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All Journal Pantun: Jurnal Ilmiah Seni Budaya Awilaras
Nalan, Arthur S
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Arts Humanities Social Sciences

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Discourse of the Comedy of Ubrug Sentra Agata in the Rahwana Nganjor Play Rahayu, Zanuar Eko; Nalan, Arthur S; Dimyati, Ipit S
PANTUN: Jurnal Ilmiah Seni Budaya Vol 8, No 2 (2023): Exploring Cultural Narratives and Artistic Expressions
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v8i2.2747

Abstract

This study is entitled Discourse on Comedy Serving Ubrug Sentra Agata in the play Rahwana Nganjor, which was staged during the West Java and Banten Landslide Festival in 2015. The object of the study uses the video media of performance documentation and the focus of the study is discussing discourse in comedy presentations on the play Rahwana Up. The play Rahwana Nganjor carries the theme of wayang in the Ramayana epic, the war between the Kingdom of Alengka and the Kingdom of Ayodhya is used as the setting for the event in this play. Data collection techniques were carried out through interviews, observation, and information contained in the audiovisual. Critical Discourse Analysis Van A, Dijk is used to examine the discourse in the comedy presentation by paying attention to three dimensions, including Text Dimensions, Social Cognition, and Social Context. So the data obtained that social issues in the community is used as the basis for creating comedy in Ubrug Sentra Agata.
The Construction of Sign that form Kabuyutan Cibulan Prasetyo, Eko Budi; Nalan, Arthur S; Herdiani, Een
PANTUN: Jurnal Ilmiah Seni Budaya Vol 8, No 2 (2023): Exploring Cultural Narratives and Artistic Expressions
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v8i2.2797

Abstract

Cibulan or known as Cibulan Tourism Object is a place that is believed to be kabuyutan. This belief is not only seen from the myths that develop in the community around Cibulan, but there are signs that exist in Cibulan which are the construction of a kabuyutan. This study uses a paradoxical aesthetic approach belonging to Jakob Sumardjo, namely the triple pattern or tritangtu. The concept of tritangtu is to marry two different things and produce harmony that has the properties of both. Tritangtu is needed because in kabuyutan there must be symbols of Tekad, Ucap, and Lampah which are symbols of Sang Hyang Hurip and tritangtu. In addition to the tritangtu element, kabuyutan must also be built at the confluence of male and female rivers. That is the construction of signs forming kabuyutan where this research will explain the signs and the role of the Cibulan kabuyutan in society.
Discourse of the Comedy of Ubrug Sentra Agata in the Rahwana Nganjor Play Rahayu, Zanuar Eko; Nalan, Arthur S; Dimyati, Ipit S
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 8 No. 2 (2023): Exploring Cultural Narratives and Artistic Expressions
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v8i2.2747

Abstract

This study is entitled Discourse on Comedy Serving Ubrug Sentra Agata in the play Rahwana Nganjor, which was staged during the West Java and Banten Landslide Festival in 2015. The object of the study uses the video media of performance documentation and the focus of the study is discussing discourse in comedy presentations on the play Rahwana Up. The play Rahwana Nganjor carries the theme of wayang in the Ramayana epic, the war between the Kingdom of Alengka and the Kingdom of Ayodhya is used as the setting for the event in this play. Data collection techniques were carried out through interviews, observation, and information contained in the audiovisual. Critical Discourse Analysis Van A, Dijk is used to examine the discourse in the comedy presentation by paying attention to three dimensions, including Text Dimensions, Social Cognition, and Social Context. So the data obtained that social issues in the community is used as the basis for creating comedy in Ubrug Sentra Agata.
The Construction of Sign that form Kabuyutan Cibulan Prasetyo, Eko Budi; Nalan, Arthur S; Herdiani, Een
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 8 No. 2 (2023): Exploring Cultural Narratives and Artistic Expressions
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v8i2.2797

Abstract

Cibulan or known as Cibulan Tourism Object is a place that is believed to be kabuyutan. This belief is not only seen from the myths that develop in the community around Cibulan, but there are signs that exist in Cibulan which are the construction of a kabuyutan. This study uses a paradoxical aesthetic approach belonging to Jakob Sumardjo, namely the triple pattern or tritangtu. The concept of tritangtu is to marry two different things and produce harmony that has the properties of both. Tritangtu is needed because in kabuyutan there must be symbols of Tekad, Ucap, and Lampah which are symbols of Sang Hyang Hurip and tritangtu. In addition to the tritangtu element, kabuyutan must also be built at the confluence of male and female rivers. That is the construction of signs forming kabuyutan where this research will explain the signs and the role of the Cibulan kabuyutan in society.
Aransemen Musik Angklung Diatonis: Studi Kasus Pada Karya Aransemen dan Pelatihan Musik Angklung Qadaris, Wildan; Ruchimat, Ismet; Nalan, Arthur S
Awilaras Vol 8 No 1 (2021): FUNGSI, INSTRUMENTASI, DAN PERTUNJUKAN
Publisher : LPPM ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jal.v8i1.2614

Abstract

Abstrak Terdapat formulasi dalam aransemen musik angklung diatonis berikut pengembangan di dalamnya. Formulasi tersebut dapat menjadi referensi bagi pelatih angklung maupun guru-guru di berbagai sekolah yang bergerak dalam kegiatan intrakurikuler serta ekstrakurikuler musik angklung diatonis. Artikel ini memaparkan pendekatan metodologis dalam aransemen musik angklung diatonis dengan pelaksanaan yang akurat dan efisien serta penerapannya yang lebih estetis. Tujuan artikel ini adalah untuk memberikan pendekatan metodis bagi praktisi angklung dalam membuat sebuah karya aransemen. Arikel ini memaparkan tahapan-tahapan proses yang harus dilalui oleh seorang arranger musik angklung dalam melakukan praktik aransemen khususnya musik angklung diatonis. Hasil penelitian ini adalah berupa formulasi dalam teori aransemen musik angklung yang dapat membantu para praktisi angklung dalam menentukan langkah-langkah ketika memiliki keinginan untuk menciptakan sebuah karya aransemen musik angklung diatonis. Tahapan tersebut meliputi: (1) kelompok unit angklung, (2) konsep aransemen, (3) aransemen awal, (4) tahap akhir aransemen, (5) evaluasi dan revisi. Kata kunci :aransemen, arranger, angklung, diatonis.
Co-Authors Dimyati, Ipit S Een Herdiani Eko Budi Prasetyo Ismet Ruchimat, Ismet Qadaris, Wildan Rahayu, Zanuar Eko