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Komunikasi Politik Daring: Studi Perbincangan Politik Di Twitter Pada Masa Kampanye Pemilihan Presiden Indonesia 2019 Yohanes Thianika Budiarsa, MGMC; Wahyu Nova Riski
Jurnal Komunikasi dan Media Vol 1, No 1: November 2020
Publisher : Universitas Katolik Soegijapranata

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24167/jkm.v1i1.2845

Abstract

Studi ini bertujuan untuk mempelajari bagaimana polarisasi politik terjadi secara daring. Pengumpulan dan analisis data Twitter dalam studi ini dilakukan melalui social network analysis berbasis komputer. Dua kata kunci yang dipilih untuk pengumpulan data adalah #2019GantiPresiden dan #2019TetapJokowi. Hasil analisis data menemukan adanya polarisasi politik secara daring berdasarkan topik dan figur politik yang terlibat. Studi ini menyimpulkan bahwa perbincangan politik secara daring yang melibatkan kata kunci #2019GantiPresiden secara konsisten menunjukkan polarisasi politik. Di sisi lain, perbincangan dengan kata kunci #2019TetapJokowi secara konsisten terfragmentasi.
POLARISASI DALAM JARINGAN DISKUSI FILM DI SITUS JEJARING SOSIAL TWITTER Wahyu Nova Riski; Girsang Murawaty Nitasri
Offscreen Vol 2, No 01: Offscreen: Journal Of Film and Television (July-December 2022)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/os.v1i3.3215

Abstract

Diskusi mengenai film tertentu di media sosial dapat merupakan rutinitas umum yang cenderung menimbulkan pertentangan antar individu. Penelitian ini bertujuan untuk melihat kemungkinan terjadinya polarisasi antar kelompok individu dalam mendiskusikan film tertentu di media sosial Twitter. Menggunakan analisis jaringan sosial atau social network analysis yang di otomasi dengan aplilkasi NodeXL, penelitian ini membandingkan diskusi film yang diproduksi sineas local dan sineas internasional. Hasil penelitian menunjukkan, pertama, diskusi tentang film tertentu di media sosial Twitter cenderung menyebabkan polarisasi. Diskusi mengenai lima dari tujuh film yang di analisis menunjukkan jaringan yang terpolarisasi. Ini menunjukkan kuatnya pengaruh sosial media dalam menyebabkan polarisasi meskipun topik diskusi sama sekali tidak berkaitan dengan isu politis. Temuan kedua dari penelitian ini adalah dominasi dominasi kritikus film dalam diskusi tentang film di sosial media meskipun tidak tertutup kemungkinan media massa yang memiliki akun di Twitter juga dapat mendominasi percakapan. Penelitian ini menambah khasanah pengetahuan tentang dampak yang mungkin terjadi akibat pengguanaan sosial media Twitter dalam membentuk polariasasi antar kelompok masyarakat.Keywords: film, diskusi daring, analisis jaringan sosial, polarisasi.
COMMUNICATING DEMOCRATIC WILL ONLINE: THE CASE OF MASS REJECTION TO FUEL PRICE ADJUSTMENT POLICY IN INDONESIA Wahyu Nova Riski
Jurnal Ranah Komunikasi Vol 7 No 1 (2023): Jurnal Ranah Komunikasi (JRK)
Publisher : Jurusan Ilmu Komunikasi Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/rk.7.1.33-42.2023

Abstract

The advance of communication technologies has evolved civic engagement in democratic countries. Social media platforms such as Twitter, Facebook, and Instagram allow citizen to express their view freely and publicly. Citizens can easily communicate their views about the democratic process through social media. This study aims to assess online democratic engagement on Twitter in Indonesia regarding the policy to increase fuel prices in 2022. Computerized social network analysis is employed. NodeXL Pro is an open-source web scraping and visualization tool used to collect, process, and analyze Twitter data. The study finds that online civic engagement tends to be polarised in the network structure. Secondly, this study indicates that general public are important figure in the network. Meanwhile, the primary source of information discussed in the network is news media. Finally, this study demonstrates a link between online political discourse and traditional media coverage.
Mise-En-Scene Sebagai Pendukung Unsur Dramatik Film Penyalin Cahaya Husnil Fajri; Dynia Fitri; Wahyu Nova Riski
Cinelook: Journal of Film, Television, and New Media Vol 1, No 01 (2023): Cinelook: Journal of Film, Television, and New Media
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cl.v1i01.3453

