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All Journal PRABANGKARA Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Supriyatini, Sri
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Arts Humanities

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Tema Cerita Tantri Pada Lukisan Kaca Anak-anak Di Komunitas Batu Belah Art Space Di Desa Lepang, Klungkung Supriyatini, Sri
Prabangkara : Jurnal Seni Rupa dan Desain Vol 23 No 2 (2019): Desember
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1994.156 KB)

Abstract

Tujuan pengabdian kepada masyarakat ini adalah untuk mengenalkan kembali cerita lokal Bali yang mengandung pendidikan moral sebagai tema lukisan pada benda-benda pakai seperti gelas, piring, mangkuk yang nantinya dapat sebagai benda cinderamata, serta dapat bersinergi membangun industri kreatif pada komunitas ini, yang diharapkan dapat menciptakan lapangan kerja. Cerita dipilih adalah “Pedanda Baka serta Kura-kura dan Angsa” yang mengandung nilai pendidikan etika dan moral, yaitu nilai kejujuran, toleransi, kerja keras dan gotong royong. Nilai ini diperlukan masyarakan terutama generasi muda sebagai tonggak identitas bangsa. Komunitas lukis kaca Batubelah Art Space berdiri sejak tahun 2007 atas prakarsa seniman I Wayan Sujana “Suklu”. Anggota komunitas ini terdiri dari anak-anak usia 8- 18 tahun. Komunitas ini mempunyai spesifikasi produk memanfaatkan kaca limbah, seperti bekas pintu, jendela, lampu kapal, genteng kaca sebagai media melukis. Permasalahan yang dihadapi dari anggota komunitas ini setelah dewasa mereka tidak melukis lagi, tetapi mereka bekerja atau kuliah di luar bidang seni, alasannya karena tidak dapat mengandalkan nafkah dari menjual lukisan kaca. Sejak berdirinya sampai sekarang komunitas Batubelah telah berpameran sebanyak 7 kali di beberapa galeri ternama Bali. Penemuan permasalahan itu, maka perlu diadakan pembinaan lewat program Pengabdian Masyarakat dengan memasukan tema cerita Tantri.
Corak Ikan Koi Sebagai Sumber Inspirasi Dalam Karya Seni Lukis Agus Deddy Krisna Adi Saputra, I Putu; Supriyatini, Sri; Wirakesuma, I Nengah
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1529

Abstract

The general purpose of this research and creation is to revive the author's love for fauna, especially koi fish. The variety of life in God's creation is very interesting to be used as an idea for creating art, one of which is the koi fish. The attraction of koi fish lies in the variety of patterns, colors, and movements that are captivating. Judging from its existence, koi fish have long been a part of human life, from the imperial era in China and Japan several centuries ago to the present. The beauty of koi fish is an attraction for humans to own, maintain, even as part of a lifestyle that can improve economic status and social status. For the writer's life, koi fish is one part of a hobby that since childhood, can bring fun and entertainment, calm the soul, as well as a source of inspiration in creating painting. These works of art can add to the richness of the repertoire of visual arts in Indonesia, in terms of the concepts, media, and techniques that are revealed. The method used in this research is the first observation or direct observation of the object under study, data collection through interviews, the internet, books, and data analysis. While the method of creation used is exploration, experimentation and creation of works. From these methods, six works were realized, including: 1. Tanco and the Japanese Flag, 2. Samurai Shiro, 3. Gosanke Worldwide, 4. Peace and Calm, 5. Victory, 6. The King of Ornamental Fish. In realizing a work, it is viewed from two aspects, namely ideoplastic aspects and physioplastic aspects. The benefit of this creation is that the public can appreciate this painting, both in terms of aesthetics and ethics.
Daun Timbul dalam Ekspresi Karya Seni Rupa Sumarjaya Putra, I Made Adi; Sujana, I Wayan; Supriyatini, Sri
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1834

Abstract

This MBKM Independent Project report, bearing the title "Leaves Timbul in the Expression of Fine Artwork" departs from an embossed tree located in the studio of Kaki Bisma Batan Timbul which inspired the writer to create works of art. The problem is how to visualize the leaves appearing in each work. In visualizing the author uses methods and techniques obtained from the MBKM process. The purpose and benefits are to develop the writer's creativity in expressing imaginary forms as well as images/photos that are edited according to the needs of the author in the work process, the author chooses I Ketut Budiana himself who is a favorite artist and uses his creation method which includes several stages, namely, reflection, research. foundation, exploration, experimentation, execution, completion. From this process the author produced 6 works entitled: 1) "Life", 2) "Science", 3) "Mother Earth". 4) "Ngangon Kebo", 5) "Faithful Animals", 6) "Sidakarya Mask". It can be concluded that the author created works based on his interest in embossed leaves, with ideas originating from phenomena captured in the Kaki Bisma Batan Timbul studio and reading reference sources from the internet. campus, To be realized in the form of 2 dimensions and 3 dimensions From all these processes, it is expected to find identity in the work.
Karya I Ketut Budiana Menjadi Sumber Inspirasi Karya Seni Lukis Ega Arsana, I Wayan; Supriyatini, Sri; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1848

