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All Journal Grenek: Jurnal Seni Musik Gondang: Jurnal Seni dan Budaya
putra, rizki mona dwi
Institut Seni Budaya Indonesia Aceh
Arts Humanities Computer Science & IT Education Social Sciences

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Kesenian Rapa’i Bubee: Realisme Magis dalam Seni Tradisi Masyarakat Pidie Jaya Tria Ocktarizka; Rizki Mona Dwi Putra; Erlinda
Grenek: Jurnal Seni Musik Vol. 15 No. 1 (2026): Grenek: Jurnal Seni Musik (June)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v15i1.73604

Abstract

Rapa'i Bubee is a traditional art form from Meureudu, Pidie Jaya Regency, which represents an oral narrative about the efforts of religious scholars to conquer Jin Pari through rapa'i percussion and traditional media such as aree, jeuee, and bubee. This study aims to describe the transformation of function, structure, and mystical meaning in the Rapa'i Bubee performance. The study used a qualitative descriptive method with data collection techniques through observation, interviews, and documentation studies. Data analysis was carried out through the stages of reduction, presentation, and drawing conclusions. The results show that Rapa'i Bubee has undergone a transformation from a supernatural healing ritual to entertainment and a medium for historical education. Elements considered contrary to Islamic teachings, such as the burning of incense, have been removed without losing the cultural identity of the performance. Despite the change in function, the magical dimension is still apparent through the phenomenon of trance of the performers who are controlled by the Caliph through the regulation of the tempo of the percussion as a symbol of the conquest of astral beings.
Transformasi Narasi Anak Indigo dalam Komposisi Musik Nusantara Berbasis Pendekatan Eksperimental-Kontemporer Ibrahim Lubis; Rizki Mona Dwi Putra; Rezki Aulia; Afdal Anas
Grenek: Jurnal Seni Musik Vol. 15 No. 1 (2026): Grenek: Jurnal Seni Musik (June)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v15i1.73626

Abstract

"Indigo" composition music is a kind of music that inspired by indigo phenomenon. They are a kid who are generally difficult to manage by power, hard to compromise, more emotional. Other characteristics that clearly indigo child has is an ESP, can saw a creatures or pure materials that are not caught by the senses of ordinary vision. This advantages made an indigo children had some difficulty in socializing with the family, society and felt confused, usually they didn’t know how to act and because of that they are ussualy capped as a mockery. as coming ridicule from others. This music are trying to contribute to the society without any physical discrimination. Formulating the concept is an important patron for composer to work in the progress to make the music, the formulation of the idea are focused on the indigo phenomenon itself, how to create a music from indigo phenomenon. Step by step in are being through to create this music , starting from the contemplation and observation, survey and interview, the determination of fund tool materials, the making of conceptual framework, the rehearsal training process part I, part II, part III, part IV, and technical evaluation of the work form , Artistic, lighting and loudspeakers.
Batiteria: The Epistemology of Contemporary Musical Creation Based on the Aceh Spice Route Rizki Mona Dwi Putra; Uswatul Hakim; Vereki Martiano
Gondang: Jurnal Seni dan Budaya Vol. 10 No. 1 (2026): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2026
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/w6svbg07

Abstract

This article examines the epistemological foundations underlying the creation of the contemporary musical work Batiteria—a work born from research on the Acehnese spice route as a cultural phenomenon. This study uses an artistic research approach that positions artworks as both products and vehicles for reflection on knowledge. By integrating three epistemological axes—(1) practice-based knowledge, (2) an epistemology of reinterpretation that explores how artists “know” traditions before transforming them, and (3) a multi-source epistemology that combines empirical, intuitive, and cultural knowledge—this study analyzes how Batiteria constructs new musical knowledge. Batiteria, an acronym for West, East, and Central Aceh Rhythms, interprets three traditional Acehnese rhythms: Rapai Geleng (West Aceh), Rapai Pasee (East Aceh), and Didong (Central Aceh) through techniques of musical reinterpretation and contemporary composition. The findings indicate that the creation process of Batiteria is not merely expressive, but rather an epistemic act that produces knowledge about tradition, identity, and cultural sustainability through the language of sound. Thus, this article contributes to the development of discourse on the epistemology of art—particularly in the context of tradition-based contemporary music creation in Indonesia.
Co-Authors Afdal Anas Erlinda Hartono Hartono Ibrahim Lubis Rezki Aulia Tria Ocktarizka Uswatul Hakim Vereki Martiano