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All Journal Gorga : Jurnal Seni Rupa Al-Ijtima`i: International Journal of Government and Social Science Gondang: Jurnal Seni dan Budaya Jurnal Rupa DESKOVI : Art and Design Journal Jurnal Abdi Insani Jurnal Solusi Masyarakat Dikara
Reza Sastra Wijaya
Institut Seni Budaya Indonesia (ISBI) Aceh
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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“PERILAKU RISWAH” SEBAGAI RANGSANG CIPTA DALAM KARYA SENI GRAFIS Wijaya, Reza Sastra
Al-Ijtima`i: International Journal of Government and Social Science Vol 4 No 2 (2019): Al-Ijtima`i: International Journal of Government and Social Science
Publisher : Fakultas Ilmu Sosial dan Ilmu Pemerintahan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (692.746 KB) | DOI: 10.22373/jai.v4i2.460

Abstract

Bribery is a familiar phenomenon in the society. This term is often associated as money politics, facilitation payments, etc. This problem becomes entrenched in modern life. It is caused by the impact of economic influence (money) in the modern era.This phenomenon becomes a stimulation and intrigue for artists to express their opinions in the form of aesthetic objects. The observing of various phenomena is an important process in the work as an artist because the phenomenon has a strong disturbance that stimulates artists to produce art. In this case the bribery has a function as an object of stimulation that triggers ideas to produce a work of art in which the idea is processed into print making. This art using two main techniques in print making, those are print relief (high print) and serigrafi (filter printing) techniques. The function of print relief is as a printing master as well as the contour in the art work and serigrafi that has a function in coloring process. The merging of these two techniques is inseparable from the principle of the process of the conventional print making which the entire process refers to the essence that exists in printing techniques.
PERKEMBANGAN BENTUK KERAJINAN RENCONG DI DESA BAET KECAMATAN SUKA MAKMUR KABUPATEN ACEH BESAR Saniman Andi Kafri; Reza Sastra Wijaya
Gorga : Jurnal Seni Rupa Vol 9, No 2 (2020): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v9i2.20311

