Article Per Year (5 Year)
p-Index From 2020 - 2025
0.983
P-Index
This Author published in this journals
All Journal DIKSI E-Journal Of Cultural Studies ELITE: Journal of English Language and Literature Seshiski: Southeast Journal of Language and Literary Studies
Putra, Ansor
Unknown Affiliation
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

Published : 6 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 6 Documents
Search

 1 
THE DECONSTRUCTIVE SEMIOTICS OF FISHING MANTRA DICTION IN THE BAJO ETHNICS Rita Lindayani, Lilik; Suarka, I Nyoman; Cika, I Wayan; Kebayantini, Ni Luh Nyoman; Putra, Ansor; Samsul, Samsul; Maliudin, Maliudin
E-Journal of Cultural Studies Volume 11, Number 4, November 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (624.316 KB) | DOI: 10.24843/cs.2018.v11.i04.p02

Abstract

Language is a form of human emergency sensitivity to the situation around it. If observed, if the linguistic position is in the semiotic point pattern, then natural signs can be a form of verbal power. Accompanying Nietzsche's thoughts on a strategy he calls "geneology" in historicism, in order to observe the traditions of creativity that exist in society, Nietzsche believes that every creation has a special set of interests for a particular location or context. The Bajo people as a sea tribe in general, including ethnic Bajo who inhabit Katela Island in West Muna Regency, Southeast Sulawesi also establish this creative process in the copyright mantra, which is in the form of sea spells arranged in diction and symbols on signs and codes given by nature. The significant process occurs when spells as something that is believed by the Bajo people in fishing activities have many functions. This study adopts Derrida's Deconstruction theory, in Derrida's view, the core location of deconstruction is deconstruction related to language. If conventional semiotics emphasizes the signification process, namely the functioning of the sign as a reflection of established social codes, then in the poststructuralist semiotics which is emphasized is a significant process, namely a creative creation of signs and codes without and without limited. Keywords: Deconstructive Semiotics, Sea Mantra Dictation, and Bajo Ethnicity
JUST LIKE BLACK, ONLY BETTER: POOR WHITE IN ANTEBELLUM SOUTH OF AMERICA DEPICTED IN SOLOMON NORTHUP'S NOVEL TWELVE YEARS AS A SLAVE Rasiah, Rasiah; Putra, Ansor; Masri, Fina Amalia; Arman, Arman; Pardilla, Suci Rahmi
Diksi Vol. 29 No. 1: DIKSI MARET 2021
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v29i1.33081

Abstract

(Title: Just Like Black, Only Better: Poor White in Antebellum South of America Depicted in Solomon Northup's Novel "Twelve Years as A Slave"). Antebellum era, the period before the Civil War occured, or before the year 1861, in the United States is used to relate to the enslavement of black American. In fact, the era was not merely about black, but also poor white. This study is purposed to describe the poor whites' life in antebellum America as reflected in Twelve Years As A Slave (1855), a narrative biography novel written by Solomon Northup. Set up the story in New York, Washingotn DC, and New Orleans, the author (and focalizer at once) told the story based on his own experience as a black who was captivated and sold into slavery for twelve years. Although the novel centered its story on black character, it also reflected the life of poor whites who were also being "enslaved" by their white counterparts. Through sociology of literature perspective, this study reveals that the character of poor white that represented through John M. Tibeats, Armsby, and James H. Burch came from Great Britain especially from Ireland. Mostly, they moved to America as incarcerated people. They lived under the poverty and some of them were the vagrants and petty criminals. Poor white during antebellum era in America was positioned in the lower social level. They were "enslaved" by their white master but more better compared to the black slaves. It can be noticed that poor white were positioned in low social level because of the socio-economic problem, while blacks were race and racism. Keywords: antebellum America, poor white, slavery, social class, American literature
IMAGE OF VICTORIAN WOMEN IN AN IDEAL HUSBAND DRAMA SCRIPT BY OSCAR WILDE: A FEMINIST READING Rahayu, Milda; Rasiah, Rasiah; Putra, Ansor
Seshiski: Southeast Journal of Language and Literary Studies Vol 4 No 2 (2024): Volume 4 Issue 2 December 2024
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v4i2.71

Abstract

This study purposed to show the image of Victorian women in England through the playwright script An Ideal Husband written by Oscar Wilde. Feminist criticism proposed by Elaine Showalter is used as a tool to analyze the women images in the drama script, particularly dealing with Victorian women. The result of the analysis indicated that the script presents women in two faces; women as angels and women as demons. A woman as an angel is described as an ideal image of a woman in Victorian society. They are portrayed as women who maintain piety, purity, submission, and domesticity in societal life. Whereas Women as demon is described as the opposite ones, a contradicting image against the values of traditional Victorian women. They have an aggressive, independent and ambitious attitude which were prohibited to be owned by women. Angel seems represented the ideal image of women in patriarchal norms. Demon, in the other hand, is the picturesque of ideal women in feminist perspective.
A Semiotic Analysis of Denotative and Connotative Meanings in The Hustle Movie Dominggus, Hosiana; Putra, Ansor; Amstrong, Neil
ELITE: Journal of English Language and Literature Vol 10 No 1 (2025): Vol 10 No 1 June 2025
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/mh29ba95