Abstract

This research aims to reveal and explore the role of mise-en-scene contained in each of the dramatic elements of the film. Supporting dramatic elements (conflict, suspense, curiosity and surprise) contained in the film, seen from the aspects of mise-en-scene, namely setting, make up & costume, lighting and staging: movement & performance.This research employs a qualitative research method with a descriptive approach. The research object chosen is the Photocopier (2021) directed by Wregas Bhanuteja. The data in this study were obtained from observations, interviews and documentation of the film. The theory used in analyzing mise-en-scene is the mise-en-scene theory by David Bordwell, Kristin Thompson & Jeff Smith based on the theory of dramatic elements by Elizabeth Lutters.The results of this study indicate that there are 25 scenes containing dramatic elements based on the level of significance of the presence of mise-en-scene in supporting dramatic elements. In this film, mise-en-scene plays a role in supporting dramatic element (conflict, suspense, curiosity, and surprise) so that the audience can feel it through settings, costumes, lighting and staging arrangements : movement & performance. While the make-up applied to the film does not have a major influence on each of the film's dramatic elements.
Pemanfaatan Media Sosial Sebagai Media Promosi Produk UMKM di Sumatera Barat Nitasri Murawaty Girsang; Wahyu Nova Riski
Journal of Tourism Sciences, Technology and Industry Vol 2, No 1 (2023): JTSTI- Journal Of Tourism Science, Technology and Industry
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/jtsti.v2i1.3732

Abstract

The development of communication technology has a significant influence on promotional media and marketing activities. Social media is one of the popular media and is considered effective in supporting the marketing of UMKM products. This study aims to look at the forms of social media use in the process of marketing UMKM products in West Sumatra. Using qualitative methods and a descriptive approach, the results of this study show that the forms of social media use vary from one UMKM to another. There are UMKM that consistently carry out direct selling and lose opportunities to build interaction with consumers. On the other hand, there are UMKM that have successfully marketed their products while building interactive relationships with their consumers by utilizing the features and facilities provided by social media platforms. This research adds to the academic corpus related to the use of social media for marketing MSME products at the regional level, especially in the West Sumatra region.
Analisis Pengaruh Brand Image Terhadap Minat Beli Ulang Oleh – Oleh Khas Sumatera Barat (Survey Pada Masyarakat Kota Padang Panjang) Girsang, Nitasri Murawaty; Riski, Wahyu Nova; Karyadi, FX Yatno
eScience Humanity Journal Vol 4 No 2 (2024): eScience Humanity Journal Volume 4 Number 2 May 2024
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v4i2.77

Abstract

This research aims to determine the effect of brand image variables of Christine Hakim's sanjai balado chips product on repurchase intention on consumers in the city of Padang Panjang, West Sumatra. The type of research used is quantitative research with a descriptive approach. The respondents in this research were residents of the city of Padang Panjang who had repeatedly purchased Christine Hakim's sanjai balado chips products. The number of samples in this research was 100 people and the method used was accidental sampling. Data collection was carried out by distributing questionnaires to all respondents selected in this study. Based on the results of descriptive statistics conducted, it shows that the majority of respondents expressed their perception of agreeing with all the questionnaire statements distributed. The research results show that brand image has a positive and significant effect on repurchase interest with a significance level of 0.000.
Time Loop Narrative untuk Memperkuat Curiosity pada Film Kembang Api Karya HERWIN NOVIANTO Sari, Ayu Kartika; Rahman, Abdul; Riski, Wahyu Nova
ROLLING Vol. 7 No. 1 (2024): ROLLING Volume 7 Nomor 1 Tahun 2024
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v7i1.46157