Abstract

AbstrakRencong merupakan produk budaya lokal Aceh yang diwariskan secara turun-temurun oleh nenek monyangnya suku Aceh. Rencong sebagai senjata tradisional sekaligus simbol identitas diri masyarakat Aceh memiliki sejarah panjang dan bentuk yang menarik. Sampai saat ini rencong Aceh tetap diminati oleh masyarakat Aceh maupun pendatang yang berkunjung ke daerah Aceh. Seiring dengan berlakunya PSBB di Aceh, juga berdampak terhadap pengrajin rencong, Kondisi ini juga menuntut masyarakat harus mencari pekerjaan lain untuk dapat memenuhi kebutuhan hidup sehari-hari, dampak virus covid-19 dirasakan langsung oleh pengrajin rencong yang ada di tiga desa Baet yaitu, Baet Masjid, Baet Lampuot dan Baet Meusago di kecamatan Sukamakmur Kabupaten Aceh Besar. Beberapa pengrajin yang bertahan, dikarenakan tidak adanya pekerjaan lain seperti yang dilakukan oleh bapak Yudi Hidayat, Ibrahin dan Zuhri. Pemerintah Aceh bahkan telah menetapkan kampung-kampung ini sebagai kampung rencong yang menjadi destinasi wisata baru di Aceh. Sebelum Covid- 19 hampir semua penduduknya berpropesi sebagai pengrajin rencong. Membuat rencong dilakukan secara turun-temurun dimana pembuatan kerajinan ini dilakukan oleh laki-laki dan perempuan. Keunikan rencong dapat dilihat dari bentuknya yang menyerupai kalimat Bismillah ditulis dalam bahasa Arab. Hal ini menunjukkan adanya hubungan erat antara rencong dengan Islam. Perubahan zaman tentunya turut mengubah kebudayaan, dalam hal ini turut merubah bentuk rencong dan fungsi rencong itu sendiri, dimana dahulunya bentuk rencong hanya berukuran 35 cm dan dalam perkembanganya bentuk rencong saat ini sudah mulai ber pariasi mulai dari ukuran 15 cm sampai dengan 2 M, selain itu rencong pada saat ini produksi lebih memanfaatkan pamor rencong sebagai salah satu senjata khas Aceh yang ada di Indonesia sehingga fungsinya beralih dari fungsi praktis menjadi fungsi estetis sehingga tujuan produksinya turut mempengaruhinya, dimana rencong saat ini sudah digunakan sebagai aksesoris dalam pakaian adat Aceh dan aksesoris dalam pagelaran pertunjukan. Metode penelitian “Perkembangan Bentuk Kerajinan Rencong di Desa Baet Kecamatan Suka Makmur Kabupaten Aceh Besar” ini dilakukan dengan menggunakan penelitian kualitatif. Metode ini dapat menjawab semua rumusan masalah dalam penelitian ini. metode kualitatif juga dapat menggali informasi secara mendalam.  Kata Kunci: rencong, kerajinan, fungsi estetis.AbstractRencong is a product of local Aceh culture that has been passed down from generation to generation by his Acehnese mony grandmother. Rencong as a traditional weapon as well as a symbol of Acehnese identity has a long history and an interesting form. Until now, Aceh rencong is still in demand by Acehnese people and migrants visiting the area. Along with the enactment of the Large-Scale Social Restrictions in Aceh it also has an impact on rencong craftsmen, this condition also requires people to find other jobs to be able to meet their daily needs, the impact of the covid-19 virus is felt directly by rencong craftsmen in three Baet villages, namely, Baet Masjid, Baet Lampuot and Baet Meusago in Sukamakmur sub-district, Aceh Besar district. Some of the craftsmen who survived, were due to the absence of other jobs such as those done by Yudi Hidayat, Ibrahin and Zuhri. In this case, the Aceh government has even designated these villages as Rencong villages which have become new tourist destinations in Aceh. Almost all residents work as rencong craftsmen. Making rencong has been done from generation to generation. The making of this craft is done by both men and women. The uniqueness of rencong can be seen from its shape which resembles the sentence Bismillah written in Arabic. This shows the close relationship between rencong and Islam. Changes in time have certainly changed the culture, in this case also changing the shape of the rencong and the function of the rencong itself, where previously the shape of the rencong was only 35 cm in size and in its development the shape of the rencong now varies from 15 cm to 2 M in size, besides The current rencong production utilizes the prestige of rencong as one of Aceh's typical weapons in Indonesia so that its function is shifted from a practical function to an aesthetic function so that its production objectives also influence, where rencong is currently used as an accessory in Acehnese traditional clothing and accessories in performances the research method "Development of Rencong Craft Forms in Baet Village, Suka Makmur District, Aceh Besar District. "This is done using qualitative research. This method can answer all problem formulations in this study. Qualitative methods can also digging information.  Keywords: rencong, craft, aesthetic function.. 
PENGOLAHAN LIMBAH KACA MENJADI PRODUK SENI KALIGRAFI GAMPONG JALIN KOTA JANTHO Hatmi Negria Taruan; Reza Sastra Wijaya; Yulfa Haris Saputra
DESKOVI : Art and Design Journal Vol 2, No 2 (2019): DESEMBER 2019
Publisher : Universitas Maarif Hasyim Latif