Abstract

The research discusses the denotative and connotative meanings in the movie The Hustle, based on Barthes’s theory. The objective of this research is to describe how denotative and connotative meanings are conveyed in the film The Hustle, utilizing Barthes’s theory. To support the research, the researcher adds additional theory retrieved from Dickins (2019) to identify the types of connotative meanings that appear. The descriptive qualitative method is used in this study. The source of data is based on the Hustle movie. The data was gathered by downloading, watching, reading, identifying, and coding. The data were analyzed by presenting, describing, interpreting, and concluding the data analysis results. As a result of the analysis, it can be concluded that in the Hustle movie, denotation describes the literal meaning of the things the researcher found in this movie, and connotation describes the underlying, deeper messages. The use of denotation and connotation words reveals the characters’ traits, indicating that Penny’s personality is that of a casual person. In contrast, Josephine’s personality is more formal, preferring to speak correctly. The researcher also found that the Hustle movie features several scenes that perpetuate stereotypes. The picture illustrates a stereotype prevalent in a particular country. Messages or feelings that a film evokes cause the movie’s audience to experience a range of emotions while watching it.
TINDAK TUTUR ILOKUSI DALAM TRANSAKSI JUAL BELI ONLINE DI KOTA KENDARI Nurjannah, Nurjannah; Martisa, Ela; Saerudin, Sahur; Putra, Ansor; Roza Z, Nur Rahmatiya
Seshiski: Southeast Journal of Language and Literary Studies Vol 1 No 2 (2021): Volume 1, Issue 2, December 2021
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v1i2.21

Abstract

Pandemic Covid 19 outbreak has been, in one side, creating social distance for sellers and buyers to the market transaction directly, but, the other side, it is also opening an online trading platform through social media. One of the trading social media platforms is Kendari Jual Beli (KJB) group in facebook, where during pandemic has increased its role in facilitating people in selling and buying goods or products. Through the process of transaction in KJB group, it is performed the communication that involved speect act. This article intends to describe illocutionary speect act in online commerce transaction in Facebook in Kendari city. It is based on the increasing prevalence of utilizing social media in online transaction in Kendari. The type of research used is qualitative research because the data in the form of words or sentences with a descriptive method. The data are taken from the conversations between the sellers and buyers at KJB. The research was conducted with the data collection stage with documentation and note-taking techniques. Furthermore, the data analysis and conclusion were carried out. The result of the study indicated that the speech act between the seller and the buyer at KJB is classified into five types of speech acts, that are directive, commissive, expressive, representatives, and declarative. In commerce transaction, buyers and sellers used the strategies. They are literal and non-literal speech acts
BLACK’S SELF-RESILIENCE IN MAYA ANGELOU’S POEM STILL I RISE: A MIMETIC ANALYSIS Aulia, Ela Manikam; Rasiah, Rasiah; Putra, Ansor; Koso, Halijah
Seshiski: Southeast Journal of Language and Literary Studies Vol 4 No 1 (2024): Volume 4 Issue 1 June 2024
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v4i1.65

Abstract

This research is intended to showcase the reflection of Black self-resilience through Still I Rise poem written by Maya Angelou. Mimetic approach and the concept of self-resilience were used to analyze the problem of this research. Self-resilience was seen in two points; physical and psychological ones. Black self-resilient performed in the poem is considered as the mimetic rendition of the dynamic process of black struggle that leads to the positive adaptations within the context of significant adversity in their life context of the US. Type of this research is included in library research with using descriptive qualitative-interpretive method in analyzing the data. It suggests that Maya Angelou in the poem Still I Rise pictured two kinds of Black self-resilience; physical resilience is showed through some selected words, like; dust, sun, moon, tide, they still arise in their place and time. Black did not and could not be destroyed by the bitter treatment of racism. These words also represented the psychological resilience by adding some other words; having gold mine, walk like I've got oil wells, certainty of tides, and the repeating word, I rise, to show their inner self-motivation, affection, and actualization. This study concluded that Black self-resilience both physically and psychologically reflected by Maya Angelou in her Poem Still I Rise is dealing with the racism. Blacks are destroyed not only physically but also mentality, so, they have to endure themselves by leading to a positive adaptation to exist in the United States.
Co-Authors Amstrong, Neil Arman Arman Aulia, Ela Manikam Dominggus, Hosiana Ela Martisa Fina Amalia Masri I Nyoman Suarka I Wayan Cika Koso, Halijah Lilik Rita Lindayani Maliudin, Maliudin Ms. Rasiah, Ms. Ni Luh Nyoman Kebayantini Nurjannah Nurjannah Pardilla, Suci Rahmi Rahayu, Milda Rasiah Rasiah, Rasiah Roza Z, Nur Rahmatiya Saerudin, Sahur Samsul Samsul