Article Per Year (5 Year)
p-Index From 2020 - 2025
0.778
P-Index
This Author published in this journals
All Journal Melayu Arts and Performance Journal Scoring: Journal of Film Music
Syaputra, Weldi
Unknown Affiliation
Arts Humanities Languange, Linguistic, Communication & Media

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

 1 
Rumbai Bridge Sound Design in Multimedia Music Kurniawan, Agung; Nofridayati, Nofridayati; Yusnelli, Yusnelli; Awerman, Awerman; Syaputra, Weldi
Scoring: Journal of Film Music Vol 2, No 1 (2024): Scoring Jurnal of Film Musik
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i1.4190

Abstract

The work entitled Sound of Rumbai Bridge is a work of electronic music using the concept of Sound Design which is applied to atmospheric objects on the Rumbai Bridge. This work is divided into two parts, namely the sound exploration process, where the artist takes sounds from activities that occur around the Rumbai Bridge, and the sound development process, where the creator develops the sounds that the creator has obtained. The process of creating the work Sound Of Rumbai Bridge includes Sound Design techniques, namely: Splicing, Looping, Panning, Automation Volume, Reverb, and Delay as well as equalizing. The results of the Sound Of Rumbai Bridge work will be in the form of stereo audio and video to support the work of Sound Of Rumbai Bridge.
The Teaching of The Song Zapin Imam Berempat in The Form of a Mixed Ensemble In High School 1 Pinggir Yanda, Martha Febri; Hendri, Yon; Awerman, Awerman; Syaputra, Weldi
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.4991

Abstract

Learning Zapin Imam Berempat in the form of a mixed ensemble in high school N 1 Pinggir. The song is orchestrated using four kinds of instruments, piano, ballet, guitar, and kajon. This research uses the Action Reseach method. In data collection using the Kemmis and Mc Taggart models of a spiral model in which there are Cycles 1 and Cycles II, when the problem is not solved then proceed to the next cycle until the problem has been solved. This research is done through phases, planning, action, observation, and reflection in each cycle. The results of this study show that the pupils in receiving learning are happy. I'm so excited, because this song of Zapin Imam Berempat is easy to accept by pupils. The students gained musical knowledge in particular in the form of an ensemble, so that the students were able to present Zapin Imam Berempat songs in an ensemble form in front of the audience.
The Role And Function Of Mantau Arts In The Community Of Merangin District, Jambi Province Zaidi, Ahmad; Syaputra, Weldi
Melayu Arts and Performance Journal Vol 8, No 1 (2025): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v8i1.4639

Abstract

Mantau is a traditional music from Bangko District, Merangin Regency, Jambi Province. Mantau historically comes from a rhyme song carried by the Anman tribe who arrives at the port of Central Sumatra Island. The performance of mantau is sung by one person and the poems are arranged spontaneously into a rhyme form. Mantau underwent several changes on it’s performance, such as the formation of players, and the addition of musical instruments. In the past, mantau was only sung by one person, both male and female, but now mantau can be sung by two or more peoples, both male and female, from children, teenagers, to adults. The musical instruments are also varied. Nowaday mantau uses other musical instruments such as violin, drum, gong, and wooden kelintang for the vocal accompaniment which previously did not exist in mantau. Uniquely mantau music still survives and popular for it's community. This study seeks to see how mantau can survive and analyzed it through the musical aspect as well as the social aspect. The theory used to answer the problem proposed in this study is the "use" and "function" theory which is formulated by Alan. P. Merriam. The research method that used in this research is the ethnographic method. This study found that in its musical aspect, mantau has its own characteristics that make it different from other music in the archipelago, especially Jambi Province. The uniqueness lies in "sentak" which exist in the melody of the Mantau song. Meanwhile, in the social aspect, mantau is used by its supporting community as a medium for expression both for the older generation and young generation
Tanoh Kamoe: Tarek Pukat In The Form Of A Two-Part Musical Composition Aqilah, Fatin; Surayya, Yade; Sina, Ibnu; Syaputra, Weldi
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5544

Abstract

This composition raises the tradition of Tarek Pukat, an art and culture from the coastal communities of Aceh, as the basis for creating a musical composition entitled Tanoh Kamoe. This tradition, which reflects the spirit of cooperation and the life of fishermen, is adapted into a two-part musical composition using the Acehnese Fusion Ensemble format. The original melody of Tarek Pukat, which is simple and repetitive, is developed through musical processing techniques such as augmentation, diminution, imitation, and sequence. This composition consists of two parts: Part I emphasizes traditional musical instruments such as serune kale, rapa’i, vocals, and flutes, while Part II presents a modern nuance with orchestral instruments and a combo band. With a total duration of 15 minutes, this work describes the journey of fishermen from preparation, fishing, to sharing the catch. The creation method involves exploring music theory, interviews, and using software such as Sibelius. Through this work, it is hoped that local traditions can be preserved and recognized by the wider community while providing innovation in the processing of tradition-based musical art. Ensemble
Co-Authors Agung Kurniawan Aqilah, Fatin Awerman Awerman Hendri, Yon Ibnu Sina NOFRIDAYATI, NOFRIDAYATI Surayya, Yade Yanda, Martha Febri Yusnelli, Yusnelli