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Revitalization of the Gendang Binge as Identity Karo Langkat Arts Adina Sembiring; Uyuni Widiastuti; Hendy Obed Sembiring; Ewin Johan Sembiring; Eben Haezarni Telaumbanua
Budapest International Research and Critics in Linguistics and Education (BirLE) Journal Vol 5, No 3 (2022): Budapest International Research and Critics in Linguistics and Education, August
Publisher : BIRCU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birle.v5i3.6490

Abstract

The revitalization of the Gendang Binge was carried out due to the loss of the main function of the Gendang Binge in traditional Karo Langkat arts due to the dominant influence of the keyboard in various traditional ceremonies in the Karo Langkat community. The drums of Binge are made of old jackfruit wood which is dried first so that the sound of the drums does not change after the skin is attached. The Binge drum is divided into 2 types, namely the Indung drum and the children's drum. Gendang Binge indung is 19 cm long, with a top cover of 12.5 cm and a bottom cover of 6.5 cm, while the drum for children is 19 cm long, with a top cover of 10 cm and a bottom cover of 8 cm. The material used for the membrane or skin for the Binge drum is napuh skin (a type of endemic animal rabbit) in the Karo highlands, while to tie the skin to the wood used cowhide and for sticks using kaffir lime wood. Some of the techniques in playing Gendang Binge include: Tang and Tih are used to produce the sound of the Gendang Binge ovary, while for Tang and Cek to produce the sound character of the children of Gendang Binge. To produce Tang in the ovary of the Gendang Binge, the large stick must be struck on the edge of the drum, while for Tih the large stick is struck right in the middle of the membrane of the Gendang Binge. To produce a Tang sound from the child's Gendang Binge, the stick is hit on the edge of the lips and must hit the membrane, while to produce a Check sound, the drum stick is hit and pressed at the same time in the middle of the membrane.
Manajemen Kearsipan Berbasis Digital Untuk Mewujudkan Tata Kelola Administrasi Perguruan Tinggi yang Efektif dan Efisien di IAKN Tarutung Suminta Simatupang; Lustani Samosir; Eben Haezarni Telaumbanua
Areopagus : Jurnal Pendidikan Dan Teologi Kristen Vol 21, No 1 (2023): Maret
Publisher : IAKN Tarutung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46965/ja.v21i1.2101

Abstract

Penelitian ini bertujuan untuk menganalisis Pelaksanan Manajemen Kearsipan berbasis digital yang dapat mewujudkan Kualitas tata kelola Pelayananan Administrasi secara efektif dan efisien di IAKN Tarutung. Penelitian ini menggunakanmetode kualitatif deskriptif. Sumber data primer adalah Kepala Biro AUAK IAKN Tarutung, serta 9 staf subbagian dari sumber dan skunder sebanyak nya. Instrumen pengumpulan data yang digunakan adalah wawancara, observasi dan  dokumentasi.  Hasil  penelitian  yang  diperoleh  menunjukkan bahwa penerapan manajemen kearsipan berbasis digital melalaui tahap perencanaan, pengelolaan, pengendalian dan pengawasan sudah dikelola secara efektif dan efisien di IAKN Tarutung, namun pengelolaan arsip secara digital penyimpanannya masih terbatas yaitu sekitar 500 GB dari banyak arsip. Kegiatan pengelolaan arsip digital setidaknya meliputi dua hal, yaitu: penyimpanan arsip dan penemuan kembali arsip. Kegiatan penyimpanan arsip digital merupakan kegiatan pengelolaan arsip yang dimulai dari kegiatan alih media arsip sampai pada penataan arsip dalam media baru. Penggunaan arsip digital masih belum menggunakan aplikasi yang resmi dari Lembaga IAKN tarutung, untuk itu dalam mewujudkan kualitas tata kelola pelayananan administrasi secara efektif dan efisien di IAKN Tarutung diharapkan agar membuat aplikasi yang resmi dalam mengelola arsip secara digital.
Pengaruh Kepemimpinan Kepala Sekolah dan Motivasi Kerja terhadap Kinerja Guru SD di Kecamatan Lumut Kab. Tapanuli Tengah Tahun Pembelajaran 2023/2024 Evi Vitriani Sianipar; Oktober Tua Aritonang; Eben Haezarni Telaumbanua
Jurnal Teologi Injili dan Pendidikan Agama Vol. 2 No. 2 (2024): April : Jurnal Teologi Injili dan Pendidikan Agama
Publisher : Sekolah Tinggi Pastoral Kateketik Santo Fransiskus Assisi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jutipa.v2i2.300

