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All Journal HUMANIKA LITE: Jurnal Bahasa, Sastra, dan Budaya IZUMI Jurnal Ilmiah Bahasa dan Sastra JURNAL ILMU BUDAYA Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Kiryoku: Jurnal Studi Kejepangan Puitika J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Kajian Linguistik dan Sastra NAWA: Journal of Japanese Studies Journal of Language Education Studies and Applied Linguistics (JoLESAL)
Fithyani Anwar
Universitas Hasanuddin
Arts Humanities Education Languange, Linguistic, Communication & Media

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EKRANISASI NOVEL YOGISHA X NO KENSHIN KARYA KEIGO HIGASHINO Sinambela, Reski Amalia; Anwar, Fithyani
(JIBS) JURNAL ILMIAH BAHASA DAN SASTRA Vol. 12 No. 1 (2025): JIBS (Jurnal Ilmiah Bahasa dan Sastra)
Publisher : Fakultas Bahasa dan Sastra Universitas PGRI Kanjuruhan Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Popular novels are often adapted into a film. One of the novels adapted into a film with the same title is Yogisha X no Kenshin by Keigo Higashino. The adaptation of this novel resulted in changes to the plot elements, characters, and setting, which impacted audience satisfaction with the film. This research uses a qualitative descriptive method and a structural approach to analyze the process of adapting Yogisha X no Kenshin into a film and identify changes between the novel and film versions. Data was obtained from reading novels and watching films, then analyzing changes in plot, characters, and settings. This research shows that the adaptation process resulted in changes to the story structure; namely, in the plot aspect, there were 28 reductions, 17 additions, and 14 variations. In the character aspect, there are three subtractions, two additions, and six variations of changes. Meanwhile, in the background aspect, there is one reduction, four additions, and 13 variations of changes. The impact of the adaptation process provides different interpretations for viewers of the two works. Nevertheless, the adaptation process as a whole had a positive impact, as seen from the audience's positive response to the adaptation.
Mapping The Development of Japanese Studies Journals In Indonesia Anwar, Fithyani
NAWA: Journal of Japanese Studies Vol. 2 No. 2 (2025): September 2025
Publisher : Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69908/nawa.v2i2.45193

Abstract

The Japanese studies field has significantly expanded globally, encompassing diverse themes from traditional cultural aspects to contemporary issues such as globalization and international relations. In Indonesia, Japanese studies play a pivotal role in fostering academic and cultural ties with Japan. The growth of this field is evidenced by the increasing number of academic programs and publications focusing on Japanese language, literature, and culture. Currently, Indonesia hosts 27 Japanese studies journals, which serve as key platforms for disseminating research and strengthening academic engagement. This study adopts a qualitative descriptive approach to map and analyze the development of these journals. It identifies key challenges such as meeting national accreditation standards set by SINTA, ensuring consistent publication quality, and addressing operational sustainability. Other notable issues include article processing charges (APCs) and the need for alignment with international publication norms. Despite these challenges, integrating Japanese cultural philosophy into journal names and designs demonstrates a strong commitment to the field’s identity. In addition, mandatory publication requirements for faculty members and collaborations with academic associations such as ASJI, ASPBJI, and KPSJI provide critical opportunities for these journals to develop further. Rather than merely offering a general overview, this study presents specific insights into the conditions and trajectories of Japanese studies journals in Indonesia, shedding light on their role in strengthening Indonesia’s contribution to global Japanese studies scholarship.
Analisis Haiku dalam Film Tokyo Godfathers Said, Mikal Muhammad; Anwar, Fithyani
JURNAL ILMU BUDAYA Vol. 13 No. 2 (2025): jurnal ilmu budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v13i2.47320

Abstract

This article analyzes three haiku in the animated film Tokyo Godfathers (Satoshi Kon, 2003) to explain their meaning and function in the narrative structure. A qualitative–descriptive design employs two steps: (1) heuristic–hermeneutic reading of the haiku (identifying kigo/kireji; literal and connotative meanings); and (2) structural analysis mapping each haiku to the plot (setup–confrontation–resolution) by its point of appearance, causal links, and character change. Primary data are the film and haiku transcripts; secondary data cover haiku studies and film narratology. Findings shows that the first haiku marks the birth of the mission on Christmas Eve; the second offers maternal encouragement at mid-plot; the third closes accounts on New Year’s Eve. Together the haiku act as act markers, strengthen the home–return motif, and steer character transformation: Hana reconciles with her foster mother and returns Kiyoko, Gin faces his daughter, and Miyuki makes peace with her father.
Problematika Perempuan dalam Novel Out Karya Natsuo Kirino Ifah, Ifah; Anwar, Fithyani; El Risman, Yunita
NAWA: Journal of Japanese Studies Vol. 1 No. 1 (2024): September 2024
Publisher : Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69908/nawa.v1i1.35020

