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Wastiwi S, Sri
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Arts Humanities

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PROSES KREATIF EDDIE CAHYONO DALAM PENCIPTAAN FILM SITI Nugroho, Widhi; Adji, Titus Soepono; Wastiwi S, Sri
Capture : Jurnal Seni Media Rekam Vol. 8 No. 2 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (688.27 KB) | DOI: 10.33153/capture.v8i2.2049

Abstract

The Siti film directed by Eddie Cahyono deserves to be appreciated as a work of long fiction films by creative production. Evidently, the film funded with a budget under 150 million rupiah, able to deliver it into the nomination of film festivals, even this film is able to win awards in a number of prestigious film festivals in various countries. It can not be separated from the creative work of Eddie Cahyono as a scriptwriter and director at the filmThis creative work isdue to his role as a meticulous person,looking deeply,appreciating the role of women,elevating her dignity and then transferring it in a film. Siti is a reflection of women living in confinement, debt induced,taking care of families and husbands paralyzed by sea accidents as fishermen.Siti just want to be free and independent of it all, it is a statement to be conveyed Eddie Cahyonothrough this film.The stages in reviewing this creativity include Eddie Cahyono's work steps in writing film scenarios that include the process of finding ideas, themes, story settings, story conflicts to the whole siti movie scenario,while to examine the directing process including the preproduction process (script breakdown, casting, reading, rehearsal), production process (shooting in the field) and post-production process through the mise en scene in the Siti film.Keywords: Siti film,creativity,scriptwriter,and director
CREATIVE DIRECTION OF IKA MAHARDIKA IN THE PREPRODUCTION OF THE UNREMEMBERED DOCUMENTARY FILM Syam, St. Hadidja; Afrianto, Damar Tri; Wastiwi S, Sri
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (319.457 KB) | DOI: 10.33153/capture.v11i1.2661

Abstract

This study aims to describe Ika Mahardika's creative process in directing the documentary film The Unremembered, especially in the preproduction stage. The research method uses descriptive qualitative. The results showed that director Ika Mahardika's creativity in digging data about Salawati Daud lies in the ability to use ethnographic research methods in a coherent manner starting from literature search, field observations, interviews and documents. In addition, Ika Mahardika's creativity also lies in data processing starting from selecting data with consideration of the capacity of the information provided then how the data is displayed chronologically.
PROSES KREATIF EDDIE CAHYONO DALAM PENCIPTAAN FILM SITI Nugroho, Widhi; Adji, Titus Soepono; Wastiwi S, Sri
Capture : Jurnal Seni Media Rekam Vol. 8 No. 2 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v8i2.2049

Abstract

The Siti film directed by Eddie Cahyono deserves to be appreciated as a work of long fiction films by creative production. Evidently, the film funded with a budget under 150 million rupiah, able to deliver it into the nomination of film festivals, even this film is able to win awards in a number of prestigious film festivals in various countries. It can not be separated from the creative work of Eddie Cahyono as a scriptwriter and director at the filmThis creative work isdue to his role as a meticulous person,looking deeply,appreciating the role of women,elevating her dignity and then transferring it in a film. Siti is a reflection of women living in confinement, debt induced,taking care of families and husbands paralyzed by sea accidents as fishermen.Siti just want to be free and independent of it all, it is a statement to be conveyed Eddie Cahyonothrough this film.The stages in reviewing this creativity include Eddie Cahyono's work steps in writing film scenarios that include the process of finding ideas, themes, story settings, story conflicts to the whole siti movie scenario,while to examine the directing process including the preproduction process (script breakdown, casting, reading, rehearsal), production process (shooting in the field) and post-production process through the mise en scene in the Siti film.Keywords: Siti film,creativity,scriptwriter,and director
CREATIVE DIRECTION OF IKA MAHARDIKA IN THE PREPRODUCTION OF THE UNREMEMBERED DOCUMENTARY FILM Syam, St. Hadidja; Afrianto, Damar Tri; Wastiwi S, Sri
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v11i1.2661

Abstract

This study aims to describe Ika Mahardika's creative process in directing the documentary film The Unremembered, especially in the preproduction stage. The research method uses descriptive qualitative. The results showed that director Ika Mahardika's creativity in digging data about Salawati Daud lies in the ability to use ethnographic research methods in a coherent manner starting from literature search, field observations, interviews and documents. In addition, Ika Mahardika's creativity also lies in data processing starting from selecting data with consideration of the capacity of the information provided then how the data is displayed chronologically.
Co-Authors Adji, Titus Soepono Afrianto, Damar Tri nugroho, widhi Syam, St. Hadidja