Abstract

The purpose of this research is 1) to determine whether or not there is an influence of school principal leadership on teacher performance in elementary schools in Lumut sub-district, regency. Central Tapanuli year of study 2023/2024; 2) to determine whether or not there is an influence of teacher work motivation on teacher performance in elementary schools in Lumut district, regency. Central Tapanuli year of study 2023/2024; 3) to determine the simultaneous influence of principal leadership and teacher work motivation on teacher performance in elementary schools in Lumut district, regency. Central Tapanuli year of study 2023/2024. The method used in this research is a quantitative research method. The population is all teachers at State Elementary School 157624 Lumut Nauli State Elementary School 158460 Sialogo, State Elementary School 158468 Lumut 5 and State Elementary School 158467 Lumut Maju, State Elementary School 153070 Lumut 1, State Elementary School 155687 Masundung located in Central Tapanuli Regency totaling 100 people and a sample of 40 people was taken using random sampling techniques. Data was collected using a closed questionnaire with 86 items. The results of data analysis show that: 1) the calculated F value > F table between the principal's leadership on teacher performance is 17.972 > 3.23, thus it is known that there is an influence between the principal's leadership on the performance of elementary school teachers in Lumut District, Kab. Middle Tapanuli for the 2023/2024 Academic Year, which is 32.1%, 2) the calculated F value > F table between work motivation and teacher performance is 14.510 > 3.23, thus it is known that there is an influence between work motivation and the performance of elementary school teachers in Lumut District Kab. Tapanuli Middle School Year 2023/2024 is 27.6%, 3) the calculated F value > F table between the principal's leadership and work motivation on teacher performance is 12.259 > 3.23, thus it is known that there is an influence between the principal's leadership and motivation work on the performance of elementary school teachers in Lumut District, Central Tapanuli Regency Middle School Year 2023/2024 is 39.9%, thus Ha is accepted and H0 is rejected.
Teknik Olah Vokal Dengan Kemampuan Bernyanyi Pada Paduan Suara SMA Swasta PGRI 20 Siborongborong Tapanuli Utara Diva Threcia Purba; Eben Haezarni Telaumbanua; Aprinaldi P Simarangkir
Jurnal Teologi Injili dan Pendidikan Agama Vol. 2 No. 3 (2024): Juli : Jurnal Teologi Injili dan Pendidikan Agama
Publisher : Sekolah Tinggi Pastoral Kateketik Santo Fransiskus Assisi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jutipa.v2i3.314

Abstract

The aim of this research is to find out good and correct vocal techniques for body posture, breathing, articulation, phrasering when singing in a choir. In this research, researchers used qualitative research methods using observation, interviews and documentation. This research was carried out by collecting information through field research to obtain results which were processed into accurate data. The research process carried out as data collection is: photos, videos and interviews. The results of this research show that the process of implementing vocal technique training in singing the song Sing Alleluia Clap Your Hands is training in body posture, breathing, articulation and phrasing. By singing the song Sing Alleluia Clap Your Hands sung acapella. In the score, this song is performed with full energy and an allegretto tempo (rather fast) with a 4/4 beat and combined with handclaps. From all the observations and methods that the author has used in conducting research, the vocal techniques of body posture, breathing, articulation and phrasing in singing the song Sing Alleluia Clap Your Hands are very important. To obtain good and correct vocal techniques, several steps must be taken to master good posture, breathing, articulation and phrasing techniques, namely: practicing breathing before singing, positioning the body in a good and correct posture, using diaphragmatic breathing. to produce a more powerful voice and understand where the breath is divided in the score, pay attention to the pronunciation of each word well, understand the meaning of the song by breaking up sentences correctly.
Penerapan Teknik Bel Canto Dalam Menyanyikan Lagu The Prayer Oleh Andrea Bocelli dan Celine Dion Karya David Foster, Carole Bayer Sager, Alberto Testa, Tony Renis Pada Mahasiswa IAKN Tarutung Prodi Pendidikan Musik Gereja Sebastian Situmeang; Eben Haezarni Telaumbanua; Testi Bazarni Zebua
Pendekar : Jurnal Pendidikan Berkarakter Vol 2 No 2 (2024): April : Jurnal Pendidikan Berkarakter
Publisher : LPPM Politeknik Pratama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51903/pendekar.v2i2.665

Abstract

This research aims to determine the use of good Bel Canto singing techniques in singing, so that each note sounds beautiful, and is strong and round so that the message of the song can be conveyed. This research uses a qualitative descriptive method where researchers describe in the form of speech, writing and observations in the field. The work processes carried out for data collection are: observation, documentation, observations, videos and interviews. This research was carried out by collecting information through field research to obtain results which were processed into accurate data. The results of this research show that applying the Bel Canto technique in singing can improve singing ability. So it is necessary to practice and master good vocal techniques to be able to sing songs well.
Teknik Permainan Mangenet pada Instrumen Tradisional Sulim Batak Toba dalam Mengiringi Lagu BE.683 di AdopanMu Jesus di Gereja HKBP Bahalbatu I. G. A. Ebenezer L. Toruan; Eben Haezarni Telaumbanua; Testi Bazarni Zebua; Roy J. M. Hutagalung; Aprinaldi P Simorangkir
Coram Mundo: Jurnal Teologi dan Pendidikan Agama Kristen Vol. 6 No. 2 (2024): Coram Mundo : Jurnal Teologi dan Pendidikan Agama Kristen
Publisher : Sekolah Tinggi Teologi Injili Arastamar (SETIA) Ngabang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/corammundo.v6i2.394

