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All Journal NALARs Sinergi Journal of Architectural Design and Urbanism Astonjadro DIMENSI: Journal of Architecture and Built Environment Jurnal Lingkungan Binaan Indonesia Eduvest - Journal of Universal Studies Sewagati Jurnal Arsitektur ARCADE
Novianto, Didit
Institut Teknologi Sepuluh Nopember
Aerospace Engineering Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Neuroscience Public Health Social Sciences Other

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Prinsip Keberlanjutan dan Ketahanan Lingkungan pada Rumah Tongkonan Toraja Muhammad Bintang Nabilunnuha; Didit Novianto
Jurnal Lingkungan Binaan Indonesia Vol. 11 No. 1 (2022): JLBI
Publisher : Ikatan Peneliti Lingkungan Binaan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (410.643 KB) | DOI: 10.32315/jlbi.v11i01.79

Abstract

Rumah Tongkonan merupakan rumah adat Suku Toraja dari Provinsi Sulawesi Selatan yang mencoba bertahan hingga saat ini sebagai wujud kekayaan Arsitektur Nusantara. Meskipun begitu, rumah konstruksi kayu sudah mulai ditinggalkan karena diklaim tidak tahan lama dan tidak sesuai dengan kebutuhan manusia modern. Penelitian ini bertujuan untuk menganalisis tentang prinsip struktur, keberlanjutan, ketahanan, dan pemaknaan bangunan Rumah Tongkonan serta kaitannya terhadap lingkungan. Metode penelitian yang digunakan merupakan metode deskriptif-kualitatif melalui studi literatur dan analisis eksplorasi yang diharapkan mampu memperoleh pembuktian yang sulit didapat dari lapangan. Hasil dari analisis eksplorasi pada studi ini ditemukan bahwa, pertama, desain berwawasan lingkungan Rumah Tongkonan merupakan wujud respon arsitektural terhadap kondisi alam, iklim dan geografi di suatu daerah. Kedua, dari segi struktur dan konstruksi, struktur Tongkon pada Rumah Tongkonan menerapkan sistem konstruksi yang berkelanjutan dan memiliki ketahanan yang baik. Ketiga, rancangan berkelanjutan tidak hanya melalui bentuk fisik tetapi juga dari pemaknaan dalam Rumah Tongkonan melalui bahasa bentuk. Artikel ini menyimpulkan, karena keseluruhan prinsip desain arsitekturnya membuat rumah ini bertahan hingga kini maka Rumah Tongkonan masih relevan dan perlu diadaptasi serta dikembangkan dalam arsitektur kontemporer di Indonesia. Tongkonan is a traditional Toraja house from South Sulawesi that attempts to remain as an example of Archipelago (Nusantara) architecture. Nonetheless, due to concerns about longevity and compatibility with modern lives, timber-built houses have begun to be abandoned. The purpose of this research is to examine the Tongkonan building's structural principles, sustainability, resilience, significance, and relationship to the environment. The research methodologies included doing a descriptive-qualitative literature review and exploratory analysis to gather evidence that was difficult to get from the field survey. The findings revealed that, first and foremost, Tongkonan House's environmentally friendly design is a sort of architectural reaction to the site's natural circumstances, climate, and geography. Secondly, the Tongkon structure applied a sustainable construction system and was highly resilient in terms of structure and construction. Finally, in Tongkonan, sustainability is about physical form and meaning through the language of form. According to this report, the general architectural design principles have allowed this home to exist till now. Therefore, Tongkonan House is still relevant, and it has to be updated and improved in modern Indonesian architecture.
Pemetaan Arsitektur Tradisional Taneyan Lanjhang Madura: Studi Kasus Desa Alang-Alang, Kecamatan Tragah Novianto, Didit; Hidayat, Rusyda Tamma; Bhanuwati, Syafa Ailsa Dewi
Sewagati Vol 8 No 2 (2024)
Publisher : Pusat Publikasi ITS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/j26139960.v8i2.916

