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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi Lekesan: Interdisciplinary Journal of Asia Pacific Arts Panggung Lakon Jurnal Pengkajian & Penciptaan Wayang JURNAL SUMBER DAYA AIR At-Tauzi: Jurnal Ekonomi Islam Pillar of Physics: Jurnal Berkala Ilmiah Fisika Panggung Proceeding of International Conference on Art, Media, and Culture (ICAMAC)
Sugeng Nugroho
Unknown Affiliation
Arts Humanities Civil Engineering, Building, Construction & Architecture Earth & Planetary Sciences Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Physics Social Sciences

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Study on tools and measuring results of wind speed using the agroclimate automatic weather station (AAWS) instrument at BMKG Sicincin Astuti Kirana Fachry; Zulhendri Kamus; Sugeng Nugroho
PILLAR OF PHYSICS Vol 9 (2017)
Publisher : Department of Physics – Universitas Negeri Padang UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (412.694 KB) | DOI: 10.24036/2500171074

Abstract

Wind speed and direction is required data in agriculture. Wind speed and direction will usually help pollinate plants, but it can also be  used for the determination of the future grow. One of  the instrument  used to determine wind speed and direction are AAWS (Agroclimate Automated Weather Station). This  instrument is used to measure weather elements Unsu-one speed and direction of this AAWS angin.Pada for measuring the weather elements such as wind speed and direction using an ultrasonic anemometer. The wind data must first be processed and analyzed so that it becomes useful information, one result is a diagram windrose plot (WRPLOT). WRPLOT can perform calculations in generating wind rose diagrams and frequency distribution of wind data quickly so that the information resulting from the analysis of wind speed and direction to be more informative and interactive. From the analysis of the measurement data of wind speed and  direction were performed using WRPLOT showed, that the wind speed in the morning with a range 2,1-3,6m / s blowing from the southwest. During the day the wind speed decreased to 0.5 to 2.1 m / s blowing from the northeast and east. While at night the average wind speed was 0.5 to 2.1 m / s blowing from the northeast and east as well.
Pertunjukan Wayang Babad Nusantara: Wahana Pengajaran Nilai Kebangsaan bagi Generasi Muda Sunardi -; Sugeng Nugroho; Kuwato -
PANGGUNG Vol 26, No 2 (2016): Semiotika, Estetika, dan Kreativitas Visual Budaya
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (487.024 KB) | DOI: 10.26742/panggung.v26i2.176

Abstract

ABSTRACT Wayang Babad Nusantara  represents a creation  of a shadow puppet show which  used as a means of transmission  of nationalism  values  towards younger  generations.  This type  of show has the aspect  of innovations  in several  elements  of pakeliran,  which are: the heroic story  of National  heroes’ struggle, the authentic  puppets bas on the reinterpretation  of the figure in the history, a new musical score, and the scene-system with the shadow puppet show structure.  This show is interestingly  wrapped with the story of Gajah Mada. The spirit of these figure  serves as the good example for young  generations  to love their  country.  The  nationalism  value,  which contain  the teaching  of patriotism  and allegiance can build the awareness  of the children  of the nation  so that they will always  love the land  of Indonesia. Keywords: Babad shadow puppet, nationalism  values,  young  generations     ABSTRAK Wayang Babad Nusantara merupakan rekayasa model pertunjukan wayang yang dipergunakan sebagai wahana transmisi nilai-nilai kebangsaan bagi generasi muda. Pertunjukan wayang ini memiliki kebaruan dalam berbagai unsur pakeliran, yaitu: cerita sejarah perjuangan pahlawan bangsa, boneka wayang hasil reinterpretasi dari figur tokoh, musik komposisi baru, dan sistem pengadegan dengan struktur pertunjukan wayang. Pertunjukan wayang ini dikemas secara menarik dengan menyajikan cerita Gajah Mada. Spirit perjuangan tokoh Gajah Mada ini memberikan suri teladan bagi generasi muda untuk selalu cinta tanah air. Nilai kebangsaan yang memuat ajaran mengenai patriotisme dan nasionalisme memberikan kesadaran dan menggugah kesadaran anak bangsa untuk selalu mencintai Tanah Air Indonesia. Kata kunci: wayang babad, nilai kebangsaan, generasi muda
PREFERENSI PEDAGANG PASAR TRADISIONAL DALAM MEMILIH JASA MODAL USAHA PADA LEMBAGA KEUANGAN DI MASA PANDEMI COVID-19 Sugeng Nugroho
At-Tauzi : Jurnal Ekonomi Islam Vol 21 No 2 (2021): Vol 21 no 2 / Desember 2021
Publisher : Pusat Studi Ekonomi Islam Sekolah Tinggi Ekonomi Islam Hamfara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37820/attauzi.v21i2.129

Abstract

This study aims to find the factors that influence Traditional Market Traders – as a potential market for Financial Institutions, in choosing credit or financing products for business capital development during the covid-19 pandemic. This study tries to rule out the existence of a social capital network for the covid-19 pandemic.This study uses a quantitative data approach that was collected from a number of 100 respondents using a 5 Likert scale questionnaire. The sampling technique used non-probability quota sampling, with a total of 14 questionnaire items (dimensions). The analysis technique using Multi Dimension Scaling (MDS) with the help of SPSS Version 25 found five factors that influence the decision to choose business capital products from financial institutions, namely: the people factor (sympathetic and familiar officers); process factor (administration and easy/fast disbursement); empathy factor (loan funds are greater than the value of the collateral); factor product (many customers who take); and price factor (low interest rate/profit sharing)
Internalization of Local Wisdom Value through I-Spring Technology- Based Art and Culture Learning Mizron Zen Fatro; Edy Tri Sulistyo; Sugeng Nugroho
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 2 No. 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v2i1.748