Abstract

The purpose of this research is to find out game techniques mangenet on the traditional Sulim Batak Toba instrument to accompany the song BE.683 "Di AdopanMu Jesus" at HKBP Bahalbatu I. Sulim is a traditional Batak Toba musical instrument, Sulim is made from bamboo, the Sulim instrument is blown from the side or is called a side blown flute. The Sulim instrument has been widely used in church services, especially in the HKBP Bahalbati I church. The Sulim instrument has been used to accompany worship services. especially in accompanying the song from BE .683 "In Your Adopan Jesus. This song is played at a larghetto tempo with a tempo of 65 BPM. This song was created by Hugo Nyberg in 1873 with the title "For jesus milda ogon" which was later translated into Toba Batak language by Rev. J.A.U. Doloksaribu and Rev. MV. Simajuntak. Meanwhile, the technique used in performing this song is the mangenet technique with the Sulim Batak Toba instrument. In this technique, the researcher combines the trial, slur, crescendo, descrecendo techniques to produce the mangenet playing technique on the sulim instrument and then the author combines this technique with the ambush or blowing technique, breathing technique, fingering technique and holding the sulim instrument.
Penerapan Teknik Vokal Artikulasi pada Lagu Indahnya Saat Teduh oleh Pemimpin Pujian di Gereja Methodist Indonesia Sukarame Baru Resort Sukasari Labuhan Batu Utara Tahun Pembelajaran 2023/2024 Helmalia Diwani Lumban Tobing; Eben Haezarni Telaumbanua; Monang Asi Sianturi
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 5 (2024): September : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i5.336

Abstract

This research aims to find out good vocal training techniques for singing for worship leaders by applying articulatory vocal techniques. Articulated vocal technique is the pronunciation of the words in the song lyrics clearly and correctly so that the message and meaning of the song being sung can be heard clearly to the listener. The method used in this research stage is descriptive qualitative method. The stages of research on the application of vocal articulation techniques carried out include observation, interviews and documentation. The objects of this research were five worship leaders at GMI Sukarame Baru Resort Sukasari Labuhan Batu Utara. In the implementation process, researchers held six meetings providing material and singing practice according to correct vocal technique. In this research process, the worship leader practiced articulation repeatedly singing the song "The Beauty of Teduh Time" with examples and practice provided by the researcher during the research, so that in the end the worship leader could understand the material presented by the researcher. The results of this research show that the application of articulatory vocal techniques can improve the singing ability of praise leaders at GMI Sukarame Baru Resort Sukasari Labuhan Batu Utara so that the pronunciation of the words in the song lyrics can be heard clearly when leading praise. Based on this research, the author suggests that GMI Sukarame Resort Sukasari Labuhan Batu Utara Baru continue to develop vocal technique training for worship leaders so that the quality and ability of singing increases.
Makna Lagu Buku Ende No. 17 "Raja Natumimbul" Di GKLI Amborgang Resort Parlilitan Kabupaten Humbang Hasundutan Amri Tumanggor; Monang Asi Sianturi; Tezti Bazarni Zebua; Eben Haezarni Telaumbanua; Rowilson Nadeak
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 5 (2024): September : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i5.341

Abstract

This study focuses on the study to find out the meaning of the Ende Book Song No. 17 "Raja Natumimbul" and the way the congregation sings the Ende Book song at GKLI Amborgang Resort Parlilitan. This research uses a qualitative method with a research procedure that produces descriptive data in the form of written or spoken words from people and observable behaviors and data collection techniques through the results of interviews, observations, and documentation, The location of the research was conducted at the GKLI Amborgang Ressort Parliltan Church, Sihashabinsaran Village, Parlilitan District, Humbang Hasundutan The object of the research was 6 people, namely to Pastors, Church Teachers, Musicians and to. Thus, it can be concluded that the meaning of the song King Natumimbul has a very deep meaning, which means that here there is a confession of the Lord God, the creator of all things, so that all that he creates praises God because he is the most exalted king of all. The song of King Natumimbul when sung is also full of enthusiasm because this song means that only God is the supreme King, only He is the king who should be worshipped. The hope is that the people of the GKLI Amborgang congregation will receive blessings from God and invite sinners to worship him.
Teknik Permainan biola Pada Lagu Buku Ende 182 “Haholongan Nabadia” dalam Ibadah Minggu di GKPI Pagar Beringin: Analisis Teknik Vibrato dan Legato. Skripsi, Jurusan Pendidikan Musik Gerejawi Institut Agama Kristen Negeri Tarutung. Yudika Sakti Lombu; Eben Haezarni Telaumbanua; Roy Josep M. Hutagalung; Robert K.A Simangunsong; Boho P. Pardede
Jurnal Penelitian Pendidikan Indonesia (JPPI) Vol. 2 No. 3 (2025): April
Publisher : Publikasi Inspirasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62017/jppi.v2i3.4237

