Gusmail, Sabri
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KONSEP BULUIH DALAM PERTUNJUKAN LUAMBEK PADA MASYARAKAT SICINCIN DI MINANGKABAU Yusfil, Yusfil; Saaduddin, Saduddin; Gusmail, Sabri
Studi Budaya Nusantara Vol. 4 No. 2 (2020)
Publisher : Studi Budaya Nusantara

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Abstract

The study of the concept of Buluih in Luambek performances among the Sicincin community in Minangkabau aims to describe the function and aesthetic value of the concept of buluih in Luambek performances among the Sicincin community. The concept of buluih is one of the attractions that has a function and aesthetic value, making Luambek performances a cultural heritage that remains preserved in the community. The presence of Buluih in the Luambek dramaturgy is reflected through the movements produced and integrated with the concept of life in the Sicincin community, making the performance well-received by the community. The analysis employed combines The Liang Gie's aesthetic concept with Richard Kraus's functional theory. This study utilises a qualitative research method with an aesthetic approach, employing observation, interviews, and literature review as data collection techniques. The research findings indicate that Luambek possesses aesthetic value due to its sensory-evaluable form and its life value, which positions the concept of buluih as the primary benchmark for upholding the reputation of the community (tribe) during major traditional ceremonies within that community (tribe).
The impact of diaphragmatic breathing on the endurance of contemporary dancers at the Institut Seni Budaya Indonesia Aceh: model-based experimental design Gusmail, Sabri; Nugra, Prasika Dewi; Syahrizal, Syahrizal
Gelar: Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4530

Abstract

Managing dance movement elements is crucial for maintaining endurance and movement quality. The purpose of this study was to investigate the effects of applying diaphragmatic breathing on dancer endurance. The study employed a mixed-methods approach with an exploratory sequential design. The first phase, qualitative in nature, aimed to formulate hypotheses concerning the endurance issues faced by dancers in choreography courses. The second phase tested these hypotheses through experiments, incorporating control variables between two groups: Group 1, trained in dance movements using diaphragmatic breathing, and Group 2, solely trained in movements. The experiment took place at the Indonesian Institute of Cultural Arts in Aceh, with six female dancers enrolled in choreography classes randomly divided into two groups. None of the participants had prior experience with diaphragmatic breathing techniques while dancing. The study utilized a sphygmomanometer and oximetry for measurement. The endurance test involved dancing to a metronome for 5 minutes at tempos of 100, 110, and 120 without interruption. The results indicated that the respiratory frequency of dancers using diaphragmatic breathing was more stable compared to the group that did not employ this technique. These findings suggest that incorporating diaphragmatic breathing alternately while dancing can serve as a recommendation for maintaining dancers' endurance, particularly for students at the Indonesian Institute of Cultural Arts in Aceh.