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Social Harmonization in The Sadranan Tradition: Case Study Dk. Mulwo, Ds. Muruh, Gantiwarno District, Klaten Regency Riyanto, Hery
Javanologi: International Journal of Javanese Studies Vol 7, No 1 (2023): Javanologi Volume 7 No. 1: December
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v7i1.84120

Abstract

One form of Javanese culture is the sadranan tradition. The sadranan tradition is a tradition that is still going on today. Sadranan is carried out as a form of gratitude to True Source. Sadranan is usually performed in the month of shaban (ruwah). One of the communities that still routinely carry out the sadranan tradition is the community in Mulwo. The pluralism that exists in the Mulwo community is not a barrier to the implementation of the sadranan tradition. The differences that exist in the Mulwo community create social harmony. The values contained in social harmony in the sadranan in Mulwo are illustrated in the entire series of sadranan events which include; Pre-sadranan, sadranan, and post-sadranan. This research is qualitative research with descriptive-analysis data analysis methods. This type of research is field research with a sociological approach to reveal more deeply the sadranan tradition of creating social harmony in the Mulwo dukuh community. The data in this study is the sadranan tradition in Dukuh Mulwo as primary data, and secondary data sources include data obtained from books, articles, theses and documents related to the research. Observation, interviews, and documentation are used to carry out data collection techniques.
Cultural Commodification in Cultural Tourism: A Case Study of Sekartaji Wayang Beber Museum Riyanto, Hery; Arista, Mutiara
Javanologi: International Journal of Javanese Studies Vol 8, No 2 (2025): Javanologi Volume 8 No. 2: June
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v8i2.101295

Abstract

This study explores the practice of cultural commodification as a strategic approach to revitalize museum-based cultural tourism, focusing on the Wayang Beber Sekartaji Museum in Pacitan, East Java. The research investigates how cultural elements, particularly wayang beber, are transformed into tourism attractions that appeal to contemporary audiences. Drawing on an exploratory qualitative method, data were collected through field observations and in-depth interviews with the museum's founder, Indra Suroinggeno, complemented by literature reviews of relevant academic works and cultural tourism reports. The findings reveal two key forms of commodification: Wayang Beber Pancasila, which integrates national ideological values into traditional visual narratives, and Kerta Dluwang, a handmade paper medium repurposed as both artwork and merchandise. These adaptations function not only as economic assets, but also as communicative tools to reintroduce local philosophy and cultural identity to the public. Rather than diminishing authenticity, the commodification at Sekartaji Museum serves as a medium for cultural reinterpretation—balancing preservation with innovation. This study underscores that when rooted in community agency and cultural knowledge, commodification can contribute to museum sustainability, increase visitor engagement, and strengthen the socio-cultural position of traditional art forms within the tourism landscape