Abstract

Tujuan dari penelitian ini adalah untuk mengetahui teknik vibrato dan legato permainan biola pada lagu Buku ende Haholongan Nabadia. Lagu ini merupakan lagu rohani batak , yang memiliki birama ¾ dengan tempo 76 dengan nada dasar Bb=Do, terdiri dari 16 bar. Lagu ini memiliki makna yang menceritakan tentang kasih Tuhan yang agung dan tak terhingga, yang melampaui batas dan kemampuan manusia yang memiliki harapan dan keinginan yang mendalam, serta ungkapan jujur tentang dosa dalam diri manusia yang mengakui bahwa kita sebagai manusia tidak sempurna dan seringkali membuat kesalahan. Lagu ini juga membuat kita menyadari bahwa hanya Tuhan yang mampu membersihkan kita dari dosa dan kembali kejalan yang benar dan mendapatkan pengampunan dari Tuhan. Penelitian ini juga menggunakan metode pendekatan kualitatif. Adapun proses kerja yang dilakukan yaitu observasi, wawancara, dan dokumentasi. Penelitian ini dilakukan dengan mengumpulkan informasi melalui penelitian di lapangan untuk memperoleh hasil yang diolah menjadi pasti. Teknik permainan biola dalam lagu ini menggunakan teknik permainan vibrato dan legato. Dimana teknik vibrato ini merupakan teknik yang menggetarkan nada dengan mengerakan jari tangan kiri pada suatu senar, dan teknik legato merupakan cara bermain secara bersambung yang menghubungkan dua nada atau lebih. Hasil penelitian ini menunjukkan bahwa teknik vibrato dan legato sangat penting dalam permainan biola khususnya pada lagu Be. 182 “Haholongan Nabadia” yang dimana dalam lagu tersebut membutuhkan iringan yang lebih membawa ekspresi lagu pada jemaat dengan menggunakan teknik vibrato dan legato yang mampu menciptakkan suara yang lebih dinamis, berkesan dan halus. Sehingga jemaat dapat menghayati serta mengungkapkan ekspresi emosional pada saat monopoti dosa dan mengerti setiap makna dari lirik lagu tersebut, seperti pada birama 1-2 teknik vibrato digunakan pada nada tu jo lom untuk menciptakkan ekspresi emosi yang kuat dan menekankan makna lirik lagu. Kemudian dibirama 5-16 teknik vibrato dan legato di terapkan untuk menciptakkan kesan penyerahan diri yang mendalam pada saat monopoti dosa
“Penerapan Teknik Vokal Artikulasi  pada Lagu Molo Saut Maho di Gereja HKBP Pardomuan”. Skripsi Prodi Pendidikan Musik Gereja, Institut Agama Kristen Negeri Tarutung  (IAKN) Tarutung. Melva Samona Tambunan; Eben Haezarni Telaumbanua; Diana M Situmeang; Robert K.A Simangunsong; Novita Aditya Manalu
Jurnal Penelitian Pendidikan Indonesia (JPPI) Vol. 2 No. 3 (2025): April
Publisher : Publikasi Inspirasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62017/jppi.v2i3.4242

Abstract

Penelitian ini bertujuan untuk memahami penerapan teknik vokal artikulasi dalam pengucapan kata atau kalimat saat bernyanyi dalam paduan suara, sehingga lirik lagu dapat terdengar dengan jelas dan maknanya tersampaikan. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif, di mana peneliti mendeskripsikan temuan dalam bentuk ucapan, tulisan, dan hasil pengamatan di lapangan. Pengumpulan data dilakukan melalui berbagai metode, seperti observasi, dokumentasi, pengamatan, rekaman video, dan wawancara. Proses penelitian ini melibatkan pengumpulan informasi langsung di lapangan untuk menghasilkan data yang akurat dan dapat dianalisis lebih lanjut. Hasil penelitian ini menunjukkan bahwa penerapan teknik artikulasi dalam bernyanyi paduan suara dapat meningkatkan kemampuan bernyanyi. Maka perlunya latihan dan penguasaan teknik vokal yang baik untuk dapat membawakan lagu dengan baik.