dalampengembangan media publikasi dan promosi guna menunjang rintisan pengembangan desa wisata. Dengan alam lingkungannya yang mendukung dan hasil pengolahan kopi sebagaiujung tombaknya, harapannya sebuahdesawisata dapat terbentuk. Metode yang digunakanadalah dengan pelatihan danpendampinganberupa pendokumentasian aktivitas sehari-harikelompok tani dengan medium video/foto serta pengambangan website yang bersifat publikatif dan promotif bagi Kelompok Tani dan Koperasi Kopi Gondoarum.Â Kata kunci: media publikasi-promosi, video/foto, website, Kopi Gondoarum.Â AbstractÂ Banjarnegara Regency was an area with 24.40% of its territory located at an altitude of 1,000 m above sea level, so this area was suitable for plantation area, one of which was coffee plantation. The total area used for coffee plantations reached 9,105 hectares. The people of Gintung Hamlet, Binangun Village, Karangkobar Sub-district, at the initiative of Imam Sajidin, formed Gondoarum Coffee Farmer Union as one step against the practices of middlemen. Gondoarum Union also processing coffee with the brand Gondoarum. Achievements that had been gained was third place in cupping competition at The 5th Indonesian Specialty Coffee Contest in Bali, 2012. The absenceÂ of effective and informative promotions was a major concern for the Gondoarum Farmers Union. For that, training and assistance was needed in developing media publications and promotions to support the spearhead in tourist village development. Due to the suitable natural environment and the ability in coffee processing as the main weapon, it was expected that a tourist village could be built. The method used was with training and assistance by documenting daily activities of farmer groups with video/photo medium and website developing that would publicly promote the Gondoarum Coffee Farmers Union.Â Keywords: Publication-promotion media, video/photo, website, Gondoarum Coffee.

PELATIHAN PHOTO STORY MENGGUNAKAN HANDPHONE DI SEKOLAH DASAR NEGERI 1 PRACIMANTORO Sri Wastiwi Setyawati
Abdi Seni Vol 7, No 2 (2016)
Publisher : Institut Seni Indonesia Surakarta

Kualitas foto dari kamera handphone tidak kalah dengan kualitas foto dari kamera digital. Permasalahannnyayaitu siswa terlalu terbelenggu dengan handphone, sehingga susah bersosialisasi. Tujuan kegiatan adalahmelatih kreativitas serta kepekaan siswa terhadap orang lain dan lingkungan sekitar dengan fasilitaskamerahp. Hasil pelatihan, yaitu siswa mampu membuat photo story atau foto cerita dengan tema-tema yangdidapat dari lingkungan sekolah atau sekitar tempat tinggal siswa.Kata kunci: kamera handphone, photo story.

Penerapan Struktur Penceritaan pada Film Dua Garis Biru Berdasarkan Pendekatan Sequence Angga Setyo Apriyono; Sri Wastiwi Setiawati
Texture:Art and Culture Journal Vol 5, No 1 (2022)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

This study aims to describe the application of the story structure in the film Dua Garis Biru based on Paul Joseph Gulino’s sequence approach. The research method used is qualitative research. The results showed that the structure of the story used in the film Dua Garis Biru uses an eight-sequence story structure approach. Sequence 1 begins with the introduction of the main characters Dara and Bima with their lives, and there is a point of attack when it is confirmed that Dara is pregnant due to having sex with Bima. Sequence 2 introduces the limitations of Dara and Bima which affect the way they will run to overcome the problem by covering up Dara’s pregnancy. Sequence 3 Bima and Dara began to carry out their plan but an unexpected obstacle appeared that made Dara’s pregnancy revealed which resulted in Dara having to be expelled from school and expelled from the house. Sequence 4 shows how poorly prepared the characters are and the midpoint culmination appears. Sequence 5 shows the consequences of the midpoint culmination which makes Bima finally married to Dara, although a bigger problem arises. Sequence 6 shows the consequences of a big problem at the end of sequence 5 leading Dara to realize that they have not been able to become parents, which makes Dara and Bima do the last resort which is risky. At the beginning of sequence 7 an unexpected problem arose from Dara and Bima’s final plan, which made them aware of the importance of the role of parents in children’s growth, then led to a twist, namely Bima finally chose to take care of his own child. Sequence 8 problems were finally resolved, Bima took care of his son and Dara went to Korea.

Pengembangan Program Perfilman sebagai Kebijakan Desa Kreatif Perfilman di Desa Karang Kabupaten Karanganyar Titus Soepono Adji; Sri Wastiwi Setiawati; Andre Triadiputra; Oka Sugawa
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 5 (2022): Seni, Tenologi, dan Masyarakat #7
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v5i1.163

Desa Karang telah menetapkan diri sebagai Desa Kreatif dengan mengangkat subsektor perfilman. Beberapa kegiatan perfilman telah berlangsung di desa tersebut, namun pemerintah desa belum memiliki rencana program. Penelitian ini merupakan penelitian deskriptif kualitatif dengan menggunakan metode diskusi terpumpun. Tujuan penelitian ini adalah memberikan rekomendasi peta jalan kebijakan dan program pengembangan desa kreatif wisata perfilman di Desa Karang, Kabupaten Karanganyar. Penelitian ini menghasilkan rekomendasi program perfilman yang dapat diterapkan sebagai pijakan dalam menyusun kebijakan desa yang sinergi dalam pengembangan desa kreatif perfilman.