Abstract

Pengabdian ini memiliki tujuan untuk mengeksplorasi serta menganalisis perubahan dan adaptasi dalam arsitektur tradisional Taneyan Lanjheng di Desa Alang-Alang. Proses Pengabdian dilaksanakan dengan sejumlah metode yang diterapkan secara bersamaan oleh tim-tim yang terlibat dalam Pengabdian ini. Metode-metode tersebut mencakup pemetaan yang dilakukan melalui dokumentasi drone serta observasi lapangan yang melibatkan dokumentasi foto dan sketsa bangunan untuk memahami konstruksi dan material yang digunakan, serta melibatkan wawancara dengan pihak terkait. Hasil Pengabdian ini mengungkapkan bahwa arsitektur tradisional Taneyan Lanjhang di Desa Alang-Alang mengalami transformasi yang signifikan. Meskipun rumah-rumah tradisional mengadopsi material dan elemen modern, nilai-nilai budaya seperti penataan ruangan, tatanan sosial, dan tradisi keluarga tetap dipertahankan. Dengan penggunaan warna, ornamen, dan material tradisional yang khas, rumah-rumah tersebut mencerminkan keragaman budaya masyarakat Taneyan Lanjhang. Adaptasi ini menggambarkan dinamika antara pelestarian warisan budaya dan kemajuan zaman, menunjukkan kesinambungan budaya dalam merespons perubahan nilai dan teknologi modern. Hasil Pengabdian ini memperlihatkan bagaimana masyarakat beradaptasi dengan perubahan zaman, menciptakan harmoni antara tradisi dan modernitas, dan menggambarkan pentingnya keberlanjutan budaya dalam menghadapi tantangan teknologi modern. Pengabdian ini memungkinkan masyarakat lokal dan pihak berkepentingan lainnya untuk memahami nilai-nilai budaya yang tertanam dalam arsitektur, yang pada gilirannya dapat mendukung pelestarian budaya dan mempromosikan penghargaan terhadap warisan lokal.
Extraction Process of Precedent Study in the Student Studio Scheme Pakiding, Hana Ardina Putri; Hayati, Arina; Novianto, Didit
Journal of Architectural Design and Urbanism Vol 6, No 2 (2024): Volume 6 Number 2, 2024
Publisher : Department of Architecture, Faculty of Engineering, Universitas Diponegoro, Indonesia.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jadu.v6i2.19774

Abstract

A precedent is a piece of design knowledge that acts as an input to the design process. On the other hand, the originality of architectural design is built from many interpretations that occur within the designers, including the performance in the precedent study. However, more information still needs to be provided about how students seek, read, and apply precedents during the naturally occurring design process. Architecture students have limitations in developing a design, considering they need more experience and knowledge than practitioners. This research is based on the learning-by-doing experienced by architecture students when designing a housing project. The research is conducted with the participant of second-year architecture students, which includes observation during the studio class and interview. The portfolio documents are also used to support the data itself. The result shows that architectural precedents are sought almost in every phase of the design process. The precedent that has already been seen or even analyzed becomes part of the designer’s tacit knowledge.
Preference technique: deceptive visual representations in the digital realm Heriyanto, Niccolas Troy Putra; Hayati, Arina; Novianto, Didit
SINERGI Vol 28, No 3 (2024)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/sinergi.2024.3.017

Abstract

In the digital era, architectural designs can be quickly visualized. However, the material abstraction from digital visualization tools may reduce immersion and make it hard to recognize design intention. This paper discusses how architectural students acknowledge the design representation despite various ways of visualization. Material is key to visualizing architecture by adding realism, depth, and texture. People create mental concepts of material beyond words. Thus, design representations can have positive or negative impacts depending on how effectively the idea is delivered to the audience. This study uses a quantitative method to investigate the extent to which the preference technique of students represents the design’s idea. The study's main objective is to identify the criteria for representation that effectively convey the designer's intentions while minimizing visual deception. The analyzed data is classified into three archetypes consisting of (1) the student’s previous knowledge about representation, (2) the intention of design representation, and (3) mass and material in representation. The result shows no strict correlation between previous knowledge and the preferred idea representation technique. Yet, the result indicates a correlation between previous knowledge and techniques used to represent material. The photorealism technique is preferable in representing the clarity of material in representation. Photorealism has advantages in showing the quality of shade in the material. On the other hand, respondents tend to choose to use sketches to show information about scale and mass. The research comprehensively explains this phenomenon in the context of positive theory, particularly in design communication and representation.
KAJIAN TRANSFORMASI RUANG BERSEJARAH MELALUI KONSEP ADAPTIVE REUSE DI DE TJOLOMADOE SURAKARTA Fanaya, Fachrizal Sabilineo; Septanti, Dewi; Novianto, Didit
NALARs Vol. 24 No. 1 (2025): NALARs Vol 24 No 1 Januari 2025
Publisher : Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/nalars.24.1.%p