Abstract

This research discusses various issues experienced by four female characters, Masako, Yayoi, Kuniko, and Yoshie, in the novel Out by the Japanese novelist Natsuo Kirino. Furthermore, the positive and negative impacts on those characters resulting from these issues are also analyzed. The analysis method employed is feminist literary criticism. This research uses the descriptive analytical method, which involves collecting data and utilizing various techniques to achieve the research objectives. The findings indicate that female characters experiencing oppression in the novel Out can attain freedom by understanding the oppression they face, recognizing their abilities, adapting to society, and potentially working in the public sphere. Economic factors dominate the problems they face. Apart from that, there is also domestic violence and betrayal committed by husbands. Ultimately, they worked together to eliminate Kenji, Yayoi's husband. All of these problems have positive and negative impacts. With Kenji's death, Yayoi feels free, while Masako, Kuniko, and Yoshie feel happy with the money they got from Yayoi
Konflik Antartokoh dalam Novel Aishū Shinderera Mō Hitori No Shinderera Karya Akiyoshi Rikako Gony, Alda Purnama; Anwar, Fithyani
NAWA: Journal of Japanese Studies Vol. 1 No. 1 (2024): September 2024
Publisher : Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69908/nawa.v1i1.35021

Abstract

This research aims to analyze the conflicts between characters in the novel Aishū Shinderera mō Hitori no Shinderera by Akiyoshi Rikako by delineating the forms of conflicts between characters and the underlying factors contributing to these conflicts. A qualitative descriptive method is employed in this study with a structural approach, focusing on the analysis of intrinsic elements that shape literary works. Data collection involves a literature review of literature and the utilization of both Japanese and Indonesian-translated versions of the novel. Overall, the research successfully gathers data on 45 interpersonal conflicts and 41 contributing factors. The data generated from this research encompass the forms of interpersonal conflicts and the factors underlying these conflicts within the novel.
Analisis Konflik Tokoh Utama Novel Hakuchō to Kōmori karya Keigo Higashino Masyrifah, Nurul; Anwar, Fithyani
NAWA: Journal of Japanese Studies Vol. 2 No. 1 (2025): March 2025
Publisher : Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69908/nawa.v2i1.42192

Abstract

Character conflicts are divided into two, namely external and internal conflicts. This study aims to describe the conflict of the main character, Tatsuro Kuraki, and analyze the cause of the conflict in the novel Hakuchō to Kōmori by Keigo Higashino. This research uses a structural approach with a descriptive qualitative method. The analysis shows that one of the main characters' external conflicts is between Tatsuro Kuraki and Shozo Haitani. Tatsuro accidentally grazed Haitani, so Haitani threatened to report Tatsuro. Furthermore, internal conflict is in the form of Tatsuro's guilt towards the Asaba family, who were victims of police misapprehension in the case of Haitani's death. Furthermore, one of the factors causing conflict in Tatsuro's character is Tatsuro's pity for Shiraishi, who is still a teenager, so he covers up the murder of Haitani committed by Shiraishi. The overall conflict that occurs in the main character has a significant influence on the formation of the plot and other elements in the story.
Nationalism in the translated literary titles during the Japanese occupation: A study of Djawa Baroe Idrus, Idrus; Hiraishi, Noriko; Anwar, Fithyani; Sonezza, Ladyanna; Helmita, Helmita
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol. 21 No. 2 (2025): September
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/lite.v21i2.14126

Abstract

  This study investigates the representation of nationalism in the translation of literary titles published in Djawa Baroe, an Indonesian-language magazine circulated during the Japanese occupation from 1942 to 1945. It focuses on the translation strategies and ideological meanings conveyed through lexical choices and symbolic narratives. The analysis identifies twenty-six translated titles, examining three representative examples in detail to illustrate how linguistic adaptation intersects with nationalist discourse. Employing Vinay and Darbelnet’s translation model, the study distinguishes between direct and oblique strategies to explain how titles were modified to fit Indonesian conventions while resonating with nationalist sentiments. Additionally, Fairclough’s Critical Discourse Analysis (CDA) situates these strategies within broader ideological and socio-political contexts, allowing the research to capture micro-level textual operations and reveal how translation acted as discourse production embedded within wartime power structures. Findings demonstrate that translators utilized deliberate techniques such as modulation, equivalence, and orthographic adjustment to enhance readability and embed ideological content, foregrounding themes of patriotism, sacrifice, and devotion to the motherland. This highlights that translation in Djawa Baroe was far from a neutral linguistic transfer; instead, it emerged as a politically charged act of cultural mediation. By illustrating how Japanese occupation propaganda intersected with Indonesian nationalist discourse through translation, this study contributes to translation studies by underscoring the ideological role of translation as an instrument of power, identity, and cultural hegemony.
Analisis Formula Cawelti dalam Novel Seijo no Kyūsai Karya Keigo Higashino Putri, Tiara Rosmika; Anwar, Fithyani; Imelda, Imelda
JURNAL ILMU BUDAYA Vol. 13 No. 2 (2025): jurnal ilmu budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v13i2.48876

