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All Journal Arabiyatuna : Jurnal Bahasa Arab Adabiyyat: Jurnal Bahasa dan Sastra Diwan: Jurnal Bahasa dan Sastra Arab
Patah, Akhmad
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Differences in the Parsing of the Present Tense Verb in Qur’anic Verses in Order to Develop Arabic Language Skill Huda, M. Nurul; Holilulloh, Andi; Mustaqim, Abdul; Patah, Akhmad; Ahmed, Essam Mustafa
Arabiyatuna: Jurnal Bahasa Arab Vol. 8 No. 2 (2024)
Publisher : Institut Agama Islam Negeri Curup

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29240/jba.v8i2.10993

Abstract

This research aims to expose the meanings, and the difference in the structure of the present tense in the frequent Qur’anic readings with an explanation of the impact of this difference in the noble verse, and it aims to provide correct linguistic models that contribute to building the linguistic ability of the students. The methodology was followed in this research, and this research included an introduction, a methodology section, result and discussion, and the last is conclusion. As for the introduction, it defined the subject of the research, the reasons for its selection, its objectives, the method used, the basic rule, previous studies, and the study plan. It focuses on linguistic analogy, meaning of harf jarr, linguistic skills, its definition and methods of obtaining. The present tense verb is preceded by harf lām and atf that considering the lām as a reasoning. It is not a condition for the present tense to be in the accusative case that the lam be clear in its reasoning. The lam and atf has function in the present tense verb “to be made” was read with the kasra of the lam and the accusative, and with the sukun of the lam and the jazm in the context of al-fi’l al-mudhari’, and it is clear that the reading of the kasra of the lam and the accusative was directed by considering the lam for the reasoning and the accusative of “to be made” with (that) is implicitly permissible.
ADOPSI POLA PUISI ARAB JAHILI DALAM AL-QUR’AN (PENDEKATAN ILMU AL-‘ARŪḌ) Patah, Akhmad
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 1 No 1 (2017)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1156.402 KB) | DOI: 10.14421/ajbs.2017.01102

Abstract

In the Qur'an, there are many verses which employ one of the 16 patterns of the classical Arabic poetry metres, which in ‘Aruḍ are called baḥr (plural: buḥūr). All the patterns of the metres are applied in the Qur'an. However, these patterns are not put into practice consistently, and this inconsistency becomes the peculiarity of the Qur'an that distinguishes it from poetry. This paper specifically discusses the verses that applied the patterns as well as the specificity. Utilizing the scientific approach of ‘Aruḍ, this paper shows that although the Qur'an adopts the patterns of the poetry metres, there are at least three fundamental differences between the Qur'an and poetry. Therefore, the Qur'an can not be classified as poetry.
CACAT QĀFIYAH DALAM PUISI UMRU’ AL-QAIS (KAJIAN PUISI PERSPEKTIF ILMU Al-QAWĀFI) Patah, Akhmad; Ni'mah, Umi Nurun
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 6 No 2 (2022)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2022.06202

Abstract

In general, the quality standard of classical Arabic poetry refers to the formulation of Al-Khalil bin Ahmad al-Farahidi, i.e Ilmu al-‘Arūd̩ wa al-Qawāfī. Even though these standards are so mainstream, in fact, some of the poetry of classical poets do not always live up to those standards, even the poetry of the great ones. This paper focuses on this, especially in terms of qāfiyah (rhymes of poetry), by taking the case of Umru' al-Qais poems as an example. The question that is then attempted to be answered is: how can a qualification be standardized when in fact, it is not fully followed by poets, even the great ones? The results of the discussion show that there are two possibilities. First, how the poets assessed the quality of poetry is different from how al-Farahidi did. Second, Al-Farahidi only took the abundant data available as what to be standardized in a theory.
The complexities of “fear” in Palestinian resistance literature: Revealing elegy as a distinct theme of Mahmoud Darwish’s poetry in qāla anā khā’if Arsyad, Hafid; Patah, Akhmad
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 17 No. 1 (2025)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwan.v17i1.1829

Abstract

Numerous studies of Mahmoud Darwish's poetry concerning Palestine elucidate exile, identity, nationalism, politics, and resistance. This study offers a fresh perspective on this gem by examining another theme of Darwish, specifically elegy, as expressed in the poem Qāla Anā Khā’if. A qualitative descriptive-analytical approach was utilised to investigate data from al-Dīwān, an official repository of Arabic literary works. The data was gathered by textual authenticity, translation, close reading, and categorisation. The poet's history and the socio-political setting of the poem are deemed crucial interpretive instruments that facilitate analysis. The data analysis concentrated on the poem's linguistic and symbolic frameworks, particularly examining repetition as a literary device. The findings indicate that Darwish intensifies the complexity of fear, which encompasses fear of self, home environment, situations outside the home, loss and damage, uncertainty and losing identity, and sounds of fear. Darwish's poetry articulates the psychological and social suffering of the Palestinian people via recurring motifs, transforming it into a multifaceted experience that encompasses both personal reflection and collective strife. The poem's imagery, illustrating domestic items, urban environments, and peacefulness, underscores the idea that terror is both an inward feeling and a communal experience influenced by external factors. This study's findings enhance the corpus of Darwish and Palestinian poetry scholarship by highlighting elegy as a central topic and characteristic of Darwish’s work, alongside exile, identity, nationalism, politics, and resistance. This study solves a research gap by analysing current Arabic poetry's examination of psychological and socio-political themes, underscoring its significance in Palestinian resistance literature.
Co-Authors Abdul Mustaqim Ahmed, Essam Mustafa Arsyad, Hafid Holilulloh, Andi M. Nurul Huda Ni'mah, Umi Nurun