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“Si beau ma queen”: The Speech Construction of Queer Identity Perception in French Social Media Aprillia Firmonasari
Jurnal Kawistara Vol 11, No 3 (2021)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.v11i3.69024

Abstract

Queer as a gender identity draws varying responses globally. In French the representation of Queer in various social media has raised a number of public’s perceptions, both in positive and negative manners. This perception does not only concern about French linguistic issues, but also its socio-cultural issues. This study puts an emphasis on the widely-used speech patterns showing the public perception on both French queer and immigrant queers posted on French social media. Further, it also examines the socio-cultural context that influences the social contact and relation between the public and the phenomenon of Queer as a subject in social media. This study uses interactionist approach and gender-based critical discourse analysis based on the theory of interpersonal contact between groups proposed by Gordon Allport. In explaining the phenomenon, the researcher employs qualitative content analysis and uses criticial discourse analysis and gender-based criticism. The data are collected from both French and immigrant queers’ posts on social media in 2020. The results show that French queers are perceived to have equal standing position with other French people as they are considered as a part of French society. The result also shows that unlike French queer, the immigrant-descent queer are considered to have inequal position with French society due to the immigrant’s negative stereotype as the trigger of social problems in France.
Investigating Representation Ethos Émotif in 2007 French Presidential Election Aprillia Firmonasari; Rosidin Ali Syabana
k@ta: A Biannual Publication on the Study of Languange and Literature Vol. 22 No. 1 (2020): JUNE 2020
Publisher : The English Department, Faculty of Humanities & Creative Industries, Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (428.934 KB) | DOI: 10.9744/kata.22.1.17-27

Abstract

The issue of immigration became prominent in French political discourse in 2005 that leads to debate about France and nationalism. During the lead-up to the 2007 French Presidential election, various concepts of a French national identity were promoted by candidates: Nicolas Sarkozy, Ségolene Royal, François Bayrou, and Jean-Marie Le Pen. Candidates gave particular attention to ethos, specifically ethos émotif. In this article, the researcher will characterize the ethos émotif presented by the four candidates mentioned above. The ethos will be then examined whether it were successfully embodied in these candidates' speeches by investigating the public reaction they received based on articles published in the French media. This research will apply a critical discourse analysis and interactional sociolinguistics approach using elements of interaction formulated by Stébe (2008) and Kerbrat-Orecchioni (1990). Data will be classified using the software LEXICO 3.
Representasi Identitas Diaspora Arab-Magribi di Prancis dalam Film Youssef Salem a du succès: Analisis Multimodal Imam Musaid Hanifa; Aprillia Firmonasari
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 12 No. 2 (2026): Penulis pada Edisi ini Terdiri dari Tiga (3) Negara: Indonesia, Taiwan dan Jor
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/bskyh844

Abstract

Penelitian ini menganalisis representasi identitas diaspora Arab-Magribi di Prancis dalam film Youssef Salem a du succès (2023) menggunakan pendekatan wacana multimodal berbasis semiotika sosial. Melalui metode kualitatif deskriptif, data berupa tangkapan layar adegan dan transkripsi dialog dikumpulkan menggunakan teknik simak-catat. Data diklasifikasikan berdasarkan tema, lalu dianalisis menggunakan kerangka tiga metafungsi Halliday (ideasional, interpersonal, dan tekstual) untuk mengungkap konstruksi makna identitas. Hasil penelitian menunjukkan bahwa film ini merepresentasikan identitas diaspora Arab-Magribi sebagai entitas yang tidak stabil dan terus dinegosiasikan dalam ruang sosial Prancis. Secara semiotik, representasi tersebut dibangun melalui sinergi antara tuturan verbal, ekspresi gestural, relasi antartokoh, serta komposisi visual yang secara simultan memproduksi makna mengenai marginalisasi, konflik identitas, dan beban representasi etnis. Penelitian ini menegaskan bahwa dalam konteks sinematik, identitas diaspora tidak hanya hadir sebagai wacana linguistik, tetapi juga sebagai praktik makna yang terwujud melalui interaksi sosial dan elemen visual. Dengan demikian, pendekatan multimodal semiotika sosial terbukti efektif dalam membedah kompleksitas identitas diaspora dalam media visual.