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All Journal Budapest International Research and Critics in Linguistics and Education Journal (Birle Journal) Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Britain International of Humanities and Social Sciences (BIoHS) Journal
Sembiring, Hendy Obed
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Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Keteng-Keteng Development of Three Bamboo Sections Adina S. Sembiring; Uyuni Widiastuti; Brepin Tarigan; Lamhot B Sihombing; Hendy Obed Sembiring; Ewin Johan Sembiring
Britain International of Humanities and Social Sciences (BIoHS) Journal Vol 2 No 3 (2020): Britain International of Humanities and Social Sciences, October
Publisher : Britain International for Academic Research (BIAR) Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/biohs.v2i3.320

Abstract

Traditional music is music that has the characteristics of a tribe or layer of society. One of the traditional Karo music is Keteng-keteng which is played by beating with two sticks. The keteng-keteng is made of buluh belin (large bamboo), the tip and base have bamboo skin. So far, keteng-keteng is made from one segment of bamboo, therefore the aim of this research is to develop keteng-keteng from one bamboo segment to three bamboo sections (telu ngawan) using electricity. These kettles will later use an electronic equalizer, so that the sound of the kettles produced is really an equalizer standard, which can be adjusted according to the color of the sound on the middle bass and treble. The keteng-keteng being developed is a combination of the three-segmented ketengs, the daluna-ketengs and the multi-purpose kettles, which are combined into three sections of bamboo. This is the first time this merger has been done by researchers. From this combination, two gung characters are found. which is different because Beruna uses vibrating aids while Daluna does not use vibrating aids.
Development of Traditional Harmony-Based Teaching Materials Based on HOTS to Improve Student Musicality of Music Education Program at Language and Art Faculty at State University of Medan (UNIMED) Uyuni Widiastuti; Adina S. Sembiring; Muklis Muklis; Hendy Obed Sembiring; Ewin Johan Sembiring
Budapest International Research and Critics in Linguistics and Education (BirLE) Journal Vol 2, No 4 (2019): Budapest International Research and Critics in Linguistics and Education, Novemb
Publisher : BIRCU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birle.v2i4.511

Abstract

The results of this study are: (1) The contents of teaching materials, are at an achievement of 88% with a valid category; (2)Constructor, achieving 84% with a valid category; (3) Language, on the achievement of 82.50 with a valid category (4) Display of teaching materials, on the achievement of 88% with a valid category. The results of the assessment of students consisted of: (1) the display of teachingmaterials was at an achievement of 87.87% with the practical category; (2) user convenience isat 85.52 with a practical category; (3) effectiveness in achieving 67.18 with a very practicalcategory; (4) time effectiveness, in the achievement of 84.69 with the practical category, with anaverage value of achievement of 86.31 with the practical category.
The ensemble of Keteng-Keteng Telu Ngawan Adina S Sembiring; Uyuni Widiastuti; Purbatua Manurung; Hendy Obed Sembiring; Ewin Johan Sembiring
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 3 (2021): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i3.2408

Abstract

The creation of three-segment keteng-keteng (telu ngawan) with high, midle, and low characters, is carried out through the Soprano, Alto, tenor, and Bass frequency approaches, so that the keteng-keteng telu ngawan instrument becomes a “new” musical ensemble called the keteng-keteng Ensemble. Keteng-keteng Telu Ngawan. The frequency of keteng-keteng telungawan with soprano character is on a scale of 261,626-1046.50 Hz, the frequency of keteng-keteng telungawan with alto character is on a scale of 174,614-698,456 Hz, the frequency of keteng-keteng telungawan with tenor character is on a scale of 130,813-523,251, and the frequency of keteng-keteng telungawan bass character is on a scale of 82.4069-329.628. The determination of the tuning of the four keteng-keteng telungawan is done by recording the sound of the four keteng-keteng telungawan then transferring the sound to a string instrument category and entering it into several music tuner applications such as Da Tuner, Guitar Tuna or other similar applications. The results of the music tuner will be entered into the website so that it will automatically know where the frequency of the sound for each keteng-keteng telu ngawan is.
Character Formation Based on North Sumatra Local Wisdom Through Orchestral Learning in Music Education Study Program, Universitas Negeri Medan Adina Sembiring; Uyuni Widiastuti; Octaviana Tobing; Esra Siburian; Hendy Obed Sembiring; Ewin Johan Sembiring
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 2, No 4 (2019): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v2i4.594

Abstract

The objectives of this study are to: (1) Producing character building based on North Sumatra local wisdom through orchestral learning in Music Education Study Program,  Unimed; (2) Producing orchestral learning that can shape the character of students in the Music Education Study Program; (3) Producing characters that are formed through orchestral learning in Music Education Study Program,  Unimed. It is expected that the existence of research on the topic of orchestral learning in Music Education Study Program,  Unimed  can shape character based on local wisdom in North Sumatra
Revitalization of the Gendang Binge as Identity Karo Langkat Arts Adina Sembiring; Uyuni Widiastuti; Hendy Obed Sembiring; Ewin Johan Sembiring; Eben Haezarni Telaumbanua
Budapest International Research and Critics in Linguistics and Education (BirLE) Journal Vol 5, No 3 (2022): Budapest International Research and Critics in Linguistics and Education, August
Publisher : BIRCU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birle.v5i3.6490

Abstract

The revitalization of the Gendang Binge was carried out due to the loss of the main function of the Gendang Binge in traditional Karo Langkat arts due to the dominant influence of the keyboard in various traditional ceremonies in the Karo Langkat community. The drums of Binge are made of old jackfruit wood which is dried first so that the sound of the drums does not change after the skin is attached. The Binge drum is divided into 2 types, namely the Indung drum and the children's drum. Gendang Binge indung is 19 cm long, with a top cover of 12.5 cm and a bottom cover of 6.5 cm, while the drum for children is 19 cm long, with a top cover of 10 cm and a bottom cover of 8 cm. The material used for the membrane or skin for the Binge drum is napuh skin (a type of endemic animal rabbit) in the Karo highlands, while to tie the skin to the wood used cowhide and for sticks using kaffir lime wood. Some of the techniques in playing Gendang Binge include: Tang and Tih are used to produce the sound of the Gendang Binge ovary, while for Tang and Cek to produce the sound character of the children of Gendang Binge. To produce Tang in the ovary of the Gendang Binge, the large stick must be struck on the edge of the drum, while for Tih the large stick is struck right in the middle of the membrane of the Gendang Binge. To produce a Tang sound from the child's Gendang Binge, the stick is hit on the edge of the lips and must hit the membrane, while to produce a Check sound, the drum stick is hit and pressed at the same time in the middle of the membrane.
Co-Authors Adina S Sembiring Adina S. Sembiring Adina S. Sembiring Adina Sembiring Adina Sembiring Brepin Tarigan Eben Haezarni Telaumbanua Esra Siburian Ewin Johan Sembiring Ewin Johan Sembiring Ewin Johan Sembiring Ewin Johan Sembiring Lamhot B Sihombing MANURUNG, PURBATUA Muklis Muklis Octaviana Tobing Uyuni Widiastuti Uyuni Widiastuti Uyuni Widiastuti Uyuni Widiastuti