Budiwiyanto, Joko
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Journal : Acintya

PERPADUAN JAWA-EROPA KEARTISTIKAN INTERIOR DALEM WURYANINGRATAN Budiwiyanto, Joko
Acintya Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4738.045 KB) | DOI: 10.33153/acy.v1i1.31

Abstract

This article is a part of research result about Architecture Profile of Prince’s fashion: “The Artistic Value of Interior of Dalem Wuryaningratan of Kasunanan Palace Surakarta”. The research objective is to reveal the artistic value of interior of Dalem Wuryaningratan. The research result shows that in the matter of the artistic of its interior design, dalem pangeran always oriented toward symbolic classification based on two, four, and eight. The view of classification two always manifested with kiwa-tengen, atas-bawah, or loroning-atunggal is always combined with something bigger and absolute. The view is not contrast; it is a relationship between two different things but it is harmonious. The balance controller is a point in the middle (the third point) which is absolute or God. Symmetric conception in interior element design shows the meaning of harmony. The conception is a manifestation from the meaning of balance with a purpose to reach the harmony of live, which means living harmoniously each other, living harmoniously with nature, and living harmoniously with God. The dualism conception is reflected in the room structure, door, window and colonnade/saka arrangement, and even in the structuring of furniture.
PERPADUAN JAWA-EROPA KEARTISTIKAN INTERIOR DALEM WURYANINGRATAN Budiwiyanto, Joko
Acintya Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v1i1.31

Abstract

This article is a part of research result about Architecture Profile of Prince’s fashion: “The Artistic Value of Interior of Dalem Wuryaningratan of Kasunanan Palace Surakarta”. The research objective is to reveal the artistic value of interior of Dalem Wuryaningratan. The research result shows that in the matter of the artistic of its interior design, dalem pangeran always oriented toward symbolic classification based on two, four, and eight. The view of classification two always manifested with kiwa-tengen, atas-bawah, or loroning-atunggal is always combined with something bigger and absolute. The view is not contrast; it is a relationship between two different things but it is harmonious. The balance controller is a point in the middle (the third point) which is absolute or God. Symmetric conception in interior element design shows the meaning of harmony. The conception is a manifestation from the meaning of balance with a purpose to reach the harmony of live, which means living harmoniously each other, living harmoniously with nature, and living harmoniously with God. The dualism conception is reflected in the room structure, door, window and colonnade/saka arrangement, and even in the structuring of furniture.