Abstract

Adaptive reuse merupakan pendekatan pemanfaatan kembali bangunan tua bersejarah terabaikan diubah fungsinya menjadi fungsi baru yang populer di berbagai negara, tak terkecuali di Indonesia. Surakarta, kota yang kaya akan sejarah, berupaya menerapkan konservasi dengan adaptive reuse, pada De Tjolomadoe. Penelitian ini bertujuan untuk mengidentifikasi dan menganalisis implementasi konsep adaptive reuse pada bangunan bersejarah di Kota Surakarta, khususnya di Museum De Tjolomadoe. Metode penelitian kualitatif naratif digunakan untuk melihat perubahan fungsi dan struktur bangunan serta dampaknya terhadap transformasi sejarah dan warisan budaya. Penelitian ini melibatkan pengumpulan data melalui studi pustaka terkait teori adaptive reuse, observasi lapangan pada objek bangunan, analisis dokumentasi bangunan dan dokumen arsip terdahulu sebagai pembanding. Hasil penelitian menunjukkan bahwa setiap aspek arsitektur yang diteliti, yang terdiri dari bentuk, fasad, interior, material, dan struktur mengalami perubahan. Aspek bentuk, fasad, dan struktur juga mengalami perubahan yang tidak signifikan pada masing-masing empat dimensi dengan masih mempertahankan karakter dan poin-poin penting dari setiap bagian. Di sisi lain, variabel interior dan material merupakan bagian yang mengalami perubahan signifikan. Misalnya saja bagian besali, stasiun puteran, dan stasiun pengepakan yang berubah menjadi cafe dan hall. Merupakan ruang yang mengalami perubahan signifikan, bahkan sudah kehilangan karakteristik ruang tersebut sebagai tempat pengolahan gula. Di antara material tersebut, ada yang cukup kuat, terutama di area yang dekat dengan dan melekat pada pengolahan mesin, namun secara keseluruhan, material baru ini tidak terbatas pada apa yang terlihat pada sisi bangunan itu juga ada pada struktur utama bangunan yang sudah mengalami permabharuan dengan material-material baru.Adaptive reuse is an approach that repurposes abandoned historic buildings by transforming them into new functional spaces, a practice prevalent in various countries, including Indonesia. Surakarta, a rich historical city, strives to apply conservation through adaptive reuse, particularly at De Tjolomadoe. This study aims to identify and analyze the implementation of the adaptive reuse concept in historic buildings in Surakarta, specifically at the De Tjolomadoe Museum. A qualitative narrative research method is used to observe changes in the building's function and structure and their impact on the transformation of history and cultural heritage. Data collection involves literature reviews on adaptive reuse theory, field observations of the building, analysis of building documentation, and archival documents for comparison. The findings indicate that every architectural aspect studied changed, including form, facade, interior, material, and structure. The form, facade, and structure experienced minimal changes in the four dimensions, maintaining each part's character and key features. In contrast, the interior and material variables experienced significant changes. For instance, areas like the besali, spinning station, and packing station have been transformed into a cafe and hall, undergoing substantial changes that resulted in the loss of their original characteristics as sugar processing spaces. Among the materials, some remain strong, especially in areas close to and integrated with the processing machinery. However, the new materials are not limited to the building's visible parts but also include updates to the main structure with new materials.
Implementing Fractal to Define Balinese Traditional Architectural Facade Beauty: The Kori Agung Aisyah, Khansa Salma; Noerwasito, Vincentius Totok; Novianto, Didit
Dimensi: Journal of Architecture and Built Environment Vol. 50 No. 2 (2023): DECEMBER 2023
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.50.2.111-126

