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All Journal Al-Idaroh: Media Pemikiran Manajemen Dakwah Journal of Islamic Management Jurnal Sarjana Ilmu Komunikasi (J-SIKOM) Jurnal Pengabdian Kolaborasi dan Inovasi IPTEKS Dawuh: Islamic Communication Journal Kenduri: Jurnal Pengabdian Dan Pemberdayaan Masyarakat Setawar Abdimas Jurnal Ilmiah Syi'ar
Damayanti, Poppi
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Religion Agriculture, Biological Sciences & Forestry Humanities Biochemistry, Genetics & Molecular Biology Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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MUSIK SEBAGAI MEDIA KRITIK SOSIAL : ANALISIS SEMIOTIKA LAGU BAYAR BAYAR BAYAR KARYA BAND SUKATANI Damayanti, Poppi; Savitri, Ayu Resti
Jurnal Sarjana Ilmu Komunikasi (J-SIKOM) Vol 7 No 1 (2026): Jurnal Sarjana Ilmu Komunikasi (J-SIKOM)
Publisher : Program Studi Ilmu Komunikasi, Universitas Muhammadiyah Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36085/j-sikom.v7i1.9261

Abstract

The song titled "Bayar Bayar Bayar" is a work by the punk band Sukatani, which conveys a social critique from the songwriter to the listeners. It features straightforward, sharp, and critical lyrics regarding a widespread social issue: the practice of corruption by certain rogue police officers who violate regulations. This study aims to describe and analyze the effectiveness of music as a medium for social critique through the lens of Roland Barthes' semiotics.The research employs a descriptive qualitative method with a content analysis technique focused on the song's lyrics. The findings indicate that, denotatively, the lyrics depict the phenomenon of illegal levies (extortion) by unscrupulous officials, while connotatively, they represent public resistance against the hegemony of corrupt power.This research provides a scholarly contribution to the development of conflict communication studies within artistic works, where the effectiveness of music as a critical medium is measured not only by its lyrical content but also by the dialectics that emerge in the public sphere following the work's release. The findings suggest that although music possesses a strong emotional appeal to drive social change, its existence remains vulnerable to the limitations of freedom of expression in Indonesia. These results enrich the literature on the function of music as a channel for political aspiration while mapping the challenges faced by independent musicians regarding legal and institutional risks in the digital era. Keywords: Social Critique, Music, Roland Barthes, Semiotics.
Co-Authors Baroroh, Siti Emzinetri, Emzinetri Fatmawat, Risma Febrian Ahmad Dhani Ihsan Rahmat Marini . Oktavia, Vira Pratama, Ferly Pungki, Diana Qurniati, Amnah Rahmad Taufiq Hidayat Robeet Thadi Rohmadina Savitri, Ayu Resti Suryani Suryani Syahidin Winaslis Armi Yuhaswita Yuhaswita, Yuhaswita