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All Journal Makara Human Behavior Studies in Asia Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia Kalpataru Amerta
Permana, R. Cecep Eka
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Religion Arts Humanities Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Physics Social Sciences

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Konsep Budaya Kesejajaran Pria dan Wanita pada Masyarakat Baduy Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 1, No. 2
Publisher : UI Scholars Hub

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Model Sosialisasi Kearifan Lokal Masyarakat Baduy dalam Pelestarian Hutan Kepada Generasi Muda di Kampung Balimbing, Baduy Luar Nasution, Isman Pratama; Permana, R. Cecep Eka; Sulistyowati, Dian
Paradigma: Jurnal Kajian Budaya Vol. 5, No. 1
Publisher : UI Scholars Hub

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The Baduys are rice farming communities who rely on nature and the forest. Therefore, they keep and maintain their forests through customs and cultural practices. Dudungusan is preserved forest, prohibited for cultivation. Garapan is the land that can be processed into fields (huma), following the needs and rules of cultivation. Although the Baduys live in groups in small villages at the foot and slopes of hills or mountains, they keep and follow their local wisdom. This is evident from the review and the community activities that have been done earlier. There are records of the knowledge, views, and understanding of the old and young Baduys about forest conservation and identifying existing problems. The method used is the dissemination and sharing of knowledge. The results of the data collection and identification of the reference model of socialization, or carean, are used to understand the local knowledge about forest conservation. The Baduy residents in Kampong Balimbing who are involved in the research are the kokolot, or the class of older generation, whereas the youth group are participating in the process. In general, the activity is well-shared for both for the older and younger generation. In addition to this, the residents of other Baduy villages may learn from Kampong Balimbing’s wisdom.
Animal motifs on rock art in Papua and West Papua Permana, R. Cecep Eka; Mas'ud, Zubair
Wacana, Journal of the Humanities of Indonesia Vol. 23, No. 1
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Most of the rock art in Indonesia is found at prehistoric sites, specifically caves or cliffs in South Sulawesi, Southeast Sulawesi, East Kalimantan, Maluku, Papua, and West Papua. Most rock art with animal motifs is mainly located in Papua and West Papua. Therefore, the data in this paper are mostly based on the results of research conducted during the last ten years at rock art sites in Papua Province (with hinterland and mountainous characteristics) and in West Papua Province (with coastal and archipelagic characteristics). An analysis of these animal motifs has demonstrated that lizard and fish motifs dominate rock art in these provinces. However, rock art in Papua and West Papua also depicts turtles, snakes, birds, and several types of marine animals. The depiction of animals in rock art in Papua and West Papua has generally been interpreted as ancestor worship. However, this research argues that the interpretation of animal motifs is also related to the ongoing communal concerns and traditions, such as the fertility of the fields, success in fulfilling daily needs, and healing diseases.
ARCHAEOLOGICAL EVIDENCE FROM GUA LADORI, NORTH KONAWE, SOUTHEAST SULAWESI Sabri, M; Permana, R. Cecep Eka
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
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The presence of archaeological sites, specifically caves, in North Konawe Regency provides evidence of human habitation dating back to prehistoric times. Despite the challenges posed by difficult terrain and limited access, which hinder archaeological research, the Gua Ladori site in Bendewuta Village, Oheo District, North Konawe, is notable for its rich assemblage of artifacts. This study aims to identify the archaeological remains at Gua Ladori and assess their significance within the prehistoric context of Sulawesi, with a particular focus on North Konawe. The research methodology involves three stages: data collection, data processing and analysis, and conclusion drawing. The findings reveal a diverse array of artifacts, including bone fragments, ceramics (earthenware, stoneware, and porcelain), stone tools, shell remains, and rock art. Analysis indicates that the earthenware and porcelain ceramics are likely from the 14th to 17th centuries AD
Rekonstruksi Lingkungan Prasejarah Situs Gua Pawon, Jawa Barat Berdasarkan Kajian Identifikasi Gigi Hewan Namira, Adinda Tasya; Permana, R. Cecep Eka; Yondri, Lutfi
KALPATARU Vol. 31 No. 2 (2022)
Publisher : Badan Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/kpt.2022.2886

Abstract

Excavations at the Pawon Cave Site in 2019 and 2021 from boxes T2U1, T2S1, T3U1, T3S1, and T4S1 led to the discovery of 976 specimens of animal teeth that could be used to reconstruct the past of the Pawon’s Cave Site environment. To determine the level of animal taxa to the location of the teeth, taxonomic and anatomical analyses were carried out, while environmental reconstruction was carried out through environmental analysis based on the distribution of faunal functional groups by Julien Louys (2012). The research method consists of six steps, namely formulation, implementation, data collection, data processing, analysis, and interpretation. As a result, 120 individual animals from 13 different families were found at the Pawon Cave site with the dominance of the Cercopithecidae family in each four units of analysis. However, it is also necessary to the contribution of protein produced, so that large animals (megafauna), such as the Families Suidae, Bovidae, and Cervidae, have more potential to become main game animals for consumption, while the Families Cercopithecidae and Hystricidae become a complement to a variety of foods consumed. In addition, jewelry from shark teeth and canine teeth of Carnivora, Cercopithecidae and Suidae were also found with traces of modification in the form of perforation of the roots of the teeth and sharpening of the dental crowns. Thus, the human inhabitants of Pawon Cave are hunters who can utilize all the potential of animals from terrestrial, arboreal and aquatic habitats around the Pawon’s Cave Site.
BINATANG TOTEM PADA SENI CADAS PRASEJARAH DI SULAWESI SELATAN Pasaribu, Yosua Adrian; Permana, R. Cecep Eka
AMERTA Vol. 35 No. 1 (2017)
Publisher : Penerbit BRIN (BRIN Publishing)