Abstract

Time loop atau pengulangan waktu menjadi salah satu alternatif untuk menunjang curiosity (rasa ingin tahu). Time loop dalam film seringkali dapat meningkatkan rasa ingin tahu (curiosity) karena membuka berbagai pertanyaan menarik dan memunculkan elemen misteri atau teka-teki. Penelitian ini bertujuan untuk menyelidiki bagaimana time loop dalam film Kembang Api (2023) karya Herwin Novianto dapat meningkatkan rasa ingin tahu (curiosity). Menggunakan metode kualitatif deskriptif dan teori naratif Tzvetan Todorov (1971) yang dimodifikasi oleh Lacey dan Gillespie (Eriyanto, 2013), penelitian ini memiliki hasil yaitu bentuk naratif pada filmnya sesuai dengan teori naratif Todorov dan terdapat 6 kali putaran waktu (time loop). Melalui time loop, curiosity dapat meningkat sebagai elemen yang menciptakan unsur dramatik dalam cerita. Penelitian ini memberikan kontribusi pada pemahaman lebih lanjut tentang bagaimana time loop dapat diintegrasikan dalam aspek naratif dan visual film sehingga meningkatkan daya tarik terhadap film.
NEWS PRESENTATION STYLE ON SOCIAL MEDIA TIKTOK (CASE STUDY OF SCTV COVERAGE 6 PROGRAM) Muhtadin, Muhammad Habil; Fransiskus Xaverius Yatno Karyadi; Wahyu Nova Riski
EZRA SCIENCE BULLETIN Vol. 2 No. 2 (2024): July-December 2024
Publisher : Kirana Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/ezrasciencebulletin.v2i2.142

Abstract

This study aims to analyze the presentation style of television news on TikTok social media, with a focus on SCTV's Liputan 6 news program. Social media platforms such as TikTok have become an important channel for news distribution, which requires a different approach from traditional news presentation on television. This research uses a qualitative method with a case study approach to understand how Liputan 6 SCTV presents news on TikTok, as well as to identify the elements that make presenting news on this platform effective and attractive to audiences. Data collection techniques through observation interviews, and documentation. The results showed that the adaptation of the presentation of news on television to TikTok by Liputan 6 SCTV adopts a more concise format and duration, uses interesting visuals, with a light narrative, can interact with the audience compared to the presentation of news on television. Classifying news content that most often gets attention by the audience so that it becomes viral, this classification is based on the type of news uploaded. And Liputan 6 utilizes Agenda Setting Theory in each of their TikTok content by highlighting news that has a significant impact on the public
Artificial Intelligence (AI) in Film Script Writing Riski, Wahyu Nova; Abidin, Zainal
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5621

Abstract

Artificial intelligence has influenced various aspects of human life in recent years. The film industry is no exception to be affected by the expansion of artificial intelligence. Focusing on the process of short movie scenario development, this research aims to explore the extent to which artificial intelligence or AI can play a role in the creative process of filmmaking. This research uses an innovative exploration method using action research methods with a special focus on the art-based action research approach. Using three experimental cycles, this research found that artificial intelligence has a series of limitations in its function to assist the film script creation process, therefore, it is unlikely that artificial intelligence can replace humans completely soon. However, this research found that despite all its limitations, artificial intelligence has a significant role in helping film creators simplify the initial steps of the film script development process, if it is utilized in the right way. This research makes a substantial contribution to the discussion regarding the use of artificial intelligence in the filmmaking creative process. Keywords: film, screenplay, artificial intelligence, AI
STRATEGI PENYAMPAIAN INFORMASI DALAM FILM MONSTER KARYA RAKO PRIJANTO TANPA MENGGUNAKAN DIALOG Pratama, M. Akhdan; Wahyu Nova Riski
Linimasa : Jurnal Ilmu Komunikasi Vol. 8 No. 2 (2025): Juli 2025
Publisher : Ilmu Komunikasi, FISIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/linimasa.v8i2.25876

Abstract

Non-dialogue films are increasingly rare in the modern era, where advanced sound recording and editing technologies dominate film production. Non-dialogue films must employ specific strategies to convey information effectively to the audience. This study aims to identify the strategies used in the film Monster (2023) to communicate information without relying on dialogue. The research method employed is qualitative, with the object of study being Monster (2023), directed by Rako Prijanto. Data were collected from audiovisual materials, documentation, and interviews. The theories applied in the analysis include David Bordwell’s theories of mise-en-scene and narrative, as well as dialogue theories from Armantono & Suryana and Sarah Kozloff. The findings indicate that mise-en-scene is the primary strategy used to replace the function of dialogue in conveying information. Among the elements of mise-en-scene, staging: movement and performance emerges as the most dominant, appearing in 29 out of 57 scenes. This is followed by setting, present in 15 scenes; lighting, highlighted in 8 scenes; costume, featured in 5 scenes; and makeup, which has no significant impact on information delivery. These mise-en-scene elements convey varying intensities of information such as emotion, setting, character identity, and atmosphere. Therefore, the use of mise-en-scene in this film proves to be an effective strategy for substituting dialogue in the communication of information. These findings have direct implications for the film industry, suggesting that filmmakers can effectively utilize mise-en-scene elements to create engaging non-dialogue films.