Haryo Tejo Bawono
Department of Philosophy, Parahyangan Catholic University, Bandung

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Mengimajinasikan Ulang “Yang Sakral”: Anateisme, Pertaruhan, dan Hal-Hal yang Tidak Selesai Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 36 No. 2 (2020)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v36i2.5376

Abstract

Religion has often been defined as a response to the sacred. However, this also means that religion is considered meaningful if only one has an idea of the sacred. The problem surfaces when religion seems to be dominated with its brutal and savage face. In these tendencies, any criticism addressed to religion or any suggestion for the sake of changing views about religion will never be considered meaningful or taken into account if the believers do not touch the issue of the sacred at all. This article invites its readers to explore and to reimagine the idea of the sacred and at the same time offers different and imaginative perspectives in the light of Richard Kearney’s concept of anatheism. Humans do not need to separate the sacred from the so-called sensus numinis, not only because they can become and move towards the sacred, but because their lives, bodies, minds, and actions are esentially sacred.
Book & Film Reviews Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 37 No. 3 (2021)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v37i3.7095

Abstract

Book & Film Reviews is a column in "MELINTAS" containing reviews of books and films published recently that bring different interpretation and inspiration to the fields of philosophy and religion.
Mata Bestari, Benak Meraki: Menuju Budaya Post-Visual Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 38 No. 1 (2022)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v38i1.7100

Abstract

The history of philosophy can be seen from a perspective as a story about the struggle between vision and visuality. In this space, at least during the Enlightenment period, seeing becomes one of the most decisive factors for knowing. ‘Seeing’ is no longer understood simply as a biological activity leading to knowing (“seeing is knowing”) but also a category and a catalog of knowledge (“seeing is believing”). Postmodernism shows that what actually happens is often exactly the opposite (“believing is seeing”). By starting with some kind of trust, people claim that they can see. There is a very close relationship and also a wide separation between seeing and knowing, that is, between the eye and the mind. However, in today’s cinematic society or visual and digital culture, the boundaries or bridges between the eye and the mind are becoming increasingly blurred. In this blurring of boundaries, the eye becomes simply a sort of camera machine: whatever is in front of it becomes a ‘prey’ and becomes something that is considered finished, and is threatened of being defined definitively and coldly. This is a challenge for philosophy. This article is an invitation to an awareness of the trend towards the fading boundaries, and simultaneously deals with the dangers of its unawareness. Insofar as one is aware of this tendency, can the bestari eyes (the educated eyes) and the meraki minds (the beautiful minds) be created.
Book & Film Reviews Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 38 No. 1 (2022)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v38i1.7102

Abstract

Book & Film Reviews is a column in "MELINTAS" containing reviews of books and films published recently that bring different interpretation and inspiration to the fields of philosophy and religion.
Film-Filsafat, Filsafat-Film, atau Apa? Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 40 No. 1 (2024)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v40i1.8644

Abstract

Book & Film Reviews is a column in "MELINTAS" containing reviews of books and films published recently that bring different interpretation and inspiration to the fields of philosophy and religion.
Merawat Rasa dan Bunyi dalam Kehidupan dan Film Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 40 No. 1 (2024)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v40i1.8645

Abstract

Book & Film Reviews is a column in "MELINTAS" containing reviews of books and films published recently that bring different interpretation and inspiration to the fields of philosophy and religion.
Atensi, Koneksi-Diskoneksi, dan Hal-Hal yang Mempersulitnya Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 40 No. 2 (2024)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v40i2.8651

Abstract

Book & Film Reviews is a column in "MELINTAS" containing reviews of books and films published recently that bring different interpretation and inspiration to the fields of philosophy and religion.
Bunyi yang Tercecer dari Hannah Arendt Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 40 No. 2 (2024)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v40i2.8652

Abstract

Book & Film Reviews is a column in "MELINTAS" containing reviews of books and films published recently that bring different interpretation and inspiration to the fields of philosophy and religion.
Film Review - Either/ Or Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 29 No. 1 (2013)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v29i1.276.99-103

Abstract

Bercerita (storytelling) membutuhkan teknik tersendiri agar pesan yang ingin disampaikan diterima dengan baik. Sang Sutradara, Ang Lee (Crouching Tiger, Hidden Dragon, Brokeback Mountain), menggunakan teknik visual modern untuk menyampaikan pesan dalam film ini. Selama lebih dari dua jam kita akan disodori sebuah 'pesona visual.' Kecanggihan teknologi, para pemain yang memerankan bagian mereka dengan sangat baik, plot yang imajinatif, menjadikan film yang diangkat dari novel berjudul sama ini seperti sebuah petualangan Ulysses dalam dunia modern yang ditaburi tawa dan tangis, kecemasan dan kekaguman, kompleksitas dan kesederhanaan. Tapi, mari kembali ke film-itu-sendiri, pada cerita-itu-sendiri. Pesan apakah yang hendak diartikulasikan melalui film ini?
Film Review - Meninggalkan Rumah Sang Ada Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 28 No. 3 (2012)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v28i3.277.345-348

Abstract

Sebuah ruang dan sepasang orang. Itu saja dan ditambah dengan percakapan berdurasi hampir satu setengah jam. Namun tidak sedetikpun menyisip kebosanan. Film yang merupakan adaptasi dari novel berjudul sama karya Cormac McCarthy – penulis yang pernah diganjar Pulitzer – ini adalah sebuah pernyataan yang lantang bahwa untuk membuat sebuah film yang baik ada tiga pilar yang jangan sampai dilalaikan: ide, karakter, dan dialog. Selebihnya adalah ornamentalitas, yang meskipun penting juga namun tidak memberikan tambahan pada “bobot” sebuah film. Ini adalah film dalam bentuknya yang murni, perpaduan yang apik antara content dan container, dan karenanya perlu didekati dengan tarian rasa dan ketertiban rasio. Pelbagai detail dalam film ini adalah nilai tambah yang sangat indah, memiliki kedalaman yang tidak pura-pura dan kontur warna yang berpadu gemilang.