Abstract

Departing from an idea about the author's past which always has its own meaning in every strange form, which raises the theme of I Ketut Budiana's Painting As a Source of Painting Inspiration. departing from an idea about the author's past which always has its meaning in every strange form. From this the urge to present visualizations of human figures and creatures in nature by combining certain techniques and references to achieve the desired goals and meanings. The problem presented is how to process the form and represent ideas so that in realizing the work looks interesting. The goals and benefits are to reflect the new and elevate the existing existence. To answer what is the purpose of this work, the method of creation uses exploration, improvisation, and formation. With elements of art, and through the stages of exploration, improvisation, and the formation stage, and combined with ideas and ideas to create 6 works entitled: 1) “Becoming a Slave”, 2) “Forgot Time”, 3) “Bird”, 4) “Where to?”, 5) “Ghost!!!”, 6) “Training”. In the end, it can be said that traditional art, which inspires a lot of work and is very interesting to be raised and developed with imaginative ideas, will become worthy and meaningful works. With the creation of this work, it is hoped that it can convey a message or meaning to a personal phenomenon that the author has experienced.
Makna Warna pada Shio sebagai Implikasi Objek Karya Seni Lukis Raphael Tan, Joseph; Gulendra, I Wayan; Supriyatini, Sri
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1852

Abstract

Myth is not fictional like novels that is read every day, however a reality that is believed to have happened and continues to contribute to human life and destiny. Likewise with the myths that exist in the sub-ethnic groups in the world, namely the Chinese. Chinese tribes in the world have various kinds of myths that are consciously embedded in human life. One of the most trusted is about the Chinese zodiacs. In everyday life, the majority of Chinese people believe in and adhere to the Chinese zodiac in all decisions that must be made. Shio is often used in calculating a person's luck in a year, to determine a person's name, to choose a wedding or funeral date and to read a person's character. Not infrequently, often zodiac signs are also used as a benchmark to determine the "compatible" mate. Shio is believed to be something that is able to determine and has its own meaning for everyone who believes in it. The zodiac is symbolized by the animal symbol, starting with the Rat zodiac and the last zodiac being the Pig zodiac. The method that the author took to make this work is a qualitative method with interviews and observations. The author made this work with the aim of understanding more deeply the meaning of colors and the meaning of the zodiac both in terms of astrology, the characteristics of a person's personal nature and psychology.
Handmade Painting Pada Kaos Oversize Dengan Motif Ornamen Bali Di Agung Bali Collection Putra, Fachri Permana; Budiarta, I Dewa Putu Gede; Supriyatini, Sri
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2338

Abstract

The thesis with the title Handmade painting on an oversized t-shirt with Balinese motif ornaments at the Agung Bali Collection is motivated by the start-up world which is increasingly rampant in society. The author has hopes in the future to become an artist and also have a business. By conducting research at the Agung Bali Collection, the authors gain entrepreneurial knowledge such as management science, marketing science, capital and so on. By having this entrepreneurial knowledge, the author has an idea to market his work. Because it's not enough just to make a work, you also have to know how to market and manage it. The stages in conducting this research are exploration, interviews and analysis. The author conducts exploration first, looking for research on knowledge developed by partners. After that, interviews were conducted with the aim of collecting data and research documentation. Finally, analysis is carried out by analyzing the research and documentation obtained and then adjusting it to the tastes of the market and society. An oversized painted t-shirt was formed. oversized t-shirts are chosen because they are on the rise in society. The capital obtained is approximately one million rupiah. The author also has his own branding, namely Fach handmade painting. Fach is taken from the author's name "Fachri". In the MBKM TA, the author created six works with surface designs from the Agung Bali Collection. Marketing used through the social media platform Instagram and dissemination.
Perahu Layar Sebagai Inspirasi Penciptaan Karya Seni Lukis Kubisme Rajagukguk, Kevin Gerald; Supriyatini, Sri; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2340

Abstract

MBKM Independent Project Report carries the title “Sailboats as Inspiration for the creation of Cubism Painting Works. It started with the author making works using cubism techniques and seeing the shape of sailboats as suitable for combining these techniques to create works of art. The problem that is obtained is how to visualize sailboats in each work in visualizing, the author uses methods and techniques obtained from the MBKM process, the goals and benefits and develops the creativity of the author in expressing imaginary forms and images/photos that are edited accordingly the needs of the author in the process of creating. The author is also assisted by I made Gunawan as an artist who guides the creation of works and uses a creation method which includes several stages of contemplation, basic research, exploration, experimentation, execution, completion. From this process the author produces works entitled 1) "Berlash", 2) "Boats and the moon", 3. "Equipment", 4) "Reliable Sailers", 5) "Stranded", and 6) "Remembrance" It can be concluded that the author created the work because of his interest in embossed leaves, with ideas originating from phenomena captured at the Kaki Bisma Batan Timbul studio and reading reference sources from the internet. At the processing stage, the writer combines the techniques from the MBKM results and the techniques that the writer gets on campus, to be realized in 2-dimensional From all these processes it is hoped that one can find identity in work.
Shoes Combine Painting and Patchwork Endek as A Business Opportunity Abdini, Ni Gusti Ayu Arum; Gunawan, I Wayan; Supriyatini, Sri
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2863