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51804/deskovi.v2i2.516

Abstract

Limbah sering dikenal dengan sampah yang merupakan suatu bahan buangan hasil proses produksi industry dan rumah tangga dimana kehadirannya tidak diinginkan. Salah satu limbah yang adalah limbah kaca. Limbah kaca banyak terdapat ditemukan di tempat-tempat industri kaca seperti akuarium, pabrik botol minuman, pengolahan lemari kaca dan lain sebagainya. Desa jalin adalah salah satu kawasan di kota jantho aceh besar yang memiliki potensi kunjungan wisata alam yang ramah bagi seluruh kalangan. Oleh karena itu alangkah baiknya Kawasan ini dapat sekaligus dijadikan sebagai tempat pengolahan benda seni sebagai penambah daya tarik, salah satunya pengolahan limbah kaca. limbah kaca tersebut diolah dan dimanfaatkan agar menjadi suatu barang yang bernilai ekonomis. Salah satu cara mengolah limbah kaca menjadi produk seni kaligrafi yang bernilai ekonomis bagi masyarakat di kota jalin Jantho, Aceh Besar. Langkah dalam melakukan pengabdian masyarakat ini terdiri dari dua tahap, tahap pertama identifikasi masalah dan tahap kedua penyusunan program. Dalam penyusunan program terdiri dari beberapa tahapan antara lain : Persiapan kepada masyarakat, Pengenalan souvenir-souvenir yang  menghasilkan produk yang kita inginkan dan cara pembuatannya, Mengajarkan kepada masyarakat cara mengolah bahan dan membuat produk di kampung Jalin. Cesspit is often known as rubbish which is a cesspit material produced by industrial and home industry production processes where its presence is undesirable. One cesspit that is glass cesspit. Glass cesspit is found in many places in the glass industry such as aquariums, beverage bottle factories, glass cabinet processing and so on. The jalin vilage  is one of the regions in the  Aceh Besar  jantho city that has the potential for friendly natural tourist visits for all walks of life. Therefore it would be nice this area can also be used as a place of processing of art objects as an addition to attraction, one of which is the treatment of glass cesspit. The glass cesspit is processed and utilized to become an economically valuable item. One way to process glass cesspit into calligraphy art products that are of economic value to people in the intertwined city of Jantho, Aceh Besar. This step in conducting community service consists of two stages, the first stage is the identification of problems and the second stage is the preparation of the program. In the preparation of the program consists of several stages, among others: Preparation to the community, introduction of souvenirs that produce the products we want and how to make them, teach the community how to process ingredients and make products in the village of Jalin
Analisis Tanda Dalam Karya Seni Grafis Reza Sastra Wijaya Kajian Semiotika Peirce Mukhsin Patriansah; Reza Sastra Wijaya
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3737

Abstract

The form of art is a representation of a reality. In representing this reality, an artist tries to restructure signs or even create new signs. The expression poured into the medium of art is a novelty and has never been formulated at all through existing codes, thus creating a new discourse. With all his abilities, the artist creates new signs in his work by associating an object with another object based on generally accepted rules (conventions). In this study, the author uses Peirce's semiotic theory to analyze the sign system in Reza Sastra Wijaya's graphic art. Contextually, the correlation of the sign system contained in this work with the title of the work, namely "the fraudulent method" and the subject matter or main idea of ??the case of "bribery" can be interpreted that with "bribes or kickbacks" everything can be achieved and achieved without following the rules. -Rules that apply by convention. This symbolic message is what the artists want to convey through this graphic art work which is associated with the game of chess, which is a game of fighting tactics and strategies in achieving a victory. This study aims to provide knowledge to academicians about the study of semiotics, so that they can find out how the sign system is presented in art and design works.
Sosialisasi Penguatan Pemahaman Kampus Merdeka dalam Menyambut Merdeka Belajar-Kampus Merdeka Hasibuan, Arnawan; Siregar, Widyana Verawaty; Candrasari, Ratri; Andiko, Benny; Wijaya, Reza Sastra; Andeska, Niko; Rozak, Abdul; Sucipto, Fentisari Desti
Jurnal Solusi Masyarakat Dikara Vol 4, No 2 (2024): Agustus 2024
Publisher : Yayasan Lembaga Riset dan Inovasi Dikara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.13072720

