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Journal : Ranah Research : Journal of Multidisciplinary Research and Development

Koreografi Tari Dolalak di Kelompok Arum Manis, Kecamatan Kutoarjo, Kabupaten Purworejo Wiranti, Avira; Putri, Rimasari Pramesti
Ranah Research : Journal of Multidisciplinary Research and Development Vol. 7 No. 6 (2025): Ranah Research : Journal Of Multidisciplinary Research and Development
Publisher : Dinasti Research

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/rrj.v7i6.1742

Abstract

Central Java. One of the cultural groups that continues to preserve the existence of Dolalak is the Arum Manis group. The Dolalak Dance performed by the Arum Manis group uses the logungan style, also known as the Kulonan version, which symbolizes strength and resilience. The logung movement is derived from martial arts or pencak silat movements that have been slowed down and simplified. This study aims to describe the choreography of Dolalak Dance as performed by the Arum Manis group in Kutoarjo Subdistrict, Purworejo Regency. The choreography in this research refers to the theory proposed by Y. Sumandiyo Hadi (2012:41). The study uses a qualitative descriptive method with an ethnocoreological approach. Data collection techniques include observation, interviews, and documentation. The data were analyzed qualitatively using triangulation techniques. This research was conducted at the Arum Manis group in Pacor Village, Kutoarjo Subdistrict, Purworejo Regency. The results of the study show that the choreographic process of Dolalak Dance in the Arum Manis group consists of three main stages: (1) exploration, (2) improvisation, and (3) formation. There are 12 types of movement in the choreography og Dolalak Dance performed by the Arum Manis group.
Representasi Bentuk Pertunjukan Tari Rondhek di Desa Banyumanis Kabupaten Jepara Kartika Anggraini, Chintya; Putri, Rimasari Pramesti; Kusumastuti, Eny
Ranah Research : Journal of Multidisciplinary Research and Development Vol. 7 No. 6 (2025): Ranah Research : Journal Of Multidisciplinary Research and Development
Publisher : Dinasti Research

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/rrj.v7i6.1745

Abstract

Folk art, particularly traditional dance, serves as a powerful reflection of local culture and plays a crucial role in preserving community values. The Rondhek Dance in Banyumanis Village, Jepara, is a testament to this, representing a vibrant folk art that remains well-preserved and carries profound historical, social, and aesthetic significance. This dance seamlessly blends movement elements from the Reog and Ledhek traditions, creating a dynamic choreography imbued with symbols of togetherness and mutual cooperation. This research aims to meticulously analyze the performance form of the Rondhek Dance. Employing a qualitative methodology with a choreological approach , data was gathered through observation, interviews with Mr. Kaolan (the dance creator and head of the studio) as well as the dancers, and documentation. The findings indicate that the Rondhek Dance features distinct performance characteristics. These include beautiful stage makeup that highlights the brave yet gentle female warrior character , red and yellow costumes symbolizing courage and cheerfulness , a musical accompaniment combining Javanese gamelan and drums with gending lancaran and meaningful lyrics , and simple floor patterns like circles and straight lines signifying unity. Ultimately, the Rondhek Dance functions not merely as entertainment, but also as a vital means of preserving tradition, the spirit of mutual cooperation, and the cultural identity of the Banyumanis community.
Tari Dolalak Grup Dewangga sebagai Arena Sosial Budaya: Praktik, Modal, dan Identitas Anak Muda di Purworejo Febriyanti, Lusiana; Putri, Rimasari Pramesti
Ranah Research : Journal of Multidisciplinary Research and Development Vol. 8 No. 2 (2026): Ranah Research : Journal Of Multidisciplinary Research and Development
Publisher : Dinasti Research

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/rrj.v8i2.1994

Abstract

Tari Dolalak Grup Dewangga is a traditional performing art originating from Purworejo that has experienced socio-cultural transformation through the active participation of young people. This study aims to analyze Tari Dolalak Grup Dewangga as a socio-cultural arena by examining artistic practices, forms of capital, and the construction of youth identity. The research employs a qualitative method with a cultural sociology approach to explore the dynamics of tradition, innovation, and social interaction within the performing arts context. The findings indicate that Tari Dolalak Grup Dewangga functions as a socio-cultural arena in which young participants accumulate and negotiate cultural, social, and symbolic capital through dance practices, performance strategies, and community engagement. These processes enable young people to gain recognition, strengthen social networks, and express collective identity rooted in local culture. In conclusion, Tari Dolalak Grup Dewangga plays a significant role in shaping youth identity while simultaneously sustaining and recontextualizing local cultural values in the contemporary era. The findings of this study indicate that the Dewangga Group's Dolalak Dance is not only a space for cultural expression but also a social arena that allows young people to build cultural identities through the accumulation of cultural, social, and symbolic capital. Practically, these research findings have implications for efforts to preserve local culture, particularly in encouraging the involvement of the younger generation as key actors in the revitalization and innovation of traditional arts to ensure their relevance amidst social change