Abstract

Fractals have been theoretically used to explain visual beauty from the urban scale to the context of architectural facades. How we perceive the visual beauty of architecture is likely dependent on subjectivity. However, the fractal is applicable for defining visual beauty and as a quantifiable method that provides objectivity for analysis. Previous research has used fractals, particularly in faca­des, to determine the beauty in complex geometry and quantify the complexity. However, the application of fractals in traditional architecture remains to be explored. Therefore, this article will discuss in detail how fractal is a suitable method to study the visual beauty of traditional architectural facades using fractal geometry and fractal dimension index. The case used to illustrate the imple­mentation is Kori Agung of Balinese traditional architecture, known for its grandeur and luxurious facade images. It embodies the visual beauty of its facade due to its textured, layered, and complex visual appearance.
TRANSFORMATION OF FORM, FUNCTION, AND MEANING SACRED SPACE OF GEDHONG JENE KRATON YOGYAKARTA Kuncoro, Denok Estu; Setijanti, Purwanita; Novianto, Didit
Jurnal Arsitektur ARCADE Vol 8 No 2 (2024): Jurnal Arsitektur ARCADE Juni 2024
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Abstract: The fusion of cultural and social accumulations is capable of creating architectural works with specific functions and meanings. In Indonesia, Kraton Yogyakarta, which continues to uphold its role as a traditional palace. However, the transition from an absolute monarchy to a republic, has led the transformation in form, functions, and meanings of spaces in the kraton. Spaces previously used by the king now serve different functions, sacred spaces are repurposed for more general purposes. Gedhong Jene, one of these spaces, responds to these changes, evidencing an adaptation from a space exclusively for the king to a more inclusive functionThis research aims to conduct an analysis of the transformation of Gedhong Jene as a reflection of the dynamic political and socio-cultural developments within the Kraton Yogyakarta. Used qualitative approaches, the study will explore the change in function and meaning of Gedhong Jene's space, considering both its architectural and non-architectural elements. Data gathered from observations, interviews, and archival documents will be analyzed using descriptive criticism.The research findings revealed significant changes in Gedhong Jene, particularly in its static and dynamic aspects. However, the building exhibited more complex functionality following these alterations. Keyword: Transformation of Sacred Space, Gedhong Jene, Kraton YogyakartaAbstrak: Perpaduan akumulasi budaya dan sosial mampu menghasilkan karya arsitektur yang memiliki fungsi dan makna tertentu. Di Indonesia, salah satunya adalah Kraton Yogyakarta yang hingga saat ini masih memegang peranannya sebagai kerajaan tradisional. Namun, seiring adanya perubahan sistem pemerintahan absolut ke sistem republik, hal ini berdampak pada perubahan bentuk dan pergeseran fungsi dan makna ruang di dalam kraton. Ruang-ruang yang sebelumnya digunakan hanya untuk keperluan raja kini memiliki fungsi yang berbeda, ruang-ruang yang dianggap sakral difungsikan untuk tujuan yang lebih umum. Gedhong Jene, salah satu ruang yang merespons perubahan tersebut. Bangunan ini menjadi bukti adanya adaptasi dari ruang sakral yang hanya digunakan untuk raja menjadi lebih inklusif. Penelitian ini bertujuan untuk melakukan analisis mendalam terhadap perubahan ruang Gedhong Jene sebagai cerminan dari perkembangan dinamika politik dan sosial budaya yang terjadi di Kraton Yogyakarta. Penelitian kualitatif digunakan untuk mengeksplorasi perubahan bentuk, fungsi, dan makna ruang Gedhong Jene dilihat dari elemen-elemen arsitektur maupun non-arsitekturnya. Data didapatkan dari observasi, wawancara, serta penggunaan dokumen arsip kraton yang nantinya akan dianalisis menggunakan descriptive criticism. Hasil dari penelitian ini menunjukkan adanya perubahan yang signifikan pada Gedhong Jene, terutama dalam aspek statis dan dinamisnya. Namun, bangunan menunjukkan fungsionalitas yang lebih kompleks setelah adanya perubahan.Kata Kunci: Transformasi Ruang Sakral, Gedhong Jene, Kraton Yogyakarta
Architect Aesthetic Concept in WYAH Art and Creative Space Cafe Building Ubud, Bali Widyawati, Anak Agung Ayu Pratiwi; Rachmawati, Murni; Novianto, Didit
ASTONJADRO Vol. 12 No. 3 (2023): ASTONJADRO
Publisher : Universitas Ibn Khaldun Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32832/astonjadro.v12i3.14375