Abstract

Pendidikan merupakan faktor utama dalam menentukan kemajuan suatu negara. Negara yang maju pasti memiliki sistem pendidikan yang unggul serta strategi yang baik dalam mempersiapkan generasi penerusnya. Kebijakan Merdeka Belajar Kampus Merdeka (MBKM) bertujuan untuk meningkatkan kompetensi lulusan, baik soft skills maupun hard skills, agar lebih siap dan relevan dengan kebutuhan zaman, serta mempersiapkan mereka menjadi pemimpin masa depan yang unggul dan berkepribadian. kegiatan pengabdian ini mencakup seminar, berbagi pengalaman, dan pendampingan. Materi yang disampaikan tentang kampus merdeka-merdeka belajar, berbagi pengalaman dari fakultas pemateri dalam menyiapkan dan merumuskan kurikulum kampus merdeka, serta memberikan pendampingan dalam penyusunan kurikulum. Kegiatan Pengabdian Kepada Masyarakat ini berlangsung pada 22 November 2023 di ruang Aula Institut Seni Budaya Indonesia Aceh. Kegiatan ini diikuti oleh seluruh dosen di Institut Seni Budaya Indonesia Aceh. Kegiatan ini berhasil berjalan dengan lancar dan sukses. Para peserta dapat mengikuti seluruh rangkaian kegiatan dan memahami dengan baik materi yang disampaikan oleh pemateri, serta berpartisipasi dalam sharing pengalaman dan pendampingan dalam merumuskan kurikulum untuk program kampus merdeka-merdeka belajar.
Eksplorasi Makna Simbolis Ornamen pada Rumoh Aceh Raja Husein di Pidie. Rachmadani, Nisa Putri; Wijaya, Reza Sastra; Kafri, Saniman Andi
DESKOVI : Art and Design Journal Vol. 8 No. 1 (2025): Vol. 8 No.1 JUNI 2025
Publisher : Universitas Maarif Hasyim Latif

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51804/deskovi.v8i1.16913

Abstract

Ornamen Rumoh Aceh merupakan peninggalan budaya dari nenek moyang suku Aceh yang masih dapat dinikmati hingga kini. Bentuk ornamen yang diterapkan, seperti motif tumbuhan, hewan, dan kaligrafi, merupakan representasi dari elemen alam yang ditemukan di daerah Pidie, serta berfungsi sebagai penanda identitas kultural masyarakat. Salah satu objek penting yang dikaji adalah Rumoh Aceh Raja Husein, rumah tradisional yang dibangun pada masa kolonial Belanda dan memiliki keunikan dalam desain ruang serta kekayaan ornamen. Penelitian ini bertujuan untuk mendalami makna simbolis ornamen-ornamen tersebut guna memperkaya pemahaman tentang sejarah, budaya, dan identitas masyarakat Aceh Pidie. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif-analitis. Data diperoleh melalui studi pustaka, observasi, dokumentasi visual, dan wawancara. Teori bentuk dari Dharsono digunakan sebagai landasan teoretis, yang memaknai seni sebagai tontonan dan tuntunan. Temuan penelitian menunjukkan bahwa tiap ornamen mengandung makna filosofis dan spiritual. Motif Bungong Mawo melambangkan cinta dan keindahan; Pucuk Reubung sebagai simbol harapan dan pertumbuhan; Sulur menggambarkan keterikatan dengan alam dan prinsip hidup yang berkelanjutan. Kaligrafi lafadz Allah dan Muhammad menegaskan nilai religius dalam rumah ini. Motif Awan Meucanek menyimbolkan perlindungan dan ketenangan; Bungong Seulanga melambangkan keanggunan dan kelembutan; sedangkan Puta Taloe bermakna dua kalimat syahadat sebagai dasar iman. Temuan juga memperlihatkan bahwa keberagaman dan jumlah ornamen menjadi penanda status sosial, semakin banyak dan kompleks ornamen yang digunakan, semakin tinggi kedudukan pemilik rumah. Ornamen pada rumah ini tidak hanya merefleksikan keindahan estetis, tetapi juga menjadi cerminan nilai-nilai lokal seperti kehormatan, ketahanan, spiritualitas, serta hubungan harmonis antara manusia, alam, dan Tuhan. Penelitian ini memperkuat pemahaman bahwa ornamen tradisional Aceh adalah ekspresi dari pengetahuan lokal yang diwariskan secara turun-temurun. Temuan ini diharapkan dapat menjadi dasar dalam pelestarian warisan budaya visual Aceh.
A Study of Listeners of the Song Haro Hara Songs from the Nyawöung Album (2000) Wirandi, Rika; Putra, Rizki Mona Dwi; Wijaya, Reza Sastra
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.65672