Abstract

The social change dynamic in globalization era impacts on the students’ reduced love to local wisdom culture so that they understand poorly the meaning of local wisdom culture existence as cultural heritage rich of life prudence values. This research aimed to analyse the internalization of local wisdom culture values through I-Spring technology-based art and culture learning. The unit of analysis used in this qualitative research with case study approach was the stakeholders of SMA Batik 2 Surakarta selected using purposive sampling technique. Techniques of collecting data used were observation, in-depth interview, and documentation. Data validation was carried out using source triangulation, while data analysis was carried out using an interactive model. The result of research showed that I-Spring technology-based art and culture learning could be a learning media facilitating the students to internalize local wisdom culture values. Through I-Spring learning media, students could internalize, externalize, and objectify local wisdom values in order to achieve the balance of students’ conscience, supra-ritual, and intellectuality related to God through the content of local wisdom values.
Pertunjukan Wayang Babad Nusantara: Wahana Pengajaran Nilai Kebangsaan bagi Generasi Muda Sunardi -; Sugeng Nugroho; Kuwato -
PANGGUNG Vol 26 No 2 (2016): Semiotika, Estetika, dan Kreativitas Visual Budaya
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v26i2.176

Abstract

ABSTRACT Wayang Babad Nusantara  represents a creation  of a shadow puppet show which  used as a means of transmission  of nationalism  values  towards younger  generations.  This type  of show has the aspect  of innovations  in several  elements  of pakeliran,  which are: the heroic story  of National  heroes’ struggle, the authentic  puppets bas on the reinterpretation  of the figure in the history, a new musical score, and the scene-system with the shadow puppet show structure.  This show is interestingly  wrapped with the story of Gajah Mada. The spirit of these figure  serves as the good example for young  generations  to love their  country.  The  nationalism  value,  which contain  the teaching  of patriotism  and allegiance can build the awareness  of the children  of the nation  so that they will always  love the land  of Indonesia. Keywords: Babad shadow puppet, nationalism  values,  young  generations     ABSTRAK Wayang Babad Nusantara merupakan rekayasa model pertunjukan wayang yang dipergunakan sebagai wahana transmisi nilai-nilai kebangsaan bagi generasi muda. Pertunjukan wayang ini memiliki kebaruan dalam berbagai unsur pakeliran, yaitu: cerita sejarah perjuangan pahlawan bangsa, boneka wayang hasil reinterpretasi dari figur tokoh, musik komposisi baru, dan sistem pengadegan dengan struktur pertunjukan wayang. Pertunjukan wayang ini dikemas secara menarik dengan menyajikan cerita Gajah Mada. Spirit perjuangan tokoh Gajah Mada ini memberikan suri teladan bagi generasi muda untuk selalu cinta tanah air. Nilai kebangsaan yang memuat ajaran mengenai patriotisme dan nasionalisme memberikan kesadaran dan menggugah kesadaran anak bangsa untuk selalu mencintai Tanah Air Indonesia. Kata kunci: wayang babad, nilai kebangsaan, generasi muda
VIRTUAL PAKELIRAN WAYANG KULIT PURWA SURAKARTA STYLE DURING PANDEMIC COVID19: STUDY OF GARAP, FORM, FUNCTION, AND MEANING Catur Nugroho; Sugeng Nugroho; Bambang Sunarto
Proceeding of International Conference on Art, Media, and Culture (ICAMAC) Vol. 1 No. 1 (2024): Proceeding to The 1st International Conference on Arts, Media, and Culture (ICA
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Abstract                                                                                                This article discusses the virtual pakeliran of wayang kulit purwa during the Covid19 pandemic. The pandemic has forced puppeteers to continue to exist in the midst of society along with strict government restrictions. The presence of virtual pakeliran is an innovation created by the puppeteers as a solution to this problem. This article pays special attention to how a virtual pakeliran is created so that it is still accepted by the public. The material object chosen is the virtual pakeliran presented by Ki Purbo Asmoro and Ki Cahyo Kuntadi which is tracked through Youtube live streaming documentation. The concept used as a framework for analysis is the concept of Surakarta-style pakeliran garap, which consists of four elements of garap, namely the play, catur, sabet, and karawitan/ pakeliran accompaniment.  In addition, the post-structuralism approach is used as a perspective to see the form, function, and meaning of virtual pakeliran. The research method used is descriptive analytical through observation data on the documentation of virtual wayang performances. The virtual pakeliran during the Covid-19 pandemic shows the adjustment of the play to the phenomena that occurred, with a meaning that leads to hope and goodness. The form of virtual pakeliran tends to be packaged with a solid work presented through the use of streaming technology. This means that solid work affects various elements, including the work of the play, catur, sabet, and accompaniment. The collaboration process between conventional, concise, and compact arrangements results in an adaptive, responsive, and communicative virtual pakeliran. Virtual pakeliran functions as a creative space for puppeteers and entertainment media for the public during the pandemic. The important meaning in virtual pakeliran is in the form of hopes and prayers for a better life.
Co-Authors Asrul Asrul Astuti Kirana Fachry Bambang Sunarto Catur Nugroho Danissa Dyah Oktaviani Dodo Gunawan Edy Tri Sulistyo Ekaputra, Eri Gas Kuwato - Mizron Zen Fatro Rudi Febriamansyah Sunardi - Syarifudin M. Kasiman Yudha Nugraha Yuliana Ma’ruf Alfajri Zulhendri Kamus