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All Journal IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Language Literacy: Journal of Linguistics, Literature, and Language Teaching Berumpun: international journal of social, politics and humanities TEKNOSASTIK Kelasa : Kelebat masalah bahasa dan sastra Lingua Rima: Jurnal Pendidikan Bahasa dan Sastra Indonesia JOURNAL OF LANGUAGE Journal of Research on Language Education Journal Social Science And Technology For Community Service Journal of Engineering and Information Technology for Community Service HUMANITIS : Jurnal Humaniora, Sosial dan Bisnis Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual
Rahayu, Masnia
Universitas Teknokrat Indonesia
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Electrical & Electronics Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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DINAMIKA KREATIFITAS SASTRAWAN: PRAMOEDYA ANANTA TOER DALAM SEJARAH SASTRA INDONESIA Masnia Rahayu
HUMANITIS: Jurnal Homaniora, Sosial dan Bisnis Vol. 2 No. 2 (2024): Februari
Publisher : ADISAM PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

In the creation and production of a literary work there is a process that a writer goes through. The process is the involvement of the work as a reflection and the importance of an era. Every work created by the literary will describe the many events that occurred around his life. One of Indonesia's most famous literaries is Pramoedya Ananta Toer who has created more than 50 literary works and translated more than 42 foreign languages. There is a lot of controversy and polemics behind the many works that Pramoedya Ananta Toer has created. This article discusses how the dynamics of creativity of Pramoedya Ananta Toer as a literary in the development of the history of Indonesian literature. As a literary who has given birth to many literary works and achieved a variety of achievements, Pram's perseverance and quality of listening deserves appreciation and appreciation.
EXPLORING DARK DESIRES IN AVENGED SEVENFOLD’S A LITTLE PIECE OF HEAVEN: A PSYCHOANALYTIC AND PHILOSOPHICAL READING Aljazera, Falah Muzaqqi; Rahayu, Masnia
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 9, No 2: December 2025
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v1i1.12233

Abstract

Research on dark themes in literature and music often focuses on narrative or aesthetic form, leaving a gap in understanding how psychological and philosophical dimensions shape artistic expression. This study aims to explore how dark desires are represented in Avenged Sevenfold’s A Little Piece of Heaven through psychological, sociological, and philosophical perspectives. Employing a qualitative descriptive method with thematic analysis, the research identifies symbolic patterns of unconscious drives, moral conflict, and emotional duality within the song’s narrative. The analysis applies Freud’s concepts of the id, ego, and superego alongside Jung’s theory of the shadow self to uncover repressed impulses, while Nietzsche’s philosophy is used to interpret how destructive instincts are transformed into creativity and moral reflection. The findings reveal that A Little Piece of Heaven embodies the duality of affection and violence, suggesting that dark desires function as both destructive and creative forces within human consciousness. This study contributes to literary and cultural studies by demonstrating how psychological repression and moral conflict in heavy metal music can be interpreted as a creative articulation of human emotion, offering insight for both literary analysis and cultural pedagogy.
The Representation of Female Authority in Maleficent: Mistress of Evil's (2019) Arif, Imelda Aulia; Rahayu, Masnia
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 14 No. 1 (2026): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v14i1.8084

Abstract

The representation of female authority in films has often been tied to questions of empowerment, leadership, and gendered expectations. However, few studies analyze how authority is constructed through both verbal and non-verbal performance, particularly within conflict-driven cinematic narratives that foreground leadership styles rather than empowerment alone. This study examines Maleficent: Mistress of Evil (2019) using Judith Butler’s theory of gender performativity and Eagly and Karau’s role congruity theory to explore how female authority is performed through dialogue and expression. The research applies a qualitative narrative analysis, specifically through close textual analysis of selected scenes, dialogues, and visual expressions that foreground moments of leadership and power negotiation among female characters. The research focuses on Maleficent, Aurora, and Queen Ingrith as central figures of authority. The findings reveal that Maleficent embodies transformative guardianship, Aurora demonstrates inclusive and collaborative leadership, and Queen Ingrith represents authoritarian domination. Authority in the film is thus constructed not as a fixed trait but as a performance enacted through words, gestures, and presence. This study contributes to feminist film criticism by highlighting the complexity of female authority beyond empowerment discourse, showing how cinematic performance mirrors, the challenges faced by women leaders in political and social contexts, and underscoring the significance of recognizing diverse and ethically grounded models of female leadership.
Co-Authors Aljazera, Falah Muzaqqi Alvi Suhartanto Andi Nurkholis Arif, Imelda Aulia Ars, M. Ghufroni An Donaya Pasha Fahreza Aditya Aryatama Fikri Hamidy Heni Sulistiani Pria Agung Laksono Qadhli Jafar Adrian Rizky Kurniawan Rouli Esther Pasaribu Ruliyanti, Try Rulyansyah Permata Putra Sari, Amanda Novera Tiyas Utami Tommy Christomy Wawan Koswara Wijaya, Silvia Marta Yeris Ari Sandi Yuri Rahmanto Zahrina Amalia Zain, M. Yanuardi