Abstract

Implementation of MBKM Entrepreneurship with Mitra Agung Bali Collection which is engaged in the fashion industryengaged in the development of weaving designs of weaving feed or endek fabrics with the characteristics of air brustechnique and surface design. In the development of surface design, Agung Bali Collection prioritizes creativity and innovation as well as art skills with gold, silver, pearl and glitter colors with massage canting techniques. During the MBKM Entrepreneurship process, the author developed a painting shoe product with a combination of patchwork. Thecombination of fabric pasting, sewing and painting techniques is intended to create an impression of aesthetic value inthe shoes chosen as a medium. The marketing that the author does is based offline and online, with promotions throughwhatsapp and Instagram. The types of research methods used are included in quantitative research and observation asdata collection methods. The results obtained were 6 shoe products combining patchwork endek with the title Roro, Gelombang Air, Daun Ginkgo, Sudut Pandang, Paus dan Galaksi.
Handmade Painting on an Oversized T-shirt with Balinese Motif Ornaments at the Agung Bali Collection Putra, Fachri Permana; Budiarta, I Dewa Putu Gede; Supriyatini, Sri
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2993

Abstract

The thesis with the title Handmade painting on an oversized t-shirt with Balinese motif ornaments at the Agung Bali Collection is motivated by the start-up world which is increasingly rampant in society. The author has hopes in the future to become an artist and also have a business. By conducting research at the Agung Bali Collection, the authors gain entrepreneurial knowledge such as management science, marketing science, capital and so on. By having this entrepreneurial knowledge, the author has an idea to market his work. Because it's not enough just to make a work, you also have to know how to market and manage it. The stages in conducting this research are exploration, interviews and analysis. The author conducts exploration first, looking for research on knowledge developed by partners. After that, interviews were conducted with the aim of collecting data and research documentation. Finally, analysis is carried out by analyzing the research and documentation obtained and then adjusting it to the tastes of the market and society. An oversized painted t-shirt was formed. oversized t-shirts are chosen because they are on the rise in society. The capital obtained is approximately one million rupiah. The author also has his own branding, namely Fach handmade painting. Fach is taken from the author's name "Fachri". In the MBKM TA, the author created six works with surface designs from the Agung Bali Collection. Marketing used through the social media platform Instagram and dissemination.
Sanghyang Sampat Dance in Puluk - Puluk Village as an Idea for Creating Painting Works Putra, I Gede Agus Adnyana; Supriyatini, Sri; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3004

Abstract

This independent study report has the theme Sanghyang Sampat Dance in Puluk-Puluk Village as an Idea to Create Paintings. The choice of partners in Galung Wiratmaja is due to their different characteristics from the others. The specialty in terms of choosing color mixing, the choice of painting objects tends to be in the form of imagination in the form of the natural environment. The visual appearance created has an appeal, because taking objects displays the back of the object and creates an impression of interest to those who see it. Sanghyang Sampat is a tradition that developed in the village of Puluk-Puluk Penebel, Tabanan, this tradition exists for the welfare of people who have livelihoods as farmers. Sanghyang Sampat dance is a Bugis tradition that is highly trusted by the local community. Art as an element of culture is also born as a result of the demands of religious activity. There are many ways to preserve the Sanghyang Sampat Dance Tradition, one of which is by visualizing the dance in a painting medium, to encourage the creation of various symbolic-magical art forms which are representations of something abstract. In inspiring the Sanghyang Sampat Dance, artists process their visual forms into forms of personal expression, and there are also those who bring it up through an interpretation of the meaning and value of sanghyang sampat, which in visualization may give rise to new forms as personal codes. in his work. In this case, the Sanghyang Sampat Dance is a source of ideas for artists in creating modern works of art without leaving traditional values behind.
Co-Authors Abdini, Ni Gusti Ayu Arum Agus Deddy Krisna Adi Saputra, I Putu Budiarta, I Dewa Putu Gede Dewi, Nur Warninda Ega Arsana, I Wayan Gulendra, I Wayan I Nengah Wirakesuma, I Nengah I Wayan Gunawan, I Wayan I Wayan Sujana Putra, Fachri Permana Putra, I Gede Agus Adnyana Rajagukguk, Kevin Gerald Raphael Tan, Joseph Sumarjaya Putra, I Made Adi Tjokropramono, I Gede Yosef Wayan Karja