Citra Perfeksionisme Wanita Pada Iklan Mustika Ratu Dalam Majalah Kartini Wastiwi S., Sri
Capture : Jurnal Seni Media Rekam Vol. 2 No. 2 (2011)
Publisher : Seni Media Rekam ISI Surakarta

The research of womanâ€™s perfectionism image on advertisement of the Mustika Ratu beauty products, especially focused on advertisement of Lulur Krem dan Hand & Body Bengkoang Whitening products. The analysis technique used semiotic approach, in order to looking for sign, index, symbol, and connotation in the advertisement related to the products. Finally, the research found that the womanâ€™s perfectionism image can be explained through several aspects, including model pose, costume, and narrative (text) existing in the advertisement. Key words: magazine, advertisement, woman, beauty product, perfectionism.

KOHERENSI ANTAR CERITA DALAM PENYUTRADARAAN DRAMA LEPAS SABTU SORE BERCERITA Isnaadi, Muhammad Aldila; Setiawati, Sri Wastiwi
Capture : Jurnal Seni Media Rekam Vol. 7 No. 2 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Nowadays, Omnibus is the soap opera program which rarely appears on the televiseprogram in Indonesia. With soap opera program, there are so many short movies which arebroadcasted by televise stations. But, the story of short movies should be repackaged. Inaddition,duration of Soap Opera Sabtu Sore Bercerita is 48 including 3 stories of short movies.Adirector was covering three short movies through coherency to connect locations, an artist,and time.Keywords:Omnibus, coherency, soap opera,and Sabtu Sore Bercerita

PROSES KREATIF EDDIE CAHYONO DALAM PENCIPTAAN FILM SITI Nugroho, Widhi; Adji, Titus Soepono; Wastiwi S, Sri
Capture : Jurnal Seni Media Rekam Vol. 8 No. 2 (2017)
Publisher : Seni Media Rekam ISI Surakarta

The Siti film directed by Eddie Cahyono deserves to be appreciated as a work of long fictionÂ films by creative production. Evidently, the film funded with a budget under 150 million rupiah,Â able to deliver it into the nomination of film festivals, even this film is able to win awards in aÂ number of prestigious film festivals in various countries. It can not be separated from theÂ creative work of Eddie Cahyono as a scriptwriter and director at the filmThis creative work isdue to his role as a meticulous person,looking deeply,appreciating the role of women,elevatingÂ her dignity and then transferring it in a film. Siti is a reflection of women living in confinement,Â debt induced,taking care of families and husbands paralyzed by sea accidents as fishermen.SitiÂ just want to be free and independent of it all, it is a statement to be conveyed Eddie Cahyonothrough this film.The stages in reviewing this creativity include Eddie Cahyono's work steps inÂ writing film scenarios that include the process of finding ideas, themes, story settings, storyÂ conflicts to the whole siti movie scenario,while to examine the directing process including theÂ preproduction process (script breakdown, casting, reading, rehearsal), production processÂ (shooting in the field) and post-production process through the mise en scene in the Siti film.Keywords: Siti film,creativity,scriptwriter,and director

CREATIVE STRATEGY OF BW PURBA NEGARA IN CASTING AND DIRECTING OF FIGURE MBAH SRI IN FILM “ZIARAH” Akhlaq, Muna Rif'atil; Setiawati, Sri Wastiwi
Capture : Jurnal Seni Media Rekam Vol. 10 No. 1 (2018)
Publisher : Seni Media Rekam ISI Surakarta

This study aims to descibe BW Purba Negara's creative strategy in casting and directing Mbah Sri character in the Ziarah film. The research method uses qualitative descriptive. The results showed, creative strategies in casting are done by going to villages looking for people who are suitable for the 3D character of Mbah Sri, based on physical suitability and the similarity of the story with the personal life of the actor Mbah Sri. In directing, creative strategies are done by reciting repeatedly and imitated, explaining explosively to be embedded in the memory of the character Mbah Sri, repeated repetition, and imitating a longdialogue.

CREATIVE DIRECTION OF IKA MAHARDIKA IN THE PREPRODUCTION OF THE UNREMEMBERED DOCUMENTARY FILM Syam, St. Hadidja; Afrianto, Damar Tri; Wastiwi S, Sri
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

This study aims to describe Ika Mahardika's creative process in directing the documentary film The Unremembered, especially in the preproduction stage. The research method uses descriptive qualitative. The results showed that director Ika Mahardika's creativity in digging data about Salawati Daud lies in the ability to use ethnographic research methods in a coherent manner starting from literature search, field observations, interviews and documents. In addition, Ika Mahardika's creativity also lies in data processing starting from selecting data with consideration of the capacity of the information provided then how the data is displayed chronologically.

Co-Authors Adji, Titus Soepono Afrianto, Damar Tri Ahmad Fajar Ariyanto Akhlaq, Muna Rif'atil Andre Triadiputra Angga Setyo Apriyono Anggit Dwi Hartanto Attabik Ahmad BARIROH, DINDA IMROATUL Cito Yasuki Rahmad I Putu Syuhada Agung Isnaadi, Muhammad Aldila Marlief, Arasya Salshabila Moh. Rusnoto Susanto nugroho, widhi Oka Sugawa Ramallah, Zaqia Rizqullah Ramadhan Panggabean St. Andre Triadiputra Syam, St. Hadidja Titus Soepono Adji Widhi Nugroho

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