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Sistem Akad Mudharabah dalam Perekonomian Islam Herman; Misbahuddin; Asfira Yuniar; Ibtisam
TAFAQQUH Vol. 6 No. 1 (2021): Tafaqquh : Jurnal Hukum Ekonomi Syariah dan Ahwal Syahsiyah
Publisher : STIS DAFA MATARAM

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70032/ydc8tz08

Abstract

Sistem mudharabah adalah bagian dari produk perbankan syariah yang unik, karena memiliki perbedaan filosofis antara sistem perbankan konvensional dengan perbankan syariah yang menganut sistem bagi keuntungan atau kerugian. Mudharabah ialah kemanpuan untuk bermitra dengan yang mempunyai modal (shahib al-mal) dan orang yang mendirikan usaha (mudharib), dengan maksud untuk memperoleh untung (al-ribh) dan dilakukan pembagian dari hasil keuntungan tersebut sesuai dengan kesepakatan dalam akad. Terkait dengan sistem mudharabah tersebuat dapat dibagi menjadi dua jenis yaitu; mudharabah muthlaqah (investasi tidak terikat) dan mudharabah muqayyadah (investasi terikat). Implementasi mudharabah ditentukan dalam undang-undang perbankan syariah yang sesuai sistem syariah Islam. Pengaturan mudharabah menurut perspektif hukum Islam terkodefikasi pada literatur klasik berupa sistem syariah dari hasil ijtihad para ulama sesuai konteks zaman yang bercorak tradisional, sedangkan pada zaman moderen pengaturan mudharabah merupakan bagian dari bisnis perbankan syariah, sesuai dengan fatwa Dewan Syariah Nasional. Sistem mudharabah dalam pandangan syariah Islam telah disebutkan secara jelas dalam undang-undang perbankan syariah dan peraturan Bank Indonesia ditentukan aturan pelaksanaannya. Penggunaan sistem mudharabah tersebut sesui dengan pejanjian antara pemilik modal dan penerima modal pada saat akad.
Conflict of Pragmatic Principles in the Arabic Conjunction “Wa”: A Corpus-Based Study Wali, Abdul; Sulistyowati; Ibtisam
Shaut al Arabiyyah Vol 12 No 2 (2024): JURNAL SHAUT AL-'ARABIYAH
Publisher : Jurusan Pendidikan Bahasa Arab

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/saa.v12i2.51722

Abstract

The conjunction wa (الواو) in Arabic is a coordinating conjunction that connects words with words, phrases with phrases, or clauses with clauses. However, the conjunction wa is different from other conjunctions because it has different uses, that is, it has different meanings according to its grammar, resulting in a conflict of pragmatic principles. In this research, researchers used a corpus linguistics-based approach, namely collocation analysis (words that appear together) and concordance (contextual) data, data obtained from the Arabic Sketch Engine corpus. Then the researcher noted important things regarding the function of the conjunction wa according to early (classical) Arabic language experts which are not found in modern Arabic. The conjunction wa is divided into two parts, namely: wa 'amilah (wa which cannot be in one word by itself) and wa ghiru 'amilah (wa which can stand alone). From the top 20 data taken from the Sketch Engine Arabic language corpus, there are several functions of the conjunction wa in a sentence including: 14 as the conjunction wa ‘athaf, 5 as the conjunction wa isti'nafiyah/ibtidaiyah, and 1 as the conjunction wa hal. From the overall data it can be concluded that the majority of wa conjunctions function as wa ‘athaf, namely connecting nouns with nouns or verbs with verbs and so on.
Representation of Ethnic Symbol as an Emergency Status in the Movie “Tunanganku Mautku”: Semiotics Analysis Wali, Abdul; Ibtisam; Sulistyowati; Firmonasari, Aprillia
 Southeast Asian Language and Literature Studies Vol. 1 No. 1 (2024): Southeast Asian Languages and Literature Studies
Publisher : BRIN Publishing (Penerbit BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/salls.2024.4120

Abstract

A movie that portrays the traditions of its own region is more effective in conveying moral messages based on events that have occurred. Therefore, this research examines the representation of a short movie originating from the Madurese community titled "Tunanganku Mautku," which represents the occurrence of the "carok" tradition with a woman as the main cause. Madura has been known for its strong tradition of arranged marriages since ancient times. Just like in this movie, the character Anshori binds his ring finger with Ulfa's through the arranged marriage arranged by their parents. However, behind this, there is a figure named Supri who first captured Ulfa's heart and told her to wait. Supri felt his dignity was being trampled on by Ulfa's family because Ulfa and Anshori were matched by Ulfa's parents on the grounds of greater wealth and family ties. Based on the results of the reading and analysis conducted by the researcher, the Madurese community has applied a normalization of emergency status with an ethnic symbol, namely "carok." Therefore, in this context, Supri is not blamed; instead, customary law holds Anshori responsible for taking a woman who is already under Supri's authority. Roland Barthes introduced the terms "signifier" and "signified," which were developed into a theory of metalanguage with two levels: denotation and connotation, and myths. This is in line with research related to the transcript text in the movie to explain the aspects or realities depicted in the movie "Tunanganku Mautku".