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Abstract. Totemic Animals in the Prehistoric Rock Art of South Sulawesi. Prehistoric rock art motifs in South Sulawesi are hand motifs, animal motifs, boat motifs, anthropomorphic motifs, and geometric motif. Animal motifs, which include fish, turtles, birds, and mammals, are depicted in 25 of 90 prehistoric caves in the region. Research on prehistoric rock art in 2014 shows that one of the pig motifs is dated ± 35,400 years ago. Based on the diverse animal motifs depicted and the latest dating that puts the rock art area into a very old period, research on the cultural context of animal motifs on the prehistoric rock art in South Sulawesi is an interesting thing. In accordance with the research’s aim, this study is focused on animal motifs. Other motifs in the prehistoric rock art region of Sulawesi, such as anthropomorphic and geometric that allegedly have their own distinct meanings in the cultural context, require other specific investigations. This study employed a quantitative method on 86 pictures which consist of 17 animal motifs in ten caves in Maros regency, thirteen caves in Pangkep regency, and two caves in Bone regency, South Sulawesi. The application of that method to the prehistoric rock art in South Sulawesi place the cultural context in the cultural phenomenon, which is defined by experts as totemism. Keywords: Rock Art, Animal Motifs, Cultural Context, South Sulawesi, Totem Abstrak. Motif seni cadas prasejarah di Sulawesi Selatan adalah motif tangan, motif binatang, perahu, antropomorfis, dan geometris. Motif binatang yang digambarkan pada 25 dari 90 gua seni cadas prasejarah di kawasan itu, antara lain motif ikan, penyu, burung, dan mamalia. Penelitian pertanggalan seni cadas prasejarah di Sulawesi Selatan pada 2014 menunjukkan bahwa salah satu motif babi berusia ± 35.400 tahun. Berdasarkan beragamnya motif binatang yang digambarkan dan pertanggalan terbaru yang menempatkan kawasan itu ke dalam masa yang sangat tua, penelitian mengenai konteks budaya motif binatang menjadi suatu hal yang menarik. Sesuai dengan tujuan penelitian ini khusus mengkaji motif binatang. Motif lain, seperti motif antropomorfis dan geometris yang diduga kuat memiliki makna khusus dalam konteks budaya memerlukan kajian tersendiri. Penelitian ini menggunakan metode kuantitatif terhadap data berupa 86 gambar yang terdiri atas 17 motif binatang pada 10 gua di Kabupaten Maros, 13 gua di Kabupaten Pangkep, dan 2 gua di Kabupaten Bone, Sulawesi Selatan. Hasil penerapan metode penelitian tersebut menempatkan konteks budaya penggambaran motif binatang pada seni cadas prasejarah Sulawesi Selatan kedalam fenomena budaya yang didefinisikan oleh para ahli sebagai totemisme. Kata Kunci: Seni Cadas, Motif Binatang, Konteks Budaya, Sulawesi Selatan, Totem
"Ngadéngékeun nu mantun"; Constructing the "carita pantun" performance in rice planting ritual of the Baduy indigenous community Saparudin, Endin; Limbong, Priscila Fitriasih; Setyani, Turita Indah; Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 26, No. 1
Publisher : UI Scholars Hub

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This study aims to examine carita pantun performances in ritual contexts as observed in the Baduy community in Kanekes Village, Banten, on several occasions between 2021 and 2023. Carita pantun serves as traditional epics narrated in oral tradition performances accompanied by kacapi musical instruments. Historically, carita pantun was fully integrated into the ritual calendar and performed regularly in various regions in Tatar Sunda including West Java and Banten. Over time, it has been increasingly narrated for secular entertainment. This study explores carita pantun performances that retain a sacred function and remain deeply integrated into the life of the Baduy community. By identifying the distinctive characteristics and observing the roles of speakers and listeners, the analysis emphasizes the importance of the oral text being highly dependent on the context of the specific ritual. The analysis further enriches the understanding of the nature and structure of the carita pantun performances as a traditional ritual in West Java and Banten.
Co-Authors Arifin, Karina Isman Pratama Nasution Lutfi Yondri M Sabri, M Mas'ud, Zubair Namira, Adinda Tasya Nugroho, Yogi Abdi Pasaribu, Yosua Adrian Pojoh, Ingrid H.E. Priscila Fitriasih Limbong Putra, Hutomo Saparudin, Endin Sulistyowati, Dian Turita Indah Setyani Winnugroho Wiratman, Manfaluthy Hakim, Tiara Aninditha, Aru W. Sudoyo, Joedo Prihartono