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Konsep Budaya Kesejajaran Pria dan Wanita pada Masyarakat Baduy Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 1, No. 2
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Model Sosialisasi Kearifan Lokal Masyarakat Baduy dalam Pelestarian Hutan Kepada Generasi Muda di Kampung Balimbing, Baduy Luar Nasution, Isman Pratama; Permana, R. Cecep Eka; Sulistyowati, Dian
Paradigma: Jurnal Kajian Budaya Vol. 5, No. 1
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The Baduys are rice farming communities who rely on nature and the forest. Therefore, they keep and maintain their forests through customs and cultural practices. Dudungusan is preserved forest, prohibited for cultivation. Garapan is the land that can be processed into fields (huma), following the needs and rules of cultivation. Although the Baduys live in groups in small villages at the foot and slopes of hills or mountains, they keep and follow their local wisdom. This is evident from the review and the community activities that have been done earlier. There are records of the knowledge, views, and understanding of the old and young Baduys about forest conservation and identifying existing problems. The method used is the dissemination and sharing of knowledge. The results of the data collection and identification of the reference model of socialization, or carean, are used to understand the local knowledge about forest conservation. The Baduy residents in Kampong Balimbing who are involved in the research are the kokolot, or the class of older generation, whereas the youth group are participating in the process. In general, the activity is well-shared for both for the older and younger generation. In addition to this, the residents of other Baduy villages may learn from Kampong Balimbing’s wisdom.
Animal motifs on rock art in Papua and West Papua Permana, R. Cecep Eka; Mas'ud, Zubair
Wacana, Journal of the Humanities of Indonesia Vol. 23, No. 1
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Most of the rock art in Indonesia is found at prehistoric sites, specifically caves or cliffs in South Sulawesi, Southeast Sulawesi, East Kalimantan, Maluku, Papua, and West Papua. Most rock art with animal motifs is mainly located in Papua and West Papua. Therefore, the data in this paper are mostly based on the results of research conducted during the last ten years at rock art sites in Papua Province (with hinterland and mountainous characteristics) and in West Papua Province (with coastal and archipelagic characteristics). An analysis of these animal motifs has demonstrated that lizard and fish motifs dominate rock art in these provinces. However, rock art in Papua and West Papua also depicts turtles, snakes, birds, and several types of marine animals. The depiction of animals in rock art in Papua and West Papua has generally been interpreted as ancestor worship. However, this research argues that the interpretation of animal motifs is also related to the ongoing communal concerns and traditions, such as the fertility of the fields, success in fulfilling daily needs, and healing diseases.
ARCHAEOLOGICAL EVIDENCE FROM GUA LADORI, NORTH KONAWE, SOUTHEAST SULAWESI Sabri, M; Permana, R. Cecep Eka
Paradigma: Jurnal Kajian Budaya
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The presence of archaeological sites, specifically caves, in North Konawe Regency provides evidence of human habitation dating back to prehistoric times. Despite the challenges posed by difficult terrain and limited access, which hinder archaeological research, the Gua Ladori site in Bendewuta Village, Oheo District, North Konawe, is notable for its rich assemblage of artifacts. This study aims to identify the archaeological remains at Gua Ladori and assess their significance within the prehistoric context of Sulawesi, with a particular focus on North Konawe. The research methodology involves three stages: data collection, data processing and analysis, and conclusion drawing. The findings reveal a diverse array of artifacts, including bone fragments, ceramics (earthenware, stoneware, and porcelain), stone tools, shell remains, and rock art. Analysis indicates that the earthenware and porcelain ceramics are likely from the 14th to 17th centuries AD