Abstract

The research of Listeners' Study of Haro Hara Songs on Nyawöung 2000 Album aims to observe how listeners' experiences and interpretations of protest songs that emerged and developed during the armed conflict in Aceh in 2000-2003. The protest music that is the topic of this research refers to the category of songs created by local Acehnese musicians in the genre of regional pop and pop-authentic music with themes and lyrics inspired by several series of bloody events that have occurred in Aceh during the conflict, especially after the lifting of the status of the Military Operation Area (DOM) in 1998. Listener studies are the focus of this research as an effort to construct the memory, experience, and interpretation of listeners of these protest songs during the conflict and post-conflict period in Aceh. The method used in this research is a qualitative method using a phenomenological approach by emphasizing on extracting data related to the experiences and interpretations of listeners of protest songs by using data collection techniques using questionnaires to several listeners who became participants with three categories, namely: participants or listeners in the age group of generation X (born 1965-1980); age group of generation Y / Millennial (born 1981-1994); and participants or listeners in the age group of generation Z (born 1995-2010). This research uses framing analysis technique which consists of three frames of analysis to classify the interpretation of song listeners, namely, Diagnostic Framing, Prognostic Framing, Motivational Framing. The results of this study show that, participants who are listeners from the age group of generation X, generation Y, and generation Z stated that the song Haro Hara is a song that describes the state of Aceh during the GAM and RI conflict. The lyrics of the song are considered very straightforward with the interpretation classification of all respondents showing an average as diagnostic framing.  
PELATIHAN PEMBUATAN BATIK ECOPRINT SEBAGAI PENINGKATAN KREATIVITAS ANAK DI KINDERHUT INDONESIA Rachmadani, Nisa Putri; Kafri, Saniman Andi; Wijaya, Reza Sastra
Jurnal Abdi Insani Vol 12 No 4 (2025): Jurnal Abdi Insani
Publisher : Universitas Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/abdiinsani.v12i4.2229

Abstract

Kinderhut Indonesia is a social welfare development institution that was established in February 2005, precisely after the earthquake and tsunami tragedy that hit Aceh. The Kinderhut Indonesia Foundation has a mission to improve the welfare of orphans, and underprivileged and neglected children by ensuring that they get their rights, especially in terms of education, both through formal and non-formal education. This community service activity aims to improve the creativity and skills of the foundation's foster children in the arts, as well as foster an entrepreneurial spirit. This training uses the ecoprint method, which is a natural fabric dyeing technique, which is in line with the concept of sustainability and supports the sustainable development goals (SDGs). The methods used are participatory and applicative, consisting of: preparation, implementation, and evaluation. The preparation stage includes planning, scheduling, and procurement of tools and materials. The implementation stage consists of material socialization, ecoprint pattern design, ecoprint practice (steam technique), and final product development. Evaluation is carried out using the pretest-posttest method to measure the improvement of participants' skills. The results of the ecoprint batik training at the Kinderhut Indonesia Foundation showed an increase in the creativity and skills of the foster children in creating environmentally friendly products that have a selling value. During eight meetings, participants were trained to produce various ecoprint batik which were transformed into products such as bags, clothes, tablecloths and pillowcases. The evaluation showed a success rate of 73%, based on aspects of neatness, smoothness, and technical accuracy. This activity also fosters an entrepreneurial spirit and supports sustainable development. However, time constraints are an obstacle in the distribution of participants' understanding. This program is expected to be the basis for the development of sustainable skills and entrepreneurial potential for the foundation and its foster children in the future.
Co-Authors Abdul Rozak Abdul Rozak Andeska, Niko Andiko, Benny Kafri, Saniman Andi Mukhsin Patriansah Nisa Putri Rachmadani putra, rizki mona dwi Ratri Candrasari, Ratri Saniman Andi Kafri Siregar, Widyana Verawaty Sucipto, Fentisari Desti Wirandi, Rika Yulfa Haris Saputra