Abstract

This study examines the application of the classic detective formula in Seijo no Kyūsai by Keigo Higashino using John G. Cawelti’s framework. The research aims to identify narrative patterns and structural variations that distinguish the novel from conventional detective mysteries. Using a descriptive qualitative method with note-taking, the study analyzes data from both the Japanese text and its Indonesian translation. The findings indicate that the novel applies the five aspects of the classic detective formula but modifies them by introducing an impossible crime, thereby creating greater complexity. The crime is revealed not through explicit depiction but through indications of cause of death, while real and false clues emerge from character actions, monologues, and misleading alibis. The investigation integrates police inquiry with scientific experiments by Yukawa Manabu as a nonconventional detective. The solution unfolds gradually through analytical dialogue, ending with the perpetrator’s arrest while leaving emotional tension that enriches the narrative.
Formula Cerita Detektif dalam Novel Yogisha X No Kenshin Karya Keigo Higashino Putri, Tiara Rosmika; Anwar, Fithyani; Taqdir, Taqdir; Nurfitri, Nurfitri
HUMANIKA Vol 32, No 2 (2025): December
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/humanika.v32i2.78049

Abstract

This study analyzes the application of the classical detective formula in Keigo Higashino’s novel Yogisha X no Kenshin using John George Cawelti’s theory of the classical detective formula. The purpose of this research is to identify the narrative patterns and their modifications that distinguish the novel from conventional detective formulas. The study employs a descriptive qualitative method with a close-reading technique. The data were obtained from the Japanese version of the novel and its Indonesian translation, then classified according to the five aspects of the classical detective formula: introduction of the detective, crime and clues, investigation, announcement of the solution, explanation of the solution, and the ending. The findings show that although the classical detective formula is applied consistently, it is accompanied by structural innovations. The story does not begin with the introduction of the detective, but instead opens with the depiction of a crime supported by false clues functioning as diversions. The character Yukawa Manabu is portrayed as a physics professor who solves the case through a scientific approach. The investigation process highlights not only the criminal aspects but also the moral conflicts accompanying the perpetrator’s actions. The stages of announcing and explaining the solution, together with the ending, are presented sequentially and form a confrontational structure in revealing the true perpetrator. Yogisha X no Kenshin enriches the detective genre by modifying the classical formula through scientific reasoning, clue manipulation, and nuanced characterization of the perpetrator. Such innovations represent an important contribution to the development of modern detective formulas in Japan.
Struktur Cerita Detektif Novel Manatsu no Houteishiki Putri, Tiara Rosmika; Anwar, Fithyani
NAWA: Journal of Japanese Studies Vol. 3 No. 1 (2026): March 2026
Publisher : Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69908/nawa.v3i1.49471

Abstract

This study examines the application of the classical detective formula in Keigo Higashino’s Manatsu no Hōteishiki through John G. Cawelti’s theoretical framework. The research aims to analyze how the five structural elements of detective fiction—introduction of the detective, crime and clues, investigation, the announcement and explanation of the solution, and ending are organized and modified in the novel. A descriptive qualitative method is employed through close reading and note-taking, with data sourced from narrative passages and dialogues in both the Japanese text and its Indonesian translation. The findings show that while the novel follows the classical detective formula, it introduces significant variations. The detective figure appears indirectly through Yukawa Manabu’s scientific reasoning. The central crime is initially disguised as an accident, supported by ambiguous clues that both guide and mislead characters and readers. The investigation progresses through unofficial channels, emphasizing scientific observation and interpersonal subtlety. The stages of announcing and explaining the solution unfold gradually and carry emotional weight, leading to an ending that highlights reconciliation rather than legal resolution. Overall, the novel reflects Higashino’s innovative adaptation of the detective formula and contributes to the development of modern Japanese detective fiction.
Co-Authors A. Achmad Fudail Aenum, Nur Akram, Andi Nurnisa Rofifah Alfahira, A. Fany Aqilah Nurilmi Delanova, Anasya Audira Gony, Alda Purnama Helmita, Helmita Hiraishi, Noriko Idrus Idrus Ifah Ifah Imelda Imelda Ismi Nursipa, Siti Iswahyudi, Agung Juliadi Putra Kasmawati Kasmawati Mandalle, Mesy Pramaseilla Masyrifah, Nurul Mudiah Husnatul Aysi Muhammad Ihsan Afandi Nurfitri Nurfitri Nurfitri Nurfitri, Nurfitri Nursidah Nursidah Pandu Satria Mandala Putra Putri, Tiara Rosmika Risvy, Intan Said, Mikal Muhammad Sinambela, Reski Amalia Sonezza, Ladyanna Taqdir Taqdir Tiara Rosmika Putri Yunita El Risman