Abstract

The concept of architectural aesthetics is closely related to the architect who designed it. Architectural works of art today do not only consider the function and robustness of the structure, but also the aesthetic aspects. Current architectural developments show the trend of developing cafe buildings with unique designs that are owned as an attraction, one of which is the WYAH Art and Creative Space cafe building. This affects architects and is expected to be able to create buildings with new innovations that are unique and aesthetically attractive. This study aims to identify the aesthetic concepts applied by architects in WYAH cafe buildings. Based on the research objectives, this study uses a qualitative strategy with a phenomenology approach. The analysis technique used is content analysis and interpretive architectural criticism. The result obtained is that the aesthetic concept applied by the architect in the process of designing the WYAH cafe building adopts the surrounding nature potentials (utilizing land conditions). The implication is that this building becomes an attraction and attracts the interest of many visitors, so it can be concluded that the architect's aesthetic concept is an important value in the process of designing architectural works.
Form of Spatial Flexibility in Lanting House Dwellings in Palangka Raya City Antony, Febrian Rizqi; Septanti, Dewi; Novianto, Didit
Eduvest - Journal of Universal Studies Vol. 5 No. 9 (2025): Eduvest - Journal of Universal Studies
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/eduvest.v5i9.52040

Abstract

The geographical condition of Kalimantan Island, which has many rivers, indirectly influences the formation of the city’s character. This condition led to the formation of river culture or defined as a civilization based around rivers. This led to the presence of lanting houses as an architectural product resulting from river culture. The issue that is currently developing is maintaining the architectural products of lanting houses, which are the identity of the City of Palangka Raya and must be preserved. The problem that occurs is that residents of lanting houses have challenges, namely limited space. Limited space makes residents of lanting houses use the space in lanting houses as efficiently as possible. Lanting house residents adapt to complex and varied activities by adjusting the space in the lanting house. This research examines the form of an individual’s ability to adapt to limited space through spatial flexibility in a lanting house. This research uses a mixed method to review phenomena based on experiences with architecture. The phenomenon referred to in this research is the experience of the residents of the lanting house regarding limited space. It is hoped that this research can provide an overview of the forms of spatial flexibility that occur in limited spaces in buildings on water or lanting houses in Palangka Raya City. The research implications contribute to sustainable housing development strategies for riverine communities, inform cultural preservation policies for traditional architecture, and provide design guidelines for space-efficient dwelling solutions in water-based settlements.
Cultural Resonance: Enhancing Heritage Identity of Spaces with Digital Engagement Kurniawan, Gabriel Joshua; Soemardiono, Bambang; Novianto, Didit
Journal of Architectural Design and Urbanism Vol 7, No 2 (2025): Volume 7 No 2, 2025
Publisher : Department of Architecture, Faculty of Engineering, Universitas Diponegoro, Indonesia.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jadu.v7i2.25489

Abstract

Heritage buildings serve as vital markers of cultural identity, historical continuity, and collective memory within the urban landscape. Yet in the context of accelerating urban development, many of these sites suffer from declining relevance, physical neglect, and weakening emotional connections with contemporary communities. This study explores the potential of digital placemaking as an innovative approach to revitalize the cultural significance and public engagement of heritage buildings. By integrating digital technologies with architectural space, digital placemaking reimagines these structures as interactive, inclusive, and emotionally resonant environments that bridge past and present. Employing a qualitative research methodology, this study draws from literature reviews, site analysis, community narratives, and design conceptualization to formulate a framework that supports the transformation of underutilized heritage sites into dynamic public spaces. The research highlights the importance of memory, identity, and cultural resonance as central components of revitalization efforts, proposing a layered approach that merges physical preservation with meaningful digital engagement. The outcomes of this study offer both theoretical and practical contributions to the fields of architectural design and heritage conservation, emphasizing the need for interdisciplinary, adaptive, and community-sensitive methods. This approach ensures that heritage buildings remain relevant, accessible, and culturally valuable in contemporary urban life.
Co-Authors Aisyah, Khansa Salma Antony, Febrian Rizqi Arina Hayati Bambang Soemardiono Bhanuwati, Syafa Ailsa Dewi Dewi Septanti Fanaya, Fachrizal Sabilineo Heriyanto, Niccolas Troy Putra Hidayat, Rusyda Tamma Kuncoro, Denok Estu Kurniawan, Gabriel Joshua Muhammad Bintang Nabilunnuha Muhammad Bintang Nabilunnuha Murni Rachmawati Pakiding, Hana Ardina Putri Purwanita Setijanti Vincentius Totok Noerwasito Widyawati, Anak Agung Ayu Pratiwi