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All Journal Jurnal Sosiologi Reflektif JETL (Journal Of Education, Teaching and Learning) Aptisi Transactions on Technopreneurship (ATT) Jurnal Seni Nasional Cikini Jurnal Senirupa Warna (JSRW) Jurnal Dekonstruksi International Review of Humanities Studies Pantarei: Jurnal Kreativitas dan Inovasi
Wiratno, Tri Aru
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Religion Aerospace Engineering Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Artifisialitas yang Bertanggung Jawab: Membangun Fondasi Digital bagi Keberlanjutan Seni Rupa Tri Aru Wiratno
Jurnal Seni Nasional Cikini Vol. 12 No. 1 (2026): Riset Artistik dan Praktik Kreatif dalam Lanskap Seni Kontemporer
Publisher : Riset, inovasi dan PKM - Institut Kesenian Jakarta, DKI Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsnc.v12i1.661

Abstract

Transformasi digital dalam seni rupa membuka peluang baru bagi perluasan kreativitas, akses budaya, dan inovasi praktik artistik. Namun, pemanfaatan kecerdasan buatan atau artificial intelligence (AI) juga menimbulkan persoalan etis, sosial, dan ekologis, terutama terkait hak cipta, bias algoritmik, privasi data, kesenjangan akses digital, serta dampak lingkungan dari produksi seni berbasis teknologi. Artikel ini bertujuan menelaah hubungan antara AI yang bertanggung jawab, infrastruktur digital, dan keberlanjutan sosial-lingkungan dalam ekosistem seni rupa kontemporer. Dengan menggunakan pendekatan kualitatif melalui tinjauan pustaka dan analisis kasus, tulisan ini menunjukkan bahwa keberlanjutan seni rupa digital tidak hanya bergantung pada kecanggihan teknologi, tetapi juga pada tata kelola yang transparan, inklusif, dan akuntabel. Kebaruan artikel ini terletak pada perumusan artifisialitas yang bertanggung jawab sebagai dasar konseptual untuk menghubungkan etika AI, keadilan infrastruktur, dan keberlanjutan seni rupa.
Transformasi Tradisi Jawa dalam Seni Grafis Kontemporer: Telaah Karya Cukil Lino Sukamto “Batara Kala Lahir” Deny Rusanto; Tri Aru Wiratno; Walid Syarthowi Basmalah
Pantarei Vol 2 No 1 (2026): Media, Kreativitas, dan Inovasi di Era Transformasi Digital
Publisher : Prodi Ilmu Komunikasi Fakultas Komunikasi & Desain Kreatif

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/ptr.v2i1.429

Abstract

This article examines the transformation of Javanese tradition and mythology into a contemporary visual language through Sukamto’s relief print Batara Kala Lahir (1991). The study applies an art-based research approach using secondary data, including visual documentation, exhibition catalogues, and academic writings on Sukamto’s linocut practice. The analysis combines Susanne K. Langer’s symbolic theory, Feldman’s model of art criticism, and Panofsky’s iconological reading to identify formal elements, interpret symbolic meaning, and compare the work with classical wayang conventions. The findings show that the transformation occurs through three main strategies: deformation of wayang figures, substitution of traditional attributes with modern symbols, and reorganization of mythological narration into social critique. The sharp black-and-white linocut technique strengthens the tension between tradition and modernity, while symbols such as the firearm, skull, heart icon, and hammer-and-sickle tattoo reposition Batara Kala as an allegory of time, destruction, ideology, and moral crisis. The article argues that Sukamto’s work does not merely reproduce Javanese mythology but reactivates it as a critical visual discourse within Indonesian contemporary printmaking. The study contributes to the discussion of tradition-based graphic art by emphasizing iconographic transformation as a strategy for negotiating cultural identity and social reflection.
Metamorfosis Bayang: Revitalisasi Semesta Wayang dalam Praktik Seni Rupa Kontemporer dan Transmedia Indonesia Wiratno, Tri Aru
Jurnal SeniRupa Warna Vol. 14 No. 2 (2026): Representasi Dunia Wayang dalam Seni Rupa Kini
Publisher : Faculty of Arts and Design, Jakarta Institute of the Arts

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36806/jsrw.v14i2.795

Abstract

This article explores the representation of the wayang universe within Indonesia's contemporary visual culture landscape through a critical revitalization approach. Wayang is no longer viewed as a static artifact of tradition, but rather as a dynamic sign system that continuously mutates in contemporary fine arts and transmedia narratives. Utilizing a descriptive qualitative method along with an in-depth literature study, this research reveals that current revitalization practices occur through visual deconstruction and massive digital technology adaptation.The findings indicate that the wayang universe serves as an elastic bridge for national identity, capable of adapting to new media—such as kinetic installations, films, and digital platforms—without losing its philosophical essence. The novelty of this study lies in identifying the concept of "Techno-Tradition," wherein the esoteric values of wayang are encrypted into modern algorithms. This phenomenon reinforces wayang’s position in global fine arts discourse, not merely as a heritage of the past, but as a form of local modernity that is responsive to global issues such as power politics, ecological crises, and identity disruption in the cyber era. The study concludes that the sustainability of wayang relies on a revitalization methodology that balances traditional aesthetic standards (pakem) with the flexibility of new media, positioning it as a competitive cultural capital in the international creative market.
Co-Authors Atwi Suparman Callula, Brigitta Deny Rusanto Diana Nomida Musnir Jimmy Ivan Suhendro Sudibyo Suhendro, Jimmy Ivan Walid